Dynamic 3-D Measurement Based on Fringe-To-Fringe Transformation Using Deep Learning
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Research of Reconstruction of Village in the Urban Fringe Based on Urbanization Quality Improving Üüa Case Study of Xi’Nan Village
SHS Web of Conferences 6, 0200 8 (2014) DOI: 10.1051/shsconf/201460 02008 C Owned by the authors, published by EDP Sciences, 2014 Research of Reconstruction of Village in the Urban Fringe Based on Urbanization Quality Improving üüA Case Study of Xi’nan Village Zhang Junjie, Sun Yonglong, Shan Kuangjie School of Architecture and Urban Planning, Guangdong University of Technology, 510090 Guangzhou, China Abstract. In the process of urban-rural integration, it is an acute and urgent challenge for the destiny of farmers and the development of village in the urban fringe in the developed area. Based on the “urbanization quality improving” this new perspective and through the analysis of experience and practice of Village renovation of Xi’nan Village of Zengcheng county, this article summarizes the meaning of urbanization quality in developed areas and finds the villages in the urban fringe’s reconstruction strategy. The study shows that as to the distinction of the urbanization of the old and the new areas, the special feature of the re-construction of the villages on the edge of the cities, the government needs to make far-sighted lay-out design and carry out strictly with a high standard in mind. The government must set up social security system, push forward the welfare of the residents, construct a new model of urban-rural relations, attaches great importance to sustainable development, promote the quality of the villagers, maintain regional cultural characters, and form a strong management team. All in all, in the designing and building the regions, great importance must be attached to verified ways and new creative cooperative development mechanism with a powerful leadership and sustainable village construction. -
Outstate Trowel Trades Fringe Benefit Funds
OUTSTATE TROWEL TRADES FRINGE BENEFIT FUNDS Michigan Trowel Trades Health and Welfare Fund Outstate Michigan Trowel Trades Pension Fund Michigan Operative Plasterers’ and Cement Masons’ International Association Apprenticeship and Training Fund EMPLOYER HANDBOOK Outstate Michigan and Road Builder Employers 1 This Employer Handbook is prepared on behalf of the Michigan Trowel Trades Health and Welfare Fund (“Health and Welfare Fund”), the Outstate Michigan Trowel Trades Pension Fund (“Pension Fund”) and the Michigan Operative Plasterers’ and Cement Masons’ International Association Apprenticeship and Training Fund (“Apprenticeship Fund”) (together, “Funds”) for use by employers obligated to pay fringe benefit contributions to those Funds pursuant to Collective Bargaining Agreements negotiated by the Operative Plasterers’ and Cement Masons’ International Association Local 514 covering work performed in Michigan (other than work performed in Metropolitan Detroit and the Upper Peninsula) and covering work described in the collective bargaining agreement negotiated with the Michigan Infrastructure & Transportation Association - Labor Relations Division. If there are any conflicts between the information in this Employer Handbook and the Collective Bargaining Agreements or Funds’ document, the Collective Bargaining Agreements and/or Funds’ document shall control. WILL THE FUNDS ACCEPT YOUR CONTRIBUTIONS? If an employer is party to a Collective Bargaining Agreement or other written Agreement which requires it to make contributions to the Funds, the Funds will accept the employer’s contributions. Federal law requires that all fringe benefit contributions must be made based upon a written agreement. ORAL AGREEMENTS REGARDING THE PAYMENT OF FRINGE BENEFIT CONTRIBUTIONS ARE ILLEGAL. For this reason, the Funds monitor incoming contributions to make sure that every contributing employer has a written agreement detailing the basis on which contributions are made. -
Fringe Season 1 Transcripts
PROLOGUE Flight 627 - A Contagious Event (Glatterflug Airlines Flight 627 is enroute from Hamburg, Germany to Boston, Massachusetts) ANNOUNCEMENT: ... ist eingeschaltet. Befestigen sie bitte ihre Sicherheitsgürtel. ANNOUNCEMENT: The Captain has turned on the fasten seat-belts sign. Please make sure your seatbelts are securely fastened. GERMAN WOMAN: Ich möchte sehen wie der Film weitergeht. (I would like to see the film continue) MAN FROM DENVER: I don't speak German. I'm from Denver. GERMAN WOMAN: Dies ist mein erster Flug. (this is my first flight) MAN FROM DENVER: I'm from Denver. ANNOUNCEMENT: Wir durchfliegen jetzt starke Turbulenzen. Nehmen sie bitte ihre Plätze ein. (we are flying through strong turbulence. please return to your seats) INDIAN MAN: Hey, friend. It's just an electrical storm. MORGAN STEIG: I understand. INDIAN MAN: Here. Gum? MORGAN STEIG: No, thank you. FLIGHT ATTENDANT: Mein Herr, sie müssen sich hinsetzen! (sir, you must sit down) Beruhigen sie sich! (calm down!) Beruhigen sie sich! (calm down!) Entschuldigen sie bitte! Gehen sie zu ihrem Sitz zurück! [please, go back to your seat!] FLIGHT ATTENDANT: (on phone) Kapitän! Wir haben eine Notsituation! (Captain, we have a difficult situation!) PILOT: ... gibt eine Not-... (... if necessary...) Sprechen sie mit mir! (talk to me) Was zum Teufel passiert! (what the hell is going on?) Beruhigen ... (...calm down...) Warum antworten sie mir nicht! (why don't you answer me?) Reden sie mit mir! (talk to me) ACT I Turnpike Motel - A Romantic Interlude OLIVIA: Oh my god! JOHN: What? OLIVIA: This bed is loud. JOHN: You think? OLIVIA: We can't keep doing this. -
The Stowaway
Welcome Tell Me A (Shakespeare) Story When I was in college, I did a lot of part-time babysitting. One of my charges, a precocious 5-year-old named Olivia, was the daughter of an English professor of mine. During story time one evening, she chose a children’s book of tales from Shakespeare. While reading A Midsummer Night’s Dream aloud, I mispronounced the name of the fairy queen Titania, and Olivia was quick to correct me. “It’s ti-TAWN-yah,” she said with exasperation. Shakespeare was relatively new to me then. Having come from an underfunded urban public school system to a college where my peers were largely from high-performing schools, I spent a lot of time trying to catch up. I hadn’t expected to find myself challenged by a 5-year-old, however. At the time, I understood Olivia’s early access to Shakespeare to be the privilege of a child born to an academic. But in my role now at CSC, where I constantly preach that Shakespeare is for everyone, why would I draw the line of equity somewhere beyond people of a single-digit age? Because the truth is that a playwright like Shakespeare offers more than a good story or pretty language. Understanding his work brings cultural currency; there are countless references to his work all around us. And a positive experience—especially at an early age, where children are less likely to have preconceptions, and are more receptive to new language— can influence whether a person is fearful of, or looks forward to, future encounters with his work. -
2019-06-30 LM Financial Statements AUDITED Final
LEGAL MOMENTUM FINANCIAL STATEMENTS JUNE 30, 2019 and 2018 INDEPENDENT AUDITORS' REPORT Board of Directors Legal Momentum New York, New York Report on the Financial Statements We have audited the accompanying financial statements of Legal Momentum (the "Organization"), which comprise the statements of financial position as of June 30, 2019 and 2018, and the related statements of activities, functional expenses, and cash flows for the years then ended, and the related notes to the financial statements. Management's Responsibility for the Financial Statements The Organization's management is responsible for the preparation and fair presentation of these financial statements in accordance with accounting principles generally accepted in the United States of America; this includes the design, implementation, and maintenance of internal control relevant to the preparation and fair presentation of financial statements that are free from material misstatement, whether due to fraud or error. Auditor's Responsibility Our responsibility is to express an opinion on these financial statements based on our audits. We conducted our audits in accordance with auditing standards generally accepted in the United States of America. Those standards require that we plan and perform the audit to obtain reasonable assurance about whether the financial statements are free from material misstatement. An audit involves performing procedures to obtain evidence about the amounts and disclosures in the financial statements. The procedures selected depend on the auditor's judgment, including the assessment of the risks of material misstatement of the financial statements, whether due to fraud or error. In making those risk assessments, the auditor considers internal control relevant to the entity's preparation and fair presentation of the financial statements, in order to design audit procedures that are appropriate in the circumstances, but not for the purpose of expressing an opinion on the effectiveness of the entity's internal control. -
Statistical Searching of Deformation Phases on Wavelet Transform Maps of Fringe Patterns
ARTICLE IN PRESS Optics & Laser Technology 39 (2007) 275–281 www.elsevier.com/locate/optlastec Statistical searching of deformation phases on wavelet transform maps of fringe patterns H.J. Li, H.J. Chen, J. ZhangÃ, C.Y. Xiong, J. Fang Department of Mechanics and Engineering Science, Peking University, Beijing 100871, China Received 18 April 2005; received in revised form 29 July 2005; accepted 10 August 2005 Available online 29 September 2005 Abstract A wavelet transform (WT) analysis is presented to obtain the deformation phases from the fringes with non-uniform carrier frequency, which may appear in the pattern of varied-periodic fringes generated in displacement measurement. Based on the phase maps of the Morlet WT coefficients distributed in a space-scale spectrum, a statistical processing is carried out to search the compacted density of the phase intervals over the scale, and from that the phase modulations related to the object deformation can be determined. Numerical simulation demonstrates the validity of the pattern-processing technique, and the experimental results show the applications to the measurement of the in-plane displacement by the digital speckle pattern interferometry (DSPI) and the measurement of the out-of-plane deflection by the projecting Moire´fringes. r 2005 Elsevier Ltd. All rights reserved. Keywords: Fringes pattern processing; Wavelet transform; Deformation phase retrieve 1. Introduction measurements of surface deformation, however, the initial carrier frequencies are not uniformly distributed in the In optical measurement of surface deformation of an fringe pattern. For example, when a grid pattern with object under various loading, deformation phases need to uniform pitch is projected on a curved surface, a fringe be extracted from the generated fringes through optical carrier with varied space frequencies may be produced due transform or image processing. -
'"There's More Than One of Everything": Navigating Fringe's Cofactual Multiverse'
. Volume 13, Issue 1 May 2016 ‘There’s More Than One of Everything’: Navigating Fringe’s cofactual multiverse Casey J. McCormick, McGill University, Montréal, Canada Abstract: This article analyzes how viewers of Fringe (FOX 2008-2013) make sense of the series’ complex science fictional storyworld. It argues that Fringe presents multiple iterations of worlds and characters in a way that encourages ‘cofactual’ interpretation: rather than figuring parallel universes and alternate timelines as ontologically hierarchical, the narrative accommodates all versions of reality and invites viewers to participate in shaping the multiverse. The article offers a close reading of Fringe’s complex narrative structure alongside an exploration of how audiences responded to and impacted the series through fannish practices such as vidding and narrative mapping. It concludes that cofactual narration opens up an array of participatory practices that blur the text/paratext distinction and facilitate interactive storyworld building. Keywords: Complex TV, Fandom, Narrative, Paratexts, Counterfactual, Cofactual, Possible Worlds Cofactual Interpretation By the time viewers reach the series finale of Fringe (FOX 2008-2013), they have travelled across two spatially-distinct universes, three versions of the future, and at least four different timelines, with each world-iteration populated by different versions of the show’s central characters. Through its reinvigoration of science fiction tropes, such as time travel, alternate realities, and temporal resets, Fringe asks viewers to re-evaluate typical models of narrative world-building. The series constructs a multiverse comprised of what I deem cofactual diegetic worlds. I use the term ‘cofactual’ in contradistinction to the more common narrative term ‘counterfactual’ as a means of emphasizing the plurality and simultaneity of diegetic worlds in Fringe. -
Creating an Omaha Fringe Festival
Omaha Fringe Festival UNO Theatre Graduate Program Tamar Neumann Creating an Omaha Fringe Festival Project Description: In 1947, after World War II, Edinburgh created an arts festival called Edinburgh International Festival. Eight artists, not invited to perform, showed up anyway and began performing on the fringes of the festival. Each year after that more performers showed up to the festival performing on the fringes, until 1958 when the official Festival Fringe Society was created. When the constitution for the Festival Fringe was written, they made sure to keep the integrity of those first performers by guaranteeing the festival would be a space open to anyone willing to perform. Today, the Edinburgh Fringe Festival is the biggest Fringe Festival in the world. From their example, artists all over the world have gravitated towards festivals that celebrate the arts in a similar way. A Fringe festival derives its name from those performers who began on the Fringes of the Edinburgh Festival Fringe. These festivals are simply a place where artists of all types can come together and perform or show their art. The works are generally performance based, self produced and self funded. In some cases the performers are all theatre based, but in others the festival can consist of musicians, stand up comics, theatre shows, and visual arts. Some festivals are open access, some are lottery, some are juried and some are a mix. After Edinburgh, Fringe festivals began to show up all over the world. Currently, the World Fringe website states there are over 250 Fringe festivals in countries from Europe to Africa to Asia to America. -
Juliette Cross Kitchens
Julie L. Hawk [email protected] Employment Instructor (FYW) August 2015-present Department of English and Philosophy University of West Georgia Education Ph.D. Georgia State University, Literary Studies, 2012 Specializations: Post-1945 American Literature/Cultural Studies, Critical Theory Doctoral Dissertation: “Storied Subjects: Posthuman Subjectivization Through Narrative in Post-1960 American Print and Televisual Narrative” Chair: Dr. Christopher Kocela, Committee: Dr. Marti Singer, Dr. Nancy Chase M.A. University of Alabama in Huntsville, English, 2004 B.A. (with honors) University of Alabama in Huntsville, English and History, 1999 Areas of Expertise Honors and Awards Contemporary American Literature Advanced Teaching Fellowship, 2011 Cultural Studies William E. Brigman Award, 2010 International Multimodal Pedagogy graduate student essay competition Multimodal Composition ACETA James Woodall Award, 2006 State-wide Critical Theory (Alabama) essay competition Writing Center Pedagogy History Student of the Year Award, 1999 Sigma Tau Delta, 1997 Peer-Reviewed Publications “Observation on the Fringe: Observation and Narrative Participation in J.J. Abrams’ Fringe.” The Multiple Worlds of Fringe: Essays on the J.J. Abrams Science Fiction Series. Edited Collection Ed. Tanya Cochra, Sherry Ginn, and Paul Zinder. McFarland: 2014. “The Observer’s Tale: Dr. Weber’s Narrative (and Meta-narrative) Trajectory in Richard Powers’s The Echo Maker.” Critique: Studies in Contemporary Fiction 54.1 (Jan 2013): 18-27. “Objet 8 and the Cylon Remainder: Posthuman Subjectivization in Battlestar Galactica.” The Journal of Popular Culture 44.1 (February 2011): 3-15. “Hacking the Read-Only File: Collaborative Narrative as Ontological Construction in Dollhouse.” Slayage: The Online Journal of Whedon Studies 8.2-8.3 (Summer/Fall 2010) Other Publications “Infinite 1102: A Collective Romp Through Infinite Jest, Part I.” TECHStyle. -
The Science of “Fringe”
THE SCIENCE OF “FRINGE” EXPLORING: MAGNETISM A SCIENCE OLYMPIAD THEMED LESSON PLAN EPISODE 317: Stowaway Overview: Students will learn about magnetism and how magnets can be created and demagnetized. Grade Level: 9-12 Episode Summary: A woman who was killed along with her family several months ago keeps being seen at the scenes of various other deaths. The Fringe team analyzes evidence from another crime scene and discovers that her blood is highly magnetic. While trying to track her down, they find evidence at another crime scene that the victim had created a bomb that is set to explode somewhere. As the team utilizes a variety of techniques to try to locate the bomb, they realize that the woman is intending to use it to try to kill herself permanently along with many innocent bystanders and they contact her in an attempt to stop the imminent attack. Related Science Olympiad Event: Technical Problem Solving - Teams will gather and process data to solve problems. Learning Objectives: Students will understand the following: • Magnets are objects that produce an external magnetic field that applies a force to other ferromagnetic materials. • Only ferromagnetic materials such as iron, nickel and certain rare earth elements can become magnetized. • A magnet can have multiple poles or magnetic domains oriented on a variety of directions. © FOX/Science Olympiad, Inc./FringeTM/Warner Brothers Entertainment, Inc. All rights reserved. 1 Episode Scenes of Relevance: • The Fringe team discusses the unique properties of Dana Gray’s blood (14:43 ‘show -
Authorization to Transfer Fringe Benefit Contributions (1-1-2014)
Carpenters Trusts of Western Washington PO Box 1929 Seattle, WA 98111-1929 (800) 552-0635 Authorization To Transfer Fringe Benefit Contributions I am a participant in the Trust identified below. This is known as my “Home Trust” which is the organization that administers my fringe benefits. Please note: Your “home trust” and “cooperating trust” (please see below) are different than your Local Union. Name of Home Trust (you must complete this section) Street Address City State Zip Telephone I will be, or have been, working in the area covered by the Trust listed below (known as the “Cooperating Trust”) effective on the following date ____________________________________ (Month) ________ (Year) Name of Cooperating Trust (you must compcompletelete this section) Street Address City State Zip Telephone I hereby elect, to the extent that the Trustees of the “Cooperating Trust” and the Trustees of the “Home Trust” have agreed, through the execution of Exhibit B of the International Reciprocity Agreement, to have contributions that were paid on my behalf to the “Cooperating Trust” sent to my “Home Trust.” This includes all health and welfare funds and all retirement and annuity-type funds, except 401(k) elective contributions to the Carpenters of Western Washington Individual Account Pension Plan. I understand this request for transfer of contributions must be filed within 60 days following commencement of my temporary employment within the jurisdiction of the “Cooperating Trust.” I understand that the “Cooperating Trust” will act solely as the agent of the “Home Trust” upon the transfer of the contributions. I may cancel this request at any time by written notification. -
Fringe Field of Parallel Plate Capacitor
Fringe Field of Parallel Plate Capacitor Shiree Burt Nathan Finney Jack Young ********************************** Santa Rosa Junior College Department of Engineering and Physics 1501 Mendocino Ave. Santa Rosa, CA 95401 Supervising Instructor: Younes Ataiiyan Introduction A parallel plate capacitor with variable separation is the standard apparatus used in physics labs to demonstrate the effect of the capacitor's geometry (plate area and plate separation) on capacitance. The theoretical equation for the parallel plate capacitor, C0 = 0A/d 1 where A represents the area and d the separation distance between two plates, suggests a simple 1/x curvature for the plot of the measured capacitance versus separation distance. However, after a few millimeters of separation distance, the measured capacitance starts to deviate from the theoretical value. This deviation can reach as high as 10 times the theoretical value for a separation comparable to the dimensions of the plates. Obviously this deviation is due to the fringing effect of the field between the edges of two plates. There are several complicated approaches for including the fringing effect 1,2,3, which are beyond the scope of practicality in a sophomore Physics lab. The simplest formula to account for the fringing effect of a circular disk parallel plate capacitor is 4 : ’ 2 C = 0[(r /d)+rln(16r/d-1)] 2 In this equation, r and d represent the radius and the separation distance for a circular disk parallel plate capacitor, respectively, and 0 is the susceptibility of the free space and equal to 8.85x10-12 C2/(N-m2). Although this equation improves the calculated capacitance, it is far from being even close to the measured value.