BMW Guggenheim Lab Opens in Berlin on June 15
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Geschäftsbericht 2010
GESCHÄFTSBERICHT 2010 ZAHLEN UND FAKTEN Inhalt 04 BMW GROUP IN ZAHLEN 06 BERICHT DES AUFSICHTSRATS 12 KONZERNLAGEBERICHT 12 Das Geschäftsjahr im Überblick 14 Wirtschaftliche Rahmenbedingungen 18 Geschäftsverlauf 41 BMW Group – Kapitalmarktaktivitäten im Jahr 2010 44 Übernahmerelevante Angaben und Erläuterungen 47 Analyse der finanzwirtschaftlichen Situation 47 Konzerninternes Steuerungssystem 49 Ertragslage 51 Finanzlage 53 Vermögenslage 55 Nachtragsbericht 55 Wertschöpfungsrechnung 57 Finanzwirtschaftliche Kennzahlen 58 Erläuterungen zur BMW AG 62 Internes Kontrollsystem und Erläuterungen 63 Risikomanagement 70 Prognosebericht 74 KONZERNABSCHLUSS 74 Gewinn-und-Verlust-Rechnungen 74 Gesamtergebnisrechnung 76 Bilanzen 78 Kapitalflussrechnungen 80 Entwicklung des Konzerneigenkapitals 81 Konzernanhang 81 Grundsätze 89 Erläuterungen zur Gewinn-und- Verlust-Rechnung 95 Erläuterungen zur Gesamtergebnisrechnung 96 Erläuterungen zur Bilanz 117 Sonstige Angaben 133 Segmentinformationen 138 Versicherung der gesetzlichen Vertreter 139 Bestätigungsvermerk des Abschlussprüfers 140 ERKLÄRUNG ZUR UNTERNEHMENSFÜHRUNG Corporate Governance (Teil des Lageberichts) 140 Grundlegendes zur Unternehmens- verfassung 142 Erklärung des Vorstands und des Aufsichtsrats gemäß § 161 AktG 143 Mitglieder des Vorstands 144 Mitglieder des Aufsichtsrats 147 Zur Arbeitsweise von Vorstand und Aufsichtsrat und der Zusammen- setzung und Arbeitsweise von deren Ausschüssen 154 Vergütungsbericht 162 Angaben zu Unternehmensführungspraktiken, die über die gesetzlichen Anforderungen -
Bmw Guggenheim Lab to Launch in New York City On
News Release Advisory Committee Daniel Barenboim Elizabeth Diller BMW GUGGENHEIM LAB TO LAUNCH IN Nicholas Humphrey Muchadeyi Ashton Masunda NEW YORK CITY ON AUGUST 3, BEFORE Enrique Peñalosa Juliet Schor TRAVELING TO BERLIN AND ASIA Rirkrit Tiravanija Wang Shi Six-Year Collaboration to Examine Contemporary Urban Issues in Nine Cities Around the World International Advisory Committee Selects New York BMW Guggenheim Lab Team Design of First Mobile Laboratory Unveiled NEW YORK, NY, May 6, 2011 – Richard Armstrong, Director of the Solomon R. Guggenheim Museum and Foundation, and Jim OʼDonnell, President and CEO, BMW North America, LLC, announced today that the BMW Guggenheim Lab will launch in New York City from August 3 to October 16. Following the New York installation, the BMW Guggenheim Lab will travel to Berlin in spring/summer 2012, and to a city in Asia to be announced later this year. Conceived as an urban think tank and mobile laboratory, the BMW Guggenheim Lab will explore issues confronting contemporary cities and provide a public place and online forum for sharing ideas and practical solutions. The BMW Guggenheim Lab and all of its programming will be free to the public. The new website (bmwguggenheimlab.org) and online communities will create and extend the opportunity to participate in this multidisciplinary urban experiment worldwide. Over the six-year migration of the BMW Guggenheim Lab, there will be three different themes and three distinct mobile structures, each designed by a different architect and each traveling to three cities around the world. The Solomon R. inaugural BMW Guggenheim Lab will be located on the border between Guggenheim Foundation 345 Hudson Street, 12th floor Manhattanʼs Lower East Side and East Village, at 33 East First Street (between New York, NY 10014 First and Second Avenues), on a site owned by the New York City Department of Phone +1 212 423 3500 bmwguggenheimlab.org Parks & Recreation. -
Das Kulturengagement Der BMW Group
Unternehmenskommunikation Presse-Information 2013 Das Kulturengagement der BMW Group Das Kulturengagement der BMW Group mit über 100 Projekten weltweit ist seit mehr als 40 Jahren ein essentieller Bestandteil der Unternehmenskommunikation. Schwerpunkte des kulturellen Engagements setzt die BMW Group in der Modernen und Zeitgenössischen Kunst, der Klassischen Musik und Jazz sowie in Architektur und Design. Immer dann, wenn sich die BMW Group kulturell engagiert, setzt sie voll auf die absolute Freiheit des kreativen Potentials – die in der Kunst genauso Garant für bahnbrechende Werke ist wie sie für die wichtigsten Innovationen in einem erfolgreichen Wirtschaftsunternehmen steht. Moderne und Zeitgenössische Kunst. 1972 entstanden drei von der BMW Group beauftragte, großformatige Gemälde: „Rot“, „Gelb“ und „Blau“, die der Künstler Gerhard Richter für das Foyer der Münchner Konzernzentrale anfertigte. In diese Zeit fallen auch die ersten kulturellen Engagements seitens BMW. Hervé Poulain initiierte die ersten BMW Art Cars, dessen nunmehr 17. Exemplar von Jeff Koons 2010 präsentiert wurde. Diesen einzigartigen „rolling sculptures“ widmet sich nun erstmals eine aufwändig gestaltete Publikation, die Ende dieses Jahres erscheint und die Historie der legendären BMW Art Cars im Detail nachzeichnet. Die Fotosammlung „AutoWerke“ mit Arbeiten von u.a. Thomas Demand, Thomas Struth, Candida Höfer und Rineke Dijkstra wurde 2005 im Rahmen der Neueröffnung des BMW Werk Leipzig dem dortigen Museum für Bildende Künste geschenkt. Formate zahlreicher Museen werden kontinuierlich weltweit unterstützt, die Akademie der Bildenden Künste München wird mit einem Ausstellungsraum gefördert, in dem Studierende ihre Werke und Installationen eigenständig kuratieren. Zur Förderung junger Kuratoren wurde 2011 die MINI/Goethe-Institut Kuratorenresidenz „Ludlow 38“ ins Leben gerufen, die Ausstellungsmachern aus Deutschland für den Zeitraum eines Jahres die Arbeit in New York ermöglicht. -
First Comprehensive Publication About the BMW Art Car Collection a Richly Illustrated Overview of the History of the Legendary BMW Art Cars
Corporate Communications Media Information February 17, 2014 First comprehensive publication about the BMW Art Car Collection A richly illustrated overview of the history of the legendary BMW Art Cars Munich. The BMW Group and publisher Hatje Cantz are pleased to present the first comprehensive publication about the legendary BMW Art Cars. The richly illustrated book presents a unique overview of the history of this automotive collection, launched in 1975, and designed by major modern and contemporary artists. Various portraits and interviews provide an insight into their creative processes while giving a descriptive account of the historical development of the collection. For over 40 years, the BMW Art Car Collection has fascinated art and design enthusiasts as well as lovers of cars and technology the world over with its unique combination of fine art and innovative automobile technology. The collection first started when French race car driver and art aficionado Hervé Poulain, together with Jochen Neerpasch, then BMW Motorsport Director, asked his artist friend Alexander Calder to design an automobile. The result was a BMW 3.0 CSL which in 1975 competed in the 24 Hours of Le Mans, where it quickly became the crowd’s favourite: the birth of the BMW Art Car Collection. Since then 17 international artists have designed BMW models, among them some of the most renowned artists of our time: Alexander Calder (1975), Frank Stella (1976), Roy Lichtenstein (1977), Andy Warhol (1979), Ernst Fuchs (1982), Robert Rauschenberg (1986), Michael Jagamara Nelson (1989), Ken Done (1989), Matazo Kayama (1990), César Manrique (1990), A. R. Penck (1991), Esther Mahlangu (1991), Sandro Chia (1992), David Hockney (1995), Jenny Holzer (1999), Olafur Eliasson (2007), Jeff Koons (2010). -
Morphing Lincoln Center Elizabeth Diller, Ricardo Scofidio, Jorge Otero-Pailos
Morphing Lincoln Center Elizabeth Diller, Ricardo Scofidio, Jorge Otero-Pailos Future Anterior, Volume 6, Number 1, Summer 2009, pp. 84-97 (Article) Published by University of Minnesota Press DOI: https://doi.org/10.1353/fta.0.0027 For additional information about this article https://muse.jhu.edu/article/364599 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] 1. Juilliard School / Alice Tully Hall, Lincoln Center, New York City. Original building, Pietro Belluschi, architect, 1969. Intervention and restoration, Diller + Scofidio, architects, 2006– 8. Night view from southeast during construction, 2008. Photograph by Iwan Baan. Interview Elizabeth Diller and Ricardo Morphing Lincoln Center Scofidio Interviewed by Jorge Otero - Pailos Elizabeth Diller and Ricardo Scofidio have added their signa- ture to Lincoln Center’s Julliard School building, forty years after Pietro Belluschi’s original design was completed in 1968. Their intervention involved demolishing the eastern façade and extending the footprint of the building over the existing plaza toward Broadway. In this interview, Diller and Scofidio argue that their radical transformation of the historic fabric nevertheless functions as a means of preserving the most his- torically significant features of the original building, including its internal organization, which was previously hidden behind uniform travertine and is now exposed through strategically located glass apertures. In a significant departure from typo- logical and stylistic theories of architectural restoration, Diller and Scofidio advance the notion of morphing as a way to extend the significant elements of a historic building without mimicking or negating them. JORGE OTERO - PAILOS: Let’s start with the question of unity. -
USOM-Project-Partners-042718.Pdf
Image courtesy of Diller Scofidio + Renfro ANDERSON MASON DALE ARCHITECTS ARCHITECT OF RECORD // DENVER, CO // AMDARCHITECTS.COM Anderson Mason Dale Architects (AMD) is a 40-person architecture firm located in Denver, Colo. For 40 years, AMD has designed buildings for colleges and universities, schools, libraries, cultural venues, justice facilities, and housing. AMD has twice been awarded the American Institute of Architects Firm Award for “a distinguished body of work.” A design firm with extensive experience in museum, gallery and visitor facilities, AMD also has worked with design architects to provide contractual oversight and local relationships. AMD’s local work includes the El Paso County Terry R. Harris Judicial Complex and Colorado College’s Edith Kinney Gaylord Cornerstone Arts Center, both in association, and the UCCS Lane Center for Academic Health Sciences. GALLAGHER & ASSOCIATES EXHIBIT DESIGNER // WASHINGTON, D.C. // GALLAGHERDESIGN.COM U.S. OLYMPIC MUSEUM G&A has designed some of the world’s most memorable visitor experiences, from the Vault of the Secret Formula at the World of Coke, to The Normandy Visitor Center in France and the recently opened Shanghai Natural History Museum. The firm has offices in Washington, D.C., New York, San Francisco, and Singapore. To honor the Olympic and Paralympic ideas, document the history of the United States Olympic and Under Patrick Gallagher’s guidance, G&A has gained international acclaim for its leadership in the field of Paralympic participation, and celebrate the achievements of U.S. Olympic and Paralympic competitors. museum planning and experience design. Select clients include: the National World War II Museum, the Smithsonian Institution, The National Archives’ Presidential Libraries, The Jamestown-Yorktown Foundation, and traveling exhibits for the Baseball Hall of Fame and the Pro Football Hall of Fame. -
BMW Group Sustainable Value Report 2010 GRI-Beratung Inhaltskonzept
SuStainable Value RepoRt GrundlaGen der BerichterstattunG Der Sustainable Value Report 2010 der BMW Group Mit diesem achten Sustainable Value Report informiert die BMW Group ihre Stakeholder transparent über ihre Nachhaltigkeitsstrategie und die Verankerung des Themas im Unternehmen. Ausgehend von aktuellen und zukünftigen Herausforderungen in den Bereichen „Nachhaltiges Wirtschaften“, „Produktverantwortung“, „Kon zernweiter Umweltschutz“, „Mitarbeiter“ und „Gesellschaftliches Engagement“ stellt die BMW Group Lösungs ansätze und konkrete Maßnahmen zur Verbesserung ihrer Nachhaltigkeitsleistung dar. Im Kapitel „Ziele, Kenn zahlen und Fakten“ werden die Maßnahmen mit relevanten Kennzahlen belegt und die Zielsetzungen der einzelnen Bereiche transparent aufgezeigt. Der vorliegende Bericht stellt zu Beginn jedes Kapitels auf einer Doppelseite die wichtigsten Fakten im Überblick dar. Dazu gehören TopThemen und deren Herausforderungen, Erfolge und Ziele sowie Kernindikatoren (Key Performance Indicators), mit deren Hilfe die Nachhaltigkeits leistung der BMW Group gemessen und gesteuert wird. Der vorliegende Sustainable Value Report wird in Deutsch und Englisch veröffentlicht. Um eine bessere Lesbar keit zu gewährleisten, wurde auf geschlechtsbezogene Doppelnennungen verzichtet und stattdessen die männliche Schreibweise gewählt. In Übereinstimmung mit GRI Der Sustainable Value Report 2010 wurde in Übereinstimmung mit dem Leitfaden der Global Reporting Initiative (GRI G3) erstellt. Dabei wurde auch das automobilspezifische Automotive Sector -
Sustainable Value Report Basic Reporting Principles
SuStainable Value RepoRt Basic reporting principles Sustainable Value Report 2010 of the BMW Group This eighth edition of the BMW Group Sustainable Value Report has been published to inform stakeholders in a transparent manner about the company’s sustainability strategy and how sustainability is being integrated into corporate processes. Focusing on present and future challenges in the areas of sustainable management, product responsibility, Group-wide environmental protection, employees and social commitment, the Sustain- able Value Report 2010 describes the company’s approaches and specific programmes used to improve its sus- tainability performance. The “objectives, key facts and figures” section presents key figures for these measures as well as the company’s objectives in the above-mentioned areas. Each chapter starts with a two page overview of the main points, including priority topics with the associated challenges, achievements and objectives as well as the key performance indicators (KPIs) used internally to control and monitor the BMW Group’s sustain- ability performance. This Sustainable Value Report is published in German and English. Conforms to GRI standards The BMW Group’s Sustainable Value Report has been compiled in accordance with the Global Reporting Initiative (GRI G3) guidelines as well as the industry-specific Automotive Sector Supplement (pilot version 1.0). To what extent GRI indicators are met is shown in the GRI Index and where appropriate explanatory notes are www.globalreporting.org attached. At GRI level A+(GRI checked), this Sustainable Value Report 2010 meets the maximum requirements detailed in the GRI guidelines. Topics have been selected and weighted in accordance with the findings of intensive, structured dialogue with stakeholders as well as with the results of in-house workshops in which all relevant BMW Group departments participated (cf. -
Clouds of Architecture
Clouds of architecture Mark Dorrian According to the newspapers, the recent unveiling of plinary constitution, opening architecture onto what is Frank Gehryʼs design for the Louis Vuitton Foundation taken to be excessive to it, or mounting an assault upon for Creation – to be built in the Jardin dʼAcclimatation it. At one point in his book A Theory of /Cloud/ – to in the Bois de Boulogne – left observers struggling for which Iʼll return – Hubert Damisch characterizes cloud a suitable metaphor. However, as the Guardian reported as ʻ“matter” aspiring to “form”ʼ, thereby registering it, the architect himself seemed in no doubt: ʻ“Itʼs a its infinite provisionality and imminence.3 But equally cloud of glass – magical, ephemeral, all transparent,” the cloud might be thought of as ʻmatter after formʼ, [Gehry] said. It was, he added, “not stodgy.”ʼ1 the characteristic ʻthingʼ that accompanies destruc- Stodginess, certainly, is something that the appeal tion and demolition, the dispersion and suspension of to clouds might well be hoped to ward off. Of all the particles that follows convulsions of matter and that is flow-motifs available to oppose the heaviness of con- historically and iconographically fixed in photographs gealed and earth-bound stodge, the slow and complex such as those of the dynamiting of the Pruitt-Igoe three-dimensional circulation, drift and dispersion of housing in St Louis in 1972, or the attack on the World the nebular seems the most promising. Moreover, not Trade Center. Curiously it was two buildings by the only does the cloud seem opposed to all material same architect, Minoru Yamasaki, that supplied the loading, equally it appears to resist being weighted material for these two most iconic examples of the down and tethered by signification. -
1979-2020 M1 Art Car by Andy Warhol
BMW India Media Information 30 January 2020 Rolling Sculptures: BMW brings Andy Warhol’s Art Car to India. #ArtThatMoves: The BMW M1 Art Car by the great American Pop artist on exclusive display at India Art Fair. New Delhi. BMW Group India presents the 1979 Art Car painted by most renowned American artist Andy Warhol in India. His creation will be exclusively exhibited from 31 January - 2 February 2020 at the India Art Fair in New Delhi. After Alexander Calder, Frank Stella and Roy Lichtenstein, Andy Warhol created the 4th Art Car for BMW with the BMW M1Group 4 to compete at the infamous 24 hour race of Le Mans. BMW Art Cars or the ‘Rolling Sculptures’ are original masterpieces of art that demonstrate an individual synthesis of artistic expression and automobile design. Since 1975, 19 international artists have created Art Cars based on contemporary BMW automobiles of their times, all offering a wide range of artistic interpretations. Mr. Rudratej Singh, President and Chief Executive Officer, BMW Group India said, “At BMW, we just don’t build the best performing cars, but deeply believe in the intangibles. We hold our design aesthetics very dear, this inspires us as well as our users to stretch their creative Company BMW India Private Limited boundaries. People love BMW for its superior performance, safety, luxurious experiences, and A BMW Group Company an underpinning is the design and aesthetic creative sensibility. To help build and strengthen Registered Office Oberoi Centre 2nd Floor, Building No 11 intercultural platforms of creativity in the field of art, music, design and architecture is DLF Cyber City, Phase 2 Gurugram 122 002 therefore very core to us. -
Drawing, Building and Photography in the Recent Work of Diller Scofidio +
232 arq . vol 12 . no 3/4 . 2008 design 1 Christopher Pierce Three’s a crowd design Diller + Scofidio’s practice made its name through a series of enigmatic, provisional drawings of speculative projects. Their built work is now photographed in ways which seek similar qualities. Three’s a crowd: drawing, building and photography in the recent work of Diller Scofidio + Renfro Christopher Pierce This is a short tale of two competing institutions and the process that infamous acronym became DS+R. two of their most celebrated figures. On one side is Now it is more like going to see your lawyer than Cooper Union – that hulking Manhattan your architect. Architectural troikas always seem to brownstone, an island on the intersection of be about lawyers. There is Kohn Pedersen Fox (kpf), Lafayette Street and the Bowery where Ricardo Skidmore, Owings & Merrill (som) and Hellmuth Scofidio (1935) silently honed his art of drawing like Obata & Kassabaum (hok). That sets the scene and an angel. On the other is Princeton University, where the cast, except for one late arrival. Their most recent his partner (and partner), Elizabeth Diller (1954) is entrée is another über-cool boy, the Dutch often resident. Princeton sits in the heart of the New architectural photographer Iwan Baan. In this tale Jersey woods, literally and metaphorically, and Baan, like Scofidio, is not a rhetorician but an despite its baronial coniferous presence, is most artisan. His polysemic shots are constructively notable in architectural circles for its rhetorical questioning DS+R while (re)defining and enlarging, rather than physical manufacture. -
“The Ultimate AI Masterpiece.”
BMW of North America U.S. Press Information For Release: May 5, 2021 Contact: Matthew Spadaro Corporate Communications BMW of North America, LLC (201) 466-9896 / [email protected] Embargo until 5/5/2021, 10 AM EST BMW Blends Art and Artificial Intelligence to Create “The Ultimate AI Masterpiece.” • New artwork created using specialized artificial intelligence software debuts today in conjunction with Frieze New York. • BMW Group celebrates 50 years of cultural engagement in 2021. Woodcliff Lake, NJ – May 5, 2021… BMW debuted today the “The Ultimate AI Masterpiece,” a unique exploration of art and technology that uses artificial intelligence to generate entirely new works. The virtual art installation debuts in conjunction with Frieze New York 2021, as well as the 50th anniversary of BMW Group Cultural Engagement. Content and videos documenting its creation process are available today online via BMW USA’s YouTube and Instagram channels. “The Ultimate AI Masterpiece” virtual art installation was created in partnership with Company BMW of North America, LLC creative technologist Nathan Shipley of Goodby, Silverstein & Partners, and Gary Yeh, art A BMW Group Company connoisseur/founder of artDrunk. The duo leveraged the NVIDIA StyleGAN artificial Mailing address intelligence model to cross-reference over 50,000 images of artwork spanning 900 years of PO Box 1227 Westwood, NJ 07675-1227 history and a curated set of 50 works from renowned and emerging contemporary artists Office address BMW has worked with over the past 50 years. Using these inputs as a basis for 300 Chestnut Ridge Road Woodcliff Lake, NJ understanding art, the artificial intelligence then generates entirely new works of art, 07677-7731 Telephone merging what it learned classical art and the styles noted from the contemporary artists.