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Indian Panorama 2019 Press Release
1 DIRECTORATE OF FILM FESTIVALS (Ministry of I&B) Indian Panorama 2019 Press Release The 50th International Film Festival of India, 2019 announces the selection of Indian Panorama. Indian Panorama is a flagship section of IFFI, which showcases the best of contemporary Indian Feature and Non-Feature Films of the years. This year, the Feature Film Jury, comprising of thirteen members was headed by acclaimed filmmaker and screenwriter Shri Priyadarshan. The Feature Jury constituted of the following Members: 1. Smt Sreelekha Mukherji, Actress & Director 2. Shri Ahathian, Filmmaker, Writer, Director & Actor 3. Shri Sabyasachi Mohapatra, Filmmaker 4. Shri Vinod Ganatra, Filmmaker 5. Shri Rajendra Prasad Choudhary, Cinematographer, Filmmaker and Film Producer 6. Shri Kuukuu Kohli, Filmmaker and Film Producer 7. Shri Jadu Moni Dutta, Film actor and Director 8. Shri Harish Bhimani, Narrator, Screenwriter and Filmmaker 9. Shri Akashaditya Lama, Filmmaker 10. Shri K Puttaswamy, Film critic, Film historian and writer 11. Shri Phunsukh Laddakhi, Film actor and educationist 12. Shri Girish Mohite, Filmmaker The Feature Film Jury has selected 21 Feature films from the received entries . The package includes Best Feature Film of 66th National Film Awards 2018 titled “Hellaro” (Gujarati) by virtue of direct entry as per Indian Panorama 2019 clause no. 8.6. Five (5) Mainstream films are also selected under Indian Panorama Section of 50th International Film Festival of India, 2019 by an Internal Committee of DFF based on the recommendations of FFI and PRODUCER’S GUILD. List of 26 Feature Films selected in the Indian Panorama 2019 is as follows: S. No. Name of the film Language Director 1. -
Naushad Aan Mp3, Flac, Wma
Naushad Aan mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop / Folk, World, & Country / Stage & Screen Album: Aan Country: India Released: 1983 Style: Hindustani, Bollywood, Soundtrack MP3 version RAR size: 1240 mb FLAC version RAR size: 1369 mb WMA version RAR size: 1829 mb Rating: 4.7 Votes: 380 Other Formats: ADX MMF MP3 VQF AIFF AUD MP4 Tracklist A1 –Mohd. Rafi* Man Mera Ehsan A2 –Shamshad Begum Aag Lagi Tanman Men A3 –Lata Mangeshkar Tujhe Kho Diya Hamne A4 –Mohd. Rafi* Mohabbat Choome Jinke Hath A5 –Shamshad Begum, Lata Mangeshkar, Mohd. Rafi* & Chorus* Gao Tarane Man Ke B1 –Mohd. Rafi* Dil Men Chhupa Ke B2 –Lata Mangeshkar & Chorus* Aaj Mere Man Men Sakhi B3 –Shamshad Begum Main Rani Hoon Raja Ki B4 –Mohd. Rafi* Takra Gaya Tumse B5 –Shamshad Begum, Lata Mangeshkar & Chorus* Khelo Rang Hamare Sang Companies, etc. Record Company – EMI Copyright (c) – The Gramophone Company Of India Ltd. Phonographic Copyright (p) – The Gramophone Company Of India Ltd. Manufactured By – The Gramophone Company Of India Ltd. Distributed By – The Gramophone Company Of India Ltd. Printed By – Printwell Credits Lyrics By – Shakeel Badayuni Music By – Naushad Notes From The Original Soundtrack Hindi movie - Aan Other versions Category Artist Title (Format) Label Category Country Year New Light , 10001, IND 6048-C Naushad Aan (LP) 10001, IND 6048-C 1955 New Light LKDA-350 Naushad Aan (LP) Odeon LKDA-350 Pakistan 1980 Related Music albums to Aan by Naushad Laxmikant Pyarelal - Farz / Jigri Dost Naushad - Baiju Bawra Shankar Jaikishan / S. D. Burman - Jab Pyar Kisi Se Hota Hai / Asli Naqli / Tere Ghar Ke Samne Salil Chowdhury, Shankar-Jaikishan - Maya / Love Marriage Roshan , Sahir - Barsat Ki Rat / Taj Mahal Mohd. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Annual Report 2016-17 & Oba Calling
OLD BOYS’ ASSOCIATION ST. JOSEPH’S BOYS’ HIGH SCHOOL ANNUAL REPORT 2016-17 & OBA CALLING OLD BOYS’ ASSOCIATION ST. JOSEPH’S BOYS’ HIGH SCHOOL 27, MUSEUM ROAD, BANGALORE - 560 001 Office phone: +91 80 2229 1711 (Mon-Fri: 9:30 a.m. to 4 p.m., Sat: 9:30 a.m. to 1 p.m.) Email: [email protected] / [email protected] www.sjbhsoba.net SHEKAR GROUP OF COMPANIES SHEKAR LOGISTICS PRIVATE LIMITED Consignment Agents for Tata Steel Ltd (South India) VISWANATHA IYER & CO Leading Class-I Civil Engineering contractors. SHEKAR MOTORS PVT LTD Commercial vehicles service centre “Shree Sai Nilaya”, No. 315, 14th “B” Cross, 7th Main, HSR Layout Sector VI, Bangalore 560 102 Phone: 91-80-25722179 / 183 / 192 Fax: +91-80-25722174 E-mail: [email protected] Website: www.shekargroup.net With Best Compliments From ANKLESARIA GROUP The Anklesaria Group (AGI) is an education and consulting firm specializing in supply chain cost management solutions. We have an exceptional track record of working with some of the world’s most respected corporations in a variety of industries. Our clients have achieved returns of over 10x on their investment with us. HEAD OFFICE: Anklesaria Group, Inc. 201, Lomas Santa Fe Drive, Solana Beach, CA 92075, U.S.A, CEO: Jimmy Anklesaria. Phone: +1 858-755-7119, Fax: +1 858-755-2139 Email: [email protected] www.anklesaria.com BRANCH OFFICES: Anklesaria Europe - Hague, V.P: Oliver Rossi, Email: [email protected] Anklesaria Consulting Pvt. Ltd. – India (Bangalore) MD: Shardu Malpani, Phone: +91 80 4147 2747, Email: [email protected] MESSAGE FROM THE PRINCIPAL MESSAGE FROM THE PRESIDENT Dear Old Boys Fellow Josephites, achievements of students of Standard X who have At age 99 any Association or person would certainly be considered very old. -
SD Burman Booklet
SD BURMAN - 200 SONGS 11. Phoolon Ke Rang Se Artiste: Kishore Kumar 01. Kora Kagaz Tha Film: Prem Pujari Artistes: Lata Mangeshkar & Lyricist: Neeraj Kishore Kumar 12. Aaj Phir Jeene Ki Film: Aradhana Artiste: Lata Mangeshkar Lyricist: Anand Bakshi Film: Guide 02. Khoya Khoya Chand Lyricist: Shailendra Artiste: Mohammed Rafi 13. Tere Mere Sapne Ab Film: Kala Bazar Artiste: Mohammed Rafi Lyricist: Shailendra Film: Guide 03. Teri Bindiya Re Lyricist: Shailendra Artistes: Lata Mangeshkar & 14. Hum Aap Ki Ankhon Mein Mohammed Rafi Artistes: Geeta Dutt & Mohammed Rafi Film: Abhimaan Film: Pyaasa Lyricist: Majrooh Sultanpuri Lyricist: Sahir Ludhianvi 04. Mana Janab Ne Pukara 15. Ab To Hai Tumse Har Artiste: Kishore Kumar Artiste: Lata Mangeshkar Film: Paying Guest Film: Abhimaan Lyricist: Majrooh Sultanpuri Lyricist: Majrooh Sultanpuri 05. Mere Sapnon Ki Rani 16. Din Dhal Jaye Haye Artiste: Kishore Kumar Artiste: Mohammed Rafi Film: Aradhana Film: Guide Lyricist: Anand Bakshi Lyricist: Shailendra 06. Ek Ladki Bheegi Bhagi Si 17. Aasman Ke Neeche Artiste: Kishore Kumar Artistes: Lata Mangeshkar & Film: Chalti Ka Nam Gaadi Kishore Kumar Lyricist: Majrooh Sultanpuri Film: Jewel Thief 07. Tere Mere Milan Ki Lyricist: Majrooh Sultanpuri Artistes: Lata Mangeshkar & 18. Aaye Tum Yaad Mujhe Kishore Kumar Artiste: Kishore Kumar Film: Abhimaan Film: Mili Lyricist: Majrooh Sultanpuri Lyricist: Yogesh 08. Gaata Rahe Mera Dil 19. Yeh Dil Na Hota Bechara Artistes: Lata Mangeshkar & Artiste: Kishore Kumar Kishore Kumar Film: Jewel Thief Film: Guide Lyricist: Majrooh Sultanpuri Lyricist: Shailendra 20. Hum Bekhudi Mein Tum Ko 09. Dil Ka Bhanwar Artiste: Mohammed Rafi Artiste: Mohammed Rafi Film: Kala Pani Film: Tere Ghar Ke Samne Lyricist: Majrooh Sultanpuri Lyricist: Hasrat Jaipuri 21. -
Ahsan Fulbright Fellow 2011-12 Yale University, New Haven CT USA
The Criterion www.the-criterion.com An International Journal in English ISSN 0976-8165 Prism of Marginalisation : Sahir Ludhyanvi’s Poetry Mohammad Kamran Ahsan Fulbright Fellow 2011-12 Yale University, New Haven CT USA The genesis of Progressive Writers’ Association in London’s Nanking Hotel in 1934 ushered in a new era in Indian Literature. The group of Progressive writers was pondering over the future of Indian literature that can fit and suit the demands of crucial period of anti-colonial resistance. The manifesto had a strict adherence to the ‘doctrine of social realism in literature’. (Hafiz Malik p-649) though this (Soviet literature, social realism) was attributed by the western critics as a ‘perfect propaganda instrument’. (Ibid) Sajjad Zaheer, the convener of PWA and his peers gave an institutional shape to these progressive ideas; they called a meeting of Marxist intellectuals and prominent literary figures in 1936 in Lucknow. The first PWA meeting was presided by Premchand, a key figure in Hindi-Urdu literature. The manifesto of Progressive Writers’ Association was based on dialectical materialism, ‘the philosophy of the revolutionary working class party.’ (Cornforth, p.7) In this philosophy—dialectical materialism—are embodied the general ideas by means of which the party understands the world which it is seeking to change and in terms of which it defines its aims and works out how to fight for them. In this philosophy are embodied the general ideas by means of which the party seeks to enlighten and organize the whole class, and to influence, guide and win over all the masses of working people, showing the conclusions which must be drawn from each stage of the struggle, helping people to learn from their experience how to go forward toward social realism. -
CINEMA Some All-Time Greats Cinema by Definition Telescopes Time
VISIT US AT STALL 19-20, NATIONAL BOOK FAIR, LUCKNOW VENUE: MOTIMAHAL VATIKA DATE: 11 TO 20 AUGUST 2017 Volume 9, Issue 3, July-September 2017 RNI NO. DELENG/2008/26953 Price: ` 2 HISTORY LITERATURE ART CULTURE HERITAGE BIOGRAPHY TRAVEL WILDLIFE RELIGION SELF-HELP FICTION TRANSLATION CINEMA PHOTOGRAPHY CINEMA Some All-Time Greats Cinema by definition telescopes time. A film is said to be a classic if it is seen and appreciated by two or three generations of viewers over a period of 50 to 60 years. It would take longer for a literary work to attain the same stature because the history of publishing is much longer. In India, certain films in Hindi Celebrating and other regional languages have been seen by people long enough to acquire a Cinema! classic status. From the subject of film dialogue and he first director worthy of serious attention in Hindi cinema was Mehboob Khan. He began life as an extra in the silent era early Hindi cinema to a book on SRK, and gradually worked his way up as an actor, assistant director and finally director with Imperial Film Company and Sagar the Badshah of Bollywood, Niyogi Movietone. He made his mark when he formed his own production company. Aurat, his first major film, is about a farmer’s Books has played an important role in Twidow swamped with debts and her heroic struggle to retain her dignity and look after her children in an overwhelmingly male society. promoting cinema. This black and white production starring Khan’s wife, Sardar Akhtar, with music by Anil Biswas, had a greater impact than its worthy remake, Mother India. -
Audio Production Techniques (206) Unit 1
Audio Production Techniques (206) Unit 1 Characteristics of Audio Medium Digital audio is technology that can be used to record, store, generate, manipulate, and reproduce sound using audio signals that have been encoded in digital form. Following significant advances in digital audio technology during the 1970s, it gradually replaced analog audio technology in many areas of sound production, sound recording (tape systems were replaced with digital recording systems), sound engineering and telecommunications in the 1990s and 2000s. A microphone converts sound (a singer's voice or the sound of an instrument playing) to an analog electrical signal, then an analog-to-digital converter (ADC)—typically using pulse-code modulation—converts the analog signal into a digital signal. This digital signal can then be recorded, edited and modified using digital audio tools. When the sound engineer wishes to listen to the recording on headphones or loudspeakers (or when a consumer wishes to listen to a digital sound file of a song), a digital-to-analog converter performs the reverse process, converting a digital signal back into an analog signal, which analog circuits amplify and send to aloudspeaker. Digital audio systems may include compression, storage, processing and transmission components. Conversion to a digital format allows convenient manipulation, storage, transmission and retrieval of an audio signal. Unlike analog audio, in which making copies of a recording leads to degradation of the signal quality, when using digital audio, an infinite number of copies can be made without any degradation of signal quality. Development and expansion of radio network in India FM broadcasting began on 23 July 1977 in Chennai, then Madras, and was expanded during the 1990s, nearly 50 years after it mushroomed in the US.[1] In the mid-nineties, when India first experimented with private FM broadcasts, the small tourist destination ofGoa was the fifth place in this country of one billion where private players got FM slots. -
THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’ ------ISSN 0971-7942 Volume: Annual - TRN 2011 ------S.I.R.C
THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’ ------------------------------------------------------------------------ ISSN 0971-7942 Volume: Annual - TRN 2011 ------------------------------------------------------------------------ S.I.R.C. Units: Mumbai, Pune, Solapur, Nanded and Amravati ============================================================= Feature Articles Music of Mughal-e-Azam. Bai, Begum, Dasi, Devi and Jan’s on gramophone records, Spiritual message of Gandhiji, Lyricist Gandhiji, Parlophon records in Sri Lanka, The First playback singer in Malayalam Films 1 ‘The Record News’ Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of the journal subscription] Annual Membership Rs. 1,000 Overseas US $ 100 Life Membership Rs. 10,000 Overseas US $ 1,000 Annual term: July to June Members joining anytime during the year [July-June] pay the full -
Professional-Address.Pdf
NAME FAT_HS_NA CORADDRE CORADD CORADDRE CORADDR COR_STATE COR_PIN SEX NAMECAT SS RESS1 SS2 ESS3 VIKRAM JIT SINGH COLONEL D.S. 3/33 CHANDIG CHANDIGAR 160011 M DR. VOHRA VOHRA SECTOR 28- ARH H USHA PANDIT TAPARE SH.TAPARE P 'SNEHBAND NEAR DIST- MAHARASH 412803 F MRS. BHIMRAO H' S.T. SATARA TRA JAI PRAKASH SINGH SHRI R.S.SINGH 15/32, WEST NEW DELHI M DR. PATEL BISWAJIT MOHANTY LATE SH. VOCATIONA HANDICA POLICE BIHAR M PRABHAT KR. L REHABI. PPED, COLONY,ANI MR. MOHANTY CENTRE A/84 SABAD,PAT PHILOMENA JOSEPH SHRI LECTURER S.P. TIRUPATI ANDHRA 517502 F J.THENGUVILAYIL IN SPECIAL MAHILA PRADESH MRS. EDUCATION UNIVERSI MODI PRAVIN SHRI BONNY DALIA ELLISBRIDG GUJARAT 380006 M KESHAVLAL M.K.CHHAGANLAL ORTHOPAE BUILDING E, MR. DICS ,NR AHMEDABA VEENA APPARASU SH. PLOT NO SHASTRI HYDERABAD ANDHRA F VENKATESHWAR 188, PURAM PRADESH MS. RAO 'SWAPRIKA' CLY,PO- PROF.T REVATHY SRI N.R.GUPTA THAKUR REHABI.F NAGGR,DILS HYDERAB ANDHRA F HARI OR THE UKH AD PRADESH ARABINDA MOHANTY SRI R.MOHANTY PLOT NO 24, BHUBANE ORISSA M DR. SAHEEDNA SWAR B.P. YADAV LATE 1/1 SARVA DELHI M DR. SH.K.L.MANDAL PRIYA DHARMENDRA KUMAR SHRI ROOP SENIOR DEPT. OF SAFDARJAN NEW DELHI 110029 M DR. CHAND MEDICAL REHABILI G WUNNAVA GANDHI SH MAYUR, 377 MUMBAI MAHARASH M RAMRAO W.V.V.B.RAMALIG V.P. ROAD TRA DR. AM MOHAN SUNKAD SHRI A.R. SUNKAD ST. HONAVA KARNATAKA 581334 M DR. IGNATIUS R SHARAS SHANKAR SHRI 11/17, PANDUR GOREGAON MAHARASH M MR. RANADE R.S.RAMCHANDR RAMKRIPA ANGWADI (E), MUMBAI TRA DR. -
Bollywood and Postmodernism Popular Indian Cinema in the 21St Century
Bollywood and Postmodernism Popular Indian Cinema in the 21st Century Neelam Sidhar Wright For my parents, Kiran and Sharda In memory of Rameshwar Dutt Sidhar © Neelam Sidhar Wright, 2015 Edinburgh University Press Ltd The Tun – Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ www.euppublishing.com Typeset in 11/13 Monotype Ehrhardt by Servis Filmsetting Ltd, Stockport, Cheshire, and printed and bound in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY A CIP record for this book is available from the British Library ISBN 978 0 7486 9634 5 (hardback) ISBN 978 0 7486 9635 2 (webready PDF) ISBN 978 1 4744 0356 6 (epub) The right of Neelam Sidhar Wright to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). Contents Acknowledgements vi List of Figures vii List of Abbreviations of Film Titles viii 1 Introduction: The Bollywood Eclipse 1 2 Anti-Bollywood: Traditional Modes of Studying Indian Cinema 21 3 Pedagogic Practices and Newer Approaches to Contemporary Bollywood Cinema 46 4 Postmodernism and India 63 5 Postmodern Bollywood 79 6 Indian Cinema: A History of Repetition 128 7 Contemporary Bollywood Remakes 148 8 Conclusion: A Bollywood Renaissance? 190 Bibliography 201 List of Additional Reading 213 Appendix: Popular Indian Film Remakes 215 Filmography 220 Index 225 Acknowledgements I am grateful to the following people for all their support, guidance, feedback and encouragement throughout the course of researching and writing this book: Richard Murphy, Thomas Austin, Andy Medhurst, Sue Thornham, Shohini Chaudhuri, Margaret Reynolds, Steve Jones, Sharif Mowlabocus, the D.Phil. -
EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P
UMATIC/DG Duration/ Col./ EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P. B.) Man Mohan Mahapatra 06Reels HST Col. Oriya I. P. 1982-83 73 APAROOPA Jahnu Barua 07Reels EST Col. Assamese I. P. 1985-86 201 AGNISNAAN DR. Bhabendra Nath Saikia 09Reels EST Col. Assamese I. P. 1986-87 242 PAPORI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 252 HALODHIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1988-89 294 KOLAHAL Dr. Bhabendra Nath Saikia 06Reels EST Col. Assamese F.O.I. 1985-86 429 AGANISNAAN Dr. Bhabendranath Saikia 09Reels EST Col. Assamese I. P. 1988-89 440 KOLAHAL Dr. Bhabendranath Saikia 06Reels SST Col. Assamese I. P. 1989-90 450 BANANI Jahnu Barua 06Reels EST Col. Assamese I. P. 1996-97 483 ADAJYA (P. B.) Satwana Bardoloi 05Reels EST Col. Assamese I. P. 1996-97 494 RAAG BIRAG (P. B.) Bidyut Chakravarty 06Reels EST Col. Assamese I. P. 1996-97 500 HASTIR KANYA(P. B.) Prabin Hazarika 03Reels EST Col. Assamese I. P. 1987-88 509 HALODHIA CHORYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 522 HALODIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels FST Col. Assamese I. P. 1990-91 574 BANANI Jahnu Barua 12Reels HST Col. Assamese I. P. 1991-92 660 FIRINGOTI (P. B.) Jahnu Barua 06Reels EST Col. Assamese I. P. 1992-93 692 SAROTHI (P. B.) Dr. Bhabendranath Saikia 05Reels EST Col.