Doc 6B Summary of Athens Democracy Forum 2018

Total Page:16

File Type:pdf, Size:1020Kb

Doc 6B Summary of Athens Democracy Forum 2018 Doc 6b The annual Athens Democracy Forum was held on 14-19 September 2018, organized for the sixth year by The New York Times in cooperation with the UN Democracy Fund and Athens City Hall. This year’s programme centred around the theme Democracy in Danger: Solutions for a Changing World, featuring discussions such as The Allure of the Illiberal: Are there flaws in the classic models of democracy?; When Technology Collides with Citizenship: How are rapid technological advances changing the nature of politics?; Identity, Diversity and Inclusion: How can democracies preserve human rights amidst pervasive populist backlashes?; and The Business of Business: Do companies today have a greater responsibility to society, and when is engagement good for business? Speakers at the Forum included writer and academic Yascha Mounk; Mayor of Athens Georgios Kaminis; New York Times President and CEO Mark Thompson; New York Times writers Roger Cohen and Steven Erlanger; Diplomat and academic Kishore Mahbubani; Chinese contemporary artist Ai Wei Wei; Italian philosopher-designer Brunello Cucinelli; Tunisian Nobel Peace Prize Laureate Ouided Bouchamaoui; and UNDEF Executive Head Annika Savill. Sessions were held at the Zappeion in the National Gardens of Athens; the Stoa of Attalos in the Ancient Agora of Athens – the very birthplace of democracy; the Acropolis Museum; and Costa Navarino, a sustainable destination in Messinia, southwest Peloponnese. An UNDEF-convened panel focused on economic empowerment of Arab youth to strengthen threatened democracies and prevent extremism, sponsored by Silatech, a social development organization based in Qatar. An annual exhibition on children and democracy at the Hellenic Children’s Museum was closed by the Mayor of Athens and UNDEF Executive Head Annika Savill. For further information about the Forum, please go to https://www.athensdemocracyforum.com/ U N I T E D N A T I O N S N A T I O N S U N I E S Annika Savill Executive Head, UN Democracy Fund -- Remarks at the Stoa of Attalos Sixth Annual Athens Democracy Forum Athens, 17 September 2018 Mr. Mayor, Excellencies, Distinguished leadership of The New York Times, I am proud to be here for this sixth consecutive Forum. Proud to have been a founding partner of this event. Proud to see it flourish from its first embryonic session of two hours in 2013 to what is now a rich and varied programme lasting several days. Over these years, as we have come here to the birthplace of democracy and quoted Pericles to one another, we have also been inspired to see how modern Greece has turned the corner, how it has weathered the crisis, resisted the rise of right-wing extremism and xenophobia and received huge numbers of refugees and migrants. Thank you for welcoming us too. But elsewhere, we have witnessed a different story. As UN Secretary-General António Guterres says in his message to you, on page one of your printed programme, democracy is showing greater strain than at any time in decades. We have heard a great deal at this Forum about how this strain is manifesting itself. Some of this could have been predicted. And it was. Twenty years ago Kofi Annan, my former boss, warned that unless the benefits of globalization were shared more fairly, all the "isms" of the 20 th century would come back -- the isms that exploit the insecurity and misery of people who feel victimized by the global market: protectionism; populism; authoritarianism; nationalism; ethnic chauvinism; fanaticism; and terrorism. The more wretched people there are, he warned, the more those "isms" will continue to gain ground. And this is where we are today. Prescient man, Kofi Annan. Today is an occasion to pay tribute to his memory. Ladies and gentlemen, in other words, d emocracy dies when no one works at keeping it alive. Now, we need to look for new ways forward. We need to look beyond responses to today’s news cycle. Beyond criticism of individual leaders, and rather, to what brings them to power. Beyond trying to solve today’s problems with yesterday’s solutions. Almost a lifetime has passed since CP Snow declared that society was divided into two cultures -- humanities and science -- separated by a gulf of mutual incomprehension. It still is. We need to bridge this. We need futurists to think about a future that leaves no one behind. And we need better interaction and understanding between thinkers of technology and thinkers of democracy. A better grasp of how we humans function -- how we trust, learn and cooperate, but also how we hate, fight and manipulate -- can help public policy-makers and citizens build better governance and better lives. Tackling some of these issues is what this Forum so important. Thank you all for being part of it. And now it is my pleasure to introduce a great supporter of this Forum, Mayor Giorgos Kaminis. U N I T E D N A T I O N S N A T I O N S U N I E S Annika Savill Executive Head, UN Democracy Fund -- Remarks at Panel on Youth Economic Empowerment to Strengthen Threatened Democracies Sixth Annual Athens Democracy Forum Athens, 18 September 2018 Thank you all for coming. I am very excited to be here to talk about a subject that I think is critical to the future of the Arab world and beyond, and to have with me two leaders and practitioners from the region who are at the forefront of this effort. This discussion stems from a project in Tunisia, generated two years ago by the UN Democracy Fund together with Tamkeen for Development and Zitouna Tamkeen. Silatech later joined the effort as a generous partner in microfinance to support the project. All of us were determined to address the challenges of vulnerable youth, considering the events of the so-called Arab Spring, which started with one desperate, jobless young Tunisian burning himself to death, and less than a decade later, saw Tunisia become the largest contributor of young jihadists to IS – both per capita and in absolute terms. Add to that the huge migration flows to Europe, the issues posed by the informal economy, the chaos going on next door in Libya, and the full range of political, ideological and security challenges facing any post-revolutionary nation -- yet Tunisia remains a democracy full of highly educated, talented, motivated people. There you have just some of the reasons why Tunisia deserves our attention. Since 2011, Tunisia has been a priority country for the UN Democracy Fund, UNDEF, which funds and manages civil society projects in more than 100 countries. It should be a priority for all donors and supporters of democracy worldwide. Full disclosure on my part: Tunisia is also a personal priority for me. I was at school in Tunis as a young girl many years ago, and the country continues to be part of me. Too many young people with diplomas, too few jobs, drawn to extremism through cash and adrenalin. There you have the problem in a nutshell. The project we are highlighting today is one of more than 10 UNDEF projects in Tunisia, but it is by far the most important. It is a pioneering initiative that promotes entrepreneurship for vulnerable youth to build participation and inclusion, and one that we aim to replicate in other democracies at risk. So far, our project has trained almost a thousand young potential entrepreneurs in soft skills, leadership and participatory democracy; established over 10 civil society groups managed entirely by youth; engaged a team of young people in municipal elections this year, some as independent observers, some as candidates; and provided youth with skills in business and engineering in collaboration with leading private companies. To tell us more about this and about economic youth empowerment in the region, we have two distinguished panelists. Ms. Sabah Ismail Al Haidoos is the CEO of Silatech, an organization based in Qatar with a mission to create jobs, economic opportunities and vocational training for Arab youth, particularly through microfinance partnerships. Ms. Sabah is a veteran of youth empowerment and education, who has championed a range of education reforms in Qatar. She has served on the Board of Trustees of Qatar University and the Supreme Council for Family Affairs. Dr. Nabil Ghalleb is the founding CEO of Zitouna Tamkeen, one of the largest microfinance and economic empowerment institutions in Tunisia. He is also president of Tamkeen for Development, specializing in the economic empowerment of vulnerable youth. He previously served as senior investment manager in the Islamic Development Bank and as investment advisor to the mayor of Medina, based in Saudi Arabia. He returned to his native Tunisia three years ago as a man on a mission: empowering young people through work and leadership. He has blazed a trail from day one. There you have our two panelists. I invite both of them to make brief opening remarks before we get our interactive discussion going. Ms. Sabah, you have the floor. U N I T E D N A T I O N S N A T I O N S U N I E S Annika Savill Executive Head -- Remarks at closing ceremony of the Hellenic Children’s Museum Exhibition: Realizing Identity, Respecting Diversity Athens, 19 September 2018 I am delighted to be here yet again for this annual event. Let me pay tribute once more to the Museum’s leadership, and to my friends Mayor Giorgos Kaminis and Deputy Mayor Maria Iliopoulou, for their vision and leadership on behalf of Athens' youngest citizens. Five years ago, you embraced wholeheartedly the suggestion from the Athens Democracy Forum and the UN Democracy Fund to hold this annual children’s event.
Recommended publications
  • The Athenian Agora : Museum Guide / by Laura Gawlinski ; with Photographs by Craig A
    The Athenian Agora Agora Athenian The Museum Guide Above: Inside the main gallery of the Athenian Agora Museum. Front cover: Poppies in the Athenian Agora front the reconstructed Stoa of Attalos which houses the Agora Museum. Photos: C. A. Mauzy Written for the general visitor, the Athenian Agora Museum Guide is a companion to the 2010 edition of the Athenian Agora Site Guide and leads the reader through the display spaces within the Agora’s Stoa of Attalos—the terrace, the ground-floor colonnade, and the newly opened upper story. The guide discusses each case in the museum gallery chronologically, beginning with the prehistoric Gawlinski and continuing with the Geometric, Archaic, Classical, Hellenistic, Roman, and Byzantine periods. Hundreds of artifacts, ranging from ©2014 American School of Classical Studies at Athens Museum Guide common pottery to elite jewelry, are described and illustrated in color for the first time. Through brief fifth EDItION essays, readers can learn about marble- working, early burial practices, pottery Laura Gawlinski production, ostracism, home life, and the wells that dotted the ancient site. A time- ASCSA with photographs by line and maps accompany the text. Craig A. Mauzy Museum Guide ©2014 American School of Classical Studies at Athens ©2014 American School of Classical Studies at Athens The american school of classical studies at athens PRINCETON, New Jersey Museum Guide fifth EDItION Laura Gawlinski with photographs by Craig A. Mauzy ©2014 American School of Classical Studies at Athens The american school of classical studies at athens PRINCETON, New Jersey Copyright 2014. The American School of Classical Studies at Athens.
    [Show full text]
  • Stoa Poikile) Built About 475-450 BC
    Arrangement Classical Greek cities – either result of continuous growth, or created at a single moment. Former – had streets –lines of communication, curving, bending- ease gradients. Later- had grid plans – straight streets crossing at right angles- ignoring obstacles became stairways where gradients were too steep. Despite these differences, certain features and principles of arrangement are common to both. Greek towns Towns had fixed boundaries. In 6th century BC some were surrounded by fortifications, later became more frequent., but even where there were no walls - demarcation of interior and exterior was clear. In most Greek towns availability of area- devoted to public use rather than private use. Agora- important gathering place – conveniently placed for communication and easily accessible from all directions. The Agora Of Athens • Agora originally meant "gathering place" but came to mean the market place and public square in an ancient Greek city. It was the political, civic, and commercial center of the city, near which were stoas, temples, administrative & public buildings, market places, monuments, shrines etc. • The agora in Athens had private housing, until it was reorganized by Peisistratus in the 6th century BC. • Although he may have lived on the agora himself, he removed the other houses, closed wells, and made it the centre of Athenian government. • He also built a drainage system, fountains and a temple to the Olympian gods. • Cimon later improved the agora by constructing new buildings and planting trees. • In the 5th century BC there were temples constructed to Hephaestus, Zeus and Apollo. • The Areopagus and the assembly of all citizens met elsewhere in Athens, but some public meetings, such as those to discuss ostracism, were held in the agora.
    [Show full text]
  • Ciarán Lavelle 2010
    THE ZIBBY GARNETT TRAVELLING FELLOWSHIP Report by Ciarán Lavelle Archaeological Conservation Agora Excavations, Athens, Greece 12 June - August 2010 Page | 1 Contents Page No…... 1. Introduction……………………………......................................................................3 2. The American School of Classical Studies at Athens………………………………4 3. The Athenian Agora………………………………………………………………….4 4. The Athenian Agora Excavations……....…………………………………………...6 5. The Agora Conservation Team & Conservation Laboratory………………...…...8 6. My work on the Conservation Team.……………………………………………...12 7. On-site Conservation…………………………………………………………….…18 8. Conservation Teaching & Workshops………………………………………….…19 9. Sightseeing in Greece…………………………………………………………….…20 10. Life in Greece…………………………………………………………………...…22 11. Conclusion………………………………………………………………………….23 Page | 2 1. Introduction My name is Ciaran Lavelle; I am a 28 year old from Northern Ireland. I am a recent graduate of the ‘Conservation of Objects for Museums and Archaeology’ Bachelor of Science degree program at Cardiff University in Wales. My goal for my career is find employment in the field of object conservation in a museum or in the private sector and become an accredited conservator. I completed the three year conservation degree in Cardiff University in two years as a direct entry student, which allowed me to combine first and second year. During my first year at Cardiff I learned about the American School of Classical Studies at Athens conservation internship program through a fellow Greek student. So during my final year I decided I should apply for the internship so as to gain post graduate experience in a world renowned archaeological excavation and was successful with my application for the nine week program. I heard about the Zibby Garnett Travelling Fellowship through a past recipient of the fund whom I worked with and became friends with while working in the Transport Museum in Glasgow.
    [Show full text]
  • The "Agora" of Pausanias I, 17, 1-2
    THE "AGORA" OF PAUSANIAS I, 17, 1-2 P AUSANIAS has given us a long description of the main square of ancient Athens, a place which we are accustomed to call the Agora following Classical Greek usage but which he calls the Kerameikos according to the usage of his own time. This name Kerameikos he uses no less than five times, and in each case it is clear that he is referringto the main square, the ClassicalAgora, of Athens. " There are stoas from the gates to the Kerameikos" he says on entering the city (I, 2, 4), and then, as he begins his description of the square, " the place called Kerameikoshas its name from the hero Keramos-first on the right is the Stoa Basileios as it is called " (I, 3, 1). Farther on he says " above the Kerameikosand the stoa called Basileios is the temple of Hephaistos " (I, 14, 6). Describing Sulla's captureof Athens in 86 B.C. he says that the Roman general shut all the Athenians who had opposed him into the Kerameikos and had one out of each ten of them killed (I, 20, 6). It is generally agreed that this refers to the Classical Agora. Finally, when visiting Mantineia in far-off Arcadia (VII, 9, 8) Pausanias reports seeing ".a copy of the painting in the Kerameikos showing the deeds of the Athenians at Mantineia." The original painting in Athens was in the Stoa of Zeus on the main square, and Pausanias had already described it in his account of Athens (I, 3, 4).
    [Show full text]
  • With Archaeologist Kathleen Lynch
    THE LEGACY OF Ancient Greece October 13-25, 2021 (13 days | 16 guests) with archaeologist Kathleen Lynch Delphi © Runner1928 Archaeology-focused tours for the curious to the connoisseur Archaeological Institute of America xperience the glories of Greece, from the Bronze Age to the Classical era and beyond, amid the variety of springtime landscapes of the mainland Lecturer & Host and the Peloponnese peninsula. This is a superb opportunity to ignite, Kathleen Lynch Eor reignite, your passion for the wonders of Greek archaeology, art, and ancient is Professor history and to witness how integral mythology, religion, drama, and literature of Classics at the University are to their understanding. This well-paced tour, from city to mountains to of Cincinnati seaside, spends a total of four nights in the modern yet historic capital, Athens; and a classical two nights in the charming port town of Nafplion; one night in Dimitsana, archaeologist with a medieval mountain village; two nights in Olympia, home of the original a focus on ancient Olympic Games; and two nights in the mountain resort town of Arachova, Greek ceramics. She earned her near Delphi. Ph.D. from the Highlights include: University of Virginia, and has worked on archaeological projects at sites in • SIX UNESCO World Heritage Sites: Greece (Athenian Agora, Olynthos, ˚ Athens’ Acropolis, with its stunning Parthenon and Erechtheion Corinth, Pylos), Turkey (Gordion, temples, plus the nearby Acropolis Museum; Troy), Italy (Morgantina), and Albania (Apollonia). Kathleen’s research considers ˚ the greatest ancient oracle, Delphi, located in a spectacular what ancient ceramics can tell us mountain setting; about their use and users.
    [Show full text]
  • I Am Going to the Ancient Agora of Athens! a Step-By-Step Guide on How to Visit This Ancient City Center by Brett Bigham the Acropolis Looms up Above the Athens
    Ability Guidebooks presents Explore Athens! s n i g g i B I Am Going To The Ancient Agora of Athens! A Step-by-Step Guide On How To Visit This Ancient City Center by Brett Bigham The Acropolis looms up above the Athens. This is the center of the ancient city. People come from all over the world to climb to the top and visit the Parthenon. At the base of the Acropolis is the Agora. The Agora is the marketplace of ancient Athens. This is where the Forum and many famous temples were built. Today most of these buildings are in ruins but they are still one of Athen's great destinations. The Acropolis The Agora There are some free days to visit but most days you must buy a ticket. People under age 18 are free. Main Entrance Acropolis Entrance There are many different famous buildings and ruins at the Agora. This is the Museum of the Ancient Agora. Inside are many statues, ceramics and building parts found by archaeologists in the nearby ruins. s n o m m o C a i d e m i k i W , k r o W n w O , n i v a S . A The Museum is a copy of the ancient Stoa of Attalos that stood on this very spot. A stoa is a covered walkway made with large columns. There are many statues inside the stoa. You can look at them up close but do not touch them! Behind the back wall of the Stoa are the galleries of the Ancient Agora Museum.
    [Show full text]
  • May 18-30, 2022 (13 Days | 16 Guests) with Archaeologist Gerry Schaus
    THE LEGACY OF Ancient Greece May 18-30, 2022 (13 days | 16 guests) with archaeologist Gerry Schaus Delphi © Runner1928 Archaeology-focused tours for the curious to the connoisseur xperience the glories of Greece, from the Bronze Age to the Classical era Archaeological Institute of America and beyond, amid the variety of springtime landscapes of the mainland Lecturer & Host and the Peloponnese peninsula. This is a superb opportunity to ignite, Eor reignite, your passion for the wonders of Greek archaeology, art, and ancient Gerald Schaus (PhD, history and to witness how integral mythology, religion, drama, and literature are University of Pennsylvania) is to their understanding. This well-paced tour, from city to mountains to seaside, Professor Emeritus, spends a total of four nights in the modern yet historic capital, Athens; two nights Archaeology and in the charming port town of Nafplion; one night in Dimitsana, a medieval Heritage Studies, mountain village; two nights in Olympia, home of the original Olympic Games; Wilfrid Laurier and two nights in the mountain resort town of Arachova, near Delphi. University (Waterloo, Ontario) and Highlights include: former President of the Canadian • SIX UNESCO World Heritage Sites: Institute in Greece. He is a classical ˚ Athens’ Acropolis, with its stunning Parthenon and Erechtheion archaeologist specializing in ceramics, art, temples, plus the nearby Acropolis Museum; and iconography of the Greek Archaic period. Gerry’s excavation experience ˚ the greatest ancient oracle, Delphi, located in a spectacular over the past 45 years includes sites in mountain setting; Greece (most recently Gournia, Crete), ˚ Olympia, where the Olympic Games were held for 1,000 years, Italy, Libya, and Romania, dating from starting in 776 B.C.; the Neolithic to Byzantine periods.
    [Show full text]
  • The Athenian Agora
    Edited by John McK. Camp II / Craig A. Mauzy tHe AtHENIAn AGORA NEW PERSPECTIVES ON AN ANCIENT SITE Zaberns Bildbände zur Archäologie Sonderbände der Antiken Welt Published in collaboration with the American School of Classical Studies at Athens John McK. Camp II / Craig A. Mauzy tHe AtHeniAn AGORA NEW PERSPECTIVES ON AN ANCIENT SITE 144 pages with 88 colour and 75 black/white images. Cover: Hephaisteion (interfoto, München) Page 2/3: View from Hephaisteion (C. A. Mauzy, American School of Classical Studies at Athens). Cover back: XXXXXXXXXXXXXXXXXXXXXXXXXXX (see Fig. XXX). XXXXXXXXXXXXXXXXXXXXXXXXXXX (see Fig. XXX). XXXXXXXXXXXXXXXXXXXXXXXXXXX (see Fig. XXX). www.zabern.de Information of Deutsche Nationalbibliothek: <http://dnb.d-nb.de> © 2009 English edition by The American School of Layout: Classical Studies at Athens (text and images) and Melanie Barth, scancomp GmbH, D-Wiesbaden Verlag Philipp von Zabern, Mainz am Rhein (design) Mainz am Rhein Coordination of production: ISBN: 978-3-8053-4082-3 Ilka Schmidt, Verlag Philipp von Zabern, D-Mainz All rights reserved Editorial department: Alrun Schößler and Annette Nünnerich-Asmus, Printed in Germany by Philipp von Zabern, on fade resistant and Verlag Philipp von Zabern, D-Mainz archival quality paper (PH 7 neutral) · tcf Table of Contents PREFACE 6 THE ARCHAEOLOGY OF THE ATHENIAN AGORA The Archaeology of the Agora: A Summary 11 by John McK. Camp II Commerce and Crafts around the Athenian Agora 39 by Susan I. Rotroff Living Near the Agora: Houses and Households in Central Athens 47 by Barbara Tsakirgis Roman Portraits from the Athenian Agora: Recent Finds 55 by Lee Ann Riccardi The Wine Jars Workroom: Stamps to Sherds 63 by Mark L.
    [Show full text]
  • Rhetoric and the Architecture of Empire in the Athenian Agora
    Rhetoric and the Architecture of Empire inthe Athenian Agora Submitted by John Vandenbergh Lewis B.Arch., University of Arizona Tucson, Arizona May, 1992 Submitted to the Department of Architecture in partial fulfillment of the requirements for the degree Master of Science in Architecture Studies at the Massachusetts Institute of Technology June, 1995 John Vandenbergh Lewis, 1995. All rights reserved. The author hereby grants to the Massachusetts Institute of Technology permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part. I A A Signature of the Author Jo Vandenbergh Lewis Depa* ent of Architecture, May 12, 1995 Certified by IrP u Julian Beinarl Professor of Architecture I Accepted by I I Roy Strickland Chairman, Department of Architecture Committee on Graduate Students MASSACHUSETTS INSTJTUTE OF TECHNOLOGY JUL 251995 4ROtd Rhetoric and the Architecture of Empire inthe Athenian Agora by John Vandenbergh Lewis Submitted to the Department of Architecture May 12, 1995 in partial fulfillment of the requirements for the degree of Master of Science inArchitecture Studies Abstract The various political regimes of ancient Athens established and legitimated their power through civic architecture and public rhetoric in the agora. A study of the parallel developments of architectural and rhetorical form, supported by previously published archaeological evidence and the well documented history of classical rhetoric, demonstrates that both served to propel democracy and, later, to euphemize the asymmetrical power structures of the Hellenistic and Roman empires. In addition, civic architecture and rhetoric worked in unison following analogous patterns of presentation in civic space. Civic imperial architecture in the agora may be thus understood to function as the stageset and legitimator of imperial political rhetoric in the agora.
    [Show full text]
  • UNDEF Partners Again with the New York Times in Sixth Annual Athens Democracy Forum
    An innovation at the heart of the United Nations UNDEF Update No. 39 - October 2018 UNDEF partners again with The New York Times in sixth annual Athens Democracy Forum The annual Athens Democracy Forum was The Mayor of Athens also presented the held on 14-19 September 2018, organized annual City of Athens Democracy Award for the sixth time by The New York Times in to Joaquim Chissano, former President of cooperation with the UN Democracy Fund Mozambique, who transformed the conflict- and Athens City Hall. As in previous years, ridden nation into one of Africa’s most the Forum coincides with the International successful democracies. Day of Democracy. Speakers at the Forum included writer This year’s programme centred around the and academic Yascha Mounk; Mayor of theme Democracy in Danger: Solutions for a Athens Georgios Kaminis; New York Times Changing World, featuring discussions such President and CEO Mark Thompson; New as The Allure of the Illiberal: Are there flaws York Times writers Roger Cohen and Steven in the classic models of democracy?; When Erlanger; Diplomat and academic Kishore Technology Collides with Citizenship: How Mahbubani; Chinese contemporary artist are rapid technological advances changing Ai Wei Wei; Italian philosopher-designer the nature of politics?; Identity, Diversity Brunello Cucinelli; Tunisian Nobel Peace and Inclusion: How can democracies Prize Laureate Ouided Bouchamaoui; and preserve human rights amidst pervasive UNDEF Executive Head Annika Savill, whose populist backlashes?; and The Business remarks
    [Show full text]
  • Excavations in the Athenian Agora: 1953'
    EXCAVATIONS IN THE ATHENIAN AGORA: 1953' (PLATES 12-17) HE eighteenth campaign conducted by the American School of Classical Studies in the Athenian Agora was historic in many respects. The field work, which extended from February into June of 1953, represented the last season of excavation on a large scale in the Agora proper. Further exploration remains to be carried out in connectionwith the study of individual buildings bordering the square, and large areas on the slopes of the Acropolis and Areopagus have still to receive their final combing, but within the square proper the ancient levels have been exposed throughout and on the three sides of the square now available for exploration all the major monuments have been plotted. Field work was concentratedin the south part of the Agora with very satisfactory results for our knowledge of the topographical development. The south side of the square in its earlier form is now seen to have been closed by a row of five public build- ings dating from the sixth and fifth centuries B.c. Two of these buildings appear to have been fountain houses; the third, South Stoa I, is a large and early example of a two-aisled coloninadebacked by a row of rooms; the fourth may be identified with a high degree of probability as the Heliaia, the largest and most famous of the lawcourts of the ancient city, while the fifth has been recognized with something approachingcertainty as the mint of Athens, the Argyrokopeion. 1 The veteran staff remained as last year. Mr. Eugene Vanderpool served again as deputy field director for half the year and supervised excavation during the season; Miss Lucy Talcott continued in charge of records; Mr.
    [Show full text]
  • Developing a Virtual Museum for the Ancient Wine Trade in Eastern Mediterranean
    The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Volume XLII-2/W5, 2017 26th International CIPA Symposium 2017, 28 August–01 September 2017, Ottawa, Canada DEVELOPING A VIRTUAL MUSEUM FOR THE ANCIENT WINE TRADE IN EASTERN MEDITERRANEAN S. Kazanis a, G. Kontogianni b, R. Chliverou b, A. Georgopoulos b a Department of Mediterranean Studies, Master Course: “Archaeology of the Eastern Mediterranean from Prehistory to Late Antiquity: Greece, Egypt, the Near East” University of the Aegean [email protected] b Laboratory of Photogrammetry, School of Rural and Surveying Engineering, National Technical University of Athens – 15780 Zografou Athens, Greece [email protected] - [email protected] - [email protected] KEY WORDS: Virtual Museum; 3D models; amphora; stamped handles; Stoa of Attalos ABSTRACT: Digital technologies for representing cultural heritage assets of any size are already maturing. Technological progress has greatly enhanced the art of virtual representation and, as a consequence, it is all the more appealing to the general public and especially to younger generations. The game industry has played a significant role towards this end and has led to the development of edutainment applications. The digital workflow implemented for developing such an application is presented in this paper. A virtual museum has been designed and developed, with the intention to convey the history of trade in the Eastern Mediterranean area, focusing on the Aegean Sea and five productive cities-ports, during a period of more than 500 years. Image based modeling methodology was preferred to ensure accuracy and reliability. The setup in the museum environment, the difficulties encountered and the solutions adopted are discussed, while processing of the images and the production and finishing of the 3D models are described in detail.
    [Show full text]