DOCSLIB.ORG

Pariser Historische Studien Bd. 13 1976

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Pariser Historische Studien Bd. 13 1976 Pariser Historische Studien Bd. 13 1976 Copyright Das Digitalisat wird Ihnen von perspectivia.net, der Online-Publi- kationsplattform der Max Weber Stiftung – Deutsche Geisteswis- senschaftliche Institute im Ausland, zur Verfügung gestellt. Bitte beachten Sie, dass das Digitalisat urheberrechtlich geschützt ist. Erlaubt ist aber das Lesen, das Ausdrucken des Textes, das Her- unterladen, das Speichern der Daten auf einem eigenen Datenträ- ger soweit die vorgenannten Handlungen ausschließlich zu priva- ten und nicht-kommerziellen Zwecken erfolgen. Eine darüber hin- ausgehende unerlaubte Verwendung, Reproduktion oder Weiter- gabe einzelner Inhalte oder Bilder können sowohl zivil- als auch strafrechtlich verfolgt werden. LUDWIG HAMMËRMAYER Die Forschungszentren der deutschen Benediktiner und ihre Vorhaben I. Zentren, Persönlichkeiten, Werke und Projekte Die historiographische Aktivität und Leistung der Benediktiner im deutschen Sprachraum des achtzehnten Jahrhunderts an dieser Stelle zu untersuchen und zu würdigen, bedarf des „Muts zur Lücke", zu notwendig skizzenhaftem Überblick und exemplarischer Darstellung, auch zu einer gewissen — noch statthaften — Generalisierung gerade da, wo man gerne tiefer loten oder im Detail verweilen sollte und möchte. Das Thema aber bleibt bedeutend, der Vorwurf der Antiquiertheit träfe ins Leere; denn nichts wäre törichter als die Vorstellung von weltfremden gelehrten Mönchen, die, fernab aller Realität, alte Urkunden und Chroniken dem Staub der Archive entrissen, kopierten und edierten, zusammen mit praefationes und disserta- tiones isagogicae in schwerfälligem Späthumanistenlatein, publiziert in dickleibigen barocken Folianten, die heute vergessen sind und in den Bibliotheken dahindäm- mern. Nichts dergleichen; die methodische wie die sachliche Leistung der deutschen eruditi historici benedictini während des saeculum diplomaticum oder aevum diplo- maticum, wie die Zeitgenossen Johann Friedrich Schannat und Bernhard Pez ihr achtzehntes Jahrhundert nannten1, diese Leistung bleibt groß und überzeitlich. Die 1 Nil poterat saeculo nostro diplomatico evenire optabilius, nil obtigisse felicius, quam gener osum illud nee unquam satis laudandum propositum, quod in Vobis unanimiter excitavit non vulgaris erga Inclytam Ecclesiam vestram amor et affectus. (J. F. SCHANNAT, Corpus Traditionum Fuldensium, Leipzig 1724, Vorwort). Das Pez-Zitat entstammt einem — nicht mehr erhaltenen — Brief an den Historiker Christian Gottlieb Buder in Jena; zur Überliefe­ rung vgl. Fritz Sa im.71-:, Leben und Wirken des Jenaer Professors der Rechte und Geschichte Chr. G. Buder (Zeitschrift des Vereins für Thüringische Geschichte und Altertumskunde, NF 23) 1918, 341—402, hier 355. — Zu Johann Friedrich Schannat (1683—1739) vgl. ADB 517f. (F. X. Wi a 11 ); Leon HAI KIN in: Biographie Nationale de Belgique XXI (1911) 588—598; Eduard KATS<:HTHAI.I-:R, Über Bernhard Pez und dessen Briefnachlaß (39. Jahresbericht des k. k. Obergymnasiums Melk) Wien 1889, 5—106, bes. 63—72; A. RUPPI i, Schannats Berufung zum Fuldaischen Geschichtsschreiber (Aus Fuldas Geistesleben = Festschrift zum 150. Jubiläum der Landesbibliothek) Fulda 1928, 40—52; Wilhelm EN<;I I , J. F. Schannat: Leben, Die Forschungszentren der deutschen Benediktiner 123 während der zweiten Hälfte des siebzehnten Jahrhunderts von den Bollandisten, vor allem aber von den Maurinern erarbeitete Methode systematischen Quellensam- melns und exakter kritischer Prüfung nach genau fixierten inneren wie äußeren Kriterien, besonders bei Urkunden ", wurde übernommen und in schier unglaubli­ cher Arbeitsleistung eine Fülle von Quellen erschlossen, geprüft, publiziert und zum Teil bereits in Darstellungen verarbeitet. Es handelte sich um Quellen zur deutschen Kirchen- und in wachsendem Maße auch zur Profangeschichte, ferner zur Wissen­ schafts- und Gelehrtengeschichte. Sie wurden veröffentlicht in Werken, die zu ihrer Zeit allenthalben stark beachtet und viel benutzt wurden und zum Teil noch heute unentbehrlich sind. Diese Erfolge wurden in einem zähen Kampf nach zwei Seiten errungen: zum einen gegen den modischen historischen Skeptizismus , den sogenannten Pyrrhonis- Werk, Nachlaß, Teil I (Archivalische Zeitschrift, 3. Folge, Bd. 11) 1936, 24—103; Walter Goi r/i, Aus der Frühzeit der methodischen Erforschung deutscher Geschichtsquellen: J. F. Schannat und seine Vindemiae Litterariae (Berliner Studien zur neueren Geschichte 3, hg. v. Fritz Härtung) 1939; Leon HAI KIN, Lettres inédites du Bollandiste du Sollier à l'historien Schannat (Analecta Bollandiana 62) 1944, 226—256; ebd. 63 (1945) 5—47; Peter FUCHS, Palatinatus Illustratus. Die historische Forschung an der kurpfälzischen Akademie der Wissen­ schaften, Mannheim 1963, 34—37 u. passim. Weitere Quellenangaben in Anm, 149 u. 181.— Zu Bernhard Pez vgl, Anm. 9 und 23. 2 Zu den Bollandisten vgl. LThK II (1958) 571 f.; H. DIIIIIAYI, A travers trois siècles: Poeuvre des Bollandistes, 1615—1915, Brüssel 1920; Leon HAI KIN (S. o. Anm. 1); Angelo Mi RCAÏÏ, Bollandia dall'Archivo Segreto Vaticano (Miscellanea Historiae Pontificiae III/4) Rom 1940,28—60; P. PIT.TÏ.RS, L'oeuvre des Bollandistes (Extrait des Mémoires de l'Académie Royale de Belgique = Subsidia Hagiographica 24) Brüssel 19612; David KNOWI is, Great Historical Enterprises, London 1963, 1—32; — Über die Mauriner ausführliche Quellen- und Literaturangaben in LThK VII (1962) 190ff. (G. Hl i R); laufende Hinweise in der Zeitschrift „Revue Mabillon" (1904ff.); D. KNOWI I S 34—62; R. HI-.SHI-.RT, La Congrégation de St. Maur (Revue Mabillon 51) 1961, 107—156; grundlegend Henri LI-<TI-RQ, Dom Mabillon, 2 Bde., Paris 1953 und 1957, hierzu D. KNOWI i s in: Journal of Ecclesiastical History 10 (1961) 153—173; Jürgen Voss, Das Mittelalter im historischen Denken Frankreichs (Veröffentlichun­ gen des Historischen Instituts der Universität Mannheim 3) München 1972, 158—161, 220—228 (Lit.) u. passim; Bruno Ni vi.u, Mabillon et la science historique en France vers 1700 (in vorliegendem Band S. 27ff.); Pierre GASNAUIT, Les travaux d'érudition des Mauristes au XVIIL siècle (ebd. S. 102 ff.). Vgl. auch die Angaben in Anm. 9; 22; 37; 74; 104; 143; 146; 149; 165;196. 3 Eine umfassende Studie in europäischem Rahmen steht aus; vgl. u. a. Ludwig TRAUM., Vorlesungen und Abhandlungen, Bd. II (Zur Paläographie und Handschriftenkunde), Mün­ chen 1909, 13 ff.; Meta SCHI 111, Wissen und Glauben in der Geschichtswissenschaft. Studien zum historischen Pyrrhonismus in Frankreich und Deutschland, (Beiträge zur Philosophie 1) Heidelberg 1930; Giovanni GKNTH.I:, Contributo alla storia del metodo storico (Studi sul Rinascimento) 19362, 277—302; N. Eni IM AN, Attitudes of 17th Century France towards the 124 Ludwig Hammermayer mus, zum anderen gegen alle diejenigen, die nach wie vor auf ungeprüfte Autoritäten und Traditionen bauen zu können glaubten. Gegen diese beiden Strömungen setzte man auf vernünftige historische Kritik, gewonnen und anwendbar nach verifizierba­ ren Regeln; das Vorbild der auf Berechnung und Experiment gegründeten „barok- ken" Naturwissenschaft und Mathematik ist offenkundig. In einer Zeit, in der ahistorische rationalistische Philosophie, Naturwissenschaften und Mathematik die Szene beherrschten, wurde von den gelehrten historici die Vergangenheit neu gewonnen, auf rational-nachprüfbare Weise erhellt und gesichert, in einer entsa­ gungsvollen Arbeit pro tuenda sacrae antiquitatis causa, wie es einer der hervorra­ genden Benediktinerhistoriker jener Zeit, Abt Gottfried Bessel von Göttweig, formuliert hat . Durch Wissenschaft ermöglichte Erkenntnis der Vergangenheit, Sicherung der Tradition und damit auch sehr konkrete Selbstbehauptung — sei es des Klosters, des Ordens, des Bistums, des Territoriums, der Genealogie des Herrscherhauses —, das war ein Ziel aller Mühen wert. So wesentlich und folgenreich das Thema über die deutsche benediktinische Geschichtsforschung des achtzehnten Jahrhunderts, so unbefriedigend ist im allge­ meinen der Forschungsstand und eine lamentatio sehr wohl angebracht. Gewiß, es gibt ältere und neuere biographische Studien über Schlüsselfiguren wie Bessel, Marquard Herrgott von St. Blasien, Anselm Desing aus Ensdorf, Frobenius Forster und Roman Zirngibl von St. Emmeram in Regensburg \ Über Karl Meichelbeck aus Benediktbeuern, einem der bedeutendsten deutschen Historiker der ersten Jahrhun­ derthälfte, sind den jüngsten Forschungen von Karl Mindera und Albert Siegmund wichtige Fortschritte zu verdanken '; aber noch sind die einschlägigen Quellen nicht vollständig erschlossen, bleibt die große wissenschaftliche Biographie Meichelbecks ein Desiderat. Die historiographische Leistung der bayerischen Benediktiner wäh- Middle Ages, New York 1946; G. MARTINI, Le stravaganze critiche di padre J. Hardouin (Scritti di paleografia e diplomatica in onore di V. Federici) Florenz 1944, 351—364; Sergio Bf Ki11.i.i, La crisi dello scetticismo, e il rapporto erudizione-scienza agli inizi desecoloXVIII (Società 11) 1955, 435—456; Arnoldo D. MOMK.I IANO, Ancient History and the Antiquarian (Studies in Historiography) London 19692, 1—39. .4 . etsi vero viros doctos, qui pro tuenda sacrae antiquitatis causa tarn strenue in aciem prodierunty longa série ac singulatim recensere non sit animus, religioni tarnen nobis ducimus silentio involvere magnum illum Joannem Mabillonium, sydus Bendedictini Ordinis nostri nunquam occasurum . (J. G. Brssri., Chronicon Gottwicense, Tegernsee 1732, praefatio IX, p. X). Zu Bessel vgl. Anm. 16. * Zu G. Bessel vgl. Anm. 16; zu M. Herrgott vgl. Anm. 45; zu A. Desing
Load more

Recommended publications
  • Martin Gerbert: Priest, Prince, Scholar, and Musician Author(S): Fr
    Martin Gerbert: Priest, Prince, Scholar, and Musician Author(s): Fr. Niecks Source: The Musical Times and Singing Class Circular, Vol. 23, No. 477 (Nov. 1, 1882), pp. 585-588 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/3358187 Accessed: 17-06-2016 21:38 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times and Singing Class Circular This content downloaded from 128.206.9.138 on Fri, 17 Jun 2016 21:38:03 UTC All use subject to http://about.jstor.org/terms THE MUSICAL TIMES. NOVEMBER I, I882. S85 Thanks to pious donations in the Erst centuries of its TH E M USICAL TI M ES existence, to advantageous purchases in the later ones, and to clever management at all times, there AND SINGING-CLASS CIRCULAR. grew out of this small beginning the famous and NOVEMBER I, I882. wealthy monastery the superior of which styled him- self, from I746 onward, " We, Prince of the Holy Ronlan Empire and Abbot of St. Blaise, in the Black MARTIN GERBERT: Forest, Lord of the imperial county of Bonndorf and PRIEST, PRINCE, SCHOLAR, AND MUSICIAN.
    [Show full text]
  • Miadrilms Internationa! HOWLETT, DERQ
    INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated witli a round black mark it is an indication that the füm inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo­ graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy.
    [Show full text]
  • Jubal, Pythagoras and the Myth of the Origin of Music with Some Remarks Concerning the Illumination of Pit (It
    Philomusica on-line 16 (2017) Jubal, Pythagoras and the Myth of the Origin of Music With some remarks concerning the illumination of Pit (It. 568) Davide Daolmi Università degli Studi di Milano [email protected] § Alla fine del Trecento l’iconografia § At the end of the fourteenth century della Musica mostra una forma the iconography of Music shows a complessa basata sul mito del primo complex morphology based on the padre fondatore dell’arte musicale. La myth of the first founding father of the sua raffigurazione più sofisticata appa- musical art. Its most sophisticated re nella miniatura d’apertura di Pit image appears in the opening (Parigi, Bibl. Nazionale, It. 568), uno illumination of Pit (Paris, Bibl. dei più importanti manoscritti di Ars Nationale, It. 568), one of the most Nova italiana. important manuscripts of the Italian Nel riconsiderare la bibliografia Ars Nova. esistente, la prima parte dell’articolo After reviewing the existing biblio- indaga il contesto culturale che ha graphy, the first part of the article prodotto la miniatura, per poi, nella traces the cultural context that seconda, ripercorrere l’intera storia del produced this illumination. The mito, la sua tradizione biblica (Iubal), il second part reconstructs the whole suo corrispondente pagano (Pitagora), history of the myth of the origin of il rapporto con il mito della translatio music, its biblical tradition (Jubal), its studii (le colonne della conoscenza), e pagan equivalent (Pythagoras), their la sua forma complessa adottata a association with the myth of translatio partire dal XII secolo. Il modello studii (the pillars of knowledge), and iconografico fu concepito in Italia nel its syncretic form adopted from the Trecento e la forma ormai matura twelfth century onward.
    [Show full text]
  • Melodic Function and Modal Process in Gregorian Chant
    MELODIC FUNCTION AND MODAL PROCESS IN GREGORIAN CHANT by RICHARD PORTERFIELD A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy The City University of New York 2014 ii © 2014 RICHARD PORTERFIELD All Rights Reserved iii This manuscript has been read and accepted by the Graduate faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy Codex hic lectus acceptusque est William Rothstein ____________________ ___________________________________ Date Chair of Examining Committee Norman Carey ____________________ ___________________________________ Date Acting Executive Officer Ruth DeFord ___________________________________ Anne Stone ___________________________________ Joseph Straus ___________________________________ iv Abstract MELODIC FUNCTION AND MODAL PROCESS IN GREGORIAN CHANT by RICHARD PORTERFIELD Advisor: Professor William Rothstein This study proposes a theory and method of analysis for voice leading in the melody of Gregorian chant. It draws on historical theories and practices, particularly those of the cantus tradition which 1) pre-dates the imposition on Western ecclesiastical chant of scale theories based in the Ancient Greek science of harmonics, 2) observes and predicts actual melodic behavior, and 3) remains basic to pedagogy through the centuries. Central to cantus-tradition doctrine is the investment of melodic tones with structural functions which articulate modes as melodic archetypes; idiomelic antiphons are analyzed according to five melodic functions derived from formulaic psalmody in a framework modally conditioned by the qualitative and intervallic relationship of final and tenor. Medieval sources put forward this functional dyad as essential to modal cognition—sometimes as the basis of modal construction—through a widespread mnemonic I call the “Re-la, re-fa” Rule; these dyads are also embedded in the ninth- century Noanoeane and eleventh-century Primum quaerite melodic prototypes.
    [Show full text]
  • Historic Organs of Southern Germany & Northern Switzerland
    Gallery Organ, Rot an der Rot, Germany an der Rot, Gallery Organ, Rot AND present Historic Organs of Southern Germany & Northern Switzerland April 28 - May 11, 2006 With American Public Media’s PIPEDREAMS® host J. Michael Barone www.americanpublicmedia.org www.pipedreams.org National broadcasts of Pipedreams are made possible with funding from the National Endowment of the Arts, Mr. and Mrs. Wesley C. Dudley, the MAHADH Fund of the HRK Foundation, by the contributions of listeners to American Public Media stations, and by the Associated Pipe Organ Builders of America, APOBA, representing designers and creators of fine instruments heard throughout the country, on the Web at www.apoba.com, and toll-free at 800-473-5270. See and hear on the Internet 24-7 at www.pipedreams.org i Dear Pipedreams Friends and Tour Colleagues, Welcome aboard for another adventure in the realm of the King of Instruments. I'm delighted to have you with us. Our itinerary is an intense one, with much to see and hear, and our schedule will not be totally relaxed. I hope you are up to the challenge, and know that the rewards will make it all worthwhile. I'd been in and around Munich during my very first visit to Europe back about1970, and even had a chance to play the old organ (since replaced) in Benediktbeuron. This was a revelation to a young student who had never before laid hands on an old keyboard, nor thought about how one must phrase and the tempos one must adopt when playing into a voluminous room with a lengthy acoustic decay.
    [Show full text]
  • Shaw-Rebecca-MA-MUSIC-June
    Differentiae in the Cantus Manuscript Database: A Cross-Manuscript Analysis by Rebecca Shaw Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia June 2019 © Copyright by Rebecca Shaw, 2019 Table of Contents List of Tables ....................................................................................................................... iv List of Figures ..................................................................................................................... vii Abstract……………………………………………………………………………………………………………………….viii List of Abbreviations Used .................................................................................................. ix Acknowledgements .............................................................................................................. x Chapter 1: Introduction and Differentia Standardization ................................................... 1 1.1 Overview of the Differentia Standardization Project ..................................... 9 1.2 Analysis enabled by the Differentia Standardization Project ....................... 11 Chapter 2: Differentiae and Mode in Theory and Practise ................................................ 14 2.1 Theorists’ Explanation of Differentia and Mode .......................................... 16 2.2 Elements of Unity and Disparity Within and Between Modes ..................... 19 2.3 Multi-Modal Saeculorum Openings .............................................................
    [Show full text]
  • Early Modern Catholic Reform and the Synod of Pistoia Shaun London Blanchard Marquette University
    Marquette University e-Publications@Marquette Dissertations (2009 -) Dissertations, Theses, and Professional Projects Eighteenth-Century Forerunners of Vatican II: Early Modern Catholic Reform and the Synod of Pistoia Shaun London Blanchard Marquette University Recommended Citation Blanchard, Shaun London, "Eighteenth-Century Forerunners of Vatican II: Early Modern Catholic Reform and the Synod of Pistoia" (2018). Dissertations (2009 -). 774. https://epublications.marquette.edu/dissertations_mu/774 EIGHTEENTH-CENTURY FORERUNNERS OF VATICAN II: EARLY MODERN CATHOLIC REFORM AND THE SYNOD OF PISTOIA by Shaun L. Blanchard, B.A., MSt. A Dissertation submitted to the Faculty of the Graduate School, Marquette University, in Partial Fulfillment of the Requirements of the Degree of Doctor of Philosophy Milwaukee, Wisconsin May 2018 ABSTRACT EIGHTEENTH-CENTURY FORERUNNERS OF VATICAN II: EARLY MODERN CATHOLIC REFORM AND THE SYNOD OF PISTOIA Shaun L. Blanchard Marquette University, 2018 This dissertation sheds further light on the nature of church reform and the roots of the Second Vatican Council (1962–65) through a study of eighteenth-century Catholic reformers who anticipated Vatican II. The most striking of these examples is the Synod of Pistoia (1786), the high-water mark of “late Jansenism.” Most of the reforms of the Synod were harshly condemned by Pope Pius VI in the Bull Auctorem fidei (1794), and late Jansenism was totally discredited in the increasingly ultramontane nineteenth-century Catholic Church. Nevertheless, many of the reforms implicit or explicit in the Pistoian agenda – such as an exaltation of the role of bishops, an emphasis on infallibility as a gift to the entire church, religious liberty, a simpler and more comprehensible liturgy that incorporates the vernacular, and the encouragement of lay Bible reading and Christocentric devotions – were officially promulgated at Vatican II.
    [Show full text]
  • The Role of Giuseppe Garampi in the Hontheim Case1
    EphemeridesTheologicaeLovanienses 91/2 (2015) 281-293. doi: 10.2143/ETL.91.2.3085094 © 2015 by Ephemerides Theologicae Lovanienses. All rights reserved. The Role of Giuseppe Garampi in the Hontheim Case1 Dries VANYSACKER KULeuven The tract De statu Ecclesiae by Johann Nikolaus von Hontheim, the suffragan bishop of Trier, published in 1763, was put on the Index in 1764, 1766, 1771 and 1773, because it contained, in the eyes of the Roman Con- gregation of the Index, “heretical” tenets of canon law which put forth an ecclesial system in which the pope had only a honorary primacy2. In 1777, Hontheim circulated an abbreviated version of his tract; in 1778, he was forced by the Elector of Trier to make a retraction; and in 1781, he wrote a not so welcome comment on his retraction. Only two years after Hon- theim’s death in 1790, Rome reacted upon the latter’s comment via Car- dinal Gerdil. A complex and strange story indeed! In the introduction of his recent editions of the abbreviated tract of 1777 and Hontheim’s later commentary of 1781, Ulrich L. Lehner, studied in detail the condemnation based on the official documents3. In these pages, I want to state that an exclusive use of official documents risks to deny the complexity of the context and the possible effects of such condemna- tions. By ignoring the role of some persons and their networking behind the scenes in the Hontheim case, Lehner misses, according to me, the real background of the story. In mid-August 1764, the prefect of the Vatican Archives, Canon Giuseppe Garampi (1725-1792)4, wrote in his travel journal that he spent some days 1.
    [Show full text]
  • Max Planck Studies in Global Legal History of the Iberian Worlds
    Knowledge of the Pragmatici Max Planck Studies in Global Legal History of the Iberian Worlds Editor Thomas Duve The volumes published in the Max Planck Studies in Global Legal History of the Iberian Worlds are dedicated to the legal histories of areas which have been in contact with the Iberian empires during the early modern and modern periods – in Europe, the Americas, Asia and Africa. Its focus is global in the sense that it is not limited to the imperial spaces as such but goes beyond to look at the globalisation and localisation of normative knowledge within the spaces related to these imperial formations. It is global also in another sense: The volumes in the series pay special attention to the cultural translations of normative knowledge in different places and moments, decentering classical approaches on legal history and opening up new perspectives on the production of normative knowledge. All of the monographs, edited volumes and text editions in the series are peer reviewed and published in print and online. Brill’s Open Access books are distributed free of charge in Brill’s E-Book Collections and can be found via DOAB, OAPEN and JSTOR. volume 1 The titles published in this series are listed at brill.com/ mpiw Knowledge of the Pragmatici Legal and Moral Theological Literature and the Formation of Early Modern Ibero- America Edited by Thomas Duve Otto Danwerth LEIDEN | BOSTON This is an open access title distributed under the terms of the CC-BY- NC 4.0 license, which permits any non- commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited.
    [Show full text]
  • The Medieval Craft of Memory: an Anthology of Texts and Pictures
    The Medieval Craft of Memory: An Anthology of Texts and Pictures Edited by MARY CARRUTHERS AND JAN M. ZIOLKOWSKI University of Pennsylvania Press Tseng 2002.7.1 07:28 6650 Carruthers / THE MEDIEVAL CRAFT OF MEMORY / sheet 1 of 318 The Medieval Craft of Memory MATERIAL TEXTS Series Editors Roger Chartier Anthony Grafton Joan DeJean Janice Radway Joseph Farrell Peter Stallybrass A complete list of books in the series is available from the publisher. 6650 Carruthers / THE MEDIEVAL CRAFT OF MEMORY / sheet 2 of 318 Tseng 2002.7.1 07:28 The Medieval Craft of Memory An Anthology of Texts and Pictures Edited by MARY CARRUTHERS AND 6650 Carruthers / THE MEDIEVAL CRAFT OF MEMORY / sheet 3 of 318 JAN M. ZIOLKOWSKI PENN University of Pennsylvania Press Philadelphia Tseng 2002.7.1 07:28 Publication of this book was aided by a grant from the Abraham and Rebecca Stein Faculty Publication Fund of New York University, Department of English Copyright © University of Pennsylvania Press All rights reserved Printed in the United States of America on acid-free paper Published by University of Pennsylvania Press Philadelphia, Pennsylvania - Library of Congress Cataloging-in-Publication Data The medieval craft of memory : an anthology of texts and pictures / edited by Mary Carruthers and Jan M. Ziolkowski. ISBN --- (cloth : alk. paper) 6650 Carruthers / THE MEDIEVAL CRAFT OF MEMORY / sheet 4 of 318 p. cm. Includes bibliographical references and index. Mnemonics. I. Carruthers, Mary. II. Ziolkowski, Jan M., –. III. Series. BF .M .''—dc Tseng 2002.7.1 07:28 Contents General Introduction . Hugh of St. Victor, The Three Best Memory Aids for Learning History .
    [Show full text]
  • Ave Maria, O Auctrix Vite: Mary in the Visions of Hildegard of Bingen (1 098--1179)
    Ave Maria, o auctrix vite: Mary in the Visions of Hildegard of Bingen (1 098--1179) By Gregory E. Roth A thesis submitted in partial fulfillment of the requirements for the degree of Licentiate in Sacred Theology at the International Marian Research Institute University ofDayton 1998 Abbreviations Works ofHildegard ofBingen Anderson Strehlow Hildegard of Bingen 's Medicine [Handbuch der Hildegard-Medizin} Folk Wisdom Series. English. Ed. Gail Vivino. Trans. Karin Anderson Strehlow. Briefwechsel Briejwechsel. Trans. Adelgundis Fuhrkotter, O.S.B. Salzburg. 1965 C&C Hildegardis Causae et Curae Ed. Paul Kaiser. Bibliotheca Scriptorum Graecorum et Romanorum Teubneriana. Lipsiae: B.G. Teubner, 1868. 254. Cunningham Hildegard of Bingen's Book of Divine Works with Letters and Songs. Ed. Matthew Fox. Trans. Robert Cunningham. Santa Fe, New Mexico Bear & Company, 1987. Dybdal Hildegard ofBingen's Book of Divine Works with Letters and Songs. Ed. Matthew Fox. Trans. Jerry Dybdal and Matthew Fox. Santa Fe, New Mexico: Bear & Company, 1987. Ep Hildegardis Bingensis -- Epistolarium. Tumhout, Belgium: Brepols, 1991. Vol. 91 of Corpus Christianorum: Continuatio Mediaevales (CCCM). Ed. L. van Acker. Ep2 Hildegardis Bingensis -- Epistolarium. Turnhout, Belgium: Brepols, 1991/1993 . Vol. 91A of Corpus Christianorum: Continuatio Mediaevales (CCCM). Ed. L. van Acker. Handbuch Handbuch der Hildegard-Medizin . Trans. Wighard Strehlow, Dr. and Gottfried Hertzka, M.D. Freiburg im Breisgau: Verlag Hermann Bauer, 1987. Hart & Bishop Hildegard~~ Bingen's SCIHAS. The Classics of Western Spirituality. Trans. C Hart and T Bishop. Holistic Healing Holistic Healing. Trans. Manfred Pawlik, Patrick Madigan, S.J., and John Kulas. Collegeville, Minnesota: The Liturgical Press, 1994. · Hozeski Hildegard of Bingen: The Book of the Rewards of Ltfe [Liber Vitae Meritorum}.
    [Show full text]
  • Experimental Affinities in Music
    Experimental Affinities in Music Experimental Affinities in Music Edited by Paulo de Assis Leuven University Press Table of Contents 7 Introduction Paulo de Assis 15 Chapter One Explosive Experiments and the Fragility of the Experimental Lydia Goehr 42 Chapter Two Omnis ars ex experimentis dependeat: “Experiments” in Fourteenth-Century Musical Thought Felix Diergarten 64 Chapter Three “Vieltönigkeit” instead of Microtonality: The Theory and Practice of Sixteenth- and Seventeenth-Century “Microtonal” Music Martin Kirnbauer 91 Chapter Four Inscriptions: An Interview with Helmut Lachenmann 105 Chapter Five Nuance and Innovation in Part I of the “48” Mark Lindley 128 Chapter Six Tales from Babel: Musical Adventures in the Science of Hearing Edward Wickham 147 Chapter Seven From Clockwork to Pulsation: Music and Artificial Life in the Eighteenth Century Lawrence Kramer 168 Chapter Eight The Inner Ear: An Interview with Leon Fleisher 177 Chapter Nine Execution—Interpretation—Performance: The History of a Terminological Conflict Hermann Danuser 5 Table of Contents 197 Chapter Ten Monumental Theory Thomas Christensen 213 Chapter Eleven Testing Respect(fully): An Interview with Frederic Rzewski Luk Vaes 237 Appendix 239 Notes on Contributors 245 Index 6 Introduction Introduction Paulo de Assis Orpheus Institute, Ghent In the years 2011, 2012, and 2013, the International Orpheus Academy for Music and Theory was constituted under a single rubric: “Artistic Experimentation in Music.” This overarching title aimed at disclosing and discussing artistic
    [Show full text]