The Tuatha Dé Danann of Ireland
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The Celtic Encyclopedia, Volume II
7+( &(/7,& (1&<&/23(',$ 92/80( ,, . T H E C E L T I C E N C Y C L O P E D I A © HARRY MOUNTAIN VOLUME II UPUBLISH.COM 1998 Parkland, Florida, USA The Celtic Encyclopedia © 1997 Harry Mountain Individuals are encouraged to use the information in this book for discussion and scholarly research. The contents may be stored electronically or in hardcopy. However, the contents of this book may not be republished or redistributed in any form or format without the prior written permission of Harry Mountain. This is version 1.0 (1998) It is advisable to keep proof of purchase for future use. Harry Mountain can be reached via e-mail: [email protected] postal: Harry Mountain Apartado 2021, 3810 Aveiro, PORTUGAL Internet: http://www.CeltSite.com UPUBLISH.COM 1998 UPUBLISH.COM is a division of Dissertation.com ISBN: 1-58112-889-4 (set) ISBN: 1-58112-890-8 (vol. I) ISBN: 1-58112-891-6 (vol. II) ISBN: 1-58112-892-4 (vol. III) ISBN: 1-58112-893-2 (vol. IV) ISBN: 1-58112-894-0 (vol. V) Library of Congress Cataloging-in-Publication Data Mountain, Harry, 1947– The Celtic encyclopedia / Harry Mountain. – Version 1.0 p. 1392 cm. Includes bibliographical references ISBN 1-58112-889-4 (set). -– ISBN 1-58112-890-8 (v. 1). -- ISBN 1-58112-891-6 (v. 2). –- ISBN 1-58112-892-4 (v. 3). –- ISBN 1-58112-893-2 (v. 4). –- ISBN 1-58112-894-0 (v. 5). Celts—Encyclopedias. I. Title. D70.M67 1998-06-28 909’.04916—dc21 98-20788 CIP The Celtic Encyclopedia is dedicated to Rosemary who made all things possible . -
Irish Children's Literature and the Poetics of Memory, 1892-2016
Irish Children’s Literature and the Poetics of Memory, 1892-2016 A Thesis submitted to the School of English at the University of Dublin, Trinity College, for the Degree of Doctor of Philosophy. February 2019 Rebecca Ann Long I declare that this thesis has not been submitted as an exercise for a degree at this or any other university and it is entirely my own work. I agree to deposit this thesis in the University’s open access institutional repository or allow the Library to do so on my behalf, subject to Irish Copyright Legislation and Trinity College Library conditions of use and acknowledgement. _________________________________ Rebecca Long February 2019 TABLE OF CONTENTS SUMMARY………………………………………………………………………………..i ACKNOWLEDGEMENTS……………………………………………………………....iii INTRODUCTION………………………………………………………………………....4 CHAPTER ONE: RETRIEVING……………………………………………………………………………29 CHAPTER TWO: RE- TELLING……………………………………………………………………………...…64 CHAPTER THREE: REMEMBERING……………………………………………………………………....106 CHAPTER FOUR: RE- IMAGINING………………………………………………………………………........158 CONCLUSION…………………………………………………………………..……..210 WORKS CITED………………………….…………………………………………………….....226 Summary This thesis explores the recurring patterns of Irish mythological narratives that influence literature produced for children in Ireland following the Celtic Revival and into the twenty- first century. A selection of children’s books published between 1892 and 2016 are discussed with the aim of demonstrating the development of a pattern of retrieving, re-telling, remembering and re-imagining myths -
Stories from Early Irish History
1 ^EUNIVERJ//, ^:IOS- =s & oo 30 r>ETRr>p'S LAMENT. A Land of Heroes Stories from Early Irish History BY W. LORCAN O'BYRNE WITH SIX ILLUSTRATIONS BY JOHN E. BACON BLACKIE AND SON LIMITED LONDON GLASGOW AND DUBLIN n.-a INTEODUCTION. Who the authors of these Tales were is unknown. It is generally accepted that what we now possess is the growth of family or tribal histories, which, from being transmitted down, from generation to generation, give us fair accounts of actual events. The Tales that are here given are only a few out of very many hundreds embedded in the vast quantity of Old Gaelic manuscripts hidden away in the libraries of nearly all the countries of Europe, as well as those that are treasured in the Royal Irish Academy and Trinity College, Dublin. An idea of the extent of these manuscripts may be gained by the statement of one, who perhaps had the fullest knowledge of them the late Professor O'Curry, in which he says that the portion of them (so far as they have been examined) relating to His- torical Tales would extend to upwards of 4000 pages of large size. This great mass is nearly all untrans- lated, but all the Tales that are given in this volume have already appeared in English, either in The Publications of the Society for the Preservation of the Irish Language] the poetical versions of The IV A LAND OF HEROES. Foray of Queen Meave, by Aubrey de Vere; Deirdre', by Dr. Robert Joyce; The Lays of the Western Gael, and The Lays of the Red Branch, by Sir Samuel Ferguson; or in the prose collection by Dr. -
Pilgrimage Stories: the Farmer Fairy's Stone
PILGRIMAGE STORIES: THE FARMER FAIRY’S STONE By Betty Lou Chaika One of the primary intentions of our recent six-week pilgrimage, first to Scotland and then to Ireland, was to visit EarthSpirit sanctuaries in these ensouled landscapes. We hoped to find portals to the Otherworld in order to contact renewing, healing, transformative energies for us all, and especially for some friends with cancer. I wanted to learn how to enter the field of divinity, the aliveness of the EarthSpirit world’s interpenetrating energies, with awareness and respect. Interested in both geology and in our ancestors’ spiritual relationship with Rock, I knew this quest would involve a deeper meeting with rock beings in their many forms. When we arrived at a stone circle in southwest Ireland (whose Gaelic name means Edges of the Field) we were moved by the familiar experience of seeing that the circle overlooks a vast, beautiful landscape. Most stone circles seem to be in places of expansive power, part of a whole sacred landscape. To the north were the lovely Paps of Anu, the pair of breast-shaped hills, both over 2,000 feet high, named after Anu/Aine, the primary local fertility goddess of the region, or after Anu/Danu, ancient mother goddess of the supernatural beings, the Tuatha De Danann. The summits of both hills have Neolithic cairns, which look exactly like erect nipples. This c. 1500 BC stone circle would have drawn upon the power of the still-pervasive earlier mythology of the land as the Mother’s body. But today the tops of the hills were veiled in low, milky clouds, and we could only long for them to be revealed. -
Joy Harjo Reads from 'Crazy Brave' at the Central Library
Joy Harjo Reads From 'Crazy Brave' at the Central Library [0:00:05] Podcast Announcer: Welcome to the Seattle Public Library's podcasts of author readings and Library events; a series of readings, performances, lectures and discussions. Library podcasts are brought to you by the Seattle Public Library and Foundation. To learn more about our programs and podcasts visit our website at www.spl.org. To learn how you can help the Library Foundation support the Seattle Public Library go to foundation.spl.org. [0:00:40] Marion Scichilone: Thank you for joining us for an evening with Joy Harjo who is here with her new book Crazy Brave. Thank you to Elliot Bay Book Company for inviting us to co-present this event, to the Seattle Times for generous promotional support for library programs. We thank our authors series sponsor Gary Kunis. Now, I'm going to turn the podium over to Karen Maeda Allman from Elliott Bay Book Company to introduce our special guest. Thank you. [0:01:22] Karen Maeda Allman: Thanks Marion. And thank you all for coming this evening. I know this is one of the readings I've most look forward to this summer. And as I know many of you and I know that many of you have been reading Joy Harjo's poetry for many many years. And, so is exciting to finally, not only get to hear her read, but also to hear her play her music. Joy Harjo is of Muscogee Creek and also a Cherokee descent. And she is a graduate of the Iowa Writers Workshop at the University of Iowa. -
MUSIC and MOVEMENT in PIXAR: the TSU's AS an ANALYTICAL RESOURCE
Revis ta de Comunicación Vivat Academia ISSN: 1575-2844 Septiembre 2016 Año XIX Nº 136 pp 82-94 DOI: https://doi.org/10.15178/va.2016.136.82-94 INVESTIGACIÓN/RESEARCH Recibido: 18/12/2015 --- Aceptado: 27/05/2016 --- Publicado: 15/09/2016 Recibido: 18/12/2015 --- Aceptado: 27/05/2016 --- Publicado: 15/09/2016 MUSIC AND MOVEMENT IN PIXAR: THE TSU’s AS AN ANALYTICAL RESOURCE Diego Calderón Garrido1: University of Barcelona. Spain [email protected] Josep Gustems Carncier: University of Barcelona. Spain [email protected] Jaume Duran Castells: University of Barcelona. Spain [email protected] ABSTRACT The music for the animation cinema is closely linked with the characters’ movement and the narrative action. This paper presents the Temporary Semiotic Units (TSU’s) proposed by Delalande, as a multimodal tool for the music analysis of the actions in cartoons, following the tradition of the Mickey Mousing. For this, a profile with the applicability of the nineteen TSU’s was applied to the fourteen Pixar movies produced between 1995-2013. The results allow us to state the convenience of the use of the TSU’s for the music comprehension in these films, especially in regard to the subject matter and the characterization of the characters and as a support to the visual narrative of this genre. KEY WORDS Animation cinema, Music – Pixar - Temporary Semiotic Units - Mickey Mousing - Audiovisual Narrative – Multimodality 1 Diego Calderón Garrido: Doctor in History of Art, titled superior in Modern Music and Jazz music teacher and sound in the degree of Audiovisual Communication at the University of Barcelona. -
Annals of the Kingdom of Ireland
COLONEL- MALCOLM- OF POLTALLOCH CAMPBELL COLLECTION Rioghachca emeaNN. ANNALS OF THE KINGDOM OF IEELAND, BY THE FOUR MASTERS, KKOM THE EARLIEST PERIOD TO THE YEAR 1616. EDITED FROM MSS. IN THE LIBRARY OF THE ROYAL IRISH ACADEMY AND OF TRINITY COLLEGE, DUBLIN, WITH A TRANSLATION, AND COPIOUS NOTES, BY JOHN O'DONOYAN, LLD., M.R.I.A., BARRISTER AT LAW. " Olim Regibus parebaut, nuuc per Principes faction! bus et studiis trahuntur: nee aliud ad versus validiasiuias gentes pro uobis utilius, qnam quod in commune non consulunt. Rarus duabus tribusve civitatibus ad propulsandum eommuu periculom conventus : ita dum singnli pugnant umVersi vincuntur." TACITUS, AQBICOLA, c. 12. SECOND EDITION. VOL. VII. DUBLIN: HODGES, SMITH, AND CO., GRAFTON-STREET, BOOKSELLERS TO THE UNIVERSITY. 1856. DUBLIN : i3tintcc at tije ffinibcrsitn )J\tss, BY M. H. GILL. INDEX LOCORUM. of the is the letters A. M. are no letter is the of Christ N. B. When the year World intended, prefixed ; when prefixed, year in is the Irish form the in is the or is intended. The first name, Roman letters, original ; second, Italics, English, anglicised form. ABHA, 1150. Achadh-bo, burned, 1069, 1116. Abhaill-Chethearnaigh, 1133. plundered, 913. Abhainn-da-loilgheach, 1598. successors of Cainneach of, 969, 1003, Abhainn-Innsi-na-subh, 1158. 1007, 1008, 1011, 1012, 1038, 1050, 1066, Abhainn-na-hEoghanacha, 1502. 1108, 1154. Abhainn-mhor, Owenmore, river in the county Achadh-Chonaire, Aclionry, 1328, 1398, 1409, of Sligo, 1597. 1434. Abhainn-mhor, The Blackwater, river in Mun- Achadh-Cille-moire,.4^az7wre, in East Brefny, ster, 1578, 1595. 1429. Abhainn-mhor, river in Ulster, 1483, 1505, Achadh-cinn, abbot of, 554. -
ON LEBOR GABALA. I. the Text
ON LEBOR GABALA. I. The text. § 1. The manuscripts. The text commonly known as Lebor Gabala or the Book of Invasions, has come down to us in several MSS. which, apart from the Latin relation given by Nennius in his Historia Brittomim, all belong either to the Middle-Irish or the Early Modern-Irish period. The various MSS. may be reduced to four versions, the mutual relations of which I shall endeavour to establish. The versions will be distinguished as follows: A. Book of Leinster (LL) fol. la—26b; Book of Fermoy (F), p. 1 —16; B. Royal Irish Academy DVI (S)1); Royal Irish Academy DIV1 (S)1); Rawlinson B 512 (R), fol. 76 Av— 97v; Book of Lecan (Lee I), fol. 10r—22v; Royal Irish Academy DIV3 (s); C. Book of Ballymote (LB), p. 15a—51 a; Book of Lecan (Lee H), fol. 264r—302v; D. OOlery version. One copy is in the possession of Pro- fessor Kuno Meyer2), while the R.I. A. has two other MSS. in the handwriting of O'Clerys. *) See p. 99 for my reason for indicating these two MSS. by the same character. 2) I wish to express here my sincere thanks to Professor Meyer not only for the loan of this important MS., but also formany valuable hints and suggestions as well as for the general interest he has taken in my work. Zeitschrift f. celt. Philologie X. 7 Brought to you by | UCL - University College London Authenticated Download Date | 3/3/16 11:57 AM OS A. G. VAN HAMEL, § 2. -
Aengus Mac Og and Aine
An offering is made for the Outdwellers and is laid beyond the perimeter of the ritual space prior to claiming and hallowing. Claiming and Hallowing Beltaine Solitary Ritual Outdwellers Dark Dwellers beyond the fire’s light. Bringers of primal chaos; those who will never know peace. You who harmonize not with our songs & praise; Those who’s whispers are but cries and screams. You may have held this place in the past. You may hold this place in the future. But for now, take what has been laid beyond the fire’s light And trouble me not this night! Spirits of the Land From this crossroads between Earth and Sky Among those that dwell in this plane, I call out to the spirits of this land. To you, who whisper and watch, as I have erected my Nemeton before you. This night I call to you spirits of this land and ask for the use of this place for my worship. Deities of past and present peoples; Guardians and protectors of this ground; May 2005 Those of you in tune with my purpose; I invite you to share in my celebration. An offering is made to the Spirits of the Land. 2 Spirits of this land, accept my offering! At the Bile, saying: 3 X 3 the bell tolls or drum beats, saying: May these words be heard: As a child of the Earth Mother and Sky Father, In the forest, glen and glade I come before my hearth to be one with the Kindred. By fur, fin and feather That I may worship according to the ways of old. -
The Ritual Performance and Liminal Bleed of the Beltane Fire Festival, Edinburgh
Please note: this is a final draft version of the manuscript, published in the book Rituals and Traditional Events in the Modern World (2014). Edited by Jennifer Laing and Warwick Frost. Part of the Routledge Advances in Event Research Series: http://www.routledge.com/books/details/9780415707367/ Layers of passage: The ritual performance and liminal bleed of the Beltane Fire Festival, Edinburgh Ross Tinsley (a) Catherine M Matheson (b) a – HTMi, Hotel and Tourism Management Institute Switzerland, 6174 Soerenberg, Kanton Luzern, Switzerland T: +41 (0) 41 488 11 E: [email protected] b – Division of Business, Enterprise and Management, School of Arts, Social Sciences and Management, Queen Margaret University, Edinburgh, Queen Margaret University Drive, Musselburgh, East Lothian EH21 6UU T: +44 (0) 131 474 0000 E: [email protected] Introduction This chapter examines the ritual performance of the Beltane Fire Festival (BFF) which occurs annually on the 30th April on Calton Hill, Edinburgh. The BFF is a contemporary reinterpretation of an ancient Celtic festival celebrating the passage of the seasons. It is a spring festival marking the end of winter and the beginning of summer. As such, the underlying symbolism of the BFF is renewal and rebirth, given the relationship to the passage of the seasons and, furthermore, fertility of people, land and livestock (BFS 2007; Frazer 1922). The contemporary BFF is an interesting context as while it is based on a traditional agrarian and calendrical rite of passage celebrating the passage of a season, it also embodies life-crises style rites of passage for many of the performers in its modern re-interpretation as a liminoid experience (Turner 1975). -
The Heroic Biography of Cu Chulainn
THE HEROIC BIOGRAPHY OF CU CHULAINN. By Lisa Gibney B.A. NUl MAYNOOTH Ollicoil ni ft£ir«ann Mi ftuid FOR M.A IN MEDIEVAL IRISH HISTORY AND SOURCES, NUI MAYNOOTH, THE DEPARTMENT OF MEDIEVAL IRISH STUDIES, JULY 2004. DEPARTMENT HEAD: MCCONE, K SUPERVISOR: NI BHROLCHAIN,M 60094838 THE HEROIC BIOGRAPHY OF CU CHULAINN. By Lisa Gibney B.A. SPECIAL THANKS TO: Ann Gibney, Claire King, Mary Lenanne, Roisin Morley, Muireann Ni Bhrolchain, Mary Coolen and her team at the Drumcondra Physiotherapy Clinic. CONTENTS 1. Introduction 2 2. Heroic Biography 8 3. Conception and Birth: Compert Con Culainn 18 4. Youth and Life Endangered: Macgnimrada 23 Con Culainn 5. Acquires a wife: Tochmarc Emere 32 6. Visit to Otherworld, Exile and Return: 35 Tochmarc Emere and Serglige Con Culainn 7. Death and Invulnerability: Brislech Mor Maige 42 Muirthemne 8. Conclusion 46 9. Bibliogrpahy 47 i INTRODUCTION Early Irish literature is romantic, idealised, stylised and gruesome. It shows a tension between reality and fantasy ’which seem to me to be usually an irresolvable dichotomy. The stories set themselves in pre-history. It presents these texts as a “window on the iron age”2. The writers may have been Christians distancing themselves from past heathen ways. This backward glance maybe taken from the literature tradition in Latin transferred from the continent and read by Irish scholars. Where the authors “undertake to inform the audience concerning the pagan past, characterizing it as remote, alien and deluded”3 or were they diligent scholars trying to preserve the past. This question is still debateable. The stories manage to be set in both the past and the present, both historical Ireland with astonishingly accuracy and the mythical otherworld. -
ML 4080 the Seal Woman in Its Irish and International Context
Mar Gur Dream Sí Iad Atá Ag Mairiúint Fén Bhfarraige: ML 4080 the Seal Woman in Its Irish and International Context The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Darwin, Gregory R. 2019. Mar Gur Dream Sí Iad Atá Ag Mairiúint Fén Bhfarraige: ML 4080 the Seal Woman in Its Irish and International Context. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42029623 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Mar gur dream Sí iad atá ag mairiúint fén bhfarraige: ML 4080 The Seal Woman in its Irish and International Context A dissertation presented by Gregory Dar!in to The Department of Celti# Literatures and Languages in partial fulfillment of the re%$irements for the degree of octor of Philosophy in the subje#t of Celti# Languages and Literatures (arvard University Cambridge+ Massa#husetts April 2019 / 2019 Gregory Darwin All rights reserved iii issertation Advisor: Professor Joseph Falaky Nagy Gregory Dar!in Mar gur dream Sí iad atá ag mairiúint fén bhfarraige: ML 4080 The Seal Woman in its Irish and International Context4 Abstract This dissertation is a study of the migratory supernatural legend ML 4080 “The Mermaid Legend” The story is first attested at the end of the eighteenth century+ and hundreds of versions of the legend have been colle#ted throughout the nineteenth and t!entieth centuries in Ireland, S#otland, the Isle of Man, Iceland, the Faroe Islands, Norway, S!eden, and Denmark.