National Endowment for the Arts FY 2016 Spring Grant Announcement

Total Page:16

File Type:pdf, Size:1020Kb

National Endowment for the Arts FY 2016 Spring Grant Announcement National Endowment for the Arts FY 2016 Spring Grant Announcement State/City Listings Project details are current as of April 26, 2016. For the most up to date project information, please use the NEA's online grant search system. Included in this document are awards in the funding categories of Art Works, State & Regional Partnerships, Research: Art Works, and Our Town. All are organized by state/jurisdiction and then by city, with the exception of the State & Regional Partnership awards which appear at the top of each state/jurisdiction. Click the state or jurisdiction below to jump to that area of the document. Alabama Kentucky Ohio Alaska Louisiana Oklahoma American Samoa Maine Oregon Arizona Maryland Pennsylvania Arkansas Massachusetts Puerto Rico California Michigan Rhode Island Colorado Minnesota South Carolina Connecticut Mississippi South Dakota Delaware Missouri Tennessee District of Columbia Montana Texas Florida Nebraska Utah Georgia Nevada Vermont Guam New Hampshire Virginia Hawaii New Jersey Virgin Islands Idaho New Mexico Washington Illinois New York West Virginia Indiana North Carolina Wisconsin Iowa North Dakota Wyoming Kansas Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Information is current as of April 26, 2016. Alaska Number of Grants: 8 Total Dollar Amount: $975,500 Alaska State Council on the Arts $705,500 Anchorage, AK FIELD/DISCIPLINE: State & Regional To support Partnership Agreement activities in the state. Alaska Design Forum, Inc. (aka Alaska Design Forum) $30,000 Anchorage, AK FIELD/DISCIPLINE: Design To support the lecture series Nostalgia. Featuring architects, designers, and thinkers such as artist Andrea Zittel, fashion designer Hussein Chalayan, and environmentalist farmer Joel Salatin, the series will explore how we embrace, reject, or leverage the human tendency towards nostalgia, or the yearning for a previous time, place, or experience. Events will be hosted in Alaska's major cities - Anchorage, Juneau, and Fairbanks. Anchorage Museum Association (aka Anchorage Museum) $25,000 Anchorage, AK FIELD/DISCIPLINE: Museum To support "On the Edge," an exhibition, public programming, and a public art installation. The project will examine issues related to food production, consumption, and sustainability unique to the Arctic. Developed in partnership with the Smithsonian Arctic Studies Center, the project will present work by more than a dozen artists as well as a variety of activities to engage the public. An installation by the artist Edgar Heap of Birds (b. 1954) will address issues related to sustenance, language, and place unique to the Dena'ina Athabascans, the first people of Anchorage. Anchorage Symphony Orchestra $15,000 Anchorage, AK FIELD/DISCIPLINE: Music To support Young People's Concerts. In an effort to encourage participation in school instrumental music programs, concerts will be performed for elementary school students. Working in collaboration with Anchorage School District music educators, the orchestra will create study materials for classroom instructors. Teacher workshops also will be offered to prepare students for the concert experience. University of Alaska at Anchorage $15,000 Anchorage, AK FIELD/DISCIPLINE: Theater & Musical Theater To support the production and tour of "Stalking the Bogeyman," a new play based on an original, true story by Alaskan writer and journalist David Holthouse. The play deals with sexual abuse and its impact on individuals, families, and society-a significant problem in Alaska, which has the highest rate of rape in the U.S. The project includes a tour of the production in South Central Alaska, community engagement at each tour site, and subsequent documentation, publication, and dissemination of the artistic and community engagement process. Clinical support coordinated by the Psychology faculty at the university will be available on site at performances and outreach events. The university also plans to develop mechanisms for public response to performances and events, which may include writing or recording of comments, or the creation of art about audience members' reflections or responses to the play. Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Information is current as of April 26, 2016. Sealaska Heritage Institute (aka SHI) $100,000 Juneau, AK FIELD/DISCIPLINE: Design: Our Town To support Haa Latseen Community Project - strength, resilience, and opportunities through the arts. Sealaska Heritage Institute will conduct Native Alaskan woodworking and small business classes designed to provide creative entrepreneurship opportunities for tribal and non-tribal residents in Juneau, Alaska. The project includes partnerships with the Juneau Arts and Humanities Council, City and Borough of Juneau, Tlingit and Haida Regional Housing Authority, Alaska State Council on the Arts, Sealaska Corporation, and Lemon Creek Correctional Center. The arts and business-based programming will assist a cohort of more than 40 low-income individuals of mostly Alaska Native heritage with transitions from incarceration to release and economic self- sufficiency through teaching them to make native art objects for sale at the institute's highly trafficked center. Sealaska Heritage Institute (aka SHI) $10,000 Juneau, AK FIELD/DISCIPLINE: Arts Education To support the Jineit Art Academy - Northwest Coast (NWC) Arts for Youth. Professional NWC artists from SHI's Native Artists Committee will teach traditional "formline" design to students. Formline is a term used to describe the primary distinguishing feature of the northern Northwest Coast 2D design style. Project activities will include student artwork exhibitions where the visiting artists will make presentations based on their experiences learning, creating, and teaching NWC art. The project will increase the number of students exposed to and creating NWC art in Southeast Alaska, institutionalizing NWC arts in their general art instruction. Organized Village of Kasaan $75,000 Ketchikan, AK FIELD/DISCIPLINE: Design: Our Town To support the reintroduction of Haida canoe carving skills to the Native village of Kasaan. Project activities include studying the Haida canoe form using historic photos and museum pieces, hosting canoe and paddle carving workshops, collaboratively carving two traditional Haida canoes, and introducing contemporary materials to the art form to construct at least two additional canoes. The Kasaan Haida Heritage Foundation and Organized Village of Kasaan will partner to foster meaningful interaction among community residents, Tribal members, Native woodworkers, and non-Native carvers. More than 10 artists and 700 participants will gain the knowledge and skills necessary to carve and preserve these cornerstones of Haida culture that were lost in the past 100 years. Alabama Number of Grants: 5 Total Dollar Amount: $875,400 Alabama State Council on the Arts $775,400 Montgomery, AL FIELD/DISCIPLINE: State & Regional To support Partnership Agreement activities in the state. Auburn University Main Campus $20,000 Auburn, AL FIELD/DISCIPLINE: Visual Arts Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Information is current as of April 26, 2016. To support the Alabama Prison Arts and Education Project. In collaboration with the Alabama Department of Corrections, the university will provide visual arts workshops taught by emerging and established artists for incarcerated men and women in multiple facilities around the state. The workshops, based on college-level curriculum, will include courses in the fundamentals of drawing, watercolor, mural arts, and block-cut printing. A touring exhibition titled "Art on the Inside" will be presented, accompanied by an anthology of student produced creative works. Alabama Folklife Association, Inc. (aka Alabama Folklife Association) $20,000 Birmingham, AL FIELD/DISCIPLINE: Folk & Traditional Arts To support Alabama Makers: Discovery and Showcase. Trained folklorists will conduct fieldwork to identify and document folk artists. The documentation will be deposited in the Archive of Alabama Folk Culture at the Alabama Department of Archives and History. The folk artists - which will include musicians, storytellers, and crafts people - will present public concerts, demonstrations, and exhibits in downtown Birmingham. Birmingham Children's Theatre, Inc. (aka BCT) $10,000 Birmingham, AL FIELD/DISCIPLINE: Theater & Musical Theater To support "Rosa Parks and the Montgomery Bus Boycott" by playwright Sue Greenberg. BCT will conduct workshops for youth in their community to develop stories that will couple with the Rosa Parks' story for a stage presentation. Playwriting workshops will teach student writers to develop their writing skills and create a platform for creative expression. Students will be guided through a series of exercises and assignments to translate their stories into the play format. Community anecdotal information collected from interviews and questionnaires will support the creation process. Professional actors, directors, and college interns will collaborate with the playwright to fashion the selected stories into a performance piece to be performed as a main stage production. Arts Council, Inc. $50,000 Huntsville, AL FIELD/DISCIPLINE: Design: Our Town To support architectural and landscape designs for the redevelopment of
Recommended publications
  • Underserved Communities
    National Endowment for the Arts FY 2016 Spring Grant Announcement Artistic Discipline/Field Listings Project details are accurate as of April 26, 2016. For the most up to date project information, please use the NEA's online grant search system. Click the grant area or artistic field below to jump to that area of the document. 1. Art Works grants Arts Education Dance Design Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts 2. State & Regional Partnership Agreements 3. Research: Art Works 4. Our Town 5. Other Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Information is current as of April 26, 2016. Arts Education Number of Grants: 115 Total Dollar Amount: $3,585,000 826 Boston, Inc. (aka 826 Boston) $10,000 Roxbury, MA To support Young Authors Book Program, an in-school literary arts program. High school students from underserved communities will receive one-on-one instruction from trained writers who will help them write, edit, and polish their work, which will be published in a professionally designed book and provided free to students. Visiting authors, illustrators, and graphic designers will support the student writers and book design and 826 Boston staff will collaborate with teachers to develop a standards-based curriculum that meets students' needs. Abada-Capoeira San Francisco $10,000 San Francisco, CA To support a capoeira residency and performance program for students in San Francisco area schools. Students will learn capoeira, a traditional Afro-Brazilian art form that combines ritual, self-defense, acrobatics, and music in a rhythmic dialogue of the body, mind, and spirit.
    [Show full text]
  • 2001 North Carolina Women's Soccer • Page 78
    History tistry, medicine, pharmacy and law. Five health schools -- Students Carolina was the nation’s first state university to open its which, with UNC Hospitals, comprise one of the nation’s Recent freshman classes at Carolina have set new standards doors and the only public university to award degrees in the most complete academic medical centers -- are integrated of excellence as measured by the rigorous coursework stu- 18th century. with liberal arts, basic sciences and high-tech academic dents have taken, as well as their grades and SAT scores. Authorized by the N.C. Constitution in 1776, the universi- programs. The incoming freshmen of 2001 are continuing that trend. ty was chartered by the N.C. General Assembly Dec. 11, In fall 2000, Carolina enrolled 24,872 students from all 100 Besides setting a new record for high school preparation, 1789, the same year George Washington first was inaugu- North Carolina counties, the other 49 states and nearly 100 the newest class will become the very best group of first- rated as president. other countries. Eighty-two percent of Carolina’s 15,608 year students Carolina has ever admitted. The cornerstone was laid for Old East, the nation’s first undergraduates were from North Carolina. Sixty-three per- state university building, Oct. 12, 1793. Hinton James, the cent of Carolina’s students were undergraduates, 28 percent UNC students have a long tradition of outstanding achieve- first student, arrived from Wilmington, N.C., Feb. 12, 1795. ment. Thirty-five have been awarded the Rhodes Location Scholarship since it was created in 1902, including the first The 729-acre central campus includes the two oldest state U.S.
    [Show full text]
  • 2018 MOREHEAD-CAIN ALUMNI FORUM Schedule of Events
    2018 MOREHEAD-CAIN ALUMNI FORUM Schedule of Events FRIDAY, OCTOBER 19 12:00–5:00 p.m. | Forum Registration | Morehead-Cain Offices Check in, pick up your registration packet, and enjoy some refreshments while you catch up with current scholars and fellow alumni. Visit the Morehead-Cain Gallery in the hallway off the main lobby to take in an exhibition of Morehead-Cain Scholar photography specially curated for Forum visitors. 2:00–2:45 p.m. | Lecture by a Favorite Professor | Hanes Art Center Auditorium Enjoy the opportunity to return to college (but without the papers and exams)! This lively lecture and discussion with a wildly popular Carolina professor is sure to stimulate the brain cells and bring us all back to our Carolina days. Zeynep Tufekci is an associate professor in the School of Information and Library Science and an adjunct professor in the School of Sociology at UNC-Chapel Hill. She is also a faculty associate with Harvard’s Berkman Klein Center for Internet and Society. Professor Tufekci is a Turkish writer, academic, and techno-sociologist known primarily for her research on the social implications of emerging technologies in the context of politics and corporate responsibility. 2:45–3:15 p.m. | Panelist and Speaker Organizational Meeting | Hanes Art Center Auditorium All Forum speakers and panelists are invited to a brief organizational meeting immediately following the lecture. Meet your fellow speakers and panelists and receive logistical and other instructions for a successful weekend! 3:00–6:30 p.m. | Free Time Free-time suggestions: • 3:00 p.m.
    [Show full text]
  • An Amphitheater and Outdoor Exhibit Space for the Rock and Roll Hall of Fame
    Music in the Landscape: An amphitheater and outdoor exhibit space for the Rock and Roll Hall of Fame Undergraduate Thesis: Christopher L. Arnold Spring 2005 1 Table of Contents Overview Project Scope Manifesto Operational Objectives Users Activities Context Programming Activity Areas Case Studies Site Studies Installation Studies Technological Studies Site Introduction Analysis Pictures Clevelands Harborfront Plan Map References Concepts Analysis Schematic Master Plan Analysis Final Master Plan Detail perspectives Annotated Bibliography 2 Overview Information is flowing around us constantly passing through the air; transmitting information, phone calls and Emails. Our interaction with digital media is becoming increasingly prevalent in our day-to-day lives and continues to permeate our offices, homes and play spaces. Yet few designs begin to interface with media and the processing or transmittal of information between the user and the surfaces, which define our world. This study proposes to create an outdoor digital landscape, which is part of a larger performance area. This space utilizes digital media to allow speakers, musical groups, and other performers another dimension to express their material. The performance space and digital presentation area should be viewed as an entire experience away from that of reality. The goal of the project is to continue to blur the lines between information and form, and to play with what we conceive of as reality. The project will provide an outlet for digital artists as well as a chance to experiment with form, space and information and our ability as humans to influence process and transmit information between surfaces. Music will be the ignition for this process; extracting bits of data and information from musical pieces and applying that to the design of this space.
    [Show full text]
  • My Wonderful World of Slapstick
    THE THIS BOOK IS THE PROPERTY OF Georgia State Bo»r* of Education AN. PR,CLAun\;v eSupt of School* 150576 DECATUR -DeKALB LIBRARY REGIONAI SERVICE ROCKDALE COUNTY NEWTON COUNTY Digitized by the Internet Archive in 2012 with funding from Media History Digital Library http://archive.org/details/mywonderfulworldOObust MY WONDERFUL WORLD OF SLAPSTICK MY WO/VDERFUL WORLD OF SLAPSTICK BUSTER KEATON WITH CHARLES SAMUELS 150576 DOVBLEW& COMPANY, lNC.,<k*D£H C(TYt HlW Yo*K DECATUR - DeKALB LIBRARY REGiOMA! $&KZ ROCKDALE COUNTY NEWTON COUNTY Library of Congress Catalog Card Number 60-5934 Copyright © i960 by Buster Keaton and Charles Samuels All Rights Reserved Printed in the United States of America First Edition J 6>o For Eleanor 1. THE THREE KEATONS 9 2. I BECOME A SOCIAL ISSUE 29 3. THE KEATONS INVADE ENGLAND 49 4. BACK HOME AGAIN IN GOD'S COUNTRY 65 5. ONE WAY TO GET INTO THE MOVIES 85 6. WHEN THE WORLD WAS OURS 107 7. BOFFOS BY MAN AND BEAST 123 8. THE DAY THE LAUGHTER STOPPED 145 9. MARRIAGE AND PROSPERITY SNEAK UP ON ME 163 10. MY $300,000 HOME AND SOME OTHER SEMI-TRIUMPHS 179 11. THE WORST MISTAKE OF MY LIFE 199 12. THE TALKIE REVOLUTION 217 13. THE CHAPTER I HATE TO WRITE 233 14. A PRATFALL CAN BE A BEAUTIFUL THING 249 15. ALL'S WELL THAT ENDS WELL 267 THE THREE KeAtOnS Down through the years my face has been called a sour puss, a dead pan, a frozen face, The Great Stone Face, and, believe it or not, "a tragic mask." On the other hand that kindly critic, the late James Agee, described my face as ranking "almost with Lin- coln's as an early American archetype, it was haunting, handsome, almost beautiful." I cant imagine what the great rail splitter's reaction would have been to this, though I sure was pleased.
    [Show full text]
  • Notes and Sources for Evil Geniuses: the Unmaking of America: a Recent History
    Notes and Sources for Evil Geniuses: The Unmaking of America: A Recent History Introduction xiv “If infectious greed is the virus” Kurt Andersen, “City of Schemes,” The New York Times, Oct. 6, 2002. xvi “run of pedal-to-the-medal hypercapitalism” Kurt Andersen, “American Roulette,” New York, December 22, 2006. xx “People of the same trade” Adam Smith, The Wealth of Nations, ed. Andrew Skinner, 1776 (London: Penguin, 1999) Book I, Chapter X. Chapter 1 4 “The discovery of America offered” Alexis de Tocqueville, Democracy In America, trans. Arthur Goldhammer (New York: Library of America, 2012), Book One, Introductory Chapter. 4 “A new science of politics” Tocqueville, Democracy In America, Book One, Introductory Chapter. 4 “The inhabitants of the United States” Tocqueville, Democracy In America, Book One, Chapter XVIII. 5 “there was virtually no economic growth” Robert J Gordon. “Is US economic growth over? Faltering innovation confronts the six headwinds.” Policy Insight No. 63. Centre for Economic Policy Research, September, 2012. --Thomas Piketty, “World Growth from the Antiquity (growth rate per period),” Quandl. 6 each citizen’s share of the economy Richard H. Steckel, “A History of the Standard of Living in the United States,” in EH.net (Economic History Association, 2020). --Andrew McAfee and Erik Brynjolfsson, The Second Machine Age: Work, Progress, and Prosperity in a Time of Brilliant Technologies (New York: W.W. Norton, 2016), p. 98. 6 “Constant revolutionizing of production” Friedrich Engels and Karl Marx, Manifesto of the Communist Party (Moscow: Progress Publishers, 1969), Chapter I. 7 from the early 1840s to 1860 Tomas Nonnenmacher, “History of the U.S.
    [Show full text]
  • On and Off the Cliff
    The Newsletter of The Cliff Dwellers ON AND OFF THE CLIFF Volume 39, Number 2 March-April 2017 International Women’s Day-2017: Be Confident in Your Power! By Mike Deines CD’03 International Women’s Day had its roots in the labor movements at the turn of the Twentieth Century in North America and across Europe. The United Nations began celebrating IWD on March 8 during International Women’s Year in 1975, and two years later the U.N. General Assembly proclaimed a United Nations Day for Women’s Rights and International Peace to be observed by Member States in accordance with their historical and national traditions. In essence, IWD is a time to reflect on progress made, to call for social change, and to celebrate acts of courage and determination by ordinary women who have played an extraordinary role in the history of their countries and communities. The Cliff Dwellers at the urging of then President Leslie Eve Moran introduced Recht CD’03 became part of IWD celebrations in 2011. The Club IWD keynote speaker Andrea Kramer. has focused on bringing together a host of interesting women to inspire and guide the next generation of young women in Chicago. To that end, again this year a group of 30 scholars from nearby high schools (Chicago Tech Academy, Jones High School, and Muchin High School) shared lunch and inspiring stories with nearly 70 women and Club members. Eve Moran CD’10 once again organized and hosted the March 8 program. The keynote address was given by Andrea Kramer, a partner in an international law firm where she was a founding member of the firm’s Diversity Committee.
    [Show full text]
  • Regional Oral History Off Ice University of California the Bancroft Library Berkeley, California
    Regional Oral History Off ice University of California The Bancroft Library Berkeley, California Richard B. Gump COMPOSER, ARTIST, AND PRESIDENT OF GUMP'S, SAN FRANCISCO An Interview Conducted by Suzanne B. Riess in 1987 Copyright @ 1989 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West,and the Nation. Oral history is a modern research technique involving an interviewee and an informed interviewer in spontaneous conversation. The taped record is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The resulting manuscript is typed in final form, indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. All uses of this manuscript are covered by a legal agreement between the University of California and Richard B. Gump dated 7 March 1988. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley.
    [Show full text]
  • How America Lost Its Mind the Nation’S Current Post-Truth Moment Is the Ultimate Expression of Mind-Sets That Have Made America Exceptional Throughout Its History
    1 How America Lost Its Mind The nation’s current post-truth moment is the ultimate expression of mind-sets that have made America exceptional throughout its history. KURT ANDERSEN SEPTEMBER 2017 ISSUE THE ATLANTIC “You are entitled to your own opinion, but you are not entitled to your own facts.” — Daniel Patrick Moynihan “We risk being the first people in history to have been able to make their illusions so vivid, so persuasive, so ‘realistic’ that they can live in them.” — Daniel J. Boorstin, The Image: A Guide to Pseudo-Events in America (1961) 1) WHEN DID AMERICA become untethered from reality? I first noticed our national lurch toward fantasy in 2004, after President George W. Bush’s political mastermind, Karl Rove, came up with the remarkable phrase reality-based community. People in “the reality-based community,” he told a reporter, “believe that solutions emerge from your judicious study of discernible reality … That’s not the way the world really works anymore.” A year later, The Colbert Report went on the air. In the first few minutes of the first episode, Stephen Colbert, playing his right-wing-populist commentator character, performed a feature called “The Word.” His first selection: truthiness. “Now, I’m sure some of the ‘word police,’ the ‘wordinistas’ over at Webster’s, are gonna say, ‘Hey, that’s not a word!’ Well, anybody who knows me knows that I’m no fan of dictionaries or reference books. They’re elitist. Constantly telling us what is or isn’t true. Or what did or didn’t happen.
    [Show full text]
  • E. Heritage Health Index Participants
    The Heritage Health Index Report E1 Appendix E—Heritage Health Index Participants* Alabama Morgan County Alabama Archives Air University Library National Voting Rights Museum Alabama Department of Archives and History Natural History Collections, University of South Alabama Supreme Court and State Law Library Alabama Alabama’s Constitution Village North Alabama Railroad Museum Aliceville Museum Inc. Palisades Park American Truck Historical Society Pelham Public Library Archaeological Resource Laboratory, Jacksonville Pond Spring–General Joseph Wheeler House State University Ruffner Mountain Nature Center Archaeology Laboratory, Auburn University Mont- South University Library gomery State Black Archives Research Center and Athens State University Library Museum Autauga-Prattville Public Library Troy State University Library Bay Minette Public Library Birmingham Botanical Society, Inc. Alaska Birmingham Public Library Alaska Division of Archives Bridgeport Public Library Alaska Historical Society Carrollton Public Library Alaska Native Language Center Center for Archaeological Studies, University of Alaska State Council on the Arts South Alabama Alaska State Museums Dauphin Island Sea Lab Estuarium Alutiiq Museum and Archaeological Repository Depot Museum, Inc. Anchorage Museum of History and Art Dismals Canyon Bethel Broadcasting, Inc. Earle A. Rainwater Memorial Library Copper Valley Historical Society Elton B. Stephens Library Elmendorf Air Force Base Museum Fendall Hall Herbarium, U.S. Department of Agriculture For- Freeman Cabin/Blountsville Historical Society est Service, Alaska Region Gaineswood Mansion Herbarium, University of Alaska Fairbanks Hale County Public Library Herbarium, University of Alaska Juneau Herbarium, Troy State University Historical Collections, Alaska State Library Herbarium, University of Alabama, Tuscaloosa Hoonah Cultural Center Historical Collections, Lister Hill Library of Katmai National Park and Preserve Health Sciences Kenai Peninsula College Library Huntington Botanical Garden Klondike Gold Rush National Historical Park J.
    [Show full text]
  • Brad J Goldberg
    BRAD J GOLDBERG 5706 GOLIAD AVENUE DALLAS, TX 75206 . W 214 821 9692 . [email protected] . WWW.BRADJGOLDBERG.COM CURRENT PROJECTS 2014- Moore Square, Raleigh, North Carolina 2013- Washington D.C. Metro Innovation Center Station 2011- Passage, Pueblo Grande Archeological Museum, Phoenix, Arizona 2009- Terminal 4 Terrazzo Floor Project, Ft. Lauderdale International Airport, Florida COMPLETED PROJECTS 2014 Trinity River Amenities Project, Dallas, Texas 2012 Water Tower, Elevated Water Tower Design/Wind Energy Project, Town of Addison, Texas 2012 Belt Line Station, Dallas Area Rapid Transit, Irving, Texas 2011 Every Place A History, Austin Animal Shelter/Betty Dunkerley Campus, Austin, Texas 2011 Water Table, Cityplace, Dallas, Texas 2011 Bollard Series, West Palm Beach County Courthouse Project, West Palm Beach, Florida 2011 Alluvium, Pinnacle/Pima Road Project, Scottsdale, Arizona 2010 Healing Stones, Solar Light Project, Children’s Hospital, Minneapolis, Minnesota 2010 DART System-Wide Lead Artist, Dallas Area Rapid Transit Projects (12 Years) 2009 Trinity Lakes Project, Conceptual Design, Design Team Member with WRT, Dallas, Texas 2009 Fair Park Station, Dallas Area Rapid Transit, Main Entrance to Fair Park, Dallas, Texas 2007 Cisterna, Stone Cistern and Wind Turbine Project, Montgomery Farm, Allen, Texas 2007 Illumination, Symantec Corporation Solar Light Project, Culver City, California 2007 Coral Eden, Miami International Airport Project, Miami, Florida 2006 Place of Origin, Land Reclamation Project, Village of Kemnay, Aberdeenshire,
    [Show full text]
  • Hyatt Hotels Corporation 2010 Annual Report Hyatt Hotels Corporation 2010 Annual Report Hyatt Hotels Corporation 2010 Annual
    hyatthyatt hotelshotels corporationcorporation 20102010 annualannual reportreport `qYll`gl]dk[gjhgjYlagf*()(YffmYdj]hgjl ` qY ll ` gl] d k [g jh g jY l a g f* ( ) ( Yff m Ydj ] h g j l authentic experiences We are a global hospitality company with widely recognized leading brands and a tradition of innovation developed over our more than fi fty-year history. Our mission is to provide authentic hospitality by making a difference in the lives of the people we touch every day. We focus on this mission in pursuit of our goal of becoming the most preferred brand in each segment that we serve for our associates, guests, and owners. We pursue our mission and goal in an environment characterized by a set of core values that defi nes our culture. Thomas J. Pritzker Executive Chairman’s Letter to Shareholders Dear Fellow Shareholders: I want to take this opportunity to share my views on our Our strong capital base positions us to support our industry and discuss how those views inform our goals strategy and take informed risk in pursuit of creating and strategy at Hyatt. Let me start with the conclusion. long-term value through industry cycles. We have defined our goals and aligned our strategy for Our strategic focus on enhancing preference for our Hyatt around being the most preferred brand in each segment that we serve. We want to be preferred by our brands begins with driving preference among our associates, our guests and our hotel owners. We believe associates because our people are the key to our success.
    [Show full text]