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The Athenian Agora : Museum Guide / by Laura Gawlinski ; with Photographs by Craig A
The Athenian Agora Agora Athenian The Museum Guide Above: Inside the main gallery of the Athenian Agora Museum. Front cover: Poppies in the Athenian Agora front the reconstructed Stoa of Attalos which houses the Agora Museum. Photos: C. A. Mauzy Written for the general visitor, the Athenian Agora Museum Guide is a companion to the 2010 edition of the Athenian Agora Site Guide and leads the reader through the display spaces within the Agora’s Stoa of Attalos—the terrace, the ground-floor colonnade, and the newly opened upper story. The guide discusses each case in the museum gallery chronologically, beginning with the prehistoric Gawlinski and continuing with the Geometric, Archaic, Classical, Hellenistic, Roman, and Byzantine periods. Hundreds of artifacts, ranging from ©2014 American School of Classical Studies at Athens Museum Guide common pottery to elite jewelry, are described and illustrated in color for the first time. Through brief fifth EDItION essays, readers can learn about marble- working, early burial practices, pottery Laura Gawlinski production, ostracism, home life, and the wells that dotted the ancient site. A time- ASCSA with photographs by line and maps accompany the text. Craig A. Mauzy Museum Guide ©2014 American School of Classical Studies at Athens ©2014 American School of Classical Studies at Athens The american school of classical studies at athens PRINCETON, New Jersey Museum Guide fifth EDItION Laura Gawlinski with photographs by Craig A. Mauzy ©2014 American School of Classical Studies at Athens The american school of classical studies at athens PRINCETON, New Jersey Copyright 2014. The American School of Classical Studies at Athens. -
Kernos Revue Internationale Et Pluridisciplinaire De Religion Grecque Antique
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 20 | 2007 Varia Pherekydes’ Daktyloi Ritual, technology, and the Presocratic perspective Sandra Blakely Electronic version URL: http://journals.openedition.org/kernos/161 DOI: 10.4000/kernos.161 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 2007 ISSN: 0776-3824 Electronic reference Sandra Blakely, “Pherekydes’ Daktyloi”, Kernos [Online], 20 | 2007, Online since 15 March 2011, connection on 26 February 2021. URL: http://journals.openedition.org/kernos/161 ; DOI: https:// doi.org/10.4000/kernos.161 This text was automatically generated on 26 February 2021. Kernos Pherekydes’ Daktyloi 1 Pherekydes’ Daktyloi Ritual, technology, and the Presocratic perspective Sandra Blakely Introduction: Classics and the Evolutionary paradigm 1 Western culture is traditionally ill equipped to understand the intersection of ritual and technology. Pfaffenberger, Killick, and Lansing have observed the causes, and what is lost by failing to shake these off.1 Because these activities occupy different categories in the industrialized world, attempts to interpret their coincidence in other cultures lean to the dismissive. They are regarded as a reflection of the earliest stages of invention, compensatory appeals to the divine that reflect incomplete mastery of technological processes. The combination is often called magic by both practitioners and academics. Magic has been traditionally synonymous with primitivism; an evolutionary model suggests that such superstitions evaporate as technology is mastered, and linger only in folk tales and half-remembered superstitions.2 The cost of this paradigm is substantial. Emphasizing the movement into subsequent intellectual paradigms, it reduces attention to symbols in context. -
Stoa Poikile) Built About 475-450 BC
Arrangement Classical Greek cities – either result of continuous growth, or created at a single moment. Former – had streets –lines of communication, curving, bending- ease gradients. Later- had grid plans – straight streets crossing at right angles- ignoring obstacles became stairways where gradients were too steep. Despite these differences, certain features and principles of arrangement are common to both. Greek towns Towns had fixed boundaries. In 6th century BC some were surrounded by fortifications, later became more frequent., but even where there were no walls - demarcation of interior and exterior was clear. In most Greek towns availability of area- devoted to public use rather than private use. Agora- important gathering place – conveniently placed for communication and easily accessible from all directions. The Agora Of Athens • Agora originally meant "gathering place" but came to mean the market place and public square in an ancient Greek city. It was the political, civic, and commercial center of the city, near which were stoas, temples, administrative & public buildings, market places, monuments, shrines etc. • The agora in Athens had private housing, until it was reorganized by Peisistratus in the 6th century BC. • Although he may have lived on the agora himself, he removed the other houses, closed wells, and made it the centre of Athenian government. • He also built a drainage system, fountains and a temple to the Olympian gods. • Cimon later improved the agora by constructing new buildings and planting trees. • In the 5th century BC there were temples constructed to Hephaestus, Zeus and Apollo. • The Areopagus and the assembly of all citizens met elsewhere in Athens, but some public meetings, such as those to discuss ostracism, were held in the agora. -
Ciarán Lavelle 2010
THE ZIBBY GARNETT TRAVELLING FELLOWSHIP Report by Ciarán Lavelle Archaeological Conservation Agora Excavations, Athens, Greece 12 June - August 2010 Page | 1 Contents Page No…... 1. Introduction……………………………......................................................................3 2. The American School of Classical Studies at Athens………………………………4 3. The Athenian Agora………………………………………………………………….4 4. The Athenian Agora Excavations……....…………………………………………...6 5. The Agora Conservation Team & Conservation Laboratory………………...…...8 6. My work on the Conservation Team.……………………………………………...12 7. On-site Conservation…………………………………………………………….…18 8. Conservation Teaching & Workshops………………………………………….…19 9. Sightseeing in Greece…………………………………………………………….…20 10. Life in Greece…………………………………………………………………...…22 11. Conclusion………………………………………………………………………….23 Page | 2 1. Introduction My name is Ciaran Lavelle; I am a 28 year old from Northern Ireland. I am a recent graduate of the ‘Conservation of Objects for Museums and Archaeology’ Bachelor of Science degree program at Cardiff University in Wales. My goal for my career is find employment in the field of object conservation in a museum or in the private sector and become an accredited conservator. I completed the three year conservation degree in Cardiff University in two years as a direct entry student, which allowed me to combine first and second year. During my first year at Cardiff I learned about the American School of Classical Studies at Athens conservation internship program through a fellow Greek student. So during my final year I decided I should apply for the internship so as to gain post graduate experience in a world renowned archaeological excavation and was successful with my application for the nine week program. I heard about the Zibby Garnett Travelling Fellowship through a past recipient of the fund whom I worked with and became friends with while working in the Transport Museum in Glasgow. -
The "Agora" of Pausanias I, 17, 1-2
THE "AGORA" OF PAUSANIAS I, 17, 1-2 P AUSANIAS has given us a long description of the main square of ancient Athens, a place which we are accustomed to call the Agora following Classical Greek usage but which he calls the Kerameikos according to the usage of his own time. This name Kerameikos he uses no less than five times, and in each case it is clear that he is referringto the main square, the ClassicalAgora, of Athens. " There are stoas from the gates to the Kerameikos" he says on entering the city (I, 2, 4), and then, as he begins his description of the square, " the place called Kerameikoshas its name from the hero Keramos-first on the right is the Stoa Basileios as it is called " (I, 3, 1). Farther on he says " above the Kerameikosand the stoa called Basileios is the temple of Hephaistos " (I, 14, 6). Describing Sulla's captureof Athens in 86 B.C. he says that the Roman general shut all the Athenians who had opposed him into the Kerameikos and had one out of each ten of them killed (I, 20, 6). It is generally agreed that this refers to the Classical Agora. Finally, when visiting Mantineia in far-off Arcadia (VII, 9, 8) Pausanias reports seeing ".a copy of the painting in the Kerameikos showing the deeds of the Athenians at Mantineia." The original painting in Athens was in the Stoa of Zeus on the main square, and Pausanias had already described it in his account of Athens (I, 3, 4). -
With Archaeologist Kathleen Lynch
THE LEGACY OF Ancient Greece October 13-25, 2021 (13 days | 16 guests) with archaeologist Kathleen Lynch Delphi © Runner1928 Archaeology-focused tours for the curious to the connoisseur Archaeological Institute of America xperience the glories of Greece, from the Bronze Age to the Classical era and beyond, amid the variety of springtime landscapes of the mainland Lecturer & Host and the Peloponnese peninsula. This is a superb opportunity to ignite, Kathleen Lynch Eor reignite, your passion for the wonders of Greek archaeology, art, and ancient is Professor history and to witness how integral mythology, religion, drama, and literature of Classics at the University are to their understanding. This well-paced tour, from city to mountains to of Cincinnati seaside, spends a total of four nights in the modern yet historic capital, Athens; and a classical two nights in the charming port town of Nafplion; one night in Dimitsana, archaeologist with a medieval mountain village; two nights in Olympia, home of the original a focus on ancient Olympic Games; and two nights in the mountain resort town of Arachova, Greek ceramics. She earned her near Delphi. Ph.D. from the Highlights include: University of Virginia, and has worked on archaeological projects at sites in • SIX UNESCO World Heritage Sites: Greece (Athenian Agora, Olynthos, ˚ Athens’ Acropolis, with its stunning Parthenon and Erechtheion Corinth, Pylos), Turkey (Gordion, temples, plus the nearby Acropolis Museum; Troy), Italy (Morgantina), and Albania (Apollonia). Kathleen’s research considers ˚ the greatest ancient oracle, Delphi, located in a spectacular what ancient ceramics can tell us mountain setting; about their use and users. -
I Am Going to the Ancient Agora of Athens! a Step-By-Step Guide on How to Visit This Ancient City Center by Brett Bigham the Acropolis Looms up Above the Athens
Ability Guidebooks presents Explore Athens! s n i g g i B I Am Going To The Ancient Agora of Athens! A Step-by-Step Guide On How To Visit This Ancient City Center by Brett Bigham The Acropolis looms up above the Athens. This is the center of the ancient city. People come from all over the world to climb to the top and visit the Parthenon. At the base of the Acropolis is the Agora. The Agora is the marketplace of ancient Athens. This is where the Forum and many famous temples were built. Today most of these buildings are in ruins but they are still one of Athen's great destinations. The Acropolis The Agora There are some free days to visit but most days you must buy a ticket. People under age 18 are free. Main Entrance Acropolis Entrance There are many different famous buildings and ruins at the Agora. This is the Museum of the Ancient Agora. Inside are many statues, ceramics and building parts found by archaeologists in the nearby ruins. s n o m m o C a i d e m i k i W , k r o W n w O , n i v a S . A The Museum is a copy of the ancient Stoa of Attalos that stood on this very spot. A stoa is a covered walkway made with large columns. There are many statues inside the stoa. You can look at them up close but do not touch them! Behind the back wall of the Stoa are the galleries of the Ancient Agora Museum. -
Attic Pottery of the Later Fifth Century from the Athenian Agora
ATTIC POTTERY OF THE LATER FIFTH CENTURY FROM THE ATHENIAN AGORA (PLATES 73-103) THE 1937 campaign of the American excavations in the Athenian Agora included work on the Kolonos Agoraios. One of the most interesting results was the discovery and clearing of a well 1 whose contents proved to be of considerable value for the study of Attic pottery. For this reason it has seemed desirable to present the material as a whole.2 The well is situated on the southern slopes of the Kolonos. The diameter of the shaft at the mouth is 1.14 metres; it was cleared to the bottom, 17.80 metres below the surface. The modern water-level is 11 metres down. I quote the description from the excavator's notebook: The well-shaft, unusually wide and rather well cut widens towards the bottom to a diameter of ca. 1.50 m. There were great quantities of pot- tery, mostly coarse; this pottery seems to be all of the same period . and joins In addition to the normal abbreviations for periodicals the following are used: A.B.C. A n tiquites du Bosphore Cimmerien. Anz. ArchaiologischerAnzeiger. Deubner Deubner, Attische Feste. FR. Furtwangler-Reichhold, Griechische Vasenmxlerei. Kekule Kekule, Die Reliefs an der Balustrade der Athena Nike. Kraiker Kraiker,Die rotfigurigenattischen Vasen (Collectionof the ArchaeologicalIn- stitute of Heidelberg). Langlotz Langlotz, Griechische Vasen in Wiirzburg. ML. Monumenti Antichi Pu'bblicatiper Cura della Reale Accadenia dei Lincei. Rendiconti Rendiconti della Reale Accademia dei Lincei. Richter and Hall Richter and Hall, Red-Figured Athenian Vases in the Metropolitan Museum of Art. -
A Protocorinthian Aryballos with a Myth Scene from Tegea
SVENSKA INSTITUTEN I ATHEN OCH ROM INSTITUTUM ATHENIENSE ATQUE INSTITUTUM ROMANUM REGNI SUECIAE Opuscula Annual of the Swedish Institutes at Athens and Rome 13 2020 STOCKHOLM Licensed to <[email protected]> EDITORIAL COMMITTEE Prof. Gunnel Ekroth, Uppsala, Chairman Dr Lena Sjögren, Stockholm, Vice-chairman Mrs Kristina Björksten Jersenius, Stockholm, Treasurer Dr Susanne Berndt, Stockholm, Secretary Prof. Christer Henriksén, Uppsala Prof. Anne-Marie Leander Touati, Lund Prof. Peter M. Fischer, Göteborg Dr David Westberg, Uppsala Dr Sabrina Norlander-Eliasson, Stockholm Dr Lewis Webb, Göteborg Dr Ulf R. Hansson, Rome Dr Jenny Wallensten, Athens EDITOR Dr Julia Habetzeder Department of Archaeology and Classical Studies Stockholm University SE-106 91 Stockholm [email protected] SECRETARY’S ADDRESS Department of Archaeology and Classical Studies Stockholm University SE-106 91 Stockholm [email protected] DISTRIBUTOR eddy.se ab Box 1310 SE-621 24 Visby For general information, see http://ecsi.se For subscriptions, prices and delivery, see http://ecsi.bokorder.se Published with the aid of a grant from The Swedish Research Council (2017-01912) The English text was revised by Rebecca Montague, Hindon, Salisbury, UK Opuscula is a peer reviewed journal. Contributions to Opuscula should be sent to the Secretary of the Editorial Committee before 1 November every year. Contributors are requested to include an abstract summarizing the main points and principal conclusions of their article. For style of references to be adopted, see http://ecsi.se. Books for review should be sent to the Secretary of the Editorial Committee. ISSN 2000-0898 ISBN 978-91-977799-2-0 © Svenska Institutet i Athen and Svenska Institutet i Rom Printed by TMG Sthlm, Sweden 2020 Cover illustrations from Aïopoulou et al. -
May 18-30, 2022 (13 Days | 16 Guests) with Archaeologist Gerry Schaus
THE LEGACY OF Ancient Greece May 18-30, 2022 (13 days | 16 guests) with archaeologist Gerry Schaus Delphi © Runner1928 Archaeology-focused tours for the curious to the connoisseur xperience the glories of Greece, from the Bronze Age to the Classical era Archaeological Institute of America and beyond, amid the variety of springtime landscapes of the mainland Lecturer & Host and the Peloponnese peninsula. This is a superb opportunity to ignite, Eor reignite, your passion for the wonders of Greek archaeology, art, and ancient Gerald Schaus (PhD, history and to witness how integral mythology, religion, drama, and literature are University of Pennsylvania) is to their understanding. This well-paced tour, from city to mountains to seaside, Professor Emeritus, spends a total of four nights in the modern yet historic capital, Athens; two nights Archaeology and in the charming port town of Nafplion; one night in Dimitsana, a medieval Heritage Studies, mountain village; two nights in Olympia, home of the original Olympic Games; Wilfrid Laurier and two nights in the mountain resort town of Arachova, near Delphi. University (Waterloo, Ontario) and Highlights include: former President of the Canadian • SIX UNESCO World Heritage Sites: Institute in Greece. He is a classical ˚ Athens’ Acropolis, with its stunning Parthenon and Erechtheion archaeologist specializing in ceramics, art, temples, plus the nearby Acropolis Museum; and iconography of the Greek Archaic period. Gerry’s excavation experience ˚ the greatest ancient oracle, Delphi, located in a spectacular over the past 45 years includes sites in mountain setting; Greece (most recently Gournia, Crete), ˚ Olympia, where the Olympic Games were held for 1,000 years, Italy, Libya, and Romania, dating from starting in 776 B.C.; the Neolithic to Byzantine periods. -
CMC-7332 the Social and Cultural Contexts of Historic Writing Practices.Indb
This pdf of your paper in The Social and Cultural Contexts of Historic Writing Practices is from the open-access on-line version of this book, available at: http:// books.casematepublishing.com/The_Social_and_Cultural_Contexts_of_Historic_ Writing_Practices.pdf. The work is licensed under the Creative Commons Attribution 3.0 Unported Licence. To view a copy of this license, visit http://creativecommons.org/licenses/ by/3.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. This licence allows for copying any part of the online work for personal and commercial use, providing author attribution is clearly stated. Materials provided by third parties remain the copyright of their owners. AN OFFPRINT FROM The Social and Cultural Contexts of Historic Writing Practices edited by Philip J. Boyes, Philippa M. Steele and Natalia Elvira Astoreca Hardback Edition: ISBN 978-1-78925-478-5 Digital Edition: ISBN 978-1-78925-479-2 (ePub) Oxford & Philadelphia Chapter 14 Why με? Personhood and agency in the earliest 1 Greek inscriptions (800–550 BC) James Whitley Introduction: the view from Methana The archaeological museum in Poros is not much visited. In summer, the harbours and jetties of Poros are crowded with yachts on their way from Athens to the islands of the Saronic Gulf and the Southern Argolid – Aegina, Poros, Hydra and Spetses. Few, however, stop to go to the museum. If you do you may very well miss this epigram (Fig. 14.1). Unlike the marble inscribed bases from Attica, where the inscriptions are highlighted in red (such as that of Kroisos2 that addresses a passer-by; see Table 14.3) the letters here are very hard to read, and the stone itself (volcanic trachyte) very unsuitable for an inscription.3 It does not aid legibility (or at least our notions of legibility) that the letters are inscribed ‘boustrophedon’, as the ox ploughs. -
The Athenian Agora
Edited by John McK. Camp II / Craig A. Mauzy tHe AtHENIAn AGORA NEW PERSPECTIVES ON AN ANCIENT SITE Zaberns Bildbände zur Archäologie Sonderbände der Antiken Welt Published in collaboration with the American School of Classical Studies at Athens John McK. Camp II / Craig A. Mauzy tHe AtHeniAn AGORA NEW PERSPECTIVES ON AN ANCIENT SITE 144 pages with 88 colour and 75 black/white images. Cover: Hephaisteion (interfoto, München) Page 2/3: View from Hephaisteion (C. A. Mauzy, American School of Classical Studies at Athens). Cover back: XXXXXXXXXXXXXXXXXXXXXXXXXXX (see Fig. XXX). XXXXXXXXXXXXXXXXXXXXXXXXXXX (see Fig. XXX). XXXXXXXXXXXXXXXXXXXXXXXXXXX (see Fig. XXX). www.zabern.de Information of Deutsche Nationalbibliothek: <http://dnb.d-nb.de> © 2009 English edition by The American School of Layout: Classical Studies at Athens (text and images) and Melanie Barth, scancomp GmbH, D-Wiesbaden Verlag Philipp von Zabern, Mainz am Rhein (design) Mainz am Rhein Coordination of production: ISBN: 978-3-8053-4082-3 Ilka Schmidt, Verlag Philipp von Zabern, D-Mainz All rights reserved Editorial department: Alrun Schößler and Annette Nünnerich-Asmus, Printed in Germany by Philipp von Zabern, on fade resistant and Verlag Philipp von Zabern, D-Mainz archival quality paper (PH 7 neutral) · tcf Table of Contents PREFACE 6 THE ARCHAEOLOGY OF THE ATHENIAN AGORA The Archaeology of the Agora: A Summary 11 by John McK. Camp II Commerce and Crafts around the Athenian Agora 39 by Susan I. Rotroff Living Near the Agora: Houses and Households in Central Athens 47 by Barbara Tsakirgis Roman Portraits from the Athenian Agora: Recent Finds 55 by Lee Ann Riccardi The Wine Jars Workroom: Stamps to Sherds 63 by Mark L.