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Off to the Pictures Cinemagoing, Women’S Writing and Movie Culture in Interwar Britain Lisa Stead August 2016 Hb • 978 0 7486 9488 4 • £70.00 BIC: APFA, APFN, DSK

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Off to the Pictures Cinemagoing, Women’S Writing and Movie Culture in Interwar Britain Lisa Stead August 2016 Hb • 978 0 7486 9488 4 • £70.00 BIC: APFA, APFN, DSK Off to the Pictures Cinemagoing, Women’s Writing and Movie Culture in Interwar Britain Lisa Stead August 2016 Hb • 978 0 7486 9488 4 • £70.00 BIC: APFA, APFN, DSK 208 pp. 234 x 156mm Alternative Formats: Eb (PDF) • 978 0 7486 9489 1 • £70.00 Eb (epub) • 978 1 4744 1395 4 • £70.00 Examines women’s constructions of selfhood through film and literature in interwar Britain Off to the Pictures looks at the relationship between film and popular fiction The Author between the wars. It includes case studies of writers such as Winifred Holtby, Jean Rhys, Stella Gibbons, C. A. Lejeune, Elizabeth Bowen and Elinor Glyn, Lisa Stead is a Lecturer in British and illuminating their diverse uses of film and cinemagoing within their fictional American Cinema at the University and critical writings. The book presents a new view on interwar cinema, of Exeter. She is the co-editor of The looking at the ways in which writing about film both examined and created Boundaries of the Literary Archive: an intermedial female cinema culture, and played a part in shaping women’s Reclamation and Representation (2013). ideas of selfhood and identity. Readership Key Features Suitable for courses on early cinema, • A rich new exploration of interwar women’s fictions and their complex film history, visual culture and literary intersections with cinema modernism • Draws upon new archival research, industrial analysis and close textual readings • Case studies include the work of Winifred Holtby, Stella Gibbons, Elizabeth Bowen, Jean Rhys, Elinor Glyn, C. A. Lejeune and Iris Barry Film Studies The Tun – Holyrood Road, 12 (2f) Jackson’s Entry, Edinburgh EH8 8PJ tel: +44 (0)131 650 4218 fax: +44 (0)131 650 3286 [email protected] www.euppublishing.com textbook The Almoravid and Almohad Empires Amira K. Bennison August 2016 Pb • 978 0 7486 4680 7 • £29.99 BIC: HBJ, HBLC, HRH 416 pp 234 x 156 mm 27 b&w illustrations Alternative Formats: Hb • 978 0 7486 4681 4 • £90.00 Eb (PDF) • 978 0 7486 4682 1 • £90.00 Eb (epub) • 978 0 7486 9498 3 • £29.99 The first combined history of two of the great Islamic empires of the 10th – 13th centuries Description The Author African invaders of Spain? Religious fundamentalists who disrupted the Amira K. Bennison is Reader in the generally good relations between Muslims, Christians and Jews? Or key History and Culture of the Maghrib contributors to the maturation of Islamic society in the Maghrib? at the University of Cambridge and a Fellow of Magdalene College. The Almoravid and Almohad empires ruled substantial parts of the Maghrib and al-Andalus between the 10th and mid-13th centuries, and were the two most important Berber dynasties of the medieval Islamic west, an area that Series encompassed southern Spain and Portugal, Morocco, Algeria and Tunisia. This The Edinburgh History of the Islamic Empires is the first comprehensive account in English of the rise and fall of these two hugely powerful empires whose rule fostered the emergence of the Islamic Readership society which endured, in Morocco especially, until the early 20th century. Amira K. Bennison focuses on these dynasties from a positive perspective, placing Advanced students and academics in them in their proper context of medieval Mediterranean and Islamic history. Islamic and Middle Eastern Studies, History and Religious Studies. Key Features Courses • Places the Almoravids and Almohads within the broader sweep of Islamic history Postgraduate: • Includes chapters on politics, society, economy and trade, religion and • The Almoravids learning, art and architecture • The Almohads • Illustrated with maps, genealogical tables and photographs • Islamic Empires • Includes a glossary of Arabic terms • Late Antique/Medieval Islamic History Competition • Islamic Spain • The Formation of the Islamic World • Allen Fromherz, The Almohads: The Rise of an Islamic Empire (I. B. Tauris, • Islamic Political History 2012, 288pp, £17.99) only considers the rise of the Almohad empire • There are classic works on the two empires available in French and Spanish, Islamic & Middle Eastern Studies but this will be the first survey of the two empires to be published in English The Tun – Holyrood Road, 12 (2f) Jackson’s Entry, Edinburgh EH8 8PJ tel: +44 (0)131 650 4218 fax: +44 (0)131 650 3286 [email protected] www.euppublishing.com textbook The Almoravid and Almohad Empires Amira K. Bennison Table of Contents List of Figures; List of Abbreviations; Acknowledgements; Note on Transliteration; Chapter 1. Introduction; Chapter 2. The Almoravids: Striving in the path of God; Chapter 3. The Almohads: Revelation, revolution and empire; Chapter 4. Society in the Almoravid and Almohad eras, 1050-1250; Chapter 5. Economy and trade within and beyond imperial frontiers, 1050-1250; Chapter 6. Malikism, Mahdism and Mysticism: Religion and learning, 1050-1250; Chapter 7. ‘The most wondrous artifice’: Art and Architecture of the Berber empires; Chapter 8. Conclusion; Chronological Outline; List of Place Names in Latin and Arabic forms; Glossary of Arabic terms; Bibliography; Index. Islamic & Middle Eastern Studies Islamic & Middle Eastern Studies The Tun – Holyrood Road, 12 (2f) Jackson’s Entry, Edinburgh EH8 8PJ tel: +44 (0)131 650 4218 fax: +44 (0)131 650 3286 [email protected] www.euppublishing.com New in Paperback Letter Writing Among Poets From William Wordsworth to Elizabeth Bishop Edited by Jonathan Ellis August 2016 Pb • 978 1 4744 1412 8 • £19.99 BIC: DC, DS, DSC 272 pp. 234 x 156mm 1 B/W illustrations Alternative Formats: Hb • 978 0 7486 8132 7 • £70.00 Eb (PDF) • 978 0 7486 8133 4 • £70.00 Eb (epub) • 978 0 7486 8134 1 • £19.99 The first book to look at poets’ letters seriously as an art form Fifteen enlightening chapters by leading international biographers, critics The Editor and poets examine letter writing among poets in the last two hundred years. They range from Coleridge, Wordsworth, Keats and Shelley in the nineteenth- Jonathan Ellis is Senior Lecturer in century to Eliot, Yeats, Bishop and Larkin in the twentieth. In doing so, they American Literature at the University of respond to the following questions. Who are the great letter writers of the Sheffield. past? Why is reading other people’s mail so addictive? What is the relationship between letter writing and other literary genres such as poetry? Divided into three sections—Contexts and Issues, Romantic and Victorian Letter Writing, and Twentieth-Century Letter Writing—the volume demonstrates that real letters still have an allure that virtual post struggles to replicate. Key Features • A comprehensive collection of essays on the art and genre of letter writing among Romantic, Victorian and Twentieth Century poets • Contributors are leading international biographers, critics and poets, including Hermione Lee, Paul Muldoon, Daniel Karlin, Hugh Haughton, Anne Fadiman, Edna Longley and Angela Leighton • An absorbing history of literary friendship, literary love, and literary rivalry • A sensitive study of the often close relationship between letter writing and poetry Literary Studies The Tun – Holyrood Road, 12 (2f) Jackson’s Entry, Edinburgh EH8 8PJ tel: +44 (0)131 650 4218 fax: +44 (0)131 650 3286 [email protected] www.euppublishing.com New in Paperback Virginia Woolf Twenty-First-Century Approaches Edited by Jeanne Dubino, Gill Lowe, Vara Neverow and Kathryn Simpson August 2016 Pb • 978 1 4744 1413 5 • £19.99 BIC: DSB, DSK 240 pp. 234 x 156mm Alternative Formats: Hb • 978 0 7486 9393 1 • £70.00 Eb (PDF) • 978 0 7486 9394 8 • £70.00 Eb (epub) • 978 1 4744 1417 3 • £19.99 Reconsiders Virginia Woolf’s work for the 21st century focusing on coevolution, duality and contradiction These 11 newly commissioned essays represent the evolution, or coevolution, The Editors of Woolf studies in the early 21st-century. Divided into 5 parts – Self and Identity; Language and Translation; Culture and Commodification; Human, Jeanne Dubino is Professor of English Animal and Nonhuman; and Gender, Sexuality and Multiplicity – the essays and Global Studies at the Appalachian represent the most recent scholarship on the subjective, provisional, and State University in North Carolina. contingent nature of Woolf's work. The expert contributors consider unstable constructions of self and identity, and language and translation from multiple Gill Lowe is Senior Lecturer in English angles, including shifting textualities, culture and the marketplace, critical at University Campus Suffolk. animal studies, and discourses that fracture and revise gender and sexuality. Vara Neverow is a Professor of Englsih and Women's Studies at Southern Key Features Connecticut State University. • Extends existing critical work that considers a multiplicity of constructions Kathryn Simpson is Senior Lecturer of ‘Virginia Woolf’ in English at Cardiff Metropolitan • Demonstrates original and diverse ways of reading this canonical (and University. contradictory) author • Explores multiple meanings related to the conjoined, fused, connected, and evolving nature of Woolf studies Readership • Considers new configurations, new pairings, and new ways of placing ideas Modernism, Modernist Literature, in tension around Woolf’s work for a postmodern, postmillennial age Twentieth-Century Literature, Twenty- First Century Criticism, Virginia Woolf Literary Studies The Tun – Holyrood Road, 12 (2f) Jackson’s Entry, Edinburgh EH8 8PJ tel: +44 (0)131 650 4218 fax: +44 (0)131 650 3286 [email protected] www.euppublishing.com Academic Trade Barthes/Burgin Edited by Ryan Bishop and Sunil Manghani August 2016 Pb • 978 1 4744 1553 8 • £15.00 BIC: ABA, HP, HPN 128 pp. 190 x 135mm 20 colour illustrations Alternative Formats: Eb (PDF) • 978 1 4744 1554 5 • £15.00 Eb (epub) • 978 1 4744 1555 2 • £15.00 New critical consideration of the writings and works of Roland Barthes and Victor Burgin This book focuses on the interconnection between Roland Barthes' writing The Editors and drawings and Victor Burgin’s writing and projection works.
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