The Role of Giuseppe Garampi in the Hontheim Case1
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The Temporal Power of the Pope."
Frank Gerrity ST. JOSEPH'S UNIVERSITY JOSEPH RIPLEY CHANDLER AND "THE TEMPORAL POWER OF THE POPE." A tthe height of the Know Nothing agitation in the eighteen-fifties, Apersonal and political circumstances combined to project a Phila- delphian and recent convert to Catholicism, Joseph Ripley Chandler, into a position of national prominence as a champion of his Church and defender of his fellow Catholics. Chandler was already well-known for his achievements in journalism, literature, and politics. A native of Massachusetts, he had come to Philadelphia in 1815 to work as a schoolmaster. When in 1822 he became a salaried editorial writer on the moribund Gazette of the United States, an association began that would bring the Gazette national influence as a Whig journal and Chandler, its eventual proprietor, distinction as an editor and publisher. E.P. Ober- holtzer, Philadelphia's literary historian, remarks of Chandler that "no man who ever edited a paper in Philadelphia brought greater honor to his journalist's vocation." For reasons of health Chandler sold the Gazette in 1847, but he maintained his connection with Graham's American Monthly Magazine, serving as editor in 1848-1849. He also continued to contribute to it and to other magazines the polished pieces that had already brought him some measure of literary reputation. For many years a distinguished Freemason, Chandler's speeches and writ- ings on Masonic topics were highly esteemed and widely circulated in the United States and Western Europe. Finally, Chandler's role as a long-time member of Philadelphia City Council and promoter of civic betterment had brought him the respect of his fellow citizens.' It is not difficult to understand why the Whig Committee of the Second Congressional District found him an attractive candidate for the United States Congress. -
Martin Gerbert: Priest, Prince, Scholar, and Musician Author(S): Fr
Martin Gerbert: Priest, Prince, Scholar, and Musician Author(s): Fr. Niecks Source: The Musical Times and Singing Class Circular, Vol. 23, No. 477 (Nov. 1, 1882), pp. 585-588 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/3358187 Accessed: 17-06-2016 21:38 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times and Singing Class Circular This content downloaded from 128.206.9.138 on Fri, 17 Jun 2016 21:38:03 UTC All use subject to http://about.jstor.org/terms THE MUSICAL TIMES. NOVEMBER I, I882. S85 Thanks to pious donations in the Erst centuries of its TH E M USICAL TI M ES existence, to advantageous purchases in the later ones, and to clever management at all times, there AND SINGING-CLASS CIRCULAR. grew out of this small beginning the famous and NOVEMBER I, I882. wealthy monastery the superior of which styled him- self, from I746 onward, " We, Prince of the Holy Ronlan Empire and Abbot of St. Blaise, in the Black MARTIN GERBERT: Forest, Lord of the imperial county of Bonndorf and PRIEST, PRINCE, SCHOLAR, AND MUSICIAN. -
The Concept of “Sister Churches” in Catholic-Orthodox Relations Since
THE CATHOLIC UNIVERSITY OF AMERICA The Concept of “Sister Churches” In Catholic-Orthodox Relations since Vatican II A DISSERTATION Submitted to the Faculty of the School of Theology and Religious Studies Of The Catholic University of America In Partial Fulfillment of the Requirements For the Degree Doctor of Philosophy © Copyright All Rights Reserved By Will T. Cohen Washington, D.C. 2010 The Concept of “Sister Churches” In Catholic-Orthodox Relations since Vatican II Will T. Cohen, Ph.D. Director: Paul McPartlan, D.Phil. Closely associated with Catholic-Orthodox rapprochement in the latter half of the 20 th century was the emergence of the expression “sister churches” used in various ways across the confessional division. Patriarch Athenagoras first employed it in this context in a letter in 1962 to Cardinal Bea of the Vatican Secretariat for the Promotion of Christian Unity, and soon it had become standard currency in the bilateral dialogue. Yet today the expression is rarely invoked by Catholic or Orthodox officials in their ecclesial communications. As the Polish Catholic theologian Waclaw Hryniewicz was led to say in 2002, “This term…has now fallen into disgrace.” This dissertation traces the rise and fall of the expression “sister churches” in modern Catholic-Orthodox relations and argues for its rehabilitation as a means by which both Catholic West and Orthodox East may avoid certain ecclesiological imbalances toward which each respectively tends in its separation from the other. Catholics who oppose saying that the Catholic Church and the Orthodox Church are sisters, or that the church of Rome is one among several patriarchal sister churches, generally fear that if either of those things were true, the unicity of the Church would be compromised and the Roman primacy rendered ineffective. -
LABOUREUR, Francesco by Federico Trastulli - Biographical Dictionary of Italians - Volume 62 (2004)
LABOUREUR, Francesco by Federico Trastulli - Biographical Dictionary of Italians - Volume 62 (2004) The son of Massimiliano, a sculptor originally from Brussels, and of Paola Salomoni, the Laboureur was born in Rome on 11 November. 1767. He was baptized in the parish of S. Lorenzo in Lucina with the names of Francesco, Filippo and Simone (Rome, Arch., Historian of the Vicariate, S. Lorenzo in Lucina, Liber baptizatorum, 32, c 127v); the fact that the Laboureur was better known as Francesco Massimiliano, or "Cavalier Massimiliano" after the conferral of the knighthood of the papal order of the Golden Spur, has generated confusion regarding the news concerning the biography and the works referable to him, to his father and son Alessandro Massimiliano. The Laboureur devoted himself early to sculpture, learning the rudiments in the family; he attended the courses of the Accademia di S. Luca, obtaining the second place at the Clementino Prize of 1783. His fortune in the Roman environment was linked to the figure of the French F. Cacault, minister plenipotentiary in Rome as well as great patron, who already in a letter of 1801 signaled to the Minister for Foreign Affairs, Ch.-M. de Talleyrand, the excellent workmanship of a marble bust of Napoleon who commissioned the sculptor, part of a larger group of works he collected, now at the Musée des beaux-arts in Nantes. There is news about the working of a second bust of Bonaparte in another letter from Cacault, announcing how he had in mind to make the Laboureur also a colossal statue of Napoleon, at the time the first consul. -
The Cost of Unity
THE COST OF UNITY THE PAPAL PRIMACY IN RECENT ORTHODOX REFLECTION WACLAW HRYNIEWICZ* The issue of primacy has not yet been dealt with in the official dialogue between the Roman Catholic and the Orthodox Church. The documents of the dialogue speak of it only sporadically, announcing it as one of the most crucial theological questions for debate in the future. How can the Roman doctrine become more consonant with the tradition of the undivided Church? In what way can the Orthodox, with their undestanding of primacy in the universal Church, help the process of ecumenical reinterpretation of this thorny issue? Have they developped their own comprehension of primacy that is convincing to the Catholic side? Is there a due place in Orthodox ecclesiology for some kind of universal leadership? How do they interpret the relationship between the local and the universal Church? In June 1996 the Ecumenical Patriarch of Constantinople, Bartholomaios I, gave a written response to questions concerning the Pope’s primacy put to him by a Cracow weekly Tygodnik Powszechny.1 His answer was very concise: the issue of papal primacy has become the most serious and scandalous stum- bling block to the dialogue between Orthodox and Catholics. He pointed to the tradition of the first millennium showing the Pope as a ‘Patriarch of the Church among other ancient apostolic sees of the world'. In his view any claim to a universal primacy of jurisdiction is both unfounded and theologically erro- neous. The concept of the Petrine ministry only developed in the West after the Great Schism. It unduly claims direct episcopal jurisdiction over all the faithful and bishops in the entire world. -
Almanacco Romano Pel 1855
AL!IANACCO RO}JANO pd· 1855 COJSTENENTB INDICAZIONJ, �OTIZIE ED INDIRIZZI l'ER LA. CITTÀ DI ROMA ] .. Pa:fti!o ANNO 't DaUa Tipografia di Gaetano Chin�Si Piazza Monte Citorio 119. AI�lUNACCO/ 9'\,.-"\ , ....- - . ROMANO OSSIA D-EI PRUilRI DIGNITARI .E FUNZIONARI INDllUZZI E NOTIZIE DI PUBBLICI STABILIJIJENTI, n' DEl DI SGIENZE, E PRIVATIED TI, PROFESSORI LETTERE AR DEl COMliERCIANTI, A T I TI EC. R S EC. PEL ·J855 ANNO I'Ril\10 ROi\lA CrHASSI MONTE 11� tll'O R:H'i.\ I>JAZZA Dl Ci'J'OI\10 �. Coltti che per semplice cu-riosità o ]Jer l'esi genza de' pr.op-ri affa-ri desiderasse conoscere L'organizzazione di questa nostra metropoli e i diversi rami delle professioni, arti mestieri; e invano avrebbe ricercato un almanacco che a colpo d'occhio e complessivamente avesse rispo sto alle . più ovvie e necessarie ricerche. Quelli che pm· lo innan�i vennero pubbliwti, rigttar davano soltanto delle categorie parzictli, ed in città, ove per le moltiplici giurisdizioni si una centralizzano e si compenetrano gli affari, o ve le agenzie rapp1·esentano i bisogni dì tutte le province, non hanno l1'miti che le separi, sem e pre più si sentiva il bisogno d'una raccolta ge nerale di tutte notizie che ad ogni ceto di per sone potessero recare interesse. Nello scopo di sopper·ire a questo vuoto ven'tamo alla pubblica zione del presente almanacco, nel quale anche olt-re l'organizzazione governativa ed wnmini strativa si sono raccolte le indicctzioni risgHar clanti il clero, la nobiltà, la curia, 1. -
Il Cardinale Pietro Gasparri Segretario Di Stato (1914–1930)
Lorenzo Botrugno Gasparri ed i rapporti con il Regno Unito nel pontificato di Pio XI Spunti per la ricerca a partire dalle sessioni della Congregazione degli Affari Ecclesiastici Straordinari Abstract Through unpublished documentary sources – the minutes of the meetings of the Sacred Congregation of Extraordinary Ecclesiastical Affairs – the essay aims to illustrate Pietro Gasparri’s privileged perspective over anglo-vatican relations. While mainly focused on his period as Cardinal Secretary of State of Pius XI (1922–1930), some hints will also be given to his tenure of office during the pontificate of Benedict XV, as well as to Consalvi’s and Rampolla’s influence on his way of perceiving British matters. Gasparri’s role and at titude will be analysed with particular reference to the negotiations on the appointments of Apostolic Delegates in the British Empire (1926) and the conflict between Church and State in Malta (1928–1932). 1 Introduzione Nel giudizio storiografico la persona e l’opera del Gasparri sono state associate, da sempre, a quella corrente della diplomazia pontificia che si richiama al realismo ed alla flessibilità nella ricerca di intese con gli Stati 1: è dal 1932 che Ernesto Vercesi ne percepì la figura allineata a quella di due suoi predecessori al vertice della Segreteria di Stato, i cardinali Ercole Consalvi e Mariano Rampolla del Tindaro, ognuno dei quali rappresentava natu 1 Tale fu, ad esempio, la percezione di Giovanni Spadolini: “Gasparri era, e restava in ogni atto della sua vita, il grand commis della Chiesa, il grande diplomatico spregiudicato e scettico, armato con tutti i ferri del mestiere ma capace di tutte le duttilità e di tutte le astuzie, pur di servire un fine che egli giudicava essenziale”. -
Miadrilms Internationa! HOWLETT, DERQ
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated witli a round black mark it is an indication that the füm inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
Universalitas & Pervasivitas GIANSENISMO
BIBLIOTECA UNIVERSITARIA DI GENOVA – PERCORSI TEMATICI Universalitas & Pervasivitas il costituirsi e diffondersi della S.J. e suoi echi (1540 - 1773) di A. Pisani Schede di approfondimento di argomenti generali GIANSENISMO Cornelius Jansen, Bishop of Ypres (Cornelius Jansenius Yprensis), from whom Jansenism derives its origin and name, must not be confounded with another writer and bishop of the same name Cornelius Jansenius Gandavensis (1510-1576), of whom we possess several books on Scripture and a valuable "Concordia Evangelica." Life and writings The subject of this article lived three-quarters of a century later than his namesake. He was born 28 October, 1585, of a Catholic family, in the village of Accoi, near Leerdam, Holland; died at Ypres, 6 May, 1638. His parents, although in moderate circumstances, secured for him an excellent education. They sent him first to Utrecht. In 1602 we find him at the University of Louvain, where he entered the College du Faucon to take up the study of philosophy. Here he passed two years, and at the solemn promotion of 1604 was proclaimed first of 118 competitors. To begin his theological studies he entered the College du Pape Adrien VI, whose president, Jacques Janson, imbued with the errors of Baius and eager to spread them, was to exert an influence on the subsequent course of his ideas and works. Having hitherto been on amicable terms with the Jesuits, he had even sought admission into their order. The refusal he experienced, the motives of which are unknown to us, seems not to be altogether unrelated to the aversion he subsequently manifested for the celebrated society, and for the theories and practices it championed. -
Jubal, Pythagoras and the Myth of the Origin of Music with Some Remarks Concerning the Illumination of Pit (It
Philomusica on-line 16 (2017) Jubal, Pythagoras and the Myth of the Origin of Music With some remarks concerning the illumination of Pit (It. 568) Davide Daolmi Università degli Studi di Milano [email protected] § Alla fine del Trecento l’iconografia § At the end of the fourteenth century della Musica mostra una forma the iconography of Music shows a complessa basata sul mito del primo complex morphology based on the padre fondatore dell’arte musicale. La myth of the first founding father of the sua raffigurazione più sofisticata appa- musical art. Its most sophisticated re nella miniatura d’apertura di Pit image appears in the opening (Parigi, Bibl. Nazionale, It. 568), uno illumination of Pit (Paris, Bibl. dei più importanti manoscritti di Ars Nationale, It. 568), one of the most Nova italiana. important manuscripts of the Italian Nel riconsiderare la bibliografia Ars Nova. esistente, la prima parte dell’articolo After reviewing the existing biblio- indaga il contesto culturale che ha graphy, the first part of the article prodotto la miniatura, per poi, nella traces the cultural context that seconda, ripercorrere l’intera storia del produced this illumination. The mito, la sua tradizione biblica (Iubal), il second part reconstructs the whole suo corrispondente pagano (Pitagora), history of the myth of the origin of il rapporto con il mito della translatio music, its biblical tradition (Jubal), its studii (le colonne della conoscenza), e pagan equivalent (Pythagoras), their la sua forma complessa adottata a association with the myth of translatio partire dal XII secolo. Il modello studii (the pillars of knowledge), and iconografico fu concepito in Italia nel its syncretic form adopted from the Trecento e la forma ormai matura twelfth century onward. -
Melodic Function and Modal Process in Gregorian Chant
MELODIC FUNCTION AND MODAL PROCESS IN GREGORIAN CHANT by RICHARD PORTERFIELD A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy The City University of New York 2014 ii © 2014 RICHARD PORTERFIELD All Rights Reserved iii This manuscript has been read and accepted by the Graduate faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy Codex hic lectus acceptusque est William Rothstein ____________________ ___________________________________ Date Chair of Examining Committee Norman Carey ____________________ ___________________________________ Date Acting Executive Officer Ruth DeFord ___________________________________ Anne Stone ___________________________________ Joseph Straus ___________________________________ iv Abstract MELODIC FUNCTION AND MODAL PROCESS IN GREGORIAN CHANT by RICHARD PORTERFIELD Advisor: Professor William Rothstein This study proposes a theory and method of analysis for voice leading in the melody of Gregorian chant. It draws on historical theories and practices, particularly those of the cantus tradition which 1) pre-dates the imposition on Western ecclesiastical chant of scale theories based in the Ancient Greek science of harmonics, 2) observes and predicts actual melodic behavior, and 3) remains basic to pedagogy through the centuries. Central to cantus-tradition doctrine is the investment of melodic tones with structural functions which articulate modes as melodic archetypes; idiomelic antiphons are analyzed according to five melodic functions derived from formulaic psalmody in a framework modally conditioned by the qualitative and intervallic relationship of final and tenor. Medieval sources put forward this functional dyad as essential to modal cognition—sometimes as the basis of modal construction—through a widespread mnemonic I call the “Re-la, re-fa” Rule; these dyads are also embedded in the ninth- century Noanoeane and eleventh-century Primum quaerite melodic prototypes. -
Historic Organs of Southern Germany & Northern Switzerland
Gallery Organ, Rot an der Rot, Germany an der Rot, Gallery Organ, Rot AND present Historic Organs of Southern Germany & Northern Switzerland April 28 - May 11, 2006 With American Public Media’s PIPEDREAMS® host J. Michael Barone www.americanpublicmedia.org www.pipedreams.org National broadcasts of Pipedreams are made possible with funding from the National Endowment of the Arts, Mr. and Mrs. Wesley C. Dudley, the MAHADH Fund of the HRK Foundation, by the contributions of listeners to American Public Media stations, and by the Associated Pipe Organ Builders of America, APOBA, representing designers and creators of fine instruments heard throughout the country, on the Web at www.apoba.com, and toll-free at 800-473-5270. See and hear on the Internet 24-7 at www.pipedreams.org i Dear Pipedreams Friends and Tour Colleagues, Welcome aboard for another adventure in the realm of the King of Instruments. I'm delighted to have you with us. Our itinerary is an intense one, with much to see and hear, and our schedule will not be totally relaxed. I hope you are up to the challenge, and know that the rewards will make it all worthwhile. I'd been in and around Munich during my very first visit to Europe back about1970, and even had a chance to play the old organ (since replaced) in Benediktbeuron. This was a revelation to a young student who had never before laid hands on an old keyboard, nor thought about how one must phrase and the tempos one must adopt when playing into a voluminous room with a lengthy acoustic decay.