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February 9, 2007 the Free-Content News Source That You Can Write! Page 1
February 9, 2007 The free-content news source that you can write! Page 1 Top Stories Wikipedia Current Events Animation). Annie Awards for animation the spokesman for al-Ghurabaa, Cars, Happy Feet, and Monster Sunday; Wikinews will be an organization the British House are all nominated in the there government has designated as Academy Awards for the same This Sunday, the Annie Awards will terrorist, on charges of inciting category, perhaps signifying an be handed out in Glendale, terrorism. edge up in the competition. California. Professional •Seven alleged members of the photographer John Mueller will Islamic Movement of Uzbekistan, Direct-to-DVD releases are eligible attend the ceremony on behalf of an organization affiliated with Al- for the "Best Home Entertainment Wikinews, taking photos of Qaeda, are on trial in Tajikistan. If Production". Included are Bambi II nominees and the rest of convicted of terrorism they could (DisneyToon Studios), The America's animation elite. be sentenced to up to twenty Adventures of Brer Rabbit years in prison. (Universal Animation Studios), and Snow causes disruption in UK Winnie the Pooh: Shapes & Sizes Heavy snow has caused disruption (DisneyToon Studios). in the United Kingdom with Annie Awards for animation Sunday; Wikinews will be there airports and schools closed and Charlie and Lola, Foster's Home for delays on the road network. This Sunday, the International Animated Film Association Imaginary Friends, King of the Hill, Snowfall was highest near The Fairly OddParents, and Wow! Worcester with 9cms of snow (Association International du Film d'Animation) or ASIFA will hand out Wow! Wubbzy! are all up for "Best falling. -
Thinking About
THINKING ABOUT Watching, Questioning, Enjoging FOURTH EDITION PETER LEHMAN and WILLIAM LUHR Wiley Biackweii CONTENTS List of Figures ix How to Use This Book xvi Acknowledgments xix About the Companion Blog xxi 1 Introduction 1 Fatal Attraction and Scarface 2 Narrative Structure 27 Jurassic Park and Rashomon 3 Formal Analysis 61 Rules of the Game and The Sixth Sense 4 Authorship 87 The Searchers and Jungle Fever 5 Genres 111 Sin City and Gunfight at the OK Corral 6 Series, Sequels, and Remakes 141 Goldfinger and King Kong (1933 and 2005) 7 Actors and Stars 171 Morocco and Dirty Harry 8 Audiences and Reception 197 A Woman ofParis and The Crying Game 9 Film and the Other Arts 222 Dr. Jekyll and Mr. Hyde (1933) and The Girl with the Dragon Tattoo (2011) 10 Film and its Relation to Radio and Television 257 Richard Diamond, Private Detective; Peter Gunn; Victor/Victoria; 24\ and Homeland 11 Realism and Theories of Film 296 Tlje Battleship Potemkin and Umberto D 12 Gender and Sexuality 317 The Silence of the Lambs and American Gigolo 13 Race 341 Out of the Past, LA Confidential, and Boyz N the Hood 14 Class 371 Pretty Woman and The People Under the Stairs 15 Citizen Kane: An Analysis 396 Citizen Kane 16 Current Trends: Globalization and China, 3D, IMAX, Internet TV 419 Glossary 441 Index 446 LIST Of FIGURES Chapter 1 1.1 Zero Dark Thirty, © 2012 Zero Dark Thirty LLC 1 1.2 American Sniper, © 2014 Warner Bros. Entertainment Inc, Village Roadshow Films North America Inc. and Ratpac-Dune Entertainment LLC 1 1.3 Spotlight, © 2015 SPOTLIGHT FILM, LLC 2 1.4 Jack Ryan: Shadow Recruit, © 2013 Paramount Pictures Corporation 2 1.5 Dragon: The Brace Lee Story, © 1992, Universal 3 1.6 Breakfast at Tiffany's, © 1961, Paramount 3 1.7 Psycho, © 1960, Universal 3 1.8 The Hills Have Eyes (2006), © 2006 BRC Rights Management, LTD 4 1.9 The Texas Chainsaw Massacre (2003), © 2003 Chainsaw Productions, LLC 4 1.10 Son of the Pink Panther (1993), © United Artists Productions, Inc. -
Scott Rohrman, 42 Real Estate C
Associate Leadership Council The Creative City Date: Friday, March 4, 2016 Parking: Park in DMA garage between 8:00 – 8:15 a.m., 1717 N Harwood St, Dallas, TX 75201 Starting Location: Walk to Hall Arts Center, 2323 Ross Avenue. Arrive no later than 8:15 a.m. Program Chair: Jill Ibison, Corgan Program Committee: Marti DuBuisson, Corgan; Nathan Nash, Nash Development Company I. Welcome and Introductions. Texas Sculpture Walk 8:30 a.m. a. Patricia B. Meadows, President, Art Connections II. Walking tour of the Arts District, History and Impact 9:30 a.m. a. Catherine Cuellar, Director, Entrepreneurs of North Texas III. Transition to the DMA 10:45-10:55 a.m. IV. DMA Tour 11:00 a.m. a. Pollock Exhibit – Docent lead b. Gallery Exhibit – Docent lead V. Lunch at the DMA Café 12:00 p.m. VI. Individually Drive to Deep Ellum 12:45 p.m. a. Surface or street parking near 2650 Main St, Dallas, TX 75226 b. Walk to Reel FX, 301 N Crowdus St, Dallas, TX 75226. Meet in Lobby. VII. Reel FX. Digital Media 1:15 p.m. a. Liz Hemme, Lighting Superv isor VIII. Walk to Undermain Theatre, 3200 Main Street, Dallas TX 75226 2:30 p.m. IX. Undermain Theatre 2:45 p.m. a. Ken Bernstein, Technical Director and Ben Bryant, Facilities Manager, Undermain Theatre b. Erica Felicella, Art Conspiracy Executive Director X. Walk to Kettle Art Gallery, 2650 Main St, Dallas, TX 75226 3:45 p.m. XI. Kettle Art Gallery. View Exhibit and Casual Conversation 4:00 p.m. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
More Than an Island 2 MORE THAN an ISLAND
SYROS more than an island 2 MORE THAN AN ISLAND... ΧΧΧ TABLE OF CONTENTS Discovering Syros .................................... 4 Introduction From myth to history ............................. 6 History The two Doctrines .................................. 8 Religion will never forget the dreamy snowy white color, which got in my eyes when I landed in Syros at Two equal tribes this fertile land I dawn. Steamers always arrive at dawn, at this divide, where two fair cities rise all-white swan of the Aegean Sea that is as if it is with equal pride ...................................... 10 sleeping on the foams, with which the rainmaker is sprinkling. Kaikias, the northeast wind; on her Cities and countryside eastern bare side, the renowned Vaporia, which is Economy of Syros .................................... 14 always anchored beyond St. Nicholas, a fine piece of a crossway, and immortal Nisaki downtown, the Tourism, agricultural production, swan’s proud neck, with Vafiadakis’s buildings, and crafts and traditional shipbuilding the solid towers of the Customs Office, where the waves alive, as if they are hopping, laughing, run- Authentic beauty ..................................... 16 ning, chuckling, hunting, fighting, kissing, being Beaches, flora and fauna, habitats, baptized, swimming, brides white like foam. climate and geotourism At such time and in this weather, I landed on my dream island. I don’t know why some mysteries lie Culture, twelve months a year .......... 18 in man’s heart, always remaining dark and unex- Architecture, tradition, theatre, literature, plained. I loved Syra, ever since I first saw it. I loved music, visual arts and gastronomy her and wanted to see her again. I wanted to gaze at her once more. -
ANNUAL REPORT 2016-2017 Published by Strategic Planning and Government Relations P.O
ANNUAL REPORT 2016-2017 Published by Strategic Planning and Government Relations P.O. Box 6100, Station Centre-ville Montreal, Quebec H3C 3H5 Internet: onf-nfb.gc.ca/en E-mail: [email protected] Cover page: ANGRY INUK, Alethea Arnaquq-Baril © 2017 National Film Board of Canada ISBN 0-7722-1278-3 2nd Quarter 2017 Printed in Canada TABLE OF CONTENTS 2016–2017 IN NUMBERS MESSAGE FROM THE GOVERNMENT FILM COMMISSIONER FOREWORD HIGHLIGHTS 1. THE NFB: A CENTRE FOR CREATIVITY AND EXCELLENCE 2. INCLUSION 3. WORKS THAT REACH EVER LARGER AUDIENCES, RAISE QUESTIONS AND ENGAGE 4. AN ORGANIZATION FOCUSED ON THE FUTURE AWARDS AND HONOURS GOVERNANCE MANAGEMENT SUMMARY OF ACTIVITIES IN 2016–2017 FINANCIAL STATEMENTS ANNEX I: THE NFB ACROSS CANADA ANNEX II: PRODUCTIONS ANNEX III: INDEPENDENT FILM PROJECTS SUPPORTED BY ACIC AND FAP AS THE CROW FLIES Tess Girard August 1, 2017 The Honourable Mélanie Joly Minister of Canadian Heritage Ottawa, Ontario Minister: I have the honour of submitting to you, in accordance with the provisions of section 20(1) of the National Film Act, the Annual Report of the National Film Board of Canada for the period ended March 31, 2017. The report also provides highlights of noteworthy events of this fiscal year. Yours respectfully, Claude Joli-Coeur Government Film Commissioner and Chairperson of the National Film Board of Canada ANTHEM Image from Canada 150 video 6 | 2016-2017 2016–2017 IN NUMBERS 1 VIRTUAL REALITY WORK 2 INSTALLATIONS 2 INTERACTIVE WEBSITES 67 ORIGINAL FILMS AND CO-PRODUCTIONS 74 INDEPENDENT FILM PROJECTS -
Apatoons.Pdf
San Diego Sampler #3 Summer 2003 APATOONS logo Mark Evanier Cover Michel Gagné 1 Zyzzybalubah! Contents page Fearless Leader 1 Welcome to APATOONS! Bob Miller 1 The Legacy of APATOONS Jim Korkis 4 Who’s Who in APATOONS APATOONers 16 Suspended Animation Special Edition Jim Korkis 8 Duffell's Got a Brand New Bag: San Diego Comicon Version Greg Duffell 3 “C/FO's 26th Anniversary” Fred Patten 1 “The Gummi Bears Sound Off” Bob Miller 4 Assorted Animated Assessments (The Comic-Con Edition) Andrew Leal 10 A Rabbit! Up Here? Mark Mayerson 11 For All the Little People David Brain 1 The View from the Mousehole Special David Gerstein 2 “Sometimes You Don’t Always Progress in the Right Direction” Dewey McGuire 4 Now Here’s a Special Edition We Hope You’ll REALLY Like! Harry McCracken 21 Postcards from Wackyland: Special San Diego Edition Emru Townsend 2 Ehhh .... Confidentially, Doc - I AM A WABBIT!!!!!!! Keith Scott 5 “Slices of History” Eric O. Costello 3 “Disney Does Something Right for Once” Amid Amidi 1 “A Thought on the Powerpuff Girls Movie” Amid Amidi 1 Kelsey Mann Kelsey Mann 6 “Be Careful What You Wish For” Jim Hill 8 “’We All Make Mistakes’” Jim Hill 2 “Getting Just the Right Voices for Hunchback's Gargoyles …” Jim Hill 7 “Animation vs. Industry Politics” Milton Gray 3 “Our Disappearing Cartoon Heritage” Milton Gray 3 “Bob Clampett Remembered” Milton Gray 7 “Coal Black and De Sebben Dwarfs: An Appreciation” Milton Gray 4 “Women in Animation” Milton Gray 3 “Men in Animation” Milton Gray 2 “A New Book About Carl Barks” Milton Gray 1 “Finding KO-KO” Ray Pointer 7 “Ten Tips for Surviving in the Animation Biz” Rob Davies 5 Rob Davies’ Credits List Rob Davies 2 “Pitching and Networking at the Big Shows” Rob Davies 9 Originally published in Animation World Magazine, AWN.com, January 2003, pp. -
Top Questions About Character Animation
Top Questions About Character Animation What are some of the exciting aspects of character animation, and how is it different than other computer animation forms? The phrase computer animation is often used as a catch-all for many computer generated effects including spinning logos, Flash programming on the Web or special effects in movies. These are not character animation. Character animation is the process of giving life to a character, whether it is a dog that can talk, a drawn person or an animated object. Character animation creates personality. How long does it take one person to create one minute of animation? This is difficult to pinpoint, but it can take one animator about 16 – 20 weeks of full-time work to produce 60 seconds of animation.1 At Pixar Animation Studios, due to their high level of quality control, animators have been known to work on two minutes of film for a year or more. How many animators typically work on an animated feature film? It depends on the studio and its needs, so anywhere from 20 – 80 animators could be working on an animated feature film. What is the biggest myth about character animation? A lot of people believe that the computer does all of the work for the animator, but the reality is that the animator is only using the computer as a tool to create detailed animation frame by frame. What are some of the most challenging aspects of character animation? Character animators work in fun, collaborative, exciting and detailed environments. They need to have a high level of patience while working with the tiny movements of a character frame by frame. -
Emanuele Serrelli Nathalie Gontier Editors Explanation, Interpretation
Interdisciplinary Evolution Research 2 Emanuele Serrelli Nathalie Gontier Editors Macroevolution Explanation, Interpretation and Evidence Interdisciplinary Evolution Research Volume 2 Series editors Nathalie Gontier, Lisbon, Portugal Olga Pombo, Lisbon, Portugal [email protected] About the Series The time when only biologists studied evolution has long since passed. Accepting evolution requires us to come to terms with the fact that everything that exists must be the outcome of evolutionary processes. Today, a wide variety of academic disciplines are therefore confronted with evolutionary problems, ranging from physics and medicine, to linguistics, anthropology and sociology. Solving evolutionary problems also necessitates an inter- and transdisciplinary approach, which is why the Modern Synthesis is currently extended to include drift theory, symbiogenesis, lateral gene transfer, hybridization, epigenetics and punctuated equilibria theory. The series Interdisciplinary Evolution Research aims to provide a scholarly platform for the growing demand to examine specific evolutionary problems from the perspectives of multiple disciplines. It does not adhere to one specific academic field, one specific school of thought, or one specific evolutionary theory. Rather, books in the series thematically analyze how a variety of evolutionary fields and evolutionary theories provide insights into specific, well-defined evolutionary problems of life and the socio-cultural domain. Editors-in-chief of the series are Nathalie Gontier and Olga Pombo. The -
Screendollars August 3, 2020 About Films, the Film Industry No
For Exhibitors Screendollars August 3, 2020 About Films, the Film Industry No. 128 Newsletter and Cinema Advertising God speed and fond remembrances to British filmmaker Alan Parker, who died on Friday at the age of 76. Parker made 15 features over his 25-year career from the mid-1970s through the early-2000’s. He demonstrated unmatched range in style and subject matter in his films, spanning a G-rated musical Bugsy Malone (1976) featuring an all children’s cast to the nearly X-rated voodoo horror film Angel Heart (1987) starring Mickey Rourke and Robert DeNiro. The thread throughout Parker’s films was that they were riveting, memorable and enjoyable creations. Alan Parker (1944 - 2020) Midnight Express Fame Angel Heart Mississippi Burning The Commitments Angela’s Ashes (1978) (1980) (1987) (1988) (1991) (1999) “People said, ‘You must have been so brave!’. I said, ‘No, just stupid’” - Alan Parker, on working with a large cast of children actors in Bugsy Malone (1976) Notable Industry News and Commentary (7/27-8/2) Lonely Daze: The Ties that Unwind (NY Times) This interesting analysis by Jason Zinoman of the NY Times explains why horror films are the perfect accompaniment to the COVID-19 pandemic. Isolation…check. Mysterious killer lurking in the shadows… check. When you’re feeling sad, listen to the blues so you’ll feel that you’re not the only one. When you feeling trapped by the current lockdown, visit the local drive-in to watch a horror film, parked alongside hundreds of other cars, sharing the same experience. If you’re an exhibitor or booker considering options for your Jamie Lee Curtis stars in Halloween, the Original Horror Classic upcoming film program, e-mail [email protected] Click to Play Screendollars Popcorn Previews to inquire about showing John Carpenter’s original Halloween. -
Italia Protagonista Del Film Pixar «Luca»
L’Italia protagonista del film Pixar «Luca» Sono molte le novità annunciate in casa Pixar. Oltre ad Onward, uscito in Italia a marzo di quest’anno e a Soul, a novembre nelle sale americane, ci aspetta un’altra pellicola dal sapore italiano. A giugno del 2021 infatti, uscirà nelle sale statunitensi un nuovo lungometraggio d’animazione ambientato nel Bel Paese. La riviera ligure in particolare sarà l’ambientazione di Luca, la storia di un’estate italiana e di una forte amicizia. Meet “Luca.” Directed by Enrico Casarosa & produced by Andrea Warren, our all-new film will introduce a boy named Luca as he experiences an unforgettable summer in a seaside town on the Italian Riviera. “Luca” opens in theaters summer 2021. pic.twitter.com/orlIxzqXnB — Pixar (@Pixar) July 30, 2020 Pixar, una fabbrica di emozioni La Pixar ci ha abituati a film che toccano le corde della nostra anima in mille modi differenti. Con il suo stile di animazione originale e sempre pieno di sorprese riesce a trattare nelle sue produzioni tematiche come l’amore (Up, 2009), l’amicizia, le emozioni (Inside Out, 2015). Ma anche l’attenzione per l’ambiente con Wall-E (2008), un cartone che fa riflettere anche sull’importanza di rispettare il nostro pianeta. L’amore per l’Italia Già con Cars 2, la casa di produzione americana ha omaggiato l’Italia. Ispirandosi a Portofino è stata infatti creata Porto Corsa, la finta città marittima presente nel film. Con Luca la riviera ligure diventa protagonista.La sua costiera farà da sfondo a questa intensa storia d’amicizia vissuta durante un’estate italiana, fatta di gelati, pasta e infinite corse in motorino. -
To Infinity and Back Again: Hand-Drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation
To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation Haswell, H. (2015). To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation. Alphaville: Journal of Film and Screen Media, 8, [2]. http://www.alphavillejournal.com/Issue8/HTML/ArticleHaswell.html Published in: Alphaville: Journal of Film and Screen Media Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2015 The Authors. This is an open access article published under a Creative Commons Attribution-NonCommercial-NoDerivs License (https://creativecommons.org/licenses/by-nc-nd/4.0/), which permits distribution and reproduction for non-commercial purposes, provided the author and source are cited. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:28. Sep. 2021 1 To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar’s Pioneering Animation Helen Haswell, Queen’s University Belfast Abstract: In 2011, Pixar Animation Studios released a short film that challenged the contemporary characteristics of digital animation.