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Seminar 2019 | Papers
15th International Seminar on Furnace Design - Operation Process Simulation (2019) SEMINAR 2019 | PAPERS SESSION # NAME COMPANY PAPER WEDNESDAY | MAY 22, 2019 - 09:15 MUIJSENBERG Erik GLASS SERVICE, a.s. - MathematicalWelcome Speech Modeling and Numerical Simulation in Glass Fiber Manufacturing: Recent Developments and 09:30 PURNODE Bruno OWENS CORNING 1 Challenges 10:00 CHOUDHARY Manoj MKC Innovations 2 Materials Process and Product Innovation through Modeling 10:25 HUBER Aaron JOHNS MANVILLE 3 Impact of Technology Options on CO2 Emissions 11:15 TROCHTA Miroslav GLASS SERVICE, a.s. 4 Discrete Element Based Approach to Batch Modeling SESSION1 TECHNICAL 11:40 POKORNY Richard UNIVERSITY OF CHEMISTRY AND TECHNOLOGY PRAGUE 5 Modeling the Batch-to-Glass Conversion 12:05 JEBAVA Marcela UNIVERSITY OF CHEMISTRY AND TECHNOLOGY PRAGUE 6 Batch, Glass-melt, Melt Flow and Their Relationship 14:30 CHALASANI Narayana Rao JOHNS MANVILLE 7 Design of an All Electric Cullet Remelter 14:55 HAKES Stuart F.I.C. (UK) LIMITED 8 Large Electric Furnaces & Superboosting - Is This the Future for CO2 Reduction? 15:20 SEDERSTROM Donn JOHNS MANVILLE 9 Evaluation of Where Highly Electrically Conductive Material Can Safely Located Inside Electric Melters 16:10 KROBOT Tomas GLASS SERVICE, a.s. 10 Container Furnace Conversion to Reduce Power Consumption and CO2 Emmissions SESSION2 TECHNICAL 16:35 MAHRENHOLTZ Hans VIDRIOCON CONSULTORIAS/GLASS SERVICE, a.s. 11 Benchmarking Furnaces - Economically and Ecologically 17:00 HAGEN Matthias LUFT -und THERMOTECHNIK BAYREUTH GmbH -
Advancedcrystal
advanced CRYSTAL A NEW crystal staNDarD THROUGH RESPONSIBLE INNOVatION advanced CRYSTAL – A new crystal standard The commitment to sustainable development, social responsibility, innovation, creativity, and the courage to think and do the unprecedented are central to Swarovski’s success. Extensive research of developing technologies, as well as of used raw materials and their composition, gives rise to innovation of the highest degree that breaks crucial ground, inspires within the industry and revolutionizes. ADVANCED CRYSTAL is a further fascinating example of Swarovski’s boundless capacity to innovate. ADVANCED CRYSTAL is a pioneering crystal recipe that sets new standards, far exceeds the state-of-the-art technologies that are the norm within the branch, and has been registered for patent by Swarovski. advanced CRYSTAL – ABUNDANT WITH advantages ADVANCED CRYSTAL is a new form of sustainable crystal whose The composition of ADVANCED CRYSTAL complies with current revolutionary sustainability is achieved through the use of innovative laws governing restricted and prohibited substances in finished processes. products for numerous segments – including sensitive ones – and thus can be used in***: ADVANCED CRYSTAL is a patented crystal recipe. Finished Jewelry, Textile and Accessories Products for Adults Children’s Products (3 to 14 years) The renowned institute Fraunhofer ISC* tested and confirmed the unique brilliance and sustainable composition of the crystal blend of Architecture, Interior and Decoration Products ADVANCED CRYSTAL. including Tableware Products Packaging Products ADVANCED CRYSTAL conforms with laws, safety requirements, Electrical and Electronic Equipment norms and non-mandatory standards** that include the following: ADVANCED CRYSTAL meets the highest quality criteria “Ultra Clear” CPSIA (lead limit) according to the ISO IWA08 classification of crystal glass. -
Philippa H Deeley Ltd Catalogue 21 May 2016
Philippa H Deeley Ltd Catalogue 21 May 2016 1 A Victorian Staffordshire pottery flatback figural 16 A Staffordshire pottery flatback group of a seated group of Queen Victoria and King Victor lion with a Greek warrior on his back and a boy Emmanuel II of Sardinia, c1860, titled 'Queen and beside him with a bow, 39cm high £30.00 - £50.00 King of Sardinia', to the base, 34.5cm high £50.00 - 17 A Victorian Staffordshire pottery flatback figure of £60.00 the Prince of Wales with a dog, titled to the base, 2 A Victorian Staffordshire pottery figure of Will 37cm high £30.00 - £40.00 Watch, the notorious smuggler and privateer, 18 A Victorian Staffordshire flatback group of a girl on holding a pistol in each hand, titled to the base, a pony, 22cm high and another Staffordshire 32.5cm high £40.00 - £60.00 flatback group of a lady riding in a carriage behind 3 A Victorian Staffordshire pottery flatback figural a rearing horse, 22.5cm high £40.00 - £60.00 group of King John signing the Magna Carta in a 19 A Stafforshire pottery flatback pocket watch stand tent flanked by two children, 30.5cm high £50.00 - in the form of three Scottish ladies dancing, 27cm £70.00 high and two smaller groups of two Scottish girls 4 A Victorian Staffordshire pottery figure of Queen dancing, 14.5cm high and a drummer boy, his Victoria seated upon her throne, 19cm high, and a sweetheart and a rabbit, 16cm high £30.00 - smaller figure of Prince Albert in a similar pose, £40.00 13.5cm high £50.00 - £70.00 20 Three Staffordshire pottery flatback pastille 5 A pair of Staffordshire -
Quarterly Journal of the All India Glass Manufacturers' Federation
Vol. 3 | No. 4 | January - March 2016 Quarterly Journal of The All India Glass Manufacturers’ Federation Bi-lingual www.aigmf.com Technical Articles Prof. (Dr.) A. K. Bandyopadhyay Prof. (Dr.) A Sustainable 50 for postage postage for 50 ` ASS ASS www.aigmf.com Building and Packaging material An Publication - GlASS Gl Gl 500 (within India) + + India) (within 500 ` ` Kanch | Vol. 3 | No. 4 | January-March 2016 2 Overseas: US$ 60 (including postage and bank charges) bank and postage (including 60 US$ Overseas: Order Print Copies: Print Order Price: Price: www.aigmf.com President SANJAY GANJOO Sr. Vice President ARUN KUMAR DUKKIPATI Vice President RAJ KUMAR MITTAL Hon. General Secretary BHARAT SOMANY Hon. Treasurer SANJAY AGARWAL Member Editorial Board A K Bandyopadhyay Quarterly Journal of THE ALL INDIA GLASS MANUFACTURERS’ FEDERATION Former Principal, Govt. College of Engineering & Ceramic Technology-GCECT, Kolkata DEVENDRA KUMAR Prof. & HOD, Dept. of Ceramic, Indian Institute of Technology (Banaras Hindu University) Vol. 3 | No. 4 | January-March 2016 K K SHARMA President, NIGMA and Plant Head, HNG Neemrana, Rajasthan MEMBER ASSOCIatIONS EASTERN INDIA GLASS MANUFACTURERS’ ASSOCIATION (EIGMA) Contents c/o La Opala RG Ltd. Chitrakoot, 10th Floor, 230 A, A.J.C. Bose Road From President's Desk 5 Kolkata - 700 020 President - Sushil Jhunjhunwala Glass as Vital Building Material for Smart / Solar Cities NORTHERN INDIA GLASS MANUFACTURERS’ ASSOCIATION (NIGMA) & c/o Hindustan National Glass & Industries Limited 6 Post Office - Bahadurgarh, Jhajjar, Haryana-124 507 Book Launch: “Glass - A Sustainable Building and Packaging President - KK Sharma Material” Vice President - Jimmy Tyagi Honorary General Secretary - NN Goyal Glass News 13 Secretary & Treasurer - JB Bhardwaj SOUTH INDIA GLASS MANUFACTURERS’ ASSOCIATION (SIGMA) Smart City and Glasses for Flat-Screen Products – Part II 21 c/o AGI Glasspac (An SBU of HSIL Ltd.) Glass Factory Road, Off. -
Laminated Glass Insulating Glass Fire Rated Glass Burglar Resistant Glass Sound Protection Glass Decorative Glass Curved Glass
Envelopes in Architecture (A4113) Designing holistic envelopes for contemporary buildings Silvia Prandelli, Werner Sobek New York A4113 ENVELOPES IN ARCHITECTURE - FALL 2016 Supply chain for holistic facades 2 Systems Door systems Media Facades Rainscreen facades Dynamic facades Mesh System Structural glass/Cable Glass floors Multiple skins Shading systems Green facades Panelized systems Stick/Unitized systems 3 Curtain wall facades 4 What are the components of a façade system? 5 What are the components of a façade system? 6 What are the components of a façade system? 7 Glass 8 Glass Types Base Glass (float glass) Heat Treated Glass Laminated Glass Insulating Glass Fire Rated Glass Burglar Resistant Glass Sound Protection Glass Decorative Glass Curved Glass 9 Base Glass (Float Glass) 10 3500 BC Glass Making: Man-made glass objects, mainly non-transparent glass beads, finds in Egypt and Eastern Mesopotamia 1500 BC Early hollow glass production: Evidence of the origins of the hollow glass industry, finds in Egypt 11 27 BC - 14 AD Glass Blowing: Discovery of glassblowing, attributed to Syrian craftsmen from the Sidon- Babylon area. > The blowing process has changed very little since then. 12 Flat Glass Blown sheet 13 15th century Lead Crystal Glass: During the 15th century in Venice, the first clear glass called cristallo was invented. In 1675, glassmaker George Ravenscroft invented lead crystal glass by adding lead oxide to Venetian glass. 14 16th century Sheet Glass: Larger sheets of glass were made by blowing large cylinders which were cut open and flattened, then cut into panes 19th century Sheet Glass: The first advances in automating glass manufacturing were patented in 1848 by Henry Bessemer, an English engineer. -
Bullseye Glass Catalog
CATALOG BULLSEYE GLASS For Art and Architecture IMPOSSIBLE THINGS The best distinction between art and craft • A quilt of color onto which children have that I’ve ever heard came from artist John “stitched” their stories of plants and Torreano at a panel discussion I attended a animals (page 5) few years ago: • A 500-year-old street in Spain that “Craft is what we know; art is what we don’t suddenly disappears and then reappears know. Craft is knowledge; art is mystery.” in a gallery in Portland, Oregon (page 10) (Or something like that—John was talking • The infinite stories of seamstresses faster than I could write). preserved in cast-glass ghosts (page 25) The craft of glass involves a lifetime of • A tapestry of crystalline glass particles learning, but the stories that arise from that floating in space, as ethereal as the craft are what propel us into the unknown. shadows it casts (page 28) At Bullseye, the unknown and oftentimes • A magic carpet of millions of particles of alchemical aspects of glass continually push crushed glass with the artists footprints us into new territory: to powders, to strikers, fired into eternity (page 31) to reactive glasses, to developing methods • A gravity-defying vortex of glass finding like the vitrigraph and flow techniques. its way across the Pacific Ocean to Similarly, we're drawn to artists who captivate Emerge jurors (and land on the tell their stories in glass based on their cover of this catalog) exceptional skills, but even more on their We hope this catalog does more than point boundless imaginations. -
The Magical World of Snow Globes
Anthony Wayne appointment George Ohr pottery ‘going crazy’ among Pook highlights at Keramics auction $1.50 National p. 1 National p. 1 AntiqueWeekHE EEKLY N T IQUE A UC T ION & C OLLEC T ING N E W SP A PER T W A C EN T R A L E DI T ION VOL. 52 ISSUE NO. 2624 www.antiqueweek.com JANUARY 13, 2020 The magical world of snow globes By Melody Amsel-Arieli Since middle and upper class families enjoyed collecting and displaying decorative objects on their desks and mantel places, small snow globe workshops also sprang up Snow globes, small, perfect worlds, known too as water domes., snow domes, and in Germany, France, Czechoslovakia, and Poland. Americans traveling abroad prized blizzard weights, resemble glass-domed paperweights. Their transparent water- them as distinctive, portable souvenirs. filled orbs, containing tiny figurines fashioned from porcelain, bone, metal, European snow globes crossed the Atlantic in the 1920s. Soon after, minerals, wax, or rubber, are infused with ethereal snow-like flakes. Joseph Garaja of Pittsburgh, Pa., patented a prototype featuring a When shaken, then replaced upright, these tiny bits flutter gently fish swimming through river reeds. Once in production, addition- toward a wood, ceramic, or stone base. al patents followed, offering an array of similar, inexpensive, To some, snow globes are nostalgic childhood trinkets, cher- mass-produced models. By the late 1930s, Japanese-made ished keepsakes, cheerful holiday staples, winter wonderlands. models also reached the American market. To others, they are fascinating reflections of the cultures that Soon snow globes were found everywhere. -
BEADWORKERS GUILD BUSINESS DIRECTORY March 2017
BEADWORKERS GUILD BUSINESS DIRECTORY March 2017 (THIRD EDITION) A COUNTY BY COUNTY INTERACTIVE DIRECTORY TO INDEPENDENT BEAD BUSINESSES IN THE UK Please follow the link http://goo.gl/forms/IdDVZNXtCt if you would like to be included or verify your entry in the directory. If you have any issues accessing the interactive links, please copy and paste the link into your web browser or email window. BEAD BUSINESS DIRECTORY FEB 2017 COUNTIES A-C ABERDEENSHIRE Shiney Company Creative Beadcraft 14 Sand Park Road Laura Ells Bead Pop Brislington, Bristol Unit 2 Asheridge Business Centre, 19 - 21 St Andrews Street BS4 3PE Asheridge Road, Chesham Aberdeen 0117 300 9800 HP5 2PT AB25 1BQ [email protected] 01494 786924 01224 630 011 www.shineyrocks.co.uk [email protected] [email protected] Retail/Shop, Retail/Online, www.creativebeadcraft.co.uk www.beadpop.co.uk Designer, School, Group Shiney Rocks sells MIYUKI, SWAROVSKI® Retail/Online Retail/Shop ELEMENTS, glass beads, findings, Trade suppliers since 1920, we have a We are a Beads and Jewellery making wires, stringing materials and tools. We huge range at very competitive prices. supplies shop who also offer kids beading run workshops in the evenings and at Retail-ready packaging also available. birthday parties, adult jewellery making weekends and hold a regular craft group Dedicated trade website for approved workshops, costume jewellery repairs and a each Friday. customers – please contact me or apply on variety of jewellery making and craft events. our retail site. Smitten Design ltd Beadsite [email protected] Fizzy Gemstone Beads 01224 729 423 www.smittenbeads.co.uk Sylvie Foxworthy [email protected] The Harmony Bead Company www.beadsite.co.uk 07714 124 186 07553 371 157 [email protected] BEDFORDSHIRE www.fizzygemstonebeads.co.uk BUCKINGHAMSHIRE Retail/Online Chill-e-Beads High quality, beautiful and unusual crystal 07711 502 420 Bead Flowers and gemstone beads and findings. -
ORNAMENT 30.3.2007 30.3 TOC 2.FIN 3/18/07 12:39 PM Page 2
30.3 COVERs 3/18/07 2:03 PM Page 1 992-994_30.3_ADS 3/18/07 1:16 PM Page 992 01-011_30.3_ADS 3/16/07 5:18 PM Page 1 JACQUES CARCANAGUES, INC. LEEKAN DESIGNS 21 Greene Street New York, NY 10013 BEADS AND ASIAN FOLKART Jewelry, Textiles, Clothing and Baskets Furniture, Religious and Domestic Artifacts from more than twenty countries. WHOLESALE Retail Gallery 11:30 AM-7:00 PM every day & RETAIL (212) 925-8110 (212) 925-8112 fax Wholesale Showroom by appointment only 93 MERCER STREET, NEW YORK, NY 10012 (212) 431-3116 (212) 274-8780 fax 212.226.7226 fax: 212.226.3419 [email protected] E-mail: [email protected] WHOLESALE CATALOG $5 & TAX I.D. Warehouse 1761 Walnut Street El Cerrito, CA 94530 Office 510.965.9956 Pema & Thupten Fax 510.965.9937 By appointment only Cell 510.812.4241 Call 510.812.4241 [email protected] www.tibetanbeads.com 1 ORNAMENT 30.3.2007 30.3 TOC 2.FIN 3/18/07 12:39 PM Page 2 volumecontents 30 no. 3 Ornament features 34 2007 smithsonian craft show by Carl Little 38 candiss cole. Reaching for the Exceptional by Leslie Clark 42 yazzie johnson and gail bird. Aesthetic Companions by Diana Pardue 48 Biba Schutz 48 biba schutz. Haunting Beauties by Robin Updike Candiss Cole 38 52 mariska karasz. Modern Threads by Ashley Callahan 56 tutankhamun’s beadwork by Jolanda Bos-Seldenthuis 60 carol sauvion’s craft in america by Carolyn L.E. Benesh 64 kristina logan. Master Class in Glass Beadmaking by Jill DeDominicis Cover: BUTTERFLY PINS by Yazzie Johnson and Gail Bir d, from top to bottom: Morenci tur quoise and tufa-cast eighteen karat gold, 7.0 centimeters wide, 2005; Morenci turquoise, lapis, azurite and fourteen karat gold, 5.1 centimeters wide, 1987; Morenci turquoise and tufa-cast eighteen karat gold, 5.7 centimeters wide, 2005; Tyrone turquoise, coral and tufa- cast eighteen karat gold, 7.6 centimeters wide, 2006; Laguna agates and silver, 7.6 centimeters wide, 1986. -
New Editions 2012
January – February 2013 Volume 2, Number 5 New Editions 2012: Reviews and Listings of Important Prints and Editions from Around the World • New Section: <100 Faye Hirsch on Nicole Eisenman • Wade Guyton OS at the Whitney • Zarina: Paper Like Skin • Superstorm Sandy • News History. Analysis. Criticism. Reviews. News. Art in Print. In print and online. www.artinprint.org Subscribe to Art in Print. January – February 2013 In This Issue Volume 2, Number 5 Editor-in-Chief Susan Tallman 2 Susan Tallman On Visibility Associate Publisher New Editions 2012 Index 3 Julie Bernatz Managing Editor Faye Hirsch 4 Annkathrin Murray Nicole Eisenman’s Year of Printing Prodigiously Associate Editor Amelia Ishmael New Editions 2012 Reviews A–Z 10 Design Director <100 42 Skip Langer Design Associate Exhibition Reviews Raymond Hayen Charles Schultz 44 Wade Guyton OS M. Brian Tichenor & Raun Thorp 46 Zarina: Paper Like Skin New Editions Listings 48 News of the Print World 58 Superstorm Sandy 62 Contributors 68 Membership Subscription Form 70 Cover Image: Rirkrit Tiravanija, I Am Busy (2012), 100% cotton towel. Published by WOW (Works on Whatever), New York, NY. Photo: James Ewing, courtesy Art Production Fund. This page: Barbara Takenaga, detail of Day for Night, State I (2012), aquatint, sugar lift, spit bite and white ground with hand coloring by the artist. Printed and published by Wingate Studio, Hinsdale, NH. Art in Print 3500 N. Lake Shore Drive Suite 10A Chicago, IL 60657-1927 www.artinprint.org [email protected] No part of this periodical may be published without the written consent of the publisher. -
Glass and Ceramics MARKET & OPPORTUNITIES
Glass and Ceramics MARKET & OPPORTUNITIES Glass and Ceramics MARKET & OPPORTUNITIES CONTENTS Glass and Ceramics Industry in India 2 Conclusion 9 Appendix 10 A report by KPMG for IBEF 2 MARKET & OPPORTUNITIES Glass and Ceramics Industry in India GLass Global Glass Industry Glass is an inorganic product that is typically produced by 6% melting a mixture of silica (sand, 75 per cent), soda (around 15 per cent) and calcium compound (lime, 10 per cent) 16% with the desired metallic oxides that serve as colouring agents. The glass industry covers products such as flat glass 45% (including sheet glass, float glass, figured and wired glass, safety glass and mirror), glass hollow wares and containers, vacuum flasks, laboratory glassware and fibre glass. Glass products are used widely in households, construction, 33% laboratories and consumer items such as bangles, beads, pearls, etc. n Container Glass n Specialty Glass n Flat Glass n Fibre Glass THE GLass INDustrY Consists OF Four segments glass, rolled glass, cast glass and other flat glasses which are used mainly for architectural and automotive applications. Container Glass The global market for flat glass was estimated at 41 million tonnes in 2005, with a value of US$ 19 billion at the This is the largest segment in the glass sector and primary manufacturers’ level. Out of the total production, comprises of glass packaging for drinks, food, perfumes 70 per cent was consumed in windows for buildings, 10 and pharmaceuticals. per cent in glazing products for automotive applications and 20 per cent was used in furniture and other Specialty Glass interior applications. -
The Corning Museum of Glass Annual Report, 2006
The Corning Museum of Glass Annual Report 2006 Cover: Officers The Fellows of The Corning The Fellows of The Corning Museum of Glass Museum of Glass are among Peacock vase, blown; E. Marie McKee the world’s leading glass col- silver-gilt mount. U.S., President Carole Allaire lectors, scholars, dealers, and Corona, NY, Tiffany Gary E. Baker glassmakers. The objectives Amory Houghton Jr. Studios, 1898–1899. Renée E. Belfer of this organization are (1) Vice President H. 14.1 cm (2006.4.161). Robert A. Belfer to disseminate knowledge James R. Houghton Mike Belkin about the history and art of Vice President William W. Boeschenstein* glassmaking and (2) to sup- port the acquisitions program Alan L. Cameros Denise A. Hauselt of the Museum’s Rakow Secretary Lt. Gen. Christian Clausen, retired Research Library. Admission Thomas P. Dimitroff to the fellowship is intended James B. Flaws Jay R. Doros to recognize accomplishment, Treasurer David Dowler and is by invitation. Robert J. Grassi Max Erlacher Assistant Treasurer Christopher T. G. Fish Barbara U. Giesicke David B. Whitehouse William Gudenrath Executive Director Jirˇí Harcuba+ Douglas Heller Trustees A. C. Hubbard Jr. Roger G. Ackerman* Kenneth L. Jobe + Peter S. Aldridge Dorothy-Lee Jones Thomas S. Buechner Leo Kaplan Van C. Campbell* Helena Koenigsmarková + Dale Chihuly Michael Kovacek Patricia T. Dann Dwight P. Lanmon + Robert Duke Harvey K. Littleton James B. Flaws Louise Luther John P. Fox Jr. Kenneth W. Lyon Polly W. Guth Josef Marcolin Ben W. Heineman* John H. Martin + Amory Houghton Jr.* Gregory A. Merkel Arthur A. Houghton III Barbara H.