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City of Wagga Wagga Annual Report 2015-16 2 City of Wagga Wagga Annual Report 2015-16 Statement of Commitment to Aboriginal Australians
CITY OF WAGGA WAGGA ANNUAL REPORT 2015-16 2 CITY OF WAGGA WAGGA ANNUAL REPORT 2015-16 STATEMENT OF COMMITMENT TO ABORIGINAL AUSTRALIANS The City of Wagga Wagga acknowledges and respects Council is committed to developing programs to improve that Aboriginal people were the first people of this the wellbeing of all City of Wagga Wagga residents as land and the Wiradjuri people were the first regional well as facilitating reconciliation between Aboriginal and custodians of the Wagga Wagga Local Government Area. non-Aboriginal people. This recognition includes acceptance of the rights and Council recognises that social justice and reconciliation responsibilities of Aboriginal people to participate in are fundamental to achieving positive changes. Council decision making. will continue to actively encourage Aboriginal and non- Council acknowledges the shared responsibility of all Aboriginal people to work together for a just, harmonious Australians to respect and encourage the development of and progressive society. an awareness and appreciation of each other’s origin. In Council recognises that the richness of Aboriginal cultures so doing, Council recognises and respects the heritage, and values in promoting social diversity within the culture, sacred sites and special places of Aboriginal community. people. CITY OF WAGGA WAGGA ANNUAL REPORT 2015-16 3 Sustainable Future Framework Our approach to Integrated Planning and Reporting State and Regional Plans Community Strategic Plan Ruby & Oliver Long term plan that clearly defines what we want as a community. 1LEVEL Council Strategies Resourcing Providing directions Strategies LEVEL 2 Internal instruments (how) we deliver: social economic environmental civic leadership Long Term Financial Plan Asset Management Plan Business Planning Process Workforce Plan Divisional process informing resourcing Section 94 and delivery Developer contribution Community Engagement Delivery Program 4 years Identifies the elected Council’s Policies, operating priorities for their term of office. -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
Após Cinco Shows Nostálgicos, Midnight Oil Se Despede Do Brasil
Após cinco shows nostálgicos, Midnight Oil se despede do Brasil Entre os anos 80 e a primeira década do novo século, o Midnight Oil saiu da Austrália para ganhar o mundo, transformando-se em uma das referências do rock´n roll mundial, não só pela qualidade de seu som, mas também pela força de suas ideias. Suas fortes convicções políticas, sua defesa das principais causas ambientais e dos direitos do povo aborígene transformaram seus hits em hinos, seus shows em eventos que ressuscitaram a mítica do espírito contestador e inconformista do rock’n roll. Fundada em 1972, como The Farm (o grupo mudou o nome para Midnight Oil em 76), a banda lançou 13 álbuns entre 1978 e 2002 (ano do lançamento de seu último trabalho, Capricornia), esteve no topo das paradas em todo o mundo, fez turnês por todos os continentes e viveu momentos memoráveis, como quando se apresentou para um público estimado em mais de 1 bilhão de pessoas no encerramento das Olimpíadas de Sidney, em 2000. Após a turnê de lançamento do último álbum e a saída do vocalista Peter Garrett (que deixou a banda para seguir uma carreira política em tempo integral), o Midnight Oil decidiu encerrar suas atividades. Em fevereiro, em uma coletiva de imprensa realizada no porto de Sidney, a banda anunciou uma nova turnê mundial - The Great Circle 2017 World Tour - que começa com um show em um pub em Sydney e, em seguida, passará pelo Brasil, América do Norte, Europa e Nova Zelândia, antes de retornar à Austrália para um encerramento culminante. -
Midnight Oil Diesel and Dust Mp3, Flac, Wma
Midnight Oil Diesel And Dust mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Diesel And Dust Country: Canada Released: 1988 Style: Alternative Rock, New Wave MP3 version RAR size: 1165 mb FLAC version RAR size: 1181 mb WMA version RAR size: 1516 mb Rating: 4.1 Votes: 938 Other Formats: MPC MP1 DXD AC3 AHX AU VOX Tracklist 1 Beds Are Burning 4:16 2 Put Down That Weapon 4:38 3 Dreamworld 3:37 4 Arctic World 4:22 5 Warakurna 4:38 6 The Dead Heart 5:11 7 Whoah 3:51 8 Bullroarer 4:59 9 Sell My Soul 3:37 10 Sometimes 3:51 Companies, etc. Phonographic Copyright (p) – Midnight Oil Copyright (c) – Midnight Oil Recorded At – Albert Studios Manufactured By – Columbia Records Manufactured By – CBS Records Inc. Glass Mastered At – DADC – DIDP 70774 Pressed By – DADC – DIDP 70774 Credits Arranged By [Strings] – Jim Moginie Arranged By [Strings], Keyboards [Additional] – Warne Livesey Bass, Vocals [Singing] – Peter Gifford Cello – John Ockwell (tracks: 4, 6) Drums, Vocals [Singing] – Rob Hirst Engineer – Greg Henderson (tracks: 4, 6), Guy Gray French Horn – Jeremy Smith (tracks: 4, 6) Guitar – Martin Rotsey Guitar, Keyboards, Vocals [Singing] – Jim Moginie Mixed By [Final Mix] – Nick Launay (tracks: 4, 6) Other [Facilitator] – Guy Morris Producer – Midnight Oil, Warne Livesey Trombone – Glad Reed (tracks: 4, 6) Vocals [Singing] – Peter Garrett Written-By – Midnight Oil Notes Printed in U.S.A. Different disc artwork than the other CK 40967 US releases: Midnight Oil - Diesel And Dust has different Columbia logo Midnight Oil - Diesel And Dust -
Withnail and Second Dance Richard E Grant Reveals All About Cult Status
Stressed? You will be THE ESSENTIAL GUIDE TO EXAMS: PAGES 1011 Incorporating/100e magazine Britain's biggest weekly student newspaper May 24, 1996 Vol 26: Issue 23 Sounds worth a Withnail and second dance Richard E Grant reveals all about cult status. life with THE LABEL BEHIND A REVOLUTION the Brituack and how to survive in Hollywood Inte•rriew IN DANCE MUSIC rns air iuder. /Luce pagirs 5.7 ON THE AGENDA: Engineering genius. doing it all for charity, the highbrow m'gs that top the pile. From page 13 WE PUT OUR TRUST IN YOU and you betraync!otp: INSIDE: News 1-9, Inside Pages 6-7, Feature 10-11, Agenda 13-15, Sport 17-20. Plus 16 page juice pullout magazine ! INMISITY LIBRARY 2 I J 1.1)S S. I I. iii •;I l•rutv, NU!, .2.1 1.4.1r, News grirObEitiT It's just not cricket in Headingley Leeds Shar e! lo as rntlent whim at the potential changes Its a r ',violent% at HEADINGLLY will lose its Leeds City Council hope the raw.% *paper very in Leeds tradition. Neil Wa rnsley. Leta& Univergity. most famous sporting asset it club will stay put. Ralph Metropolfinn Vito rirtyundd otlwl proposals announced this week Middlebrook,Cricket vice-captain of LUC'S cricket colierev ri 411c1 amuita Leeds_ All Development Offieer for the club said: "We use their training WATER BABIES? out IOUtntr huts abide- hy a :Ode of go ahead. writes Phil Kedioir, cmtalset. 1>ul II you have uny Yorkshire County Cricket council. said: "Leeds is the main facilities. -
The Dead Heart Midnight Oil
Musik der Welt The Dead Heart Midnight Oil Walfgang Martin Stroh Das Jahr 2000. In Sydney werden die Olympi- Ihrem Goldmedaillensieg die (verbotene) Aborigines- schen Spiele durchgeführt. Wohl zum ersten Mal Flagge gezeigt. In der Abschiedszeremonie durfte die wird die Welt mit dem Schicksal und der aktuellen australische Gruppe „Midnight Oil“ einen Song aus Situation der australischen Aborigi- ihrer 1987 veröffentlichten CD „Diesel and Dust“ nes konfrontiert. Wegen erwarteter singen. (und auch durchgeführter) Proteste der australischen Ureinwohner orga- „THE DEAD HEART“ ALS MINIMALIS- nisiert die Festspielleitung zahlreiche TISCHE ROCKMUSIK symbolische Aktionen, um den Abo- Die originale Musik von „The Dead Heart“ ist in rigines entgegenzukommen und die vieler Beziehung elementar und minimalistisch. Gut Olympischen Spiele als eine „power- 50% der Musik bedienen sich eines simplen „du- ful healing statement for Aboriginal dup, du-dup“ über einem Achtel-Ostinato (s. Abb. Australia“ (Geoff Clark, Gründer der „NB1 – Thema Moll“ auf S. ??). Cover der CD „Aboriginal and Torres Strait Islander Einzige Abwechslung in diesem minimalistischen „Diesel And Dust“ von Commission“) zu inszenieren. Die legendäre Abori- Spiel ist der gelegentliche Wechsel von Moll nach 1987 gines-Spitzensportlerin Cathy Freeman hat nicht nur Dur mit kurzer Unterbrechung des Ostinatos (s. die Olympische Fackel entzündet, sondern auch nach Abb. „NB2 – Thema Dur“ auf S. ??) 44 Musik der Welt Praxis des Musikunterrichts 136 Midnight Oil In den Videos der 2017er-Tour sieht man, dass der Die 1971 gegründete Rock-Band The Farm 1987er-Minimalismus von einem Sound gewohn- aus Sydney gab sich 1976 den Namen Mid- ter Rockmusik – durch akustische und elektrische night Oil in Anspielung auf eine Redensart Gitarren, E-Bass, Schlagzeug, Synthi und Gesang – „burning of the midnight oil“ für „Arbeiten bis abgelöst worden ist. -
Instrumental Newsletter
„SHADOZ‟ CANCELLED!! As many of you will already know, we have had “LOADS OF INSTRUMENTALS VOL. 18” to reluctantly cancel “Shadoz 2010”, due to commitments DANGER - RICK & THE FAIRLANES / SHADOW - THE of various kinds. Hopefully an alternative „concert‟ will DEL-LAGUNAS / REDONDO STRAND - SANDY NELSON be arranged for the Queen‟s Birthday weekend – more / JUNGLE BEAT - HAROLD & BOB / SUPERSUDS - later. This issue features a photo montage of the WASHRAG / THE SNEAK - GEORGE YOUNG & THE ROCKIN‟ BOCS / BUFFALO TWISTER - HOOTEN Cliff/Shadows tour, an in-depth review of the Jeff Beck HOLLER / THE BROKEN HIP - THE MOODS / DIXIE gig and new CD, and lots, lots more! DOODLE - LLOYD ARNOLD / DEVIL SURF - CHIYO & THE CRESCENTS / STOMPIN‟ - BENNY JOY / EL PUTTY CD REVIEWS FROM GEOFF‟S - FABULOUS RAINDROPS / TENNESSEE TWISTER - BOB JONES & THE BOB CATS / WAILIN‟ GUITAR - DENNIE JUKEBOX MELLO / MOHAWK ROCK - RHYTHM ACES / DANCING ELEPHANTS - THE DADDY-O‟s / WHEELRIGHT BOOGIE - DUSTY RIVERS & THE RANGERS / FLAT RIVER MAIL TRAIN - WALT PRATER & THE PRATERS / COTTONEYED JOE - AL DEAN & THE ALL STARS / MELODY IN F - THE HUNTERS / THE GUITAR KID - THE FLYING ROCKERS / HOPPIN‟ AT THE HOP - THE RAMBLERS / DIRT TRACK BOOGIE - THE SAFARIS / BLACK MARIA - DICK DAMRON / TOMMY DORSEY BOOGIE - LEON BARNETT / BALLAD FOR LOVERS - DAVE WEST & ORCHESTRA / CHARADE - SI ZENTNER / RAWHIDE - KURT FROBERG / DIRTY FAST BEAT (PARADISE WITH STYLE) - SANDY NELSON / AUSTRALIAN TRAVELLING WEST - BO DIDDLEY Number 18 in a continuing series containg the THE BREAK – “CHURCH OF THE OPEN SKY” weird and (sometimes) wonderful. I am often amazed at I don‟t have a copy of this yet, but this features just how many great instrumentals saw the light of day, ex Midnight Oil members Rob Hirst, Martin Rotsey and particularly in the early 60‟s, only to sink without trace. -
“Covering” the Bluesman from a Distance
Introduction In many ways, my journey towards this thesis topic began with my brother’s music collection. Throughout my teens he would introduce me to a wide range of local and international acts, many of which were influenced by African-American blues artists. This influence is evident in both their construction of sound and the old songs that they rerecorded. From there I began tracing musical influences from song credits and interview excerpts—a path often travelled by musicians and fans alike—that would eventually lead me to an appreciation of blues music. The penultimate step towards this topic came in the form of my honours thesis—a creative project that involved rerecording several tracks from the catalogue of an early Australian country music artist, one of which was titled “Blue Mountain Blues”.1 From there I turned to blues music in Australia. Initially conceived as a history of “Australian blues”, it became apparent that this proposed sub-genre struggled to unify and explain the disparate musical styles contained therein. Although each artist was clearly addressing the musical characteristics and influences I had come to recognise as “blues music”, it all sounded different. In the meantime, I developed a keen interest in a fellow colleague’s thesis topic that addressed the role of “covers” within the Australian music industry (Giuffre, 2005). My epiphany—and catalyst for the current thesis topic—eventually presented itself while viewing a live performance from Peter Green Splinter Group. The concert was split into two courses: an acoustic entrée featuring several Robert Johnson “covers”; and, an electric main with side dishes of early Fleetwood Mac material—the band Green had help found many years ago. -
Beds Are Burning – Midnight Oil
Beds are Burning – Midnight Oil Keywords Presentation Title This song is called Beds are burning, it was released in the Name album Diesel and Dust in 1987 and became an international Meaning success. It means that there is an emergency. Release The rock group Midnight Oil sings this song. The last CD they released in 2008 was a special edition of Instruments Diesel and Dust. We can hear the drums, the keyboard, the guitars and the bass. In this band Rob Hirst plays the drums, Jim Moginie and Martin Rotsey play the guitar, Bones Hillman plays the bass. On the video the lead singer ( Peter Garrett) is standing in the foreground, Martin is playing the guitar in the foreground on the right hand side. In the background Rob is playing the drums. Style It is an alternative rock band and they come from Australia. They look cool and outgoing. The singer, Peter Garrett looks crazy and angry. They usually wear casual clothes. They look Goal like cowboys with their tight slacks and boots. They are protesters, they fight against political injustice and climate change. They sang this song in protest against the white Last concert Australian who refused to give the Aboriginals their land back. Their last two concerts took place in 2009.They were situated in Sydney and Melbourne.I have never been to their concert but I wish I had. I absolutely love this music and I share their point of view. Last action In support to the campaign for climate justice they made a new version of Beds are burning, it was called TickTckTck. -
Warriors for Peace. the Political Situation of the Aboriginal People As Viewed from Palm Island Barbara Glowczewski, Lex Wotton
Warriors for peace. The political situation of the Aboriginal people as viewed from Palm Island Barbara Glowczewski, Lex Wotton To cite this version: Barbara Glowczewski, Lex Wotton. Warriors for peace. The political situation of the Aboriginal people as viewed from Palm Island. Indigène Editions, pp.300, 2008. halshs-00637654 HAL Id: halshs-00637654 https://halshs.archives-ouvertes.fr/halshs-00637654 Submitted on 2 Nov 2011 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. WARRIORS FOR PEACE The Political Condition of the Aboriginal People as Viewed from Palm Island BY BARBARA GLOWCZEWSKI AND LEX WOTTON ©Indigène éditions, January 2008 Text copyright © Barbara Glowczewski and Lex Wotton ©English translation Barbara Glowczewski 1 FOREWORD Weekend visit in jail Barbed wire encircles the shiny buildings. Some ten families sit on rows of plastic chairs on the brand new concrete veranda, waiting. The officer, holstering a revolver, walks past the young kids, who hardly pay him any attention, and stops in front of some men and women. He hands them little strips of paper to rub against the inside of their forearm for traces of drugs. The next day, drug detection dogs on the leash sniff us. -
International Perspectives of Festivals and Events
International Perspectives of Festivals and Events : Paradigms of Analysis This page intentionally left blank International Perspectives of Festivals and Events : Paradigms of Analysis Edited by Jane Ali-Knight, Martin Robertson, Alan Fyall and Adele Ladkin AMSTERDAM • BOSTON • HEIDELBERG • LONDON • OXFORD • NEW YORK PARIS • SAN DIEGO • SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Academic Press is an imprint of Elsevier Academic Press is an imprint of Elsevier 525 B Street, Suite 1900, San Diego, California 92101-4495, USA 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA 32 James town Road, London NW1 7BY, UK First edition 2009 Copyright © 2009 Elsevier Ltd. All rights reserved No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means electronic, mechanical, photocopying, recording or otherwise without the prior written permission of the publisher Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone (ϩ44) (0) 1865 843830; fax (ϩ44) (0) 1865 853333; email: [email protected]. Alternatively you can submit your request online by visiting the Elsevier web site at http://elsevier.com/locate/permissions, and selecting Obtaining permission to use Elsevier material Notice No responsibility is assumed by the publisher for any injury and/or damage to persons or property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions or ideas contained -
October 1984
VOL. 8, NO. 10 Cover Photo by Jaeger Kotos FEATURES ROGER TAYLOR The drummer for the legendary rock group Queen discusses his solo albums, as well as the factors that have held the members of Queen together for so long. Taylor also voices his views on music videos, electronic drums, and functioning as a singer, songwriter and drummer. by Robert Santelli 8 JERRY SPEISER Over the past two years, the Australian group Men At Work has skyrocketed to success. In this interview, drummer Jerry Speiser talks about the group's formation and the elements that make their sound unique. He also describes his first recording experience, and his plans for involvement in studio engineering and production. by Robyn Flans 14 LES DEMERLE Certain drummers have an enthusiasm for drums that transmits itself into everything they do. DeMerle expresses that enthusiasm Malkin both as a player and a teacher. Here, he recalls several of his career Rick highlights, and explains many of his teaching concepts. by by Scott K. Fish 18 Photo EQUIPMENT HIGHLIGHTS OF NAMM '84 by Rick Mattingly 22 CHANGING SOUNDS 32 by Ernie Santilli THE MUSICAL DRUMMER PROFILES COLUMNS Rhythm Section Figures by Bill Molenhof 100 UP AND COMING EDUCATION Rob Hirst CLUB SCENE 38 by Bill Wolfe SHOW DRUMMERS' SEMINAR The Etiquette Of Sitting In: Part 2- The Professional Show Percussionist The Considerate Guest REVIEWS by Pat Pfiffner 48 by Rick Van Horn 102 78 PRINTED PAGE TEACHER'S FORUM STRICTLY TECHNIQUE Creating Professionalism At Home Back To Back Rolls 60 by Rodman Sims by Stanley Ellis