Storm Cycle 2014 Anthology — Ebook File
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The SRAO Story by Sue Behrens
The SRAO Story By Sue Behrens 1986 Dissemination of this work is made possible by the American Red Cross Overseas Association April 2015 For Hannah, Virginia and Lucinda CONTENTS Foreword iii Acknowledgements vi Contributors vii Abbreviations viii Prologue Page One PART ONE KOREA: 1953 - 1954 Page 1 1955 - 1960 33 1961 - 1967 60 1968 - 1973 78 PART TWO EUROPE: 1954 - 1960 98 1961 - 1967 132 PART THREE VIETNAM: 1965 - 1968 155 1969 - 1972 197 Map of South Vietnam List of SRAO Supervisors List of Helpmate Chapters Behrens iii FOREWORD In May of 1981 a group of women gathered in Washington D.C. for a "Grand Reunion". They came together to do what people do at reunions - to renew old friendships, to reminisce, to laugh, to look at old photos of them selves when they were younger, to sing "inside" songs, to get dressed up for a reception and to have a banquet with a speaker. In this case, the speaker was General William Westmoreland, and before the banquet, in the afternoon, the group had gone to Arlington National Cemetery to place a wreath at the Tomb of the Unknown Soldier. They represented 1,600 women who had served (some in the 50's, some in the 60's and some in the 70's) in an American Red Cross program which provided recreation for U.S. servicemen on duty in Europe, Korea and Vietnam. It was named Supplemental Recreational Activities Overseas (SRAO). In Europe it was known as the Red Cross center program. In Korea and Vietnam it was Red Cross clubmobile service. -
DISSO FULL DOCUMENT With
From Zero to My Own Hero: An Intersectional Feminist Analysis of the Woman Superhero’s Challenge to Humanity in Watchmen and Jessica Jones Louise Stenbak Simonsen & Sabina Kox Thorsen 10th semester, MA Dissertation Engelsk Almen, Aalborg University Supervisor: Mia Rendix 02-06-2020 Characters: 317649 Simonsen & Thorsen 1 Abstract The image of women in the superhero genre has for many years been dominated by how it is produced as a mirror to the masculine. However, this image is now beginning to be disrupted by feminist attempts at diversifying representations. This paper aims to examine Watchmen and the first season of Jessica Jones as cultural representations and new voices of women which materialise the category as a transgressive, challenging force to assumedly fixed structures of gender, race and sexuality. As Jessica Jones speaks from a White feminist perspective, and Watchmen from a Black feminist perspective, we explore how the texts can be combined to expand the category of women. The texts show the discourses, regimes of truth, and forms of violence which seek to regulate women, and in exposing these tools of domination, the texts disrupt the fixed categories and definitions of women and question the limits of performativity. In spite of women being shown to be materialised beyond the phallogocentric economy of signification, the two series still limit gender to a biological determinism that assumes a normativity of social structures and relations of power. However, because the texts are voices of women, they are the first step of many towards a multitude of untold, endless possibilities of gender and racial representation. -
Tuesday Morning, May 8
TUESDAY MORNING, MAY 8 FRO 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 COM 4:30 KATU News This Morning (N) Good Morning America (N) (cc) AM Northwest (cc) The View Ricky Martin; Giada De Live! With Kelly Stephen Colbert; 2/KATU 2 2 (cc) (Cont’d) Laurentiis. (N) (cc) (TV14) Miss USA contestants. (N) (TVPG) KOIN Local 6 at 6am (N) (cc) CBS This Morning (N) (cc) Let’s Make a Deal (N) (cc) (TVPG) The Price Is Right (N) (cc) (TVG) The Young and the Restless (N) (cc) 6/KOIN 6 6 (TV14) NewsChannel 8 at Sunrise at 6:00 Today Martin Sheen and Emilio Estevez. (N) (cc) Anderson (cc) (TVG) 8/KGW 8 8 AM (N) (cc) Sit and Be Fit Wild Kratts (cc) Curious George Cat in the Hat Super Why! (cc) Dinosaur Train Sesame Street Rhyming Block. Sid the Science Clifford the Big Martha Speaks WordWorld (TVY) 10/KOPB 10 10 (cc) (TVG) (TVY) (TVY) Knows a Lot (TVY) (TVY) Three new nursery rhymes. (TVY) Kid (TVY) Red Dog (TVY) (TVY) Good Day Oregon-6 (N) Good Day Oregon (N) MORE Good Day Oregon The 700 Club (cc) (TVPG) Law & Order: Criminal Intent Iden- 12/KPTV 12 12 tity Crisis. (cc) (TV14) Positive Living Public Affairs Paid Paid Paid Paid Through the Bible Paid Paid Paid Paid 22/KPXG 5 5 Creflo Dollar (cc) John Hagee Breakthrough This Is Your Day Believer’s Voice Billy Graham Classic Crusades Doctor to Doctor Behind the It’s Supernatural Life Today With Today: Marilyn & 24/KNMT 20 20 (TVG) Today (cc) (TVG) W/Rod Parsley (cc) (TVG) of Victory (cc) (cc) Scenes (cc) (TVG) James Robison Sarah Eye Opener (N) (cc) My Name Is Earl My Name Is Earl Swift Justice: Swift Justice: Maury (cc) (TV14) The Steve Wilkos Show (N) (cc) 32/KRCW 3 3 (TV14) (TV14) Jackie Glass Jackie Glass (TV14) Andrew Wom- Paid The Jeremy Kyle Show (N) (cc) America Now (N) Paid Cheaters (cc) Divorce Court (N) The People’s Court (cc) (TVPG) America’s Court Judge Alex (N) 49/KPDX 13 13 mack (TVPG) (cc) (TVG) (TVPG) (TVPG) (cc) (TVPG) Paid Paid Dog the Bounty Dog the Bounty Dog the Bounty Hunter A fugitive and Criminal Minds The team must Criminal Minds Hotch has a hard CSI: Miami Inside Out. -
Writing Ethnographic Fieldnotes
WRITING ETHNOGRAPHIC FIELDNOTES SECOND EDITION WRITING ETHNOGRAPHIC FIELDNOTES SECOND EDITION Robert M. Emerson Rachel I. Fretz Linda L. Shaw THE UNIVERSITY OF CHICAGO PRESS • CHICAGO AND LONDON robert m. emerson is professor emeritus in the Department of Sociology at the University of California, Los Angeles. He is the author of Contemporary Field Research: Perspectives and Formulations, now in its second edition. rachel i. fretz is a lecturer in the Writing Programs unit at UCLA. linda l. shaw is professor in and chair of the sociology department at California State University, San Marcos. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 1995, 2011 by The University of Chicago All rights reserved. Published 2011. Printed in the United States of America 20 19 18 17 16 15 14 13 12 11 1 2 3 4 5 6 7 8 9 isbn- 13: 978-0-226-20683-7 (paper) isbn- 10: 0-226-20683-1 (paper) Library of Congress Cataloging- in-Publication Data Emerson, Robert M. Writing ethnographic fi eldnotes / Robert M. Emerson, Rachel I. Fretz, Linda L. Shaw. — 2nd ed. p. cm. — (Chicago guides to writing, editing, and publishing) isbn- 13: 978-0-226-20683-7 (pbk.: alk. paper) isbn- 10: 0-226-20683-1 (pbk.: alk. paper) 1. Ethnology—Authorship. 2. Ethnology—Fieldwork. 3. Ethnology— Research. 4. Academic writing. I. Fretz, Rachel I. II. Shaw, Linda L. III. Title. gn307.7.e44 2011 808Ј.066305—dc22 2011016145 o This paper meets the requirements of ansi/ niso z39.48-1992 (Permanence of Paper). To our friend and colleague, Mel Pollner -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
Makeup-Hairstyling-2019-V1-Ballot.Pdf
2019 Primetime Emmy® Awards Ballot Outstanding Hairstyling For A Single-Camera Series A.P. Bio Melvin April 11, 2019 Synopsis Jack's war with his neighbor reaches a turning point when it threatens to ruin a date with Lynette. And when the school photographer ups his rate, Durbin takes school pictures into his own hands. Technical Description Lynette’s hair was flat-ironed straight and styled. Glenn’s hair was blow-dried and styled with pomade. Lyric’s wigs are flat-ironed straight or curled with a marcel iron; a Marie Antoinette wig was created using a ¾” marcel iron and white-color spray. Jean and Paula’s (Paula = set in pin curls) curls were created with a ¾” marcel iron and Redken Hot Sets. Aparna’s hair is blow-dried straight and ends flipped up with a metal round brush. Nancy Martinez, Department Head Hairstylist Kristine Tack, Key Hairstylist American Gods Donar The Great April 14, 2019 Synopsis Shadow and Mr. Wednesday seek out Dvalin to repair the Gungnir spear. But before the dwarf is able to etch the runes of war, he requires a powerful artifact in exchange. On the journey, Wednesday tells Shadow the story of Donar the Great, set in a 1930’s Burlesque Cabaret flashback. Technical Description Mr. Weds slicked for Cabaret and two 1930-40’s inspired styles. Mr. Nancy was finger-waved. Donar wore long and medium lace wigs and a short haircut for time cuts. Columbia wore a lace wig ironed and pin curled for movement. TechBoy wore short lace wig. Showgirls wore wigs and wig caps backstage audience men in feminine styles women in masculine styles. -
Virtually Bi Edges No Oiaiige Iii Strategy
Tt^=7l ■' v . .■ X' The Wflflther ■ATU10AX, A rm . 14 iM i A v e riffl Dally Clrenlatfon Fcrecaat of-L'. S. Weather Mi^ichesiery Evening Herald For the Month at M a td li^ m s — 1 _______________ , i f ” i ' I ..- Rafn tonight hqd Tuesday mom- / r nXpn a winter coat and fur collar 'bun-' ' 9 , 1 5 8 In afternoon W gh *^ died atx>ut bar neck. Indicating tempemturea WiiM Bronze Star First Wteriu^s WALTER SCHULTZ I A m aldarilaa balfava in tak Member ot.ttM Audit ‘AboiTt T qw u L o ^ H^ro Dead Heard Along 'Main^^treet that 82 CoaCTCM StVMt ing ^no chancaa with thlf,,jiyjtuaual Baraan at ClkpBlstloaa ■ \ April weather, while the teen-, Mancitester-^A City of Village Charm V tli^ e Plapii^ agera Walk along confldentljr with Ashes and l^nbbish Tha B*lv««on Amjy Women'i And on Some of H^heeter\Side Too PRICE: e W k d :E N T 3 out fear of catching cold. (TWELVE PAGES) Homa Laaj^a will ba in charge ef Tlemoved T ^ S*15881 MANCHESTER, CONN., MONDAY, APR IL^16, 1945 tha Braifrain Jthis avening at 8 A l^ d e r who was In Forest ^ of Bolton. up a stiff sYi filia l One Here/^nder VOL. LXir.,Vo. 166 ’elo^M lt the clUdel; of vocar and Park, Springfield, last Sunday J to conve: the mess serge' Remember the mid-May apple inat^umental miielc and readings, brings back a story of profiteering hU cooking ways blossom fetes they used to stage G. -
Contemporary Carioca: Technologies of Mixing in A
Con tempo C o n t e m p o r a r y raryC a r i o c a Cari oca ontemporary CCarioca Technologies of Mixing in a Brazilian Music Scene Frederick Moehn Duke University Press Durham anD LonDon 2012 © 2012 Duke University Press All rights reserved. Printed in the United States of America on acid-free paper ♾ Designed by Kristina Kachele Typeset in Quadraat and Ostrich Sans by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data appear on the last printed page of this book. Duke University Press gratefully acknowledges the support of Stony Brook University, which provided funds toward the publication of this book. For Brazil’s musical alchemists ontents Illustrations ix C Preface xi Acknowledgments xxiii Introduction 1 1 Marcos Suzano: A Carioca Blade Runner 25 2 Lenine: Pernambuco Speaking to the World 55 3 Pedro Luís and The Wall: Tupy Astronauts 92 4 Fernanda Abreu: Garota Carioca 130 5 Paulinho Moska: Difference and Repetition 167 6 On Cannibals and Chameleons 204 Appendix 1: About the Interviews, with a List of Interviews Cited 211 Appendix 2: Introductory Aspects of Marcos Suzano’s Pandeiro Method 215 Notes 219 References 245 Discography 267 Index 269 llustrations Map of Rio de Janeiro with inset of the South Zone 6 1 “mpb: Engajamento ou alienação?” debate invitation xii 2 Marcos Suzano’s favorite pandeiro (underside) 29 I 3 Marcos Suzano demonstrating his pandeiro and electronic foot pedal effects setup 34 4 A common basic samba pattern on pandeiro 48 5 One of Marcos Suzano’s pandeiro patterns 49 6 Marcos -
Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays. -
SIHHHDS304A Design and Apply Classic Long Hair up Styles
SIHHHDS304A Design and apply classic long hair up styles Release: 1 SIHHHDS304A Design and apply classic long hair up styles Date this document was generated: 26 May 2012 SIHHHDS304A Design and apply classic long hair up styles Modification History Not applicable. Unit Descriptor This unit describes the performance outcomes, skills and knowledge required to create classic long hair design finishes on a range of clients. Application of the Unit This unit applies to hairdressers in salon environments, who apply classic finished up-style designs to long hair on female clients. A person undertaking this role applies discretion and judgement and accepts responsibility for outcomes of own work. Licensing/Regulatory Information No licensing, legislative, regulatory or certification requirements apply to this unit at the time of endorsement. Pre-Requisites Nil Employability Skills Information This unit contains employability skills. Approved Page 2 of 9 © Commonwealth of Australia, 2012 Service Skills Australia SIHHHDS304A Design and apply classic long hair up styles Date this document was generated: 26 May 2012 Elements and Performance Criteria Pre-Content Elements and Performance Criteria ELEMENT PERFORMANCE CRITERIA Elements describe the Performance criteria describe the performance needed to essential outcomes of a demonstrate achievement of the element. Where bold italicised text unit of competency. is used, further information is detailed in the required skills and knowledge section and the range statement. Assessment of performance is to be consistent with the evidence guide. 1. Analyse client 1.1. Establish natural hair type, texture, growth patterns, characteristics. length, structure and movement by physical and visual examination. 1.2. Observe facial features and bone structure. -
The Generalife Gardens, Alhambra, Granada, 1991
A N I mortar rake glove sausan broom basin sansui First Book, Three Gardens of Andalucfa by Gerry Shikatani mortar rake glove sausan broom basin sansui The title of this book employs one Arabic and one Japanese word: the Arabic sausan (white lily); and Japanese sansui (beautiful landscape). forEsther y Andres Joaquin y Bonnie Editor Sharon Thesen Managing Editor Carol L. Hamshaw Manuscript Editors Daphne Marlatt Steven Ross Smith Contributing Editors Pierre Coupey Ryan Knighton Jason LeHeup Katrina Sedaros George Stanley Cover Design Marion Llewellyn The CapilanoReview is published by The Capilano Press Society. Canadian subscription rates for one year are $25 CST included for individuals. Institutional rates are $30 plus CST. Address correspondence to The Capilano Review, 2055 Purcell Way, North Vancouver, British Columbia V7J 3H5. Subscribe online at www.capcollege.bc.ca/ dept/TCR or through the CMPA at magOmania, www.magomania.com. The Capilano Reviewdoes not accept simultaneous submissions or previously pub lished work. U.S. submissions should be sent with Canadian postage stamps, international reply coupons, or funds for return postage - not U.S. postage stamps. The Capilano Reviewdoes not take responsibility for unsolicited manuscripts. Copyright remains the property of the author or artist. No portion of this publication may be reproduced without the permission of the author or artist. The Capilano Reviewgratefully acknowledges the financial assistance of the Capilano College, the Canada Council forthe Arts, and its Friends and Benefactors. The Capilano Reviewis a member of the Canadian Magazine Publishers Association and the BC Association of Magazine Publishers. TCR is listed with the Canadian Periodical Index, with the American Humanities Index, and available online through InfoGlobe.