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The Poetry of Allison Grayhurst Copyright © 2021 by Allison Grayhurst First Addition All Rights Reserved
Ways of Mercy Allison Grayhurst Edge Unlimited Publishing 1 Ways of Mercy The poetry of Allison Grayhurst Copyright © 2021 by Allison Grayhurst First addition All rights reserved No part of this book may be reproduced or transmitted in any form by any means electronic or mechanical, including photocopying, recording or any information storage, retrieval and transmission systems now known or to be invented without permission in writing from the author, except by a reviewer who may quote brief passages in a review. Cover Art (sculpture): “Fish” © 1997 by Allison Grayhurst Photo of sculpture “Fish” © 2020 by Allison Grayhurst Canadian Cataloguing in Publication Data Grayhurst, Allison, 1966- Ways of Mercy “Edge Unlimited Publishing” Poems. ISBN-13: 9798720154585 ISBN-10: Ways of Mercy The poetry of Allison Grayhurst Title ID: 2 Table of Contents Tadpoles Find the Sun No Gods, no Heroes, only women and Hector………………………….………………8 Because…………………….…………………………………….11 Sand………………………………………….…………………..12 Centre-Faith (while dreams swirl all-around)………………………………..14 A Dream Suspended …………………………………………..16 Light that came……….…………………………………………18 Glory, believe...………………………………………………….19 Exit Door Closed…………………...……………………………20 Stark Relief……………………..………………………………..21 The light has gone out.………………………...………………..22 Rationed………………………………………………………….23 Open Wide……...………………………………………………..25 Deathbed………………………………………………...……….26 Build……………………………………………………………...27 Mercy without Miracles and Miracles without Mercy…...……………………………………28 Water Wings…………………………………………………….30 Wind – -
The Music and Musicians of St. James Cathedral, Seattle, 1903-1953: the First 50 Years
THE MUSIC AND MUSICIANS OF ST. JAMES CATHEDRAL, SEATTLE, 1903-1953: THE FIRST 50 YEARS CLINT MICHAEL KRAUS JUNE 2009 TABLE OF CONTENTS List of figures................................................................................................................... iii List of tables..................................................................................................................... iv Introduction.......................................................................................................................1 Chapter 1 – Music at Our Lady of Good Help and St. Edward’s Chapel (1890- 1907)..................................................................................................................5 Seattle’s temporary cathedrals......................................................................5 Seattle’s first cathedral musicians ................................................................8 Alfred Lueben..................................................................................................9 William Martius ............................................................................................14 Organs in Our Lady of Good Help ............................................................18 The transition from Martius to Ederer.......................................................19 Edward P. Ederer..........................................................................................20 Reaction to the Motu Proprio........................................................................24 -
Cash Box NY Date, the Primary Sponsors of These Type of on What Could Have Been a Typical Album/Ticket Circulation NINA TREGUB
November 2, 1985 ZZ Top Turning Up The Heat With “Afterburner Story on Page 15 •« V 1 ' H Qf ^ J|| HBl Y C4SH BOX ^THE INTERNATIONAL MUSIC / COIN MACHINE / HOME ENTERTAINMENT WEEKLY VOLUME XLIX — NUMBER 21 — November 2, 1985 C4SHBQ< GUEST EDITORIAL GEORGE ALBERT President and Publisher MARK ALBERT Corporate $$$$ Aid Artists & Promoters — Vice President and General Manager SPENCE BERLAND Manufacturer’s Next? Vice President By Rip Pelley J.B. CARMICLE Vice President Many years have passed since the American consumer tuned in the with major music stars. Many potential sponsors are still fence sitting DAVID ADELSON radio to laugh at a young comic who identified himself as “Bob because of the usual expensive fees inherent with these type of Managing Editor Pepsodent Hope." While Hope’s middle name may have changed from programs. Although these fees are usually justified, most advertisers ROBERT LONG "Pepsodent" to “Texaco,” consumers have never changed their cannot afford the high ticket sponsorship. willingness to identify products with the celebrities In fill the void for these of companies, record Director Black/Urban Marketing who endorse them. order to types Currently, the advertising industry, facing manufacturer’s can tap these organization’s JIMI FOX audience slippage and fragmentation in network products and retail outlets for use in national and Director Media Communications television advertising, has turned to event local new release campaigns. In turn, the Research sponsorship and targeted consumer marketing advertiser can participate in the airtime generated KEITH ALBERT, Manager campaigns to further reach today's mobile by these promotions, as well as potential DARRYL LINDSEY RON ROSENTHAL consumer. -
Sheena Easton
FOR IMMEDIATE RELEASE MARCH 23, 2009 RIVER ROCK CASINO RESORT PRESENTS SHEENA EASTON LIVE AT THE RIVER ROCK SHOW THEATRE FRIDAY, SEPTEMBER 25 Richmond, BC – Sheena Easton, whose career has spanned the last twenty-eight years, was born the youngest of six children in Bellshill, Scotland. She is best known for her music of the 80’s and 90’s … her hits include “Morning Train,” “You Could Have Been With Me,” “Almost Over You,” “Telefone (Long Distance Love Affair),” “Strut,” “Sugar Walls,” “Eternity,” “U Got The Look,” “Days Like This,” “The Lover In Me,” "What Comes Naturally" and her 1983 country duet with Kenny Rogers, “We’ve Got Tonight.” Several of Sheena’s hit singles have been used in such films as the James Bond movie, For Your Eyes Only in 1981 and About Last Night in 1986. She also wrote the lyrics for "The Arms Of Orion," a duet with Prince which appeared on the Batman soundtrack in 1989 and recorded "A Dream Worth Keeping" for FernGully: The Last Rainforest, an animated feature in 1992. Sheena has been honoured with several awards including two Grammys and has broken records with her album sales … her fifth album, A Private Heaven which was released in 1984 went platinum selling over one million copies. She has also enjoyed a successful acting career including a five-episode appearance as recording star “Caitlin Davies” on NBC’s Miami Vice along with guest starring roles on Highlander: The Series, Brisco County Jr. and The Outer Limits. As well, she starred in her own television special, Sheena Easton: Act One which aired on NBC in 1987 and made a cameo appearance in the 1993 feature film, Indecent Proposal where she performed the song, “The Nearness of You.” She also voiced the role of “Sasha La Fleur” in the 1996 animated feature, All Dogs Go To Heaven 2. -
SRCD 2345 Book
British Piano Concertos Stanford • Vaughan Williams Hoddinott • Williamson Finzi • Foulds • Bridge Rawsthorne • Ireland Busch • Moeran Berkeley • Scott 1 DISC ONE 77’20” The following Scherzo falls into four parts: a fluent and ascending melody; an oppressive dance in 10/6; a return to the first section and finally the culmination of the movement where SIR CHARLES VILLIERS STANFORD (1852-1924) all the previous material collides and reaches a violent apotheosis. Of considerable metrical 1-3 intricacy, this movement derives harmonically and melodically from a four-note motif. 1st Movement: Allegro moderato 15’39” Marked , the slow movement is a set of variations which unfolds in a 2nd Movement: Adagio molto 11’32” flowing 3/2 time. Inward-looking, this is the concerto’s emotional core, its wistful opening 3rd Movement: Allegro molto 10’19” for piano establishing a mood of restrained lamentation whilst the shattering brass Malcolm Binns, piano motifs introduce a more agonized form of grief, close to raging despair. The cadenza brings London Symphony Orchestra, conducted by Nicholas Braithwaite some measure of peace. In the extrovert Finale, the first movement’s orchestration and metres are From SRCD219 ADD c 1985 recalled and the soloist goads the orchestra, with its ebullience restored, towards ever-greater feats of rhythmical dexterity. This typically exultant finale, in modified rondo form, re- GERALD FINZI (1901-1956) affirms the concerto’s tonal centre of E flat. 4 Though technically brilliant, it is the concerto’s unabashed lyricism -
“If I Should Die, Think Only This of Me” Songs from the World At
“If I should die, think only this of me” Songs from the World at War Patrick Klink Throughout human history, war has been both a plague on society and a driving influence on creativity and the arts. The wars of the twentieth century, particularly the world wars, did a great deal to show both sides of this duality on a very large scale. Fascism and communism in Europe opened the door to massive and unprecedented censorship and repression of minority groups, artists, and all dissenting points of view. Fortunately, however, the arts community responded, as it so often does, by turning large-scale disaster into beauty that resonates into the disparate corners of downtrodden societies. Many poets and composers served in battle in World War I, or in resistance movements in World War II, fighting for nationalistic identity and the right to continue practicing their craft amongst a free-thinking populous. Artistic reactions to the world wars took on many forms, from both pro- and anti-government propaganda to xenophobic caricature to solemn prayers and elegies to lost countrymen. I have endeavored to assemble a recital program that represents a wide range of perspectives from poets and composers who had been affected by war. Included are settings of poems from the fifteenth and sixteenth century all the way through excerpts from an operetta co-written by a composer and a playwright who were both on the State Department’s blacklist; there is a setting of a recollection from a Civil War battlefield and a setting of a poem about a “disappeared” artist by a poet who was later himself disappeared. -
Download Book
Critical Approaches to Children’s Literature Series Editors Kerry Mallan Faculty of Education Children and Youth Research Centre Kelvin Grove Queensland, Australia Clare Bradford School of Communication and Creative Art Deakin University Burwood Victoria, Australia This timely new series brings innovative perspectives to research on chil- dren’s literature. It offers accessible but sophisticated accounts of contem- porary critical approaches and applies them to the study of a diverse range of children’s texts – literature, film and multimedia. Critical Approaches to Children’s Literature includes monographs from both internationally recognised and emerging scholars. It demonstrates how new voices, new combinations of theories, and new shifts in the scholarship of literary and cultural studies illuminate the study of children’s texts. More information about this series at http://www.springer.com/series/14930 Emer O’Sullivan • Andrea Immel Editors Imagining Sameness and Difference in Children’s Literature From the Enlightenment to the Present Day Editors Emer O’Sullivan Andrea Immel Leuphana University Lüneburg Princeton University Library Lüneburg, Germany Princeton, New Jersey, USA Critical Approaches to Children’s Literature ISBN 978-1-137-46168-1 ISBN 978-1-137-46169-8 (eBook) DOI 10.1057/978-1-137-46169-8 Library of Congress Control Number: 2017947692 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. -
Toward a Trinitarian Theology of Liturgical Participation
TOWARD A TRINITARIAN THEOLOGY OF LITURGICAL PARTICIPATION R. Gabriel Pivarnik, OP Foreword by Rev. Msgr. Kevin W. Irwin Toward a Trinitarian Theology of Liturgical Participation A PUEBLO BOOK Liturgical Press Collegeville, Minnesota www.litpress.org A Pueblo Book published by Liturgical Press Cover design by David Manahan, OSB. Cover photo: Thinkstock Photos. Cover Illustration: Frank Kacmarcik, OblSB, used with permission. Excerpts from documents of the Second Vatican Council are from Vatican Council II. Volume 1, The Conciliar and Post Conciliar Documents, ed. Austin Flannery, OP, © 1996 (Costello Publishing Company, Inc.). Used with permission. © 2012 by Order of Saint Benedict, Collegeville, Minnesota. All rights re- served. No part of this book may be reproduced in any form, by print, micro- film, microfiche, mechanical recording, photocopying, translation, or by any other means, known or yet unknown, for any purpose except brief quotations in reviews, without the previous written permission of Liturgical Press, Saint John’s Abbey, PO Box 7500, Collegeville, Minnesota 56321-7500. Printed in the United States of America. 1 2 3 4 5 6 7 8 Library of Congress Control Number: 2012950684 ISBN 978-0-8146-6285-4 For my parents, William and Barbara Contents Foreword ix Kevin W. Irwin List of Abbreviations xiii Acknowledgments xv Introduction: The Search for Meaning within Liturgical Participation xvii Chapter 1: The Unfolding of a Trinitarian Narrative in the Concept of Liturgical Participation 1 Chapter 2: Attempts at Creating a Trinitarian -
The Bulletin of the S OCIETY for a MERICAN M USIC FOUNDED in HONOR of O SCAR G
The Bulletin OF THE S OCIETY FOR A MERICAN M USIC FOUNDED IN HONOR OF O SCAR G . T. S ONNECK Vol. XXXII, No. 1 Winter 2006 SAM/CBMR Conference: Chicago, Illinois (Looks Mighty Good to Me) — Mariana Whitmer “I’ve lived in Pennsylvania and Portland, Music and Dance at Chicago’s fabulous Oregon, the SAM History Project session. In the state of Arizona, in Seattle, Millenium Park on Wednesday evening All conference attendees will be able to Washington (after the welcome reception), performing experience the CBMR sessions as well as I’ve had good times in Georgia, three world premieres. Howard Reich’s 2004 SAM’s. These include Black Music in Italy, And in good old New York State review of this ensemble included the follow- From Jump Street to MP3: Black Music I’ve lived in Dallas, Texas, ing remarks: “The very notion, in fact, that Pedagogy—Resources and Challenges of Seen Frisco’s Golden Gate any one ensemble could finesse modern the Twenty-First Century, International I’ve spent some time in Caroline, American jazz, 16th Century Portuguese Scholarship and Black Music, and And I love you Tennessee, motets and ancient Afro-Cuban chant Connecting the Dots: Diasporal Unities, But old Chicago, Illinois looks mighty good might seem preposterous. Yet...the New Triangular Research, and the CBMR/ to me! Black Music Repertory Ensemble dis- AMRI Rockefeller Resident Fellowship We are thrilled to be holding our 32nd patched these far-flung idioms, and oth- Program, among others. Annual Conference in Chicago and meeting ers, with a degree of authority and verve There are several wonderful lecture/ once again with the Center for Black Music that confounded expectations.” recitals on this year’s program, all of them Research! Muhal Richard Abrams, famed per- scheduled during the late morning (so you There are many reasons why Chicago former, composer, and co-founder of the leg- won’t have to skip lunch). -
The Monthly Record South Place Ethical Society
Nara-atembers may receive this publication by post on payment of 2/6 per annum. DECEMBER, 1937 The Monthly Record of South Place Ethical Society CONWAY HALL, RED LION SQUARE, W.C.1. Telephone: CHANCERY 8032. "The OBJECTS OF ma Socirri are the study and dissemination of ethical principles and the cultivation of a rational religious sentiment." Sunday Morning Services at ELEVEN O'CLOCK. November 211..-13. K. RATCLIFFE—Twenty-five Years of South Place Vocal Duets: (a) Constancy ... ... Schumann (b) Calm Silent Night ... ... Car/ Goetz MiSS HERE SIMPSON and Mr. G. C. DOWMAN. Hymns No. 67. 0 earth! thy past is crowned and consecrated. No. 76, These things shall be a loftier race. December 5—HERBERT READ, M.A., D.Litt.—The Myth, the Dream and the Poem Bass Solos: (a) Who is Sylvia? ... Schubert (b) The Poet's Song ... Parry Mr. G. C. DOWMAN. Soprano Solo : Ye Waves of Beauty and Peace ... Parry Miss BEDE SIMPSON. Hymns No, 17. A dreamer dropped a random thought. No. 28 (second tune). Oh dew of life! oh bight of earth! Deoember 12—JOSEPH McCABE—The Brave New World Sonata in A minor, Op. 23, for Violin and Pianoforte ... ... Beethoven I. Presto. n. Andante scherzoso, pin Allegretto. in. Allegro molto. MSS VERA BANTAM/ITCH and Mr. WILLIAM BUSCH. Hymns 3 No. 25. 0 brother man, fold to thy heart thy brother ! i No. 85. Born In each heart is impulse strong. Deoember 18-8. K. RATCLIFFE—Belief and Conduct Bass Solo: Invictus ... Hahn Mr. G. C. DOWMAN. Soprano Solo : The Snow ... Sigurd Lie MiSS BEBE SIMPSON. -
234 MOTION for Permanent Injunction.. Document Filed by Capitol
Arista Records LLC et al v. Lime Wire LLC et al Doc. 237 Att. 12 EXHIBIT 12 Dockets.Justia.com CRAVATH, SWAINE & MOORE LLP WORLDWIDE PLAZA ROBERT O. JOFFE JAMES C. VARDELL, ID WILLIAM J. WHELAN, ffl DAVIDS. FINKELSTEIN ALLEN FIN KELSON ROBERT H. BARON 825 EIGHTH AVENUE SCOTT A. BARSHAY DAVID GREENWALD RONALD S. ROLFE KEVIN J. GREHAN PHILIP J. BOECKMAN RACHEL G. SKAIST1S PAULC. SAUNOERS STEPHEN S. MADSEN NEW YORK, NY IOOI9-7475 ROGER G. BROOKS PAUL H. ZUMBRO DOUGLAS D. BROADWATER C. ALLEN PARKER WILLIAM V. FOGG JOEL F. HEROLD ALAN C. STEPHENSON MARC S. ROSENBERG TELEPHONE: (212)474-1000 FAIZA J. SAEED ERIC W. HILFERS MAX R. SHULMAN SUSAN WEBSTER FACSIMILE: (212)474-3700 RICHARD J. STARK GEORGE F. SCHOEN STUART W. GOLD TIMOTHY G. MASSAD THOMAS E. DUNN ERIK R. TAVZEL JOHN E. BEERBOWER DAVID MERCADO JULIE SPELLMAN SWEET CRAIG F. ARCELLA TEENA-ANN V, SANKOORIKAL EVAN R. CHESLER ROWAN D. WILSON CITYPOINT RONALD CAM I MICHAEL L. SCHLER PETER T. BARBUR ONE ROPEMAKER STREET MARK I. GREENE ANDREW R. THOMPSON RICHARD LEVIN SANDRA C. GOLDSTEIN LONDON EC2Y 9HR SARKIS JEBEJtAN DAMIEN R. ZOUBEK KRIS F. HEINZELMAN PAUL MICHALSKI JAMES C, WOOLERY LAUREN ANGELILLI TELEPHONE: 44-20-7453-1000 TATIANA LAPUSHCHIK B. ROBBINS Kl ESS LING THOMAS G. RAFFERTY FACSIMILE: 44-20-7860-1 IBO DAVID R. MARRIOTT ROGER D. TURNER MICHAELS. GOLDMAN MICHAEL A. PASKIN ERIC L. SCHIELE PHILIP A. GELSTON RICHARD HALL ANDREW J. PITTS RORYO. MILLSON ELIZABETH L. GRAYER WRITER'S DIRECT DIAL NUMBER MICHAEL T. REYNOLDS FRANCIS P. BARRON JULIE A. -
Lyrita New Release Supplement 04 16
New Releases "It is only thanks to Lyrita, the tiny British label founded by Richard Itter in 1959, that we have recordings of some of the finest pieces of British Music…Joubert's [cello concerto], in particular, is as arresting as almost any other such concerto in the English canon…Lyrita offers a gold mine of British Music: get your picks and shovels and discover." Charles Stanford - Piano Concerto No.2 • Gerald Finzi - Eclogue for Piano and String Orchestra • John Foulds - Dynamic Triptych for Piano and Orchestra • Frank Bridge - “Phantasm” Rhapsody for Piano and Orchestra • Ralph Vaughan Williams - Piano Concerto in C Major • Alan Rawsthorne – Piano Concerto No. 1 • Cyril Scott – Early One Morning • John Ireland – Legend for Piano and Orchestra • William Bush – Piano Concerto • E.J. Morean – Rhapsody in F-Sharp Major for Piano and Orchestra • Lennox Berkley – Piano Concerto in B-Flat Major • Alun Hoddinott – Piano Concerto No. 1 • Malcolm Williamson – Piano Concerto No. 3 in E-Flat Major. (4 CDs) SRCD2345 £19.99 Samuel Coleridge-Taylor – Violin Concerto in G Minor • Gustav Holst – Invocation for Cello and Orchestra • Gustav Holst – Lyric Movement for Viola and Small Orchestra • William Bush – Cello Concerto • E.J. Moeran – Concerto for Violin and Orchestra • Edmund Rubbra – Soliloqua for Cello and Orchestra • Roberto Gerhard – Violin Concerto • Peter Racine Fricker – Concerto for Violin and Small Orchestra • Elizabeth Maconchy – Serenata Concertante for Violin and Orchestra • David Morgan – Concerto for Violin and Orchestra • Don Banks – Concerto for Violin and Orchestra • Alun Hoddinott – Nocturnes and Cadenzas for Cello and Orchestra. "The famous Lyrita sound is here in spades, rich, detailed, demonstration class.