Boston Symphony Orchestra Concert Programs, Season 104, 1984
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Richard Strauss's Ariadne Auf Naxos
Richard Strauss’s Ariadne auf Naxos - A survey of the major recordings by Ralph Moore Ariadne auf Naxos is less frequently encountered on stage than Der Rosenkavalier or Salome, but it is something of favourite among those who fancy themselves connoisseurs, insofar as its plot revolves around a conceit typical of Hofmannsthal’s libretti, whereby two worlds clash: the merits of populist entertainment, personified by characters from the burlesque Commedia dell’arte tradition enacting Viennese operetta, are uneasily juxtaposed with the claims of high art to elevate and refine the observer as embodied in the opera seria to be performed by another company of singers, its plot derived from classical myth. The tale of Ariadne’s desertion by Theseus is performed in the second half of the evening and is in effect an opera within an opera. The fun starts when the major-domo conveys the instructions from “the richest man in Vienna” that in order to save time and avoid delaying the fireworks, both entertainments must be performed simultaneously. Both genres are parodied and a further contrast is made between Zerbinetta’s pragmatic attitude towards love and life and Ariadne’s morbid, death-oriented idealism – “Todgeweihtes Herz!”, Tristan und Isolde-style. Strauss’ scoring is interesting and innovative; the orchestra numbers only forty or so players: strings and brass are reduced to chamber-music scale and the orchestration heavily weighted towards woodwind and percussion, with the result that it is far less grand and Romantic in scale than is usual in Strauss and a peculiarly spare ad spiky mood frequently prevails. -
25 December 2009 Page 1 of 13
Radio 3 Listings for 19 – 25 December 2009 Page 1 of 13 SATURDAY 19 DECEMBER 2009 Jorma Rahkonen (violin) SAT 13:00 The Early Music Show (b00pgvpy) La Fenice SAT 01:00 Through the Night (b00p8jc6) 5.48am Presented by Susan Sharpe. Paganini, Niccolo (1782-1840): Polonaise Catherine Bott presents highlights from a concert given in 2008 Viktor Pikajzen (violin) in Villars-sur-Glane in Switzerland, featuring the ensemble La 1.00am Evgenia Sejdelj (piano) Fenice directed by Jean Tubery, with soprano Nuria Rial. Music Enescu, George (1881-1955): Violin Sonata No 3 in A, Op 25 includes Monteverdi's Exulta filia Sion and works by Tarquinio (dans le caractere populaire roumain) 5.54am Merula, Bonifazio Graziano and Jacob van Eyck. Sebastian Tegzesiu (violin) Mendelssohn, Fanny Hensel (1805-1847): Trio in D minor, Op Viorica Boerescu (piano) 11 Anon: Misteri gioisi. Ave Maria gratia plena. Canto fermo for Trio Orlando one voice; Lucis creator optime. Canto fermo for male voices; 1.29am Mozart, Wolfgang Amadeus (1756-1791): String Quartet No 20 6.19am Giuseppe Scarani: Sonata sopra Lucis creator optime, for two in D, K499 (Hoffmeister) Arban, Jean-Baptiste (1825-1889), arr David Stanhope: Fantasy cornetts, organ, harpsichord, cello and theorbo ANIMA Quartet and variations on a Cavatina (Beatrice di Tenda - by Bellini) Geoffrey Payne (trumpet) Bonifazio Graziano: Venite pastores ad sacros amores (Motets 1.54am Melbourne Symphony Orchestra for 1, 2 and 3 male voices and continuo), arr for soprano Muthel, Johann Gottfried (1728-1788): Concerto in D -
Decca Discography
DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982. -
Sir Colin Davis Discography
1 The Hector Berlioz Website SIR COLIN DAVIS, CH, CBE (25 September 1927 – 14 April 2013) A DISCOGRAPHY Compiled by Malcolm Walker and Brian Godfrey With special thanks to Philip Stuart © Malcolm Walker and Brian Godfrey All rights of reproduction reserved [Issue 10, 9 July 2014] 2 DDDISCOGRAPHY FORMAT Year, month and day / Recording location / Recording company (label) Soloist(s), chorus and orchestra RP: = recording producer; BE: = balance engineer Composer / Work LP: vinyl long-playing 33 rpm disc 45: vinyl 7-inch 45 rpm disc [T] = pre-recorded 7½ ips tape MC = pre-recorded stereo music cassette CD= compact disc SACD = Super Audio Compact Disc VHS = Video Cassette LD = Laser Disc DVD = Digital Versatile Disc IIINTRODUCTION This discography began as a draft for the Classical Division, Philips Records in 1980. At that time the late James Burnett was especially helpful in providing dates for the L’Oiseau-Lyre recordings that he produced. More information was obtained from additional paperwork in association with Richard Alston for his book published to celebrate the conductor’s 70 th birthday in 1997. John Hunt’s most valuable discography devoted to the Staatskapelle Dresden was again helpful. Further updating has been undertaken in addition to the generous assistance of Philip Stuart via his LSO discography which he compiled for the Orchestra’s centenary in 2004 and has kept updated. Inevitably there are a number of missing credits for producers and engineers in the earliest years as these facts no longer survive. Additionally some exact dates have not been tracked down. Contents CHRONOLOGICAL LIST OF RECORDING ACTIVITY Page 3 INDEX OF COMPOSERS / WORKS Page 125 INDEX OF SOLOISTS Page 137 Notes 1. -
Academic Musical Studies
ACADEMIC ROYAL ACADEMY OF MUSIC (RAM), LONDON, ENGLAND 2002-2003 Postgraduate Diploma, Voice Performance – Preparatory Opera Course Licentiate of the Royal Academy of Music, Singing Teacher SAENA IULIA SCUOLA DI LINGUA E CULTURA ITALIANA, SIENA, ITALY 2000 & 2001 Certificate of Italian language course, Intermediate Level UNIVERSITY OF BRITISH COLUMBIA (UBC), VANCOUVER, CANADA 1996-2000 Bachelor of Music, Voice Performance Major LANGUAGES English & French – Fluent, Italian – Intermediate, German & Irish – Beginner MUSICAL STUDIES VOICE LESSONS: Suzanne Murphy, Beatrice Unsworth, David Meek, Marisa Gaetanne VOICE COACHINGS: Audrey Hyland, Rena Sharon LANGUAGE COACHINGS: Emanuela Ferrari-Osborne, Geraldine Franck MASTERCLASSES Belfast Music Society: Norma Burrowes 2006 Nelson Summer Songfest: Nancy Argenta, Ingrid Attrot, Meribeth Bunch Dayme 2002 & 2001 Vienna Master Course: Edith Wiens 2001 Early Music Vancouver Baroque Programme: Ellen Hargis 2000 RIAM: Brenda Hurley, Ingrid Surgenor, Marie McLaughlin, Ugo Benelli, Alison Browner 2003-2008 RAM: Udo Reineman, Diane Forlano, Elizabeth Ritchie, Elisabet Erlingsdottir 2003 UBC: Stuart Hamilton, Karina Gauvin, Suzie Le Blanc 1998-2000 AWARDS Irené Sanford Award for Singers (Finalist) 2008 Commonwealth Scholarship and Fellowship Plan (declined) 2003 RAM Entrance Scholarship, Vancouver Foundation Advanced Arts Study Award Grant, 2002 B.C. Arts Council Senior Award, Leon and Thea Koerner Foundation Grant-in-aid, Vancouver Woman’s Musical Society Bursary Gaelyne Gabora Scholarship, Nelson Summer -
SCHERZO DISCOS Sumario LIBROS 158 113 DOSIER LA GUÍA 160 Darwinismo Y Música CONTRAPUNTO Norman Lebrecht 164 Colaboran En Este Número
REVISTA DE MÚSICA Año XXIV - Nº 243 - Julio - Agosto 2009 - 7 € DOSIER Darwinismo y música Año XXIV - Nº 243 Julio Agosto 2009 ENCUENTROS Ottavio Dantone Emilio Sagi y Jesús López Cobos ACTUALIDAD Maria João Pires REFERENCIAS Sinfonía clásica de Prokofiev 243-pliego 1.FILM:207-pliego 1 24/6/09 15:20 Página 1 AÑO XXIV - Nº 243 - Julio-Agosto 2009 - 7 € 2 OPINIÓN Música y evolución José Luis Carles 114 CON NOMBRE Música animal, música PROPIO humana 6 Maria João Pires Ramón Andrés 118 Emili Blasco El origen de la música Javier Arias Bal 122 8 AGENDA De El origen de las especies a la historiografía musical Beatriz C. Montes 126 18 ACTUALIDAD NACIONAL ENCUENTROS 44 ACTUALIDAD Ottavio Dantone Franco Soda 142 INTERNACIONAL Jesús López Cobos y Emilio Sagi 58 ENTREVISTA Arturo Reverter 148 Manfred Eicher Mark Wiggins EDUCACIÓN Pedro Sarmiento 154 64 Discos del mes JAZZ Pablo Sanz 156 65 SCHERZO DISCOS Sumario LIBROS 158 113 DOSIER LA GUÍA 160 Darwinismo y Música CONTRAPUNTO Norman Lebrecht 164 Colaboran en este número: Javier Alfaya, Daniel Álvarez Vázquez, Julio Andrade Malde, Ramón Andrés, Íñigo Arbiza, Javier Arias Bal, Emili Blasco, Alfredo Brotons Muñoz, José Antonio Cantón, José Luis Carles, Jacobo Cortines, Patrick Dillon, Pierre Élie Mamou, José Luis Fernández, Fernando Fraga, Germán Gan Quesada, Manuel García Franco, José Antonio García y García, Juan García-Rico, José Guerrero Martín, Fernando Herrero, Bernd Hoppe, Paul Korenhof, Antonio Lasierra, Norman Lebrecht, Fiona Maddocks, Bernardo Mariano, Santiago Martín Bermúdez, Joaquín Martín de Sagarmínaga, Enrique Martínez Miura, Aurelio Martínez Seco, Blas Matamoro, Erna Metdepenninghen, Beatriz C. -
Discography Malcolm Walker
Discography Malcolm Walker Tis discography was begun in 1984, following a commission from the Mackerras family to contribute to Nancy Phelan’s biography of the conductor, published in 1987. At the time, Sir Charles generously gave up a whole morning and went through his diaries to fill in a number of missing dates and facts, a gesture warmly appreciated by the compiler. In the intervening years the discography has been maintained and updated. Sir Charles’s recording career spanned 58 years and was extremely varied in scope. During that time he was never exclusive to a single company. His TFSWJDFTUP$[FDINVTJD FTQFDJBMMZ%WPǣÈL +BOÈƿFLBOE.BSUJOǰ DPOWFZFE his passion for a country that he first visited not long after the end of the 4FDPOE8PSME8BS)JTFOEFBWPVSTPOCFIBMGPG)BOEFM .P[BSU #FFUIPWFO and Brahms produced revelatory recordings – as did his devoted advocacy of Arthur Sullivan. Note by NS Te format of the entries is as follows: Date (year, month, day), venue, soloists, chorus, orchestra, label; title of work; catalogue number of CD, DVD or other format. In the interests of space and clarity, only CD catalogue numbers are given unless the recording in question has not been released on CD (for details of LP releases, readers are referred to Malcolm Walker’s earlier discography in Phelan 1987). It is a measure of the length of Mackerras’s recording career that his earliest record – of Pineapple Poll – was first issued on twelve 78 r.p.m. sides, and his latest were quickly made available as downloads as well as compact discs. Te present discography lists downloads in cases where no CD has been released, or where a commercially available download has superseded a previously issued CD. -
The Production of L'enfant Et Les Sortilèges. Workers in Love, La
César Aguilar César Aguilar was born and raised in Cuernavaca, Morelos, México. He is currently pursuing a Master of Music degree at Western University, under the instruction of Theodore Baerg. He holds a Bachelor of Music, Opera and Digital Audio Arts from the University of Lethbridge. He has performed with orchestras in México such as the Marine Symphony Orchestra, and in Canada with the Lethbridge Symphony and the Calgary Philharmonic Orchestra. He has performed in Music Festivals such as Escapararte and Tercera invasión excéntrica. as well as solo recitals for the Institute of Fine Arts in México City amongst others. In Canada he has participated in recitals and festivals in Lethbridge, Red Deer and Calgary. He participated in the Chicago Classical Singer Convention in 2010 and performed the role of El Jovén Tepozteco by Mexican composer Federico Alvarez del Toro for its premiere in México. He has recorded three CDs of different musical genres. He was part of the music faculty at the University of Lethbridge Conservatoire for the past two years. His last performance was as part of the UWO Opera in the production of L’Enfant et les Sortilèges. Jordan Baldwin After taking part in UWOpera's fall productions of L'Heure Espagnole and L'Enfant et les Sortilèges, Jordan is pleased to be back on stage in the Opera Gala. Past credits with the company include City Workers in Love, La Cenerentola, Così fan Tutte and South Pacific. Jordan is in his fourth year of voice performance at Western University studying under the tutelage of John Mac Master. -
Semelejohn Eccles
SEMELEJOHN ECCLES ACADEMY OF ANCIENT MUSIC CAMBRIDGE HANDEL OPERA JULIAN PERKINS ANNA DENNIS RICHARD BURKHARD HELEN CHARLSTON WILLIAM WALLACE AOIFE MISKELLY HÉLOÏSE BERNARD GRAEME BROADBENT JONATHAN BROWN RORY CARVER CHRISTOPHER FOSTER BETHANY HORAK-HALLETT JOLYON LOY JAMES RHOADS SEMELE (/ˈsɛmɪli/; Greek: Σεμέλη Semelē) 1 | | 2 an opera composed by JOHN ECCLES to a libretto by WILLIAM CONGREVE 3 | | 4 ACADEMY OF ANCIENT MUSIC Julian Perkins 5 | | 6 GODS Jupiter King of the Gods Richard Burkhard Juno Queen of the Gods Helen Charlston Iris handmaid to Juno Héloïse Bernard Cupid God of Love Bethany Horak-Hallett Somnus God of Sleep Christopher Foster Apollo Sun God and God of Prophecy Jolyon Loy The first surviving page of John Eccles’ autograph score of Semele. This is heard on this album from the fifth bar of Ah me! What Refuge now is left me?, sung here by Anna Dennis as Semele [track 05, CD1]. Library of the Royal College of Music, MS.183, f.1r | 8 MORTALS Cadmus King of Thebes Jonathan Brown Semele daughter of Cadmus Anna Dennis Ino sister of Semele Aoife Miskelly Athamas a prince of Boeotia William Wallace Chief Priest Graeme Broadbent Second Priest Rory Carver Third Priest James Rhoads First Augur Rory Carver Portrait of William Congreve, 1670-1729, by Sir Godfrey Kneller; National Portrait Gallery, London Second Augur Oil on canvas, 91cm x 71cm, 1709 James Rhoads | 10 ACADEMY OF ANCIENT MUSIC Leader Bojan Čičić Continuo bass violin Jonathan Rees bass viol Reiko Ichise harpsichords Julian Perkins & Peter Holman theorbo, guitar William -
Back Log of Items - Compact Discs Rupert Edwards Library Current As of 02/03/2016
Back log of items - Compact discs Rupert Edwards Library Current as of 02/03/2016 Conductor Major Performers Title Publisher Publisher No. Year Genre Notes Metropolitan Opera Great Operas at the Met: Rigoletto MET MET 518 CD 1993 2 discs Metropolitan Opera Great Operas at the Met: Il Barbiere Di Siviglia MET MET 508 CD 1990 2 discs Metropolitan Opera Great Operas at the Met: Faust MET MET 518 CD 1991 2 discs Metropolitan Opera Great Operas at the Met: Il Trovatore MET MET 509 CD 1990 2 discs Metropolitan Opera Great Operas at the Met: Aida MET MET 503 CD 1988 2 discs Metropolitan Opera Great Operas at the Met: Der Rosenkavalier MET MET 515 CD 1992 2 discs Metropolitan Opera Great Operas at the Met: Die Zauberflote MET MET 517 CD 1992 2 discs Gardiner, John Elliot The Monteverdi Choir, English Baroque Soloists Idomeneo Archiv Produktion 431 675-2 1991 3 discs Bohm, Karl Wiener Philharmoniker Johann Strauss - Die Fledermaus Decca 475 6216 2004 2 discs Margaret Price Mozart - Opera & Concert Arias RCA Red Seal 82876-65841-2 2005 Schippers, Thomas Beverly Sills Donizetti - Lucia di Lammermoor Westminster The Legacy 471 250-2 1970 2 discs Renata Tebaldi Renata Tebaldi; Il trovatore - Otello - Tosca - Madama Butterfly - La Wally London 421 312-2 1969 Arias Conchita Supervia; Airs d'Operas; Rossini: Il Barbiere di Siviglia, La Cenerentola, L'Italiana in Conchita Supervia Algeri; Bizet: Carmen EMI 7 63499 2 1990 Arias Joan Sutherland, Huguette Tourangeau, Luciano Pavarotti, Roger Soyer, James Morris, Margreta Bonynge, Richard Elkins Grand Opera; -
Decca Discography
DECCA DISCOGRAPHY >>3 GREAT BRITAIN: ffss, 1954-81 Work for American record companies (notably Mercury and Everest) helped the LSO to raise its standards and convince Decca, by around 1962, that the finest symphony orchestra available (with the arguable exception of the VPO) could be regularly heard at the Royal Festival Hall, a few minutes walk away from 9, Albert Embankment, where the company had opened Decca House as its new headquarters in 1958. Then in 1964 the New Philharmonia, disowned by Walter Legge, began to record for Decca, as did the Academy of St.Martin in the Fields, having moved from L’Oiseau-Lyre to Argo. With the English Chamber Orchestra and RPO also available, London had a short spell of orchestral pre- eminence before Decca started shifting sessions to North America. It had also added Joan Sutherland’s sessions to its traditional operatic repertoire of Sullivan and Britten and maintained its importance in chamber music and instrumental recordings, particularly with Ashkenazy from 1963 and the Philip Jones Brass Ensemble on Argo from 1968. In the early 1970s the advent of Anthony Rooley, the Consort of Musicke, Emma Kirkby, Christopher Hogwood and the Academy of Ancient Music brought a fresh look at repertoire from Dowland to Purcell, Handel, Mozart and eventually Beethoven. Solti recorded with the LPO from 1972 and the National Philharmonic was booked regularly from 1974-84. Also during the 1970s the London Sinfonietta’s surveys of Schönberg and Janá ček were recorded. Ashkenazy’s second career as a conductor centred initially on London, with the Philharmonia from 1977 and the RPO from 1987. -
The Performing Arts on Film and Television Catalogue
THE PERFORMING ARTS ON FILM & TELEVISION CATALOGUE Film and video materials held by the archives and collections of BFI, Arts Council England, LUX, Central St Martins British Artists Film & Video Study Collection relating to theatre, dance, music, performance art, politics and poetry Balletomines, 1954 2011 Acknowledgements This catalogue was commissioned by MI:LL (Moving Image: Legacy and Learning), an Arts Council England initiative to support projects and develop strategies that promote engagement with the arts through the moving image. Researched, written, edited, designed and published by Helena Blaker James Bell Michael Brooke Elaine Burrows Bryony Dixon Christophe Dupin Jane Giles Amy Howerska Edward Lawrenson Deborah Salter Dan Smith Louise Watson With thanks to Karen Alexander, Nigel Algar, Nigel Arthur, Steve Bryant, Mike Caldwell, Ros Cranston, David Curtis, Will Fowler, Philippa Johns, Nathalie Morris, Patrick Russell, David Sin, Mike Sperlinger, Gary Thomas, Rebecca Vick, Ian White, Andrew Youdell and Juliane Zenke. All stills courtesy of BFI Stills, Posters & Designs A BFI Publication 2011 available to download from www.bfi.org.uk BFI 21 Stephen Street London W1T 1LN UK Telephone +44 (020) 7255 1444 www.bfi.org.uk 2 Contents Please click on a word/link to be taken automatically to that part of the Catalogue Acknowledgements................................................................................................................. 2 Contents ..................................................................................................................................