Central Florida Future, Vol. 20 No. 47, March 3, 1988
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Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
AXS TV Schedule for Mon. October 12, 2020 to Sun. October 18, 2020
AXS TV Schedule for Mon. October 12, 2020 to Sun. October 18, 2020 Monday October 12, 2020 5:00 PM ET / 2:00 PM PT 8:00 AM ET / 5:00 AM PT The Day The Rock Star Died The Big Interview Michael Jackson - Michael Jackson was a singer, songwriter, dancer and known simply as “The The Band’s Robbie Robertson - Jethro Tull’s Ian Anderson sits down with Dan Rather to talk about King of Pop.” His contributions to music, dance, and highly publicized personal life made him a his five decades as a progressive rock idol. global figure in popular culture for over four decades. 9:00 AM ET / 6:00 AM PT 5:30 PM ET / 2:30 PM PT Deep Purple’s: The Ritchie Blackmore Story A Year in Music From his pop roots with The Outlaws and his many session recordings in the sixties, through 1964 - Actor, writer, and musician, Tommy Chong dives into 1964: the year The Beatles took defining hard rock with Deep Purple and Rainbow in the seventies and eighties and on to the over, Motown Records became a driving force, and The Rolling Stones made their debut. Plus, a renaissance rock of Blackmore’s Night, Ritchie has proved that he is a master of the guitar across look at how political and social changes influenced pop music. a multitude of styles. This is the definitive story of a true guitar legend. 6:00 PM ET / 3:00 PM PT 10:20 AM ET / 7:20 AM PT The Big Interview Robert Plant And The Strange Sensation Edward Norton - Academy Award winner Edward Norton’s life is much more than Hollywood. -
Politics Isn't Everything
Vol. 9 march 2017 — issue 3 iNSIDE: TOWNHALL TO NO ONE - POLITICS ISN’T EVERYTHING - COLD - why aren’t millennials eating pho - still drinking - BEST PUNK ALBUM EVER?? - ASK CREEPY HORSE - LOST BOYS OF THE RIGHT - misjumped - record reviews - concert calendar Town hall to no one Recently I was invited to attend a town hall meeting for our local representative to Congress, Rep. Bill Flores. In this day and age, you definitely want to have access to the person your district voted to send to 979Represent is a local magazine Washington and represent the interests of your home for the discerning dirtbag. area. 100 or so people turned out, submitted questions, gave passionate testimonials, aired grievances, ex- pressed outrage, even gave praise to Flores for a certain Editorial bored stance (though that was brief). Gay, straight, trans, white, other, Christian, Jew, Muslim, atheist, profession- Kelly Minnis - Kevin Still al, student, retired...a cross-section of the district’s diverse populace attended. Local police kept everything low key, local media showed to document the process. Art Splendidness Ivory is white, coal is black, water is wet...who cares, Katie Killer - Wonko The Sane right? This sort of thing happens all the time all over the country so what was so special about this event? Folks That Did the Other Shit For Us It was a townhall meeting with our congress- man...without the actual congressman in attendance. HENRY CLAYMORE - CREEPY HORSE - TIMOTHY MEATBALL He decided not to participate and instead flew to Mar-A- DANGER - MIKE L. DOWNEY - Jorge goyco - TODD HANSEN Lago to pull on Daddy Trump’s shirttail to beg of some EZEKIAL HENRY - Rented mule - HENRY ROWE - STARKNESS of the Orange Julius’s attention. -
City of Wagga Wagga Annual Report 2015-16 2 City of Wagga Wagga Annual Report 2015-16 Statement of Commitment to Aboriginal Australians
CITY OF WAGGA WAGGA ANNUAL REPORT 2015-16 2 CITY OF WAGGA WAGGA ANNUAL REPORT 2015-16 STATEMENT OF COMMITMENT TO ABORIGINAL AUSTRALIANS The City of Wagga Wagga acknowledges and respects Council is committed to developing programs to improve that Aboriginal people were the first people of this the wellbeing of all City of Wagga Wagga residents as land and the Wiradjuri people were the first regional well as facilitating reconciliation between Aboriginal and custodians of the Wagga Wagga Local Government Area. non-Aboriginal people. This recognition includes acceptance of the rights and Council recognises that social justice and reconciliation responsibilities of Aboriginal people to participate in are fundamental to achieving positive changes. Council decision making. will continue to actively encourage Aboriginal and non- Council acknowledges the shared responsibility of all Aboriginal people to work together for a just, harmonious Australians to respect and encourage the development of and progressive society. an awareness and appreciation of each other’s origin. In Council recognises that the richness of Aboriginal cultures so doing, Council recognises and respects the heritage, and values in promoting social diversity within the culture, sacred sites and special places of Aboriginal community. people. CITY OF WAGGA WAGGA ANNUAL REPORT 2015-16 3 Sustainable Future Framework Our approach to Integrated Planning and Reporting State and Regional Plans Community Strategic Plan Ruby & Oliver Long term plan that clearly defines what we want as a community. 1LEVEL Council Strategies Resourcing Providing directions Strategies LEVEL 2 Internal instruments (how) we deliver: social economic environmental civic leadership Long Term Financial Plan Asset Management Plan Business Planning Process Workforce Plan Divisional process informing resourcing Section 94 and delivery Developer contribution Community Engagement Delivery Program 4 years Identifies the elected Council’s Policies, operating priorities for their term of office. -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
Muzikmafia: Community, Identity, and Change from the Nashville Scene to the Popular Mainstream David B
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Muzikmafia: Community, Identity, and Change from the Nashville Scene to the Popular Mainstream David B. Pruett Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MUZIKMAFIA: COMMUNITY, IDENTITY, AND CHANGE FROM THE NASHVILLE SCENE TO THE POPULAR MAINSTREAM BY DAVID B. PRUETT A dissertation submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded Fall Semester, 2007 © 2007 David B. Pruett All Rights Reserved The members of the Committee approve the dissertation of David B. Pruett defended on Thursday, 23 August 2007. ______________________________ Frank Gunderson Professor Directing Dissertation ______________________________ Barry Faulk Outside Committee Member ______________________________ Dale A. Olsen Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii “Love Everybody…” Kenny Alphin – at least once in most conversations that we have shared since June 2004 iii ACKNOWLEDGEMENTS There are many people whom I would like to thank for their assistance with and guidance through this project. First and foremost, I would like to express sincere thanks to my new friends and family within the MuzikMafia’s inner circle: Cory, John, Kenny, Jon, James, Rachel, Pino, Chance, Max, Dean, Troy, Shannon, Mandy, Fred, Shanna, Damien, Adam, Brian, Ethan, SWJ, Alaska Dan, Sean, Jerry, D.D., Gretchen, Jules W., Paul, Ashley, Marc, Greg, Bill, Charlie, Jon A., Jeff, Deanna, “Mama” Alphin, Shawna P., Butter, Isaac, Virginia D., and Vicky M. -
Após Cinco Shows Nostálgicos, Midnight Oil Se Despede Do Brasil
Após cinco shows nostálgicos, Midnight Oil se despede do Brasil Entre os anos 80 e a primeira década do novo século, o Midnight Oil saiu da Austrália para ganhar o mundo, transformando-se em uma das referências do rock´n roll mundial, não só pela qualidade de seu som, mas também pela força de suas ideias. Suas fortes convicções políticas, sua defesa das principais causas ambientais e dos direitos do povo aborígene transformaram seus hits em hinos, seus shows em eventos que ressuscitaram a mítica do espírito contestador e inconformista do rock’n roll. Fundada em 1972, como The Farm (o grupo mudou o nome para Midnight Oil em 76), a banda lançou 13 álbuns entre 1978 e 2002 (ano do lançamento de seu último trabalho, Capricornia), esteve no topo das paradas em todo o mundo, fez turnês por todos os continentes e viveu momentos memoráveis, como quando se apresentou para um público estimado em mais de 1 bilhão de pessoas no encerramento das Olimpíadas de Sidney, em 2000. Após a turnê de lançamento do último álbum e a saída do vocalista Peter Garrett (que deixou a banda para seguir uma carreira política em tempo integral), o Midnight Oil decidiu encerrar suas atividades. Em fevereiro, em uma coletiva de imprensa realizada no porto de Sidney, a banda anunciou uma nova turnê mundial - The Great Circle 2017 World Tour - que começa com um show em um pub em Sydney e, em seguida, passará pelo Brasil, América do Norte, Europa e Nova Zelândia, antes de retornar à Austrália para um encerramento culminante. -
Midnight Oil Diesel and Dust Mp3, Flac, Wma
Midnight Oil Diesel And Dust mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Diesel And Dust Country: Canada Released: 1988 Style: Alternative Rock, New Wave MP3 version RAR size: 1165 mb FLAC version RAR size: 1181 mb WMA version RAR size: 1516 mb Rating: 4.1 Votes: 938 Other Formats: MPC MP1 DXD AC3 AHX AU VOX Tracklist 1 Beds Are Burning 4:16 2 Put Down That Weapon 4:38 3 Dreamworld 3:37 4 Arctic World 4:22 5 Warakurna 4:38 6 The Dead Heart 5:11 7 Whoah 3:51 8 Bullroarer 4:59 9 Sell My Soul 3:37 10 Sometimes 3:51 Companies, etc. Phonographic Copyright (p) – Midnight Oil Copyright (c) – Midnight Oil Recorded At – Albert Studios Manufactured By – Columbia Records Manufactured By – CBS Records Inc. Glass Mastered At – DADC – DIDP 70774 Pressed By – DADC – DIDP 70774 Credits Arranged By [Strings] – Jim Moginie Arranged By [Strings], Keyboards [Additional] – Warne Livesey Bass, Vocals [Singing] – Peter Gifford Cello – John Ockwell (tracks: 4, 6) Drums, Vocals [Singing] – Rob Hirst Engineer – Greg Henderson (tracks: 4, 6), Guy Gray French Horn – Jeremy Smith (tracks: 4, 6) Guitar – Martin Rotsey Guitar, Keyboards, Vocals [Singing] – Jim Moginie Mixed By [Final Mix] – Nick Launay (tracks: 4, 6) Other [Facilitator] – Guy Morris Producer – Midnight Oil, Warne Livesey Trombone – Glad Reed (tracks: 4, 6) Vocals [Singing] – Peter Garrett Written-By – Midnight Oil Notes Printed in U.S.A. Different disc artwork than the other CK 40967 US releases: Midnight Oil - Diesel And Dust has different Columbia logo Midnight Oil - Diesel And Dust -
The Dead Heart Midnight Oil
Musik der Welt The Dead Heart Midnight Oil Walfgang Martin Stroh Das Jahr 2000. In Sydney werden die Olympi- Ihrem Goldmedaillensieg die (verbotene) Aborigines- schen Spiele durchgeführt. Wohl zum ersten Mal Flagge gezeigt. In der Abschiedszeremonie durfte die wird die Welt mit dem Schicksal und der aktuellen australische Gruppe „Midnight Oil“ einen Song aus Situation der australischen Aborigi- ihrer 1987 veröffentlichten CD „Diesel and Dust“ nes konfrontiert. Wegen erwarteter singen. (und auch durchgeführter) Proteste der australischen Ureinwohner orga- „THE DEAD HEART“ ALS MINIMALIS- nisiert die Festspielleitung zahlreiche TISCHE ROCKMUSIK symbolische Aktionen, um den Abo- Die originale Musik von „The Dead Heart“ ist in rigines entgegenzukommen und die vieler Beziehung elementar und minimalistisch. Gut Olympischen Spiele als eine „power- 50% der Musik bedienen sich eines simplen „du- ful healing statement for Aboriginal dup, du-dup“ über einem Achtel-Ostinato (s. Abb. Australia“ (Geoff Clark, Gründer der „NB1 – Thema Moll“ auf S. ??). Cover der CD „Aboriginal and Torres Strait Islander Einzige Abwechslung in diesem minimalistischen „Diesel And Dust“ von Commission“) zu inszenieren. Die legendäre Abori- Spiel ist der gelegentliche Wechsel von Moll nach 1987 gines-Spitzensportlerin Cathy Freeman hat nicht nur Dur mit kurzer Unterbrechung des Ostinatos (s. die Olympische Fackel entzündet, sondern auch nach Abb. „NB2 – Thema Dur“ auf S. ??) 44 Musik der Welt Praxis des Musikunterrichts 136 Midnight Oil In den Videos der 2017er-Tour sieht man, dass der Die 1971 gegründete Rock-Band The Farm 1987er-Minimalismus von einem Sound gewohn- aus Sydney gab sich 1976 den Namen Mid- ter Rockmusik – durch akustische und elektrische night Oil in Anspielung auf eine Redensart Gitarren, E-Bass, Schlagzeug, Synthi und Gesang – „burning of the midnight oil“ für „Arbeiten bis abgelöst worden ist. -
BG News (Student Newspaper) University Publications
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 4-20-2001 The BG News April 20, 2001 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News April 20, 2001" (2001). BG News (Student Newspaper). 6802. https://scholarworks.bgsu.edu/bg-news/6802 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. State University FRIDAY April 20, 2001 SIBS&KIDS: SHOWERS For three days the cam- HIGH: 64 I LOW 46 pus becomes their giant wvw.bgnews.com playground; PAGE 9 independent student press VOLUME 90 ISSUE 144 Shepard to AUTHORITIES speak on campus SEARCH U today By Marie Cliiche ■ OHIO »»0 N1II0N SFPORltB Michael lehmkuhle BG News ludy Shepard, Matthew LONG WAIT: Press waits patiently for information on the recovery of Shepard's mother, will lx' speak- Rizzi's body but receives little response from authorities. ing on campus Friday, April 2t) at 2 p.m. in 101 Olscamp. The event, organized lor the 2001 Office of Residence Life Paulsen Lecture, is called "File Tragedy of I late." According to Michael Ginsburg, Interim Assistant Director of Residence life, ludy Shepard is going to talk about the situation With her son anil how the University and the community can help to prevent hate crimes, Vision and the Office of Residence life Diversity Committee helped post livers and posters about the event On October 12, 1998, Matthew Shepard, a 21 year-old college student in Laramie, Wyoming, died from severe injuries due to brutal beating and torture I le was attacked because he was gay Since the death of her son, ludy Shepard has been actively light- ing against hale crime. -
Instrumental Newsletter
„SHADOZ‟ CANCELLED!! As many of you will already know, we have had “LOADS OF INSTRUMENTALS VOL. 18” to reluctantly cancel “Shadoz 2010”, due to commitments DANGER - RICK & THE FAIRLANES / SHADOW - THE of various kinds. Hopefully an alternative „concert‟ will DEL-LAGUNAS / REDONDO STRAND - SANDY NELSON be arranged for the Queen‟s Birthday weekend – more / JUNGLE BEAT - HAROLD & BOB / SUPERSUDS - later. This issue features a photo montage of the WASHRAG / THE SNEAK - GEORGE YOUNG & THE ROCKIN‟ BOCS / BUFFALO TWISTER - HOOTEN Cliff/Shadows tour, an in-depth review of the Jeff Beck HOLLER / THE BROKEN HIP - THE MOODS / DIXIE gig and new CD, and lots, lots more! DOODLE - LLOYD ARNOLD / DEVIL SURF - CHIYO & THE CRESCENTS / STOMPIN‟ - BENNY JOY / EL PUTTY CD REVIEWS FROM GEOFF‟S - FABULOUS RAINDROPS / TENNESSEE TWISTER - BOB JONES & THE BOB CATS / WAILIN‟ GUITAR - DENNIE JUKEBOX MELLO / MOHAWK ROCK - RHYTHM ACES / DANCING ELEPHANTS - THE DADDY-O‟s / WHEELRIGHT BOOGIE - DUSTY RIVERS & THE RANGERS / FLAT RIVER MAIL TRAIN - WALT PRATER & THE PRATERS / COTTONEYED JOE - AL DEAN & THE ALL STARS / MELODY IN F - THE HUNTERS / THE GUITAR KID - THE FLYING ROCKERS / HOPPIN‟ AT THE HOP - THE RAMBLERS / DIRT TRACK BOOGIE - THE SAFARIS / BLACK MARIA - DICK DAMRON / TOMMY DORSEY BOOGIE - LEON BARNETT / BALLAD FOR LOVERS - DAVE WEST & ORCHESTRA / CHARADE - SI ZENTNER / RAWHIDE - KURT FROBERG / DIRTY FAST BEAT (PARADISE WITH STYLE) - SANDY NELSON / AUSTRALIAN TRAVELLING WEST - BO DIDDLEY Number 18 in a continuing series containg the THE BREAK – “CHURCH OF THE OPEN SKY” weird and (sometimes) wonderful. I am often amazed at I don‟t have a copy of this yet, but this features just how many great instrumentals saw the light of day, ex Midnight Oil members Rob Hirst, Martin Rotsey and particularly in the early 60‟s, only to sink without trace. -
“Covering” the Bluesman from a Distance
Introduction In many ways, my journey towards this thesis topic began with my brother’s music collection. Throughout my teens he would introduce me to a wide range of local and international acts, many of which were influenced by African-American blues artists. This influence is evident in both their construction of sound and the old songs that they rerecorded. From there I began tracing musical influences from song credits and interview excerpts—a path often travelled by musicians and fans alike—that would eventually lead me to an appreciation of blues music. The penultimate step towards this topic came in the form of my honours thesis—a creative project that involved rerecording several tracks from the catalogue of an early Australian country music artist, one of which was titled “Blue Mountain Blues”.1 From there I turned to blues music in Australia. Initially conceived as a history of “Australian blues”, it became apparent that this proposed sub-genre struggled to unify and explain the disparate musical styles contained therein. Although each artist was clearly addressing the musical characteristics and influences I had come to recognise as “blues music”, it all sounded different. In the meantime, I developed a keen interest in a fellow colleague’s thesis topic that addressed the role of “covers” within the Australian music industry (Giuffre, 2005). My epiphany—and catalyst for the current thesis topic—eventually presented itself while viewing a live performance from Peter Green Splinter Group. The concert was split into two courses: an acoustic entrée featuring several Robert Johnson “covers”; and, an electric main with side dishes of early Fleetwood Mac material—the band Green had help found many years ago.