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Research of Reconstruction of Village in the Urban Fringe Based on Urbanization Quality Improving Üüa Case Study of Xi’Nan Village
SHS Web of Conferences 6, 0200 8 (2014) DOI: 10.1051/shsconf/201460 02008 C Owned by the authors, published by EDP Sciences, 2014 Research of Reconstruction of Village in the Urban Fringe Based on Urbanization Quality Improving üüA Case Study of Xi’nan Village Zhang Junjie, Sun Yonglong, Shan Kuangjie School of Architecture and Urban Planning, Guangdong University of Technology, 510090 Guangzhou, China Abstract. In the process of urban-rural integration, it is an acute and urgent challenge for the destiny of farmers and the development of village in the urban fringe in the developed area. Based on the “urbanization quality improving” this new perspective and through the analysis of experience and practice of Village renovation of Xi’nan Village of Zengcheng county, this article summarizes the meaning of urbanization quality in developed areas and finds the villages in the urban fringe’s reconstruction strategy. The study shows that as to the distinction of the urbanization of the old and the new areas, the special feature of the re-construction of the villages on the edge of the cities, the government needs to make far-sighted lay-out design and carry out strictly with a high standard in mind. The government must set up social security system, push forward the welfare of the residents, construct a new model of urban-rural relations, attaches great importance to sustainable development, promote the quality of the villagers, maintain regional cultural characters, and form a strong management team. All in all, in the designing and building the regions, great importance must be attached to verified ways and new creative cooperative development mechanism with a powerful leadership and sustainable village construction. -
Dynamic 3-D Measurement Based on Fringe-To-Fringe Transformation Using Deep Learning
Dynamic 3-D measurement based on fringe-to-fringe transformation using deep learning HAOTIAN YU,1,2,3 XIAOYU CHEN,1,2,3 ZHAO ZHANG,1,2 YI ZHANG,1,2 DONGLIANG ZHENG,1,4 AND JING HAN,1,2,5 1 School of Electronic and Optical Engineering, Nanjing University of Science and Technology, No. 200 Xiaolingwei Street, Nanjing, Jiangsu Province 210094, China 2 Jiangsu Key Laboratory of Spectral Imaging and Intelligent Sense, Nanjing University of Science and Technology, Nanjing, Jiangsu Province 210094, China 3Co-first authors with equal contribution 4 [email protected] 5 [email protected] Abstract: Fringe projection profilometry (FPP) has become increasingly important in dynamic 3-D shape measurement. In FPP, it is necessary to retrieve the phase of the measured object before shape profiling. However, traditional phase retrieval techniques often require a large number of fringes, which may generate motion-induced error for dynamic objects. In this paper, a novel phase retrieval technique based on deep learning is proposed, which uses an end-to-end deep convolution neural network to transform a single or two fringes into the phase retrieval required fringes. When the object’s surface is located in a restricted depth, the presented network only requires a single fringe as the input, which otherwise requires two fringes in an unrestricted depth. The proposed phase retrieval technique is first theoretically analyzed, and then numerically and experimentally verified on its applicability for dynamic 3-D measurement. 1. Introduction Dynamic three-dimensional (3-D) has been widely used in applications, such as bio-medicine [1],reverse engineering [2], and face recognition [3], etc. -
Highlights of Available Works
Highlights of Available Works TJ Ahearn Good Times Bad Times (Rolling Stones), 2018 Hand cut collage on vintage LP jacket with original vinyl 21 x 21 inches Framed Courtesy of the artist and lemon sky: projects + editions TJ Ahearn’s collages are created through a meticulous application of hand-cut imagery from both vintage and contemporary periodicals, books and other printed matter, which is glued onto the back of LP jackets. Most of the albums used date back to the 60s and 70s, and the original vinyl is included with the collaged piece. Ahearn creates imaginary environments through the inventive layering and juxtaposition of both banal and pop culture visual elements. The collages on view are from the artist's ongoing JUKEBOX series. TJ Ahearn lives and works between NYC and Miami. Ahearn attended School of Visual Arts in New York as well as both the University of Miami BFA Program and Miami Dade South Campus Fine Arts Program and Psychopolis Academy in the Netherlands. The work of TJ Ahearn is in many prestigious collections in the U.S. and abroad and has been exhibited at museums, galleries and art fairs internationally. Ahol Sniffs Glue Malt Liquor is Thicker Than Water, 2016 40 oz bottle, hot glue, and spray paint Courtesy of the artist Ahol, whose raw yet instantly recognizable street murals evaporate the divide between high and low art, often jumbles disparate themes from mass media, popular culture and marginalized pockets of society. He often draws inspiration from the urban environment and systems of society which dehumanize its inhabitants. -
Paterson Erika Phd 1997.Pdf
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter 6ce, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Infonnation Company 300 North Zed) Road. Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 Ordering Chaos: The Canadian Fringe Theatre Phenomenon by Erika Paterson BJ.A., University of Victoria, 1989 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in the Department of Theatre We accept this dissertation as conforming to the required standard Dr. -
Fringe Season 1 Transcripts
PROLOGUE Flight 627 - A Contagious Event (Glatterflug Airlines Flight 627 is enroute from Hamburg, Germany to Boston, Massachusetts) ANNOUNCEMENT: ... ist eingeschaltet. Befestigen sie bitte ihre Sicherheitsgürtel. ANNOUNCEMENT: The Captain has turned on the fasten seat-belts sign. Please make sure your seatbelts are securely fastened. GERMAN WOMAN: Ich möchte sehen wie der Film weitergeht. (I would like to see the film continue) MAN FROM DENVER: I don't speak German. I'm from Denver. GERMAN WOMAN: Dies ist mein erster Flug. (this is my first flight) MAN FROM DENVER: I'm from Denver. ANNOUNCEMENT: Wir durchfliegen jetzt starke Turbulenzen. Nehmen sie bitte ihre Plätze ein. (we are flying through strong turbulence. please return to your seats) INDIAN MAN: Hey, friend. It's just an electrical storm. MORGAN STEIG: I understand. INDIAN MAN: Here. Gum? MORGAN STEIG: No, thank you. FLIGHT ATTENDANT: Mein Herr, sie müssen sich hinsetzen! (sir, you must sit down) Beruhigen sie sich! (calm down!) Beruhigen sie sich! (calm down!) Entschuldigen sie bitte! Gehen sie zu ihrem Sitz zurück! [please, go back to your seat!] FLIGHT ATTENDANT: (on phone) Kapitän! Wir haben eine Notsituation! (Captain, we have a difficult situation!) PILOT: ... gibt eine Not-... (... if necessary...) Sprechen sie mit mir! (talk to me) Was zum Teufel passiert! (what the hell is going on?) Beruhigen ... (...calm down...) Warum antworten sie mir nicht! (why don't you answer me?) Reden sie mit mir! (talk to me) ACT I Turnpike Motel - A Romantic Interlude OLIVIA: Oh my god! JOHN: What? OLIVIA: This bed is loud. JOHN: You think? OLIVIA: We can't keep doing this. -
MACBETH Classic Stage Company JOHN DOYLE, Artistic Director TONI MARIE DAVIS, Chief Operating Officer/GM Presents MACBETH by WILLIAM SHAKESPEARE
MACBETH Classic Stage Company JOHN DOYLE, Artistic Director TONI MARIE DAVIS, Chief Operating Officer/GM presents MACBETH BY WILLIAM SHAKESPEARE WITH BARZIN AKHAVAN, RAFFI BARSOUMIAN, NADIA BOWERS, N’JAMEH CAMARA, ERIK LOCHTEFELD, MARY BETH PEIL, COREY STOLL, BARBARA WALSH, ANTONIO MICHAEL WOODARD COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN ANN HOULD-WARD SOLOMON WEISBARD MATT STINE FIGHT DIRECTOR PROPS SUPERVISOR THOMAS SCHALL ALEXANDER WYLIE ASSOCIATE ASSOCIATE ASSOCIATE SCENIC DESIGN COSTUME DESIGN SOUND DESIGN DAVID L. ARSENAULT AMY PRICE AJ SURASKY-YSASI PRESS PRODUCTION CASTING REPRESENTATIVES STAGE MANAGER TELSEY + COMPANY BLAKE ZIDELL AND BERNITA ROBINSON KARYN CASL, CSA ASSOCIATES ASSISTANT DESTINY LILLY STAGE MANAGER JESSICA FLEISCHMAN DIRECTED AND DESIGNED BY JOHN DOYLE MACBETH (in alphabetical order) Macduff, Captain ............................................................................ BARZIN AKHAVAN Malcolm ......................................................................................... RAFFI BARSOUMIAN Lady Macbeth ....................................................................................... NADIA BOWERS Lady Macduff, Gentlewoman ................................................... N’JAMEH CAMARA Banquo, Old Siward ......................................................................ERIK LOCHTEFELD Duncan, Old Woman .........................................................................MARY BETH PEIL Macbeth..................................................................................................... -
Save the Dates! Re-Enrollment Deadline - FRIDAY
Richmond Waldorf School Newsletter Wednesday, February 12, 2014 In This Issue Save the Dates! Re-Enrollment Deadline - FRIDAY Important Financial News ___________________________ Inclement Weather Policy February 12 Extended Friday Gathering Observation Day Circus Zirkus - Part I and II 8:30 - 10:00 am Help Support the Circus! & PA Meeting Summary Wednesday Morning Parent Gathering (next to Eurythmy Room) Waldorf Guys' Night Out 8:30- 10:00 am Mason Hopkins - Artwork & Relay Foods @ RWS Basketball Game Lost and Found RWS v. Good Shepherd High School Admissions Info 4:00- 5:00 pm 1415 Grayland Avenue Richmond, VA 23220 Quick Links February 13 Waldorf Guys' Night Out 6:00 - 9:00 pm Knaup Residence 2721 East Weyburn Road Richmond, VA 23235 February 14 Noon Dismissal for all students RWS Online Calendar (After Care - regular hours) February 2014 - AWSNA Inform February 17-21 Newsletter Mid-Winter Break NO CLASSES Cars4Causes and RWS February 22 Basketball Game RWS v. St. Michael's 12:45 - 1:45 pm Singleton Campus 10510 Hobby Hill Rd Richmond, VA 23235 February 26 Wednesday Morning Parent Gathering (next to Eurythmy Room) 8:30- 10:00 am & RWS Board Meeting (in Westover Baptist Library) 5:30 - 7:00 pm Re-enrollment Deadline This Friday February 14! Don't forget to return your enrollment contract to the RWS office no later than THIS FRIDAY, FEBRUARY 14 BY 5:00 PM to avoid the $250 late fee! Extra copies of the contracts and tuition & fee schedules are available in the front hallway upstairs. Look next to the bulletin board in the wall pockets if you need one. -
Statistical Searching of Deformation Phases on Wavelet Transform Maps of Fringe Patterns
ARTICLE IN PRESS Optics & Laser Technology 39 (2007) 275–281 www.elsevier.com/locate/optlastec Statistical searching of deformation phases on wavelet transform maps of fringe patterns H.J. Li, H.J. Chen, J. ZhangÃ, C.Y. Xiong, J. Fang Department of Mechanics and Engineering Science, Peking University, Beijing 100871, China Received 18 April 2005; received in revised form 29 July 2005; accepted 10 August 2005 Available online 29 September 2005 Abstract A wavelet transform (WT) analysis is presented to obtain the deformation phases from the fringes with non-uniform carrier frequency, which may appear in the pattern of varied-periodic fringes generated in displacement measurement. Based on the phase maps of the Morlet WT coefficients distributed in a space-scale spectrum, a statistical processing is carried out to search the compacted density of the phase intervals over the scale, and from that the phase modulations related to the object deformation can be determined. Numerical simulation demonstrates the validity of the pattern-processing technique, and the experimental results show the applications to the measurement of the in-plane displacement by the digital speckle pattern interferometry (DSPI) and the measurement of the out-of-plane deflection by the projecting Moire´fringes. r 2005 Elsevier Ltd. All rights reserved. Keywords: Fringes pattern processing; Wavelet transform; Deformation phase retrieve 1. Introduction measurements of surface deformation, however, the initial carrier frequencies are not uniformly distributed in the In optical measurement of surface deformation of an fringe pattern. For example, when a grid pattern with object under various loading, deformation phases need to uniform pitch is projected on a curved surface, a fringe be extracted from the generated fringes through optical carrier with varied space frequencies may be produced due transform or image processing. -
Kieran Hodgson Writer / Performer
Kieran Hodgson Writer / Performer Three-time Edinburgh Comedy Award nominee Kieran is an acclaimed actor, writer and comedian. Kieran Hodgson has had four hugely successful shows at the fringe, three of which resulted in prestigious Edinburgh Comedy Award Best Show Award Nominations for Lance, Maestro and ’75. Maestro also landed Kieran a nomination for the Times Breakthrough Award at the South Bank Sky Arts Awards 2017. Kieran’s shows have sold out theatres and comedy venues across the UK. Outside of the live circuit, Kieran has played series regular Gordon in two series of the smash hit BBC2 sitcom Two Doors Down alongside Arabella Weir, Doon Mackichan, Alex Norton, Elaine C Smith and Jonathan Watson. Kieran filmed the role of Dr Moorhouse in the forthcoming Victorian crime drama Miss Scarlet & The Duke this summer, which will air on UKTV’s Alibi channel in the UK and PBS in the US. Other recent film and television roles include: BBC3 / BBC One’s Bafta-nominated Pls Like series 2, as a regular in two series of BBC3's hit Famalam, Channel Four’s pilot The Mr Swallow Show starring Nick Mohammed, Dave's Unspun With Matt Forde, Netflix's Lovesick, and as Malcolm McLaren in Sky Arts' Urban Myths: The Sex Pistols vs Bill Grundy. Kieran’s Channel Four Blap, God’s Own County, which he wrote and also starred in alongside Monica Dolan and Jim Howick, was released in summer 2018. It was developed with Jonny Sweet and Simon Bird’s production company Guilty Party Pictures and produced by TV Burp’s Spencer Millman and is being developed further for Channel Four. -
'"There's More Than One of Everything": Navigating Fringe's Cofactual Multiverse'
. Volume 13, Issue 1 May 2016 ‘There’s More Than One of Everything’: Navigating Fringe’s cofactual multiverse Casey J. McCormick, McGill University, Montréal, Canada Abstract: This article analyzes how viewers of Fringe (FOX 2008-2013) make sense of the series’ complex science fictional storyworld. It argues that Fringe presents multiple iterations of worlds and characters in a way that encourages ‘cofactual’ interpretation: rather than figuring parallel universes and alternate timelines as ontologically hierarchical, the narrative accommodates all versions of reality and invites viewers to participate in shaping the multiverse. The article offers a close reading of Fringe’s complex narrative structure alongside an exploration of how audiences responded to and impacted the series through fannish practices such as vidding and narrative mapping. It concludes that cofactual narration opens up an array of participatory practices that blur the text/paratext distinction and facilitate interactive storyworld building. Keywords: Complex TV, Fandom, Narrative, Paratexts, Counterfactual, Cofactual, Possible Worlds Cofactual Interpretation By the time viewers reach the series finale of Fringe (FOX 2008-2013), they have travelled across two spatially-distinct universes, three versions of the future, and at least four different timelines, with each world-iteration populated by different versions of the show’s central characters. Through its reinvigoration of science fiction tropes, such as time travel, alternate realities, and temporal resets, Fringe asks viewers to re-evaluate typical models of narrative world-building. The series constructs a multiverse comprised of what I deem cofactual diegetic worlds. I use the term ‘cofactual’ in contradistinction to the more common narrative term ‘counterfactual’ as a means of emphasizing the plurality and simultaneity of diegetic worlds in Fringe. -
View, MN Wild Iron Images, St
#32 Eileen Binkley #66 Rhonda Sebert #93 Kathleen Withers ARTISTS Eileen Binkley Art Rhonda Lynn Studio Kaity Klothes Mixed Media Painting Clothing #32 Amber Johnson #67 Randy Birocci #94 Kari Surprenant Pink Indicates Artists New to the A Johnson Art Birocci's Woodworking KS Custom Creations Brookings Summer Arts Festival Mixed Media Wood Wood BOOTH #33 Laura Jewell #68 Dennis and Twyla McElree #95 Darla Ellickson Laura Jewell Artwork Echo Valley Metalworks Ellickson Jewelry Collection #1 Charlene Norvil and Diane Doren Painting Metal Jewelry Norenwood #34 Darlene Gustafson #69 John Cartwright #96 Rebecca Schnackenberg Wood Darlene's Ceramics & Crafts John Cartwright Railroad Art Dos Gatos Designs #2 Steve Coburn Painting Graphics Metal Steve Coburn Pottery #35 Annette Moore #70 Bruce Jessen #97 Bob Holloway Pottery/Ceramic Ms. Annette & Dave’s Antique Ceiling Tins Dust and Noise Woodworking Bob Holloway Studio & Gallery #3 George H. Jones Mixed Media Wood Mixed Media Fine Art By George Jones #36 Robert and Lana Hendricks #71 Shelleen Weeks #98 Kathy Besthorn Painting Silverfish 'N' Things Do-OverS! A Light Goes On, Inc. #4 Stacy Kleymann Metal Jewelry Photography GimStonz #37 Kathy Kirchoff #72 Judith Edenstrom and #99 Mike Eilers Jewelry Recollections Collette Gesinger Born in a Barn #5 Dennis Beecroft Mixed Media Artifacts Wood JDS Gems...and More #38 Randy and Jody Feucht Mixed Media #100 Mary Ann Bergeron Leather Creative Signs N More #73 Roger Erickson Affordable Designs by Mary Ann #5 Sharon Beecroft Wood Lake Shore Creations Jewelry JDS Gems...and More #39 Chaeli Kohn Wood #101 Becky Covert Photography Shady Grove Pottery #74 Dan and Janna Kuklis Dakota Macramé #6 Elizabeth Zokaites Pottery/Ceramic Woodworks by Dan Textiles/Fibers E.A. -
Creating an Omaha Fringe Festival
Omaha Fringe Festival UNO Theatre Graduate Program Tamar Neumann Creating an Omaha Fringe Festival Project Description: In 1947, after World War II, Edinburgh created an arts festival called Edinburgh International Festival. Eight artists, not invited to perform, showed up anyway and began performing on the fringes of the festival. Each year after that more performers showed up to the festival performing on the fringes, until 1958 when the official Festival Fringe Society was created. When the constitution for the Festival Fringe was written, they made sure to keep the integrity of those first performers by guaranteeing the festival would be a space open to anyone willing to perform. Today, the Edinburgh Fringe Festival is the biggest Fringe Festival in the world. From their example, artists all over the world have gravitated towards festivals that celebrate the arts in a similar way. A Fringe festival derives its name from those performers who began on the Fringes of the Edinburgh Festival Fringe. These festivals are simply a place where artists of all types can come together and perform or show their art. The works are generally performance based, self produced and self funded. In some cases the performers are all theatre based, but in others the festival can consist of musicians, stand up comics, theatre shows, and visual arts. Some festivals are open access, some are lottery, some are juried and some are a mix. After Edinburgh, Fringe festivals began to show up all over the world. Currently, the World Fringe website states there are over 250 Fringe festivals in countries from Europe to Africa to Asia to America.