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The Solo Style of Jazz Clarinetist Johnny Dodds: 1923 – 1938
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 The solo ts yle of jazz clarinetist Johnny Dodds: 1923 - 1938 Patricia A. Martin Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Martin, Patricia A., "The os lo style of jazz clarinetist Johnny Dodds: 1923 - 1938" (2003). LSU Doctoral Dissertations. 1948. https://digitalcommons.lsu.edu/gradschool_dissertations/1948 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE SOLO STYLE OF JAZZ CLARINETIST JOHNNY DODDS: 1923 – 1938 A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Musical Arts in The School of Music By Patricia A.Martin B.M., Eastman School of Music, 1984 M.M., Michigan State University, 1990 May 2003 ACKNOWLEDGMENTS This is dedicated to my father and mother for their unfailing love and support. This would not have been possible without my father, a retired dentist and jazz enthusiast, who infected me with his love of the art form and led me to discover some of the great jazz clarinetists. In addition I would like to thank Dr. William Grimes, Dr. Wallace McKenzie, Dr. Willis Delony, Associate Professor Steve Cohen and Dr. -
Late Sixties Rock MP3 Disc Two Playlist.Pdf
Late Sixties Rock MP3 Disc Two Playlist Page One Of Three Title Artist Album 01 - Keep on Chooglin’ Creedence Clearwater Revival Bayou Country 02 - Voodoo Child (Slight Return) The Jimi Hendrix Experience Electric Ladyland 03 - Babe I’m Gonna Leave You Led Zeppelin Led Zeppelin I 04 - Move Over Janis Joplin Pearl 05 - Se a Cabo Santana Abraxas 06 - That Same Feelin’ Savoy Brown Raw Sienna 07 - Plastic Fantastic Lover Jefferson Airplane Surrealistic Pillow 08 - My Guitar Wants to Kill Your Mama Frank Zappa Single 09 - Sparks The Who Tommy 10 - Girl with No Eyes It's A Beautiful Day It's A Beautiful Day 11 - As You Said Cream Wheels of Fire 12 - Different Drum Linda Ronstadt & the Stone Poneys Evergreen, Volume 2 13 - These Boots Are Made for Walkin’ Nancy Sinatra Boots 14 - Iron Butterfly Theme Iron Butterfly Heavy 15 - Summertime Blues Blue Cheer Vincebus Eruptum 16 - Mississippi Queen Mountain Climbing! 17 - Working on the Road Ten Years After Cricklewood Green 18 - On the Road Again Canned Heat Boogie with Canned Heat! 19 - Freedom Richie Havens Woodstock 20 - Déjà Vu Crosby, Stills, Nash & Young Déjà Vu 21 - The Best Way to Travel The Moody Blues In Search of the Lost Chord 22 - Big Yellow Taxi Joni Mitchell Ladies of the Canyon 23 - If 6 Was 9 The Jimi Hendrix Experience Axis: Bold as Love 24 - Unconscious Power Iron Butterfly Heavy 25 - Break on Through (To the Other Side) The Doors The Doors 26 - I Feel Free Cream Fresh Cream 27 - I’m Free The Who Tommy 28 - Try (Just a Little Bit Harder) Janis Joplin I Got Dem 0l’ Kozmic Blues -
Enterta-Nlllent Page 8, the Retriever, December 10, 1973 , Beach Boys Concert Lacks Vitality and Brian
Enterta-nlllent Page 8, The Retriever, December 10, 1973 , Beach Boys Concert lacks vitality and Brian The Beach Boys are only human, and frustrating bind-if they don't play the country. Released in January, 1973, it "The Beach Boys in Concert" o (Brother I Reprise ) Recorded during do err. (If Brian were in charge, the old favorites the audience will scream is still the best recording I ha ve heard their summer of 73 tour, it is the first sound would have to be perfect, or it their nostalgic heads off. Con this year. Their folIo-up Ip should album by the group that Brian Wilson ust wouldn't. be released) sequently, their new material is have been a well planned monster. has had no invlvement with. Because "In Concert" does have a few bright largely ignored. Instead, the bous have shrugged their of his absnece, the album lacks the moments however. A nice version of When the group asked Brian's opion responsibilities to themselves and energetic vitality of their studio ef Brian's "Funky Pretty" is rendet:ed, of the tapes that they planned to, took a breather that will surely hurt forts. Since Brian no longer tours with as well as a nice keyboard jam by release, his immediate response was them. At a crucial point in their the group, their vocal sound shows a Dennis Wilson - on "Leaving this "Don't release it!" They of course, career, they choked under pressure. definte loss. (A prime example of this Town," off of their "Holland" album. became highly pissed off and released It's hard.to say what's ahead for the occurs on "Caroline No," where It would be safe to say that the best it anyway. -
July 31, 2021
July 31, 2021 Running a bit late today, but it couldn't be helped. The movie ended at church around 10:30 PM, and then clean-up, it was after midnight before I got to bed. This is probably early. Today is the final day of baseball for my grandsons, so I'll be heading over for the games that begin at 8:30 today. All three boys were in VBS this week, so it was a bonus to able to see all of them every day. The older they get, the less opportunity there will be to see them, especially together. We were trying to schedule some type of vacation together this year with everyone, but it hasn't worked out yet. I'll keep praying for a family vacation in 2022. Last year we were all praying for 2021 to arrive, and it was slightly better after a few months, now things are looking sketchy again, and we're back to praying for another year to come. Every day I pray for an end to this virus, and all of its mutations. It seems that there is a new variant every few weeks. Please join me in praying that our God, Who has complete power and control of all things would bring an end to this global calamity. Pray to Him in the name of Jesus, Who gave up everything to give us everything. In His name God the Father hears all of our prayers, make yours heard today. Some of the most important words in our lives should be "In the name of Jesus," start your morning with Him today. -
Fall2011.Pdf
Grove Press Atlantic Monthly Press Black Cat The Mysterious Press Granta Fall 201 1 NOW AVAILABLE Complete and updated coverage by The New York Times about WikiLeaks and their controversial release of diplomatic cables and war logs OPEN SECRETS WikiLeaks, War, and American Diplomacy The New York Times Introduction by Bill Keller • Essential, unparalleled coverage A New York Times Best Seller from the expert writers at The New York Times on the hundreds he controversial antisecrecy organization WikiLeaks, led by Julian of thousands of confidential Assange, made headlines around the world when it released hundreds of documents revealed by WikiLeaks thousands of classified U.S. government documents in 2010. Allowed • Open Secrets also contains a T fascinating selection of original advance access, The New York Times sorted, searched, and analyzed these secret cables and war logs archives, placed them in context, and played a crucial role in breaking the WikiLeaks story. • online promotion at Open Secrets, originally published as an e-book, is the essential collection www.nytimes.com/opensecrets of the Times’s expert reporting and analysis, as well as the definitive chronicle of the documents’ release and the controversy that ensued. An introduction by Times executive editor, Bill Keller, details the paper’s cloak-and-dagger “We may look back at the war logs as relationship with a difficult source. Extended profiles of Assange and Bradley a herald of the end of America’s Manning, the Army private suspected of being his source, offer keen insight engagement in Afghanistan, just as into the main players. Collected news stories offer a broad and deep view into the Pentagon Papers are now a Iraq, Afghanistan, Pakistan, and the messy challenges facing American power milestone in our slo-mo exit from in Europe, Russia, Asia, the Middle East, and Africa. -
Barney Rosset by Win Mccormack
A Conversation with Barney Rosset by Win McCormack its heyday, the most influential alternative book press in the history of American publishing. Grove—and Grove’s magazine, the Evergreen Review, launched in 1957—published, among other writers, most of the French avant-garde of the era, including Alain Robbe-Grillet, Jean Genet, and Eugene Ionesco; most of the American Beats of the fifties, including Jack Kerouac, William Burroughs, and Allen Ginsberg; and most of the key radical political thinkers of the six- ties, including Malcolm X, Frantz Fanon, and Regis Debray. He pub- lished Samuel Beckett’s play Waiting for Godot after it had been scorned by more mainstream publishers—and sold two million copies of it in the bargain. He made a specialty of Japanese literature, and intro- duced the future Nobel Prize winner Kenzaburo Oe to an American public. He published the first unexpurgated edition of D. H. Law- A CONVERSATION WITH rence’s Lady Chatterley’s Lover and the first edition of Henry Miller’s BARNEY ROSSET Tropic of Cancer in America, partly to deliberately provoke the censors. Through his legal victories in the resulting obscenity cases, as well as in one brought on by I Am Curious (Yellow), a sexually explicit Swedish Win McCormack documentary film he distributed, he was probably more responsible than any other single individual for ending the censorship of litera- ture and film in the United States. In bestowing on Barney Rosset the honorific of Commandeur dans Grove Press was sold in 1985; its backlist is now part of Grove/ l’Ordre des Arts et des Lettres in 1999, the French Ministry of Cul- Atlantic Inc. -
Citizen Culture Issue #6
corrections 11/22/05 11:17 AM Page 117 corrections 11/30/05 12:14 PM Page 3 38 106 75 TIDBITS JOURNALISM The Meth Mess Idiotic Inventive Crimes 8 Grace Carter 38 Mark Peters Must-Have Tech Gadgets 2005 8 Agha Khan TABLET: Fiction Recording in a Free World Phantom of Havana: 10 Paul Rouse 50 The Forgotten Legend of C.J. Fuentes El Rushbo, Gentle Arbiter Chris Wilson 12 Michael Serazio Flight 117, Tampa to Providence Insomnia Corner 55 Jennifer Farmer 15 Moisture Therapy Docents Against Darwin 59 Krista Jarmas 16 R.M Schneiderman ON THE FENCE TOCFrom the Left THE CCM INTERVIEW Sen. John McCain on 60 Dmitry Tuchinsky 18 Young Pros in 2006 65 From the Right Igor Finkel and Jonathon Scott Feit Ben Barron First Person SATIRE 70 Jill Dudones 21 A Good Day for John Bolton Seth Reiss 75 THE “F” WORD APHRODISIA CCM INVESTIGATES On Camping and Childbirth The NYC Security Paradox 23 Jen Karetnick 82 Team Coverage TRAVEL LOCAL FLAVOR: Anecdote Bluffed by Bali Adventures in Designer 26 Nicholas Gill 88 Handbag Shopping Amanda Joyce GLOBAL FOCUS Murder in Mongolia ARCHITECTURE 32 Claudia B. Flisi In Pursuit of Luxury issue92 Molly Klais #6 corrections 11/22/05 11:14 AM Page 4 124 102 92 MAGAZINES CONTRIBUTORS New York’s Arbiter of Cool JEN KARETNICK is a Miami-based freelance writer 99 Jonathon Scott Feit and poet. She works as the features editor for Wine 102 THE 6*4*6 News, the Miami stringer for Gayot.com and the restaurant critic for So.Florida Magazine, Las Olas LINES AND LISTS Magazine and Lincoln Road Magazine. -
The Making of Chicago Review: the Meteoric Years
EIRIK STEINHOFF The Making of Chicago Review: The Meteoric Years Chicago Review’s Spring 1946 inaugural issue lays out the magazine’s ambitions with admirable force: “rather than compare, condemn, or praise, the Chicago Review chooses to present a contemporary standard of good writing.” This emphasis on the contemporary comes with a sober assessment of “the problems of a cultural as well as an economic reconversion” that followed World War II, with particular reference to the consequences this instrumentalizing logic held for contemporary writing: “The emphasis in American universities has rested too heavily on the history and analysis of literature—too lightly on its creation.” Notwithstanding this confident incipit, cr was hardly an immediate success. It had to be built from scratch by student editors who had to negotiate a sometimes supportive, sometimes antagonistic relationship with cr’s host institution, the University of Chicago. The story I tell here focuses on the labors of F.N. Karmatz and Irving Rosenthal, the two editors who put cr on the map in the 1950s, albeit in different and potentially contradictory ways. Their hugely ambitious projects twice drove cr to the brink of extinction, but they also established two idiosyncratic styles of cultural engagement that continue to inform the Review’s practice into the twenty-first century. Rosenthal’s is the story that is usually told of cr’s early years: in 1957 and ’58 he and poetry editor Paul Carroll published a strong roster of emerging Beat writers, including several provocative excerpts from Naked Lunch, William S. Burroughs’s work-in-progress. -
Spring 2009 General Issue
Journal of the Short Story in English Les Cahiers de la nouvelle 52 | Spring 2009 General issue “Echo's Bones": Samuel Beckett's Lost Story of Afterlife José Francisco Fernández Electronic version URL: http://journals.openedition.org/jsse/962 ISSN: 1969-6108 Publisher Presses universitaires de Rennes Printed version Date of publication: 1 June 2009 ISSN: 0294-04442 Electronic reference José Francisco Fernández, « “Echo's Bones": Samuel Beckett's Lost Story of Afterlife », Journal of the Short Story in English [Online], 52 | Spring 2009, Online since 01 December 2010, connection on 03 December 2020. URL : http://journals.openedition.org/jsse/962 This text was automatically generated on 3 December 2020. © All rights reserved “Echo's Bones": Samuel Beckett's Lost Story of Afterlife 1 “Echo's Bones": Samuel Beckett's Lost Story of Afterlife José Francisco Fernández 1 What until very recently was the terra incognita of Beckett studies, his early fiction of the 1930s, has been given a tremendous impulse in the last decade of the 20th century and in the first years of the 21st, thanks, among other things, to the publication in 1992 by Eoin O’Brien and Edith Fournier of Beckett’s first novel Dream of Fair to middling Women (written in 1932). Important scholarly works by John Pilling, such as Beckett before Godot (1997), have shed light on dark aspects of Beckett’s writing at this time, and naturally James Knowlson’s magnificient biography Damned to Fame (1996) has provided a reliable account of the author’s life during this obscure period. 2 Recent scholarship has put much emphasis on Beckett’s readings as a young man, in an attempt to trace the sources of his creative imagination (Beckett’s Books, 2006, by Matthew Feldman, and Notes Diverse Holo, 2006, edited by Matthijs Engelberts and Everett C. -
Robert A. Wilson Collection Related to James Purdy
Special Collections Department Robert A. Wilson Collection related to James Purdy 1956 - 1998 Manuscript Collection Number: 369 Accessioned: Purchase and gifts, April 1998-2009 Extent: .8 linear feet Content: Letters, cards, photographs, typescripts, galleys, reviews, newspaper clippings, publishers' announcements, publicity and ephemera Access: The collection is open for research. Processed: June 1998, by Meghan J. Fuller for reference assistance email Special Collections or contact: Special Collections, University of Delaware Library Newark, Delaware 19717-5267 (302) 831-2229 Table of Contents Biographical Notes Scope and Contents Note Series Outline Contents List Biographical Notes James Purdy Born in Ohio on July 17, 1923, James Purdy is one of the United States' most prolific, yet little known writers. A novelist, poet, playwright and amateur artist, Purdy has published over fifty volumes. He received his education at the University of Chicago and the University of Peubla in Mexico. In addition to writing, Purdy also has served as an interpreter in Latin America, France, and Spain, and spent a year lecturing in Europe with the United States Information Agency (1982). From the outset of his writing career, Purdy has had difficulties attracting the attention of both publishers and critics. His first several short stories were rejected by every magazine to which he sent them, and he was forced to sign with a private publisher for his first two books, 63: Dream Palace and Don't Call Me by My Right Name and Other Stories, both published in 1956. Hoping to increase his readership, Purdy sent copies of these first two books to writers he admired, including English poet Dame Edith Sitwell. -
The Teacher and American Literature. Papers Presented at the 1964 Convention of the National Council of Teachers of English
DOCUMENT RESUME ED 042 741 TB 001 605 AUTHOR Leary, Lewis, Fd. TITLE The Teacher and American Literature. Papers Presented at the 1964 Convention of the National Council of Teachers of English. INSTITUTION National Council of Teachers of English, Champaign, Ill. PUB DATE 65 NOTE 194p. EDITS PRICE EDRS Price MF-$0.75 HC-$9.80 DESCRIPTORS American Culture, *American Literature, Authors, Biographies, Childrens Books, Elementary School Curriculum, Literary Analysis, *Literary Criticism, *Literature Programs, Novels, Poetry, Short Stories ABSTRACT Eighteen papers on recent scholarship and its implications for school programs treat American ideas, novels, short stories, poetry, Emerson and Thoreau, Hawthorne and Melville, Whitman and Dickinson, Twain and Henry James, and Faulkner and Hemingway. Authors are Edwin H. Cady, Edward J. Gordon, William Peden, Paul H. Krueger, Bernard Duffey, John A. Myers, Jr., Theodore Hornberger, J. N. Hook, Walter Harding, Betty Harrelson Porter, Arlin Turner, Robert E. Shafer, Edmund Reiss, Sister M. Judine, Howard W.Webb, Jr., Frank H. Townsend, Richard P. Adams, and John N. Terrey. In five additional papers, Willard Thorp and Alfred H. Grommon discuss the relationship of the teacher and curriculum to new.a7proaches in American literature, while Dora V. Smith, Ruth A. French, and Charlemae Rollins deal with the implications of American literature for elementary school programs and for children's reading. (MF) U.S. DEPAIIMENT Of NE11114. EDUCATION A WOK Off ICE Of EDUCATION r--1 THIS DOCUMENT HAS KM ITEPtODUCIO EXACTLY AS IHCEIVID 1110D1 THE 11115011 01 014111I1.1101 01,611111116 IL POINTS Of TIM PI OPINIONS 4" SIAM 00 NOT IKESSAIllY INPINSENT OFFICIAL OW Of IDS/CATION N. -
Derek Jarman Sebastiane
©Jack Fritscher, Ph.D. Pre-Publication Web Posting 191 DEREK JARMAN SEBASTIANE Derek Jarman, the British painter and set designer and filmmaker and diarist, said about the Titanic 1970s, before the iceberg of AIDS: “It’s no wonder that a generation in reaction [to homopho- bia before Stonewall] should generate an orgy [the 1970s] which came as an antidote to repression.” Derek knew decadence. And its cause. He was a gay saint rightly canonized, literally, by the Sisters of Perpetual Indulgence. As editor of Drummer, I featured his work to honor his talent. If only, like his rival Robert Mapplethorpe, he had shot a Drummer cover as did director Fred Halsted whose S&M films LA Plays Itself and Sex Garage are in the Museum of Modern Art. One problem: in the 1970s, England was farther away than it is now, and Drummer was lucky to get five photographs from Sebastiane. On May 1, 1969, I had flown to London on a prop-jet that had three seats on each side of its one aisle. A week later the first jumbo jet rolled out at LAX. That spring, all of Europe was reel- ing still from the student rebellions of the Prague Summer of 1968. London was Carnaby Street, The Beatles, and on May 16, the fabulous Brit gangsters the Kray twins—one of whom was gay—were sentenced. London was wild. I was a sex tourist who spent my first night in London on the back of leatherman John Howe’s motorcycle, flying past Big Ben as midnight chimed.