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Naushad Aan Mp3, Flac, Wma
Naushad Aan mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop / Folk, World, & Country / Stage & Screen Album: Aan Country: India Released: 1983 Style: Hindustani, Bollywood, Soundtrack MP3 version RAR size: 1240 mb FLAC version RAR size: 1369 mb WMA version RAR size: 1829 mb Rating: 4.7 Votes: 380 Other Formats: ADX MMF MP3 VQF AIFF AUD MP4 Tracklist A1 –Mohd. Rafi* Man Mera Ehsan A2 –Shamshad Begum Aag Lagi Tanman Men A3 –Lata Mangeshkar Tujhe Kho Diya Hamne A4 –Mohd. Rafi* Mohabbat Choome Jinke Hath A5 –Shamshad Begum, Lata Mangeshkar, Mohd. Rafi* & Chorus* Gao Tarane Man Ke B1 –Mohd. Rafi* Dil Men Chhupa Ke B2 –Lata Mangeshkar & Chorus* Aaj Mere Man Men Sakhi B3 –Shamshad Begum Main Rani Hoon Raja Ki B4 –Mohd. Rafi* Takra Gaya Tumse B5 –Shamshad Begum, Lata Mangeshkar & Chorus* Khelo Rang Hamare Sang Companies, etc. Record Company – EMI Copyright (c) – The Gramophone Company Of India Ltd. Phonographic Copyright (p) – The Gramophone Company Of India Ltd. Manufactured By – The Gramophone Company Of India Ltd. Distributed By – The Gramophone Company Of India Ltd. Printed By – Printwell Credits Lyrics By – Shakeel Badayuni Music By – Naushad Notes From The Original Soundtrack Hindi movie - Aan Other versions Category Artist Title (Format) Label Category Country Year New Light , 10001, IND 6048-C Naushad Aan (LP) 10001, IND 6048-C 1955 New Light LKDA-350 Naushad Aan (LP) Odeon LKDA-350 Pakistan 1980 Related Music albums to Aan by Naushad Laxmikant Pyarelal - Farz / Jigri Dost Naushad - Baiju Bawra Shankar Jaikishan / S. D. Burman - Jab Pyar Kisi Se Hota Hai / Asli Naqli / Tere Ghar Ke Samne Salil Chowdhury, Shankar-Jaikishan - Maya / Love Marriage Roshan , Sahir - Barsat Ki Rat / Taj Mahal Mohd. -
SD Burman Booklet
SD BURMAN - 200 SONGS 11. Phoolon Ke Rang Se Artiste: Kishore Kumar 01. Kora Kagaz Tha Film: Prem Pujari Artistes: Lata Mangeshkar & Lyricist: Neeraj Kishore Kumar 12. Aaj Phir Jeene Ki Film: Aradhana Artiste: Lata Mangeshkar Lyricist: Anand Bakshi Film: Guide 02. Khoya Khoya Chand Lyricist: Shailendra Artiste: Mohammed Rafi 13. Tere Mere Sapne Ab Film: Kala Bazar Artiste: Mohammed Rafi Lyricist: Shailendra Film: Guide 03. Teri Bindiya Re Lyricist: Shailendra Artistes: Lata Mangeshkar & 14. Hum Aap Ki Ankhon Mein Mohammed Rafi Artistes: Geeta Dutt & Mohammed Rafi Film: Abhimaan Film: Pyaasa Lyricist: Majrooh Sultanpuri Lyricist: Sahir Ludhianvi 04. Mana Janab Ne Pukara 15. Ab To Hai Tumse Har Artiste: Kishore Kumar Artiste: Lata Mangeshkar Film: Paying Guest Film: Abhimaan Lyricist: Majrooh Sultanpuri Lyricist: Majrooh Sultanpuri 05. Mere Sapnon Ki Rani 16. Din Dhal Jaye Haye Artiste: Kishore Kumar Artiste: Mohammed Rafi Film: Aradhana Film: Guide Lyricist: Anand Bakshi Lyricist: Shailendra 06. Ek Ladki Bheegi Bhagi Si 17. Aasman Ke Neeche Artiste: Kishore Kumar Artistes: Lata Mangeshkar & Film: Chalti Ka Nam Gaadi Kishore Kumar Lyricist: Majrooh Sultanpuri Film: Jewel Thief 07. Tere Mere Milan Ki Lyricist: Majrooh Sultanpuri Artistes: Lata Mangeshkar & 18. Aaye Tum Yaad Mujhe Kishore Kumar Artiste: Kishore Kumar Film: Abhimaan Film: Mili Lyricist: Majrooh Sultanpuri Lyricist: Yogesh 08. Gaata Rahe Mera Dil 19. Yeh Dil Na Hota Bechara Artistes: Lata Mangeshkar & Artiste: Kishore Kumar Kishore Kumar Film: Jewel Thief Film: Guide Lyricist: Majrooh Sultanpuri Lyricist: Shailendra 20. Hum Bekhudi Mein Tum Ko 09. Dil Ka Bhanwar Artiste: Mohammed Rafi Artiste: Mohammed Rafi Film: Kala Pani Film: Tere Ghar Ke Samne Lyricist: Majrooh Sultanpuri Lyricist: Hasrat Jaipuri 21. -
Ahsan Fulbright Fellow 2011-12 Yale University, New Haven CT USA
The Criterion www.the-criterion.com An International Journal in English ISSN 0976-8165 Prism of Marginalisation : Sahir Ludhyanvi’s Poetry Mohammad Kamran Ahsan Fulbright Fellow 2011-12 Yale University, New Haven CT USA The genesis of Progressive Writers’ Association in London’s Nanking Hotel in 1934 ushered in a new era in Indian Literature. The group of Progressive writers was pondering over the future of Indian literature that can fit and suit the demands of crucial period of anti-colonial resistance. The manifesto had a strict adherence to the ‘doctrine of social realism in literature’. (Hafiz Malik p-649) though this (Soviet literature, social realism) was attributed by the western critics as a ‘perfect propaganda instrument’. (Ibid) Sajjad Zaheer, the convener of PWA and his peers gave an institutional shape to these progressive ideas; they called a meeting of Marxist intellectuals and prominent literary figures in 1936 in Lucknow. The first PWA meeting was presided by Premchand, a key figure in Hindi-Urdu literature. The manifesto of Progressive Writers’ Association was based on dialectical materialism, ‘the philosophy of the revolutionary working class party.’ (Cornforth, p.7) In this philosophy—dialectical materialism—are embodied the general ideas by means of which the party understands the world which it is seeking to change and in terms of which it defines its aims and works out how to fight for them. In this philosophy are embodied the general ideas by means of which the party seeks to enlighten and organize the whole class, and to influence, guide and win over all the masses of working people, showing the conclusions which must be drawn from each stage of the struggle, helping people to learn from their experience how to go forward toward social realism. -
CINEMA Some All-Time Greats Cinema by Definition Telescopes Time
VISIT US AT STALL 19-20, NATIONAL BOOK FAIR, LUCKNOW VENUE: MOTIMAHAL VATIKA DATE: 11 TO 20 AUGUST 2017 Volume 9, Issue 3, July-September 2017 RNI NO. DELENG/2008/26953 Price: ` 2 HISTORY LITERATURE ART CULTURE HERITAGE BIOGRAPHY TRAVEL WILDLIFE RELIGION SELF-HELP FICTION TRANSLATION CINEMA PHOTOGRAPHY CINEMA Some All-Time Greats Cinema by definition telescopes time. A film is said to be a classic if it is seen and appreciated by two or three generations of viewers over a period of 50 to 60 years. It would take longer for a literary work to attain the same stature because the history of publishing is much longer. In India, certain films in Hindi Celebrating and other regional languages have been seen by people long enough to acquire a Cinema! classic status. From the subject of film dialogue and he first director worthy of serious attention in Hindi cinema was Mehboob Khan. He began life as an extra in the silent era early Hindi cinema to a book on SRK, and gradually worked his way up as an actor, assistant director and finally director with Imperial Film Company and Sagar the Badshah of Bollywood, Niyogi Movietone. He made his mark when he formed his own production company. Aurat, his first major film, is about a farmer’s Books has played an important role in Twidow swamped with debts and her heroic struggle to retain her dignity and look after her children in an overwhelmingly male society. promoting cinema. This black and white production starring Khan’s wife, Sardar Akhtar, with music by Anil Biswas, had a greater impact than its worthy remake, Mother India. -
THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’ ------ISSN 0971-7942 Volume: Annual - TRN 2011 ------S.I.R.C
THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’ ------------------------------------------------------------------------ ISSN 0971-7942 Volume: Annual - TRN 2011 ------------------------------------------------------------------------ S.I.R.C. Units: Mumbai, Pune, Solapur, Nanded and Amravati ============================================================= Feature Articles Music of Mughal-e-Azam. Bai, Begum, Dasi, Devi and Jan’s on gramophone records, Spiritual message of Gandhiji, Lyricist Gandhiji, Parlophon records in Sri Lanka, The First playback singer in Malayalam Films 1 ‘The Record News’ Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of the journal subscription] Annual Membership Rs. 1,000 Overseas US $ 100 Life Membership Rs. 10,000 Overseas US $ 1,000 Annual term: July to June Members joining anytime during the year [July-June] pay the full -
Mughul-E-Azam
Mughul-E-Azam Dr Niva Bhandari for MA English Students 5/2/2011 1 CURAJ • Released Aug 5, 1960 • Director /Script : K Asif • B&W/Colour, 173 minutes • Dialogue: Kamaal Amrohi, Aman, Wahajat Mirza, Ehsan Rizvi • Cinematography: R. D. Mathur • Music: Naushad • Lyrics: Shakeel Badayuni • Cast: Prithviraj Kapoor, Dilip Kumar as Salim, Durga Khote, Madhubala as Nadira/Anarkali, Ajit Dr Niva Bhandari for MA English Students 5/2/2011 2 CURAJ Dr Niva Bhandari for MA English Students 5/2/2011 3 CURAJ • Indian Grand Historical epic • A sweeping epic - There are battle scenes, romantic yearning, courtly intrigue/scheme/plot, and of course singing and dancing. • Imposing grandeur, breathtaking beauty and, most important of all, its emotional energy • The plot is based on the famous Urdu play Anarkali by Imtiaz Ali Taj • The movie took 9 years in the making • The most expensive Bollywood production ever till 2009 • In 2004, the entire movie was digitally colourized and released for yet another popular run in Indian theaters Dr Niva Bhandari for MA English Students 5/2/2011 4 CURAJ Fact: • Shah Rukh Khan’s father Meer Taj Mohammad came to the sets of the film, hoping to get a role, but was told to stand in the line for extras. • He left and never returned. Dr Niva Bhandari for MA English Students 5/2/2011 5 CURAJ Muslim Cinema • Muslim Cinema can be broken down into two categories. – The first is native cinema of Muslim-majority countries like Iran, Egypt, and Turkey. – The second is cinema of Muslim-minority countries like the U.S., France, and India. -
Remembering Music Maestro Naushad
REMEMBERING MUSIC MAESTRO NAUSHAD By Abdulrazak Fazal Updated: July 2020 Wikipedia on Naushad Sahab The very first 'Film Fare' award in the 'music' category was won by Naushad Ali for the film 'Beju Bawra' in 1954. His music was divine. I’d taken an instant liking to him. Hailing from an orthodox family listening to music was strictly forbidden in our house, even seeing movies. My music listening was restricted to those old gramophone records being played at the relatives’ weddings or the melodious lilt resounding through the gullies in the serenity of a Zanzibar evening. Also, the Arabic songs by Umme Kulsum, Abdulwahab and Farid al Atrash being played on radios in those Washihiri restaurants sounded pleasurably melodious. So did the 'Tarab' music emanating from Arabic music. I started seeing films only after the passing away of my father, my very first film being ‘Diyare Habib’ (a Muslim plot film) at Zanzibar’s Majestic Cinema in 1956. My father’s death had meant certain liberty, also the Grundig radio found its place in our house and thenceforth my addiction to Indian music of that era. None of the various ‘aapki farmaish’ programs would be missed out despite my mother dissuading me from it. Some of Naushad’s numbers sounded strikingly similar to the mournful marsia that we recite in the month of Muharram, a clear manifestation of Naushad/Anis Lucknow heritage. Beny Ruben of 'Star & Style' in a feature on Naushad (in the 60's) had come up with some interesting revelations about him. On the occasion of Beju Bawra's 'Silver Jubilee' celebrations at Broadway Cinema on Dadar, Maestro Naushad's entry was greeted with applause by the onlookers. -
Pss Files Songs Acknowledgements in “Photostage
[Type(Mr) here] Soman RAGAVAN. www.somanragavan.org PSS-02. Songs acknowledgements in “Photostage” Slideshows. 2 June, 2021. Placed on website. Mauritius. SONGS ACKNOWLEDGEMENTS IN “PHOTOSTAGE” SLIDESHOWS PSS FILES ACKNOWLEDGEMENTS : ➢ Song : “Tumko Dekha To” ➢ From the film : “Saath Saath,” 1982 ➢ Singers : Jagjit Singh; Chitra Singh ➢ Director : Raman Kumar ➢ Producer : Dilip Dhawan ➢ Music : Kuldeep Singh ➢ Lyricist : ➢ Cinematography : Sunil Sharma + other rights holders + photos from the Internet ---------------------------------------------------------------------------------------------------------- PSS-10 - SR life --Page 1 of 10 -- [Type(Mr) here] Soman RAGAVAN. www.somanragavan.org PSS-02. Songs acknowledgements in “Photostage” Slideshows. 2 June, 2021. Placed on website. Mauritius. ACKNOWLEDGEMENTS See file PSS-00. No copyright infringements intended. *Song : “Ye safar” *From the film : “1942 A Love Story,” 1994 *Singer : S. Chattopadhyay *Director : V. V. Chopra *Producer : V. V. Chopra *Music : R. D. Burman *Lyricist : J. Akthar *Cinematography : B. Pradhan + other rights holders + photos from the Internet PSS-11 www.somanragavan.org --Page 2 of 10 -- [Type(Mr) here] Soman RAGAVAN. www.somanragavan.org PSS-02. Songs acknowledgements in “Photostage” Slideshows. 2 June, 2021. Placed on website. Mauritius. ACKNOWLEDGEMENTS ➢ See file PSS-00. No copyright infringements intended. ➢ Song : “Tumko dekha to” ➢ From the film : “Hamara dil aap ke paas,” 2000 ➢ Singers : Kumar Sanu; Alka Yagnik ➢ Director : S. Kaushik ➢ Producers : S. Kapoor; B. Kapoor ➢ Music : Sanjeev-Darshan ➢ Lyricist : ➢ Cinematography : K. Lal ➢ other rights holders ➢ photos from the Internet PSS-12 www.somanragavan.org ---------------------------------------------------------------------------------------------------------- --Page 3 of 10 -- [Type(Mr) here] Soman RAGAVAN. www.somanragavan.org PSS-02. Songs acknowledgements in “Photostage” Slideshows. 2 June, 2021. Placed on website. Mauritius. ACKNOWLEDGEMENTS See file PSS-00. No copyright infringements intended. -
Hindi Film Songs in the Post-Mtv Era: Analyzing the New Lyricism
International Journal of Humanities and Social Sciences (IJHSS) ISSN(P): 2319-393X; ISSN(E): 2319-3948 Vol. 4, Issue 2, Mar 2015, 13-20 © IASET HINDI FILM SONGS IN THE POST-MTV ERA: ANALYZING THE NEW LYRICISM MIHIR BHOLEY Associate Senior, Faculty National Institute of Design PG Campus, Gandhinagar, India ABSTRACT Songs, dance and melodrama are idiosyncratic to Hindi Cinema which has a formidable presence in South Asia. Over the years both Hindi cinema and songs have crossed their native boundary and become a global cultural product. In recent years aggressive marketing of Hindi cinema in Europe and America and their easy access through internet have earned Hindi songs new popularity in the western world too. However, there’s also a perceptible qualitative change in the lyrics over the last few decades. The lyrical, poetic, aesthetic and emotional type songs of yesteryears are being overshadowed by a large number of songs which sound trivial in comparison. This phenomenon may also be a concern of ethnomusicology. Principal objective of this paper is to examine the changes in the lyrical quality of Hindi film music in the post-MTV era through a comparative analysis of the songs over the decades and to explore the change in their lyrical and musical quality. KEYWORDS: Cinema, Ethnomusicology, Lyrics, Music, MTV, Natyasastra INTRODUCTION Summary It’ll be naïve to judge Indian popular cinema without songs. They’ reconsidered essential to the creative genre called cinema in India. Film songs or filmi geet in India are both the creator and product of popular culture. Considering creation of rasa (sentiment) and bhava (emotion) essential for natya (drama) in the classical Indian tradition, popular cinema, the modern avatar of natya banks heavily on songs to achieve that; albeit not entirely in conformity with the classical treaties of Natyasastra (composed circa 200 BCE and 200 CE) . -
THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’, Mumbai ------ISSN 0971-7942 Volume – Annual: TRN 2008 ------S.I.R.C
THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’, Mumbai ------------------------------------------------------------------------ ISSN 0971-7942 Volume – Annual: TRN 2008 ------------------------------------------------------------------------ S.I.R.C. Branches: Mumbai, Pune, Solapur, Nanded, Tuljapur, Baroda, Amravati ============================================================= Feature Article: Gramophone Celebrities-III 1 ‘The Record News’ - Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of the journal subscription] Annual Membership Rs. 1000 Overseas US $ 100 Life Membership Rs. 10000 Overseas US $ 1000 Annual term: July to June Members joining anytime during the year [July-June] pay the full membership fee and get a copy of ‘The Record News’ published in that year. Life members are entitled to receive all the back issues in five bound volumes -
Anthems of Resistance
A Celebration of Progressive Urdu Poetry Anthems of Resistance So what if my pen has been snatched away from me I hav dipped my fingers in the blood of my heart So what if my mouth has been sealed, I have turned Every link of my chain in to a speaking tonge Ali Husain Mir & Raza Mir 1 Anthems of Resistance A Celebration of Progressive Urdu Poetry Ali Husain Mir & Raza Mir IndiaInk 2 Brahma’s Dream ROLI BOOKS © Ali Husain Mir and Raza Mir, 2006 First published in 2006 IndiaInk An imprint of Roli Books Pvt. Ltd. M-75, G.K. II Market New Delhi 110 048 Phones: ++91 (011) 2921 2271, 2921 2782 2921 0886, Fax: ++91 (011) 2921 7185 E-mail: [email protected]; Website: rolibooks.com Also at Varanasi, Bangalore, Jaipur Cover : Arati Subramanyam Layout : Narendra Shahi ISBN: 81-86939-26-1 Rs. 295 Typeset in CentSchbook BT by Roli Books Pvt. Ltd. and printed at Syndicate Binders, New Delhi 3 CONTENTS Acknowledgements A Note on Translation and Transliteration Preface 1 Over Chinese Food: The Progressive Writers’ Association 2 Urdu Poetry and the Progressive Aesthetic 3 Saare Jahaan Se Achcha: Progressive Poets and the Problematic of Nationalism 4 From Home to the World: The Internationalist Ethos 5 Dream and Nightmare: The Flirtation with Modernity 6 Progressive Poetry and Film Lyrics 7 Voh Yaar Hai Jo Khushboo Ki Taraah, Jis Ki Zubaañ Urdu Ki Taraah 8 An Exemplary Progressive: The Aesthetic Experiment of Sahir Ludhianvi 9 Javed Akhtar’s Quiver of Progressive Arrows: A Legacy Survives 10 New Standard Bearers of Progressive Urdu Poetry: The Feminist Poets 11 A Requiem .. -
Playback Singers of Bollywood and Hollywood
ILLUSION AND REALITY: PLAYBACK SINGERS OF BOLLYWOOD AND HOLLYWOOD By MYRNA JUNE LAYTON Submitted in accordance with the requirements for the degree of DOCTOR OF LITERATURE AND PHILOSOPHY in the subject MUSICOLOGY at the UNIVERSITY OF SOUTH AFRICA. SUPERVISOR: PROF. M. DUBY JANUARY 2013 Student number: 4202027-1 I declare that ILLUSION AND REALITY: PLAYBACK SINGERS OF BOLLYWOOD AND HOLLYWOOD is my own work and that all the sources that I have used or quoted have been indicated and acknowledged by means of complete references. SIGNATURE DATE (MRS M LAYTON) Preface I would like to thank the two supervisors who worked with me at UNISA, Marie Jorritsma who got me started on my reading and writing, and Marc Duby, who saw me through to the end. Marni Nixon was most helpful to me, willing to talk with me and discuss her experiences recording songs for Hollywood studios. It was much more difficult to locate people who work in the Bollywood film industry, but two people were helpful and willing to talk to me; Craig Pruess and Deepa Nair have been very gracious about corresponding with me via email. Lastly, putting the whole document together, which seemed an overwhelming chore, was made much easier because of the expert formatting and editing of my daughter Nancy Heiss, sometimes assisted by her husband Andrew Heiss. Joe Bonyata, a good friend who also happens to be an editor and publisher, did a final read-through to look for small details I might have missed, and of course, he found plenty. For this I am grateful.