Listing by Editor-Title-Director-Year-Country-Length Editor Title Director Year Country Length
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Oscars® Awarded to Avid Customers in Triumphant Sweep at the 88Th Annual Academy Awards
March 1, 2016 Oscars® Awarded to Avid Customers in Triumphant Sweep at the 88th Annual Academy Awards Every Winner and Nominee for Best Picture, Film Editing, Sound Editing, Sound Mixing and Original Score Relied on Avid Creative Solutions BURLINGTON, Mass., March 01, 2016 (GLOBE NEWSWIRE) -- Avid® (Nasdaq:AVID) today congratulates its customers recognized as nominees and winners at the 88th Academy Awards®, the world's most prestigious ceremony honoring film industry professionals. Every nominee in the Best Picture, Best Film Editing, Best Sound Editing, Best Sound Mixing and Best Original Score categories, including Best Picture winner Spotlight, was crafted by Avid customers using Avid Artist Suite audio and video creative tools, powered by the Avid MediaCentral™ Platform. All five nominees in the Film Editing category—winner Margaret Sixel for Mad Max: Fury Road, Hank Corwin for The Big Short, Stephen Mirrione for The Revenant, Tom McArdle for Spotlight, and Maryann Brandon and Mary Jo Markey for Star Wars: The Force Awakens—relied on the industry's preeminent editing solution, Avid Media Composer® to cut their films. In the Sound Editing category, all five nominees—winners Mark Mangini and David White for Mad Max: Fury Road, Oliver Tarney for The Martian, Martin Hernandez and Lon Bender for The Revenant, Alan Robert Murray for Sicario, and Matthew Wood and David Acord for Star Wars: The Force Awakens—all relied on the industry-standard digital audio software Avid Pro Tools® for sound editing. "I had an opportunity to develop many soundscapes on The Revenant," said Formosa Group's Lon Bender. "Each day I would take material from our team and hone it using my Avid control surface for reviews with Alejandro. -
Transatlantica, 1 | 2018 Le Regard Impossible 2
Transatlantica Revue d’études américaines. American Studies Journal 1 | 2018 Slavery on Screen / American Women Writers Abroad: 1849-1976 Le regard impossible Réflexions sur les présupposés et les mécanismes idéologiques des images de synthèse photoréalistes dans le blockbuster hollywoodien contemporain Mathias Kusnierz Édition électronique URL : http://journals.openedition.org/transatlantica/11812 DOI : 10.4000/transatlantica.11812 ISSN : 1765-2766 Éditeur AFEA Référence électronique Mathias Kusnierz, « Le regard impossible », Transatlantica [En ligne], 1 | 2018, mis en ligne le 01 septembre 2019, consulté le 29 avril 2021. URL : http://journals.openedition.org/transatlantica/11812 ; DOI : https://doi.org/10.4000/transatlantica.11812 Ce document a été généré automatiquement le 29 avril 2021. Transatlantica – Revue d'études américaines est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Le regard impossible 1 Le regard impossible Réflexions sur les présupposés et les mécanismes idéologiques des images de synthèse photoréalistes dans le blockbuster hollywoodien contemporain Mathias Kusnierz 1 Dans son livre de 1966 intitulé Special Effects in Motion Pictures, Frank P. Clark expose, à destination des techniciens d’Hollywood, les différentes manières d’élaborer les effets spéciaux d’un film. Son inventaire s’étend du trucage le plus simple – un écran de fumée, par exemple (40-43) – aux effets spéciaux les plus élaborés, comme l’animation image par image (108-109) ou la construction de maquettes animées complexes (89, 146, 152). Le livre de Clark se veut un exposé technique, sans parti pris, et appuyé sur une solide connaissance pratique du métier de concepteur d’effets spéciaux. -
68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively. -
Westminsterresearch the Artist Biopic
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies. -
The Eddie Awards Issue
THE MAGAZINE FOR FILM & TELEVISION EDITORS, ASSISTANTS & POST- PRODUCTION PROFESSIONALS THE EDDIE AWARDS ISSUE IN THIS ISSUE Golden Eddie Honoree GUILLERMO DEL TORO Career Achievement Honorees JERROLD L. LUDWIG, ACE and CRAIG MCKAY, ACE PLUS ALL THE WINNERS... FEATURING DUMBO HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD AND MUCH MORE! US $8.95 / Canada $8.95 QTR 1 / 2019 / VOL 69 Veteran editor Lisa Zeno Churgin switched to Adobe Premiere Pro CC to cut Why this pro chose to switch e Old Man & the Gun. See how Adobe tools were crucial to her work ow and to Premiere Pro. how integration with other Adobe apps like A er E ects CC helped post-production go o without a hitch. adobe.com/go/stories © 2019 Adobe. All rights reserved. Adobe, the Adobe logo, Adobe Premiere, and A er E ects are either registered trademarks or trademarks of Adobe in the United States and/or other countries. All other trademarks are the property of their respective owners. Veteran editor Lisa Zeno Churgin switched to Adobe Premiere Pro CC to cut Why this pro chose to switch e Old Man & the Gun. See how Adobe tools were crucial to her work ow and to Premiere Pro. how integration with other Adobe apps like A er E ects CC helped post-production go o without a hitch. adobe.com/go/stories © 2019 Adobe. All rights reserved. Adobe, the Adobe logo, Adobe Premiere, and A er E ects are either registered trademarks or trademarks of Adobe in the United States and/or other countries. -
13.Todd-Ao 13.Todd-Ao
mutigen „Muggel“. Der ebenso unterhaltsame wie in Spezialeffekten, Sonntag, 24. September 2017 großartiger Ausstattung und detailverliebten Kostümen visuell spektatukläre Ausbau von Joanne K. Rowlings magischer Zauberer-Welt punktet nicht weniger mit seinen liebenswerten Figuren. Vor allem aber verliert der Film hinter 13.TODD-AO 10:00 Uhr Kurzfilmprogramm seinem üppig aufgefahrenen (Effekte-)Zauber nicht die existenziellen Konflikte SHORTS & BITS & PIECES um Vorurteile sowie um die Angst gegenüber Fremdem aus dem Blick. 70mm-Filmfestival (Quelle: Film-Dienst) 11:00 Uhr Auszeichnungen: 22. – 24.09.2017 KANONENBOOT AM Colleen Atwood, Oscar 2017, Beste Kostüme Das 13. „Todd-AO 70mm Filmfestival“ in Karlsruhe bietet YANGTSE-KIANG 19:30 Uhr Filmemachern und Filmfreunden vom 22. – 24. September OT: The Sand Pebbles / USA 1966 / Aufgenommen in eine Gelegenheit, alte und neue Filme in den originalen Panavision® Anamorphic (1:2.35) (35mm Negativfilm) / BATMAN analogen 70mm Bild- und Tonformaten zu erleben. Präsentiert in 70mm (1:2.2) / 6-Kanal Stereo OT: Batman / USA 1989 / Aufgenommen in Panavision® Magnetton / Roadshow-Präsentation mit Pause / Spherical (1:1.85) (35mm Negativfilm) /Präsentiert in Dt. Fassung / 179 Min. (gekürzt von 196) / 70mm (1:1.85) / 6-Kanal Dolby® (A) Stereo Magnetton / Das Karlsruher Traditionskino „Schauburg“ ist ein Filmpalast Erstaufführungskopie von 1967 / Welturaufführung: Engl. OV / 126 Min. / Erstaufführungskopie von 1989 / alter Schule, mit viel Plüsch, Kronleuchtern, einem denkmal- 20.12.1966 / Dt. Erstaufführung: -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Registro Inventariale Biblioteca Comunale Di Arbus Elementi Trovati: 3225
Registro Inventariale Biblioteca Comunale di Arbus Elementi trovati: 3225 Inventario Collocazione Documento D.Ingresso 0/11392/0 M 791.437 2 ZER *007 : *Al servizio segreto di Sua Maestà / directed by Peter Hunt ; music by John Barry. - Milano : Twentieth Century 14/02/2018 Fox home entertainment [distributore], c2013. - 1 DVD (ca. 136 min.) : sonoro (Dolby digital 5.1, DTS), color 0/12005/0 R 030 QUI *1: Aeronautica, agricoltura, alimentazione / [di Georges Bastien ... et al.]. - Gorle : I Quindici, 2001. - 165 p. : ill. ; 31 06/11/2019 cm 0/10156/0 R 813.6 ROD *[1] I * viaggi di Egg : in fuga da Mortaria / Geoff Rodkey ; [Traduzione di Stefania De Franco]. - Firenze ; Milano : Giunti 16/07/2014 junior, 2013. - 284 p. ; 23 cm 0/8798/0 R 813.6 ABD 10 cose che odio di me / Randa Abdel-Fattah ; traduzione di Alessandra Orcese. - Milano : Mondadori, 2009. - 356 p. ; 30/03/2011 21 cm 0/11786/0 R 823.914 PLA *10 cose da fare prima di compiere 16 anni / Caroline Plaisted ; traduzione di Francesca Manzoni. - Milano : Piemme, 22/02/2019 2016. - 161 p. ; 20 cm. 0/6397/0 G 853.9 DEL 10 + : il mio mondo in un numero / Alessandro Del Piero. - Milano : A. Mondadori, 2007. - 164 p. : ill. ; 22 cm 30/03/2007 0/12014/0 R 030 QUI *10: Metodi di allevamento, minerali e metalli, musica e danza, poste e telecomunicazioni, pubblicita, radio e televisione 13/11/2019 / [autori: Jean-Louis Barraud ... et al.]. - Gorle : I Quindici, 2001. - 165 p. : ill.; 31 cm *100 esercizi di stretching per il tennis / [testi: Guillermo Seijas ; illustrazioni: Myriam Ferron]. -
10700990.Pdf
The Dolby era: Sound in Hollywood cinema 1970-1995. SERGI, Gianluca. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20344/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/20344/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University jj Learning and IT Services j O U x r- U u II I Adsetts Centre City Campus j Sheffield Hallam 1 Sheffield si-iwe Author: ‘3£fsC j> / j Title: ^ D o ltiu £ r a ' o UJTvd 4 c\ ^ £5ori CuCN^YTNCa IQ IO - Degree: p p / D - Year: Q^OO2- Copyright Declaration I recognise that the copyright in this thesis belongs to the author. I undertake not to publish either the whole or any part of it, or make a copy of the whole or any substantial part of it, without the consent of the author. I also undertake not to quote or make use of any information from this thesis without making acknowledgement to the author. Readers consulting this thesis are required to sign their name below to show they recognise the copyright declaration. They are also required to give their permanent address and date. -
Complete Press
Emerging Pictures in association with Media Asia, Inc., USA China Film Group, Inc., PRC Shanghai Film Group, PRC present Beauty Remains A Film by Ann Hu Running Time: 87 Minutes in Mandarin with English Subtitles Not Yet Rated Press Contacts: Sales Contact: Melody Korenbrot & Ziggy Kozlowski Ira Deutchman Block-Korenbrot Associates Emerging Pictures 8271 Melrose Ave. Suite 115 [email protected] Los Angeles, CA 90046 646-831-2909 (323) 655-0593 [email protected] [email protected] Beauty Remains The Cast Fei .....................................................................................................................ZHOU XUN Ying..................................................................................................................VIVIAN WU Huang...................................................................................................... WANG ZHI WEN The Woman Gambler............................................................................................. LISA LU Bai........................................................................................................... ZHU MAN FANG Xiao Tian .....................................................................................................SHEN CHANG Li Zhu...................................................................................................... WANG JIAN JUN Niu Niu................................................................................................................... XU JING Lawyer ..................................................................................................... -
Avid Editors Triumph at the 2014 ACE Eddie Awards
February 12, 2014 Avid Editors Triumph at the 2014 ACE Eddie Awards High-Caliber Editors Rely on the World's Preeminent Editing Software to Cut the Most Celebrated Films of the Year BURLINGTON, Mass., Feb. 12, 2014 (GLOBE NEWSWIRE) -- Avid® (Nasdaq:AVID) today congratulates the professional video editing community on their achievements at the 64th annual American Cinema Editors (ACE) Eddie Awards held in Los Angeles on February 7. Many of the nominated and award-winning films were cut by Avid editors who trust the industry's foremost nonlinear editing solution, Avid Media Composer®, for its reliability and flexibility to create higher quality, inspiring content. Avid Media Composer was used by various editors who took home awards on the night, including Christopher Rouse for Best Edited Feature Film (Dramatic) Captain Phillips, and Jay Cassidy, Crispin Struthers and Alan Baumgarten for Best Edited Feature Film (Comedy or Musical) American Hustle. "It's a thrill for our film to be nominated, especially this year with so many excellent movies and so much great editing. It's true what they say; it's a huge honor, especially when the nomination comes from your peers," said Kevin Tent, nominated for Best Edited Feature Film (Comedy or Musical) for Nebraska. "Helping us all the way to the finish line was Media Composer. An amazing machine. Truly the editor's best friend." "As a company, a key part of our heritage lies in the professional video editing community, whose passion inspires our commitment to creating the industry's most proven and trusted solutions," said Avid president and CEO Louis Hernandez Jr. -
The Companion Film to the EDITED by Website, Womenfilmeditors.Princeton.Edu)
THE FULL LIST OF ALL CLIPS in the film “Edited By” VERSION #2, total running time 1:53:00 (the companion film to the EDITED BY website, WomenFilmEditors.princeton.edu) 1 THE IRON HORSE (1924) Edited by Hettie Gray Baker Directed by John Ford 2 OLD IRONSIDES 1926 Edited by Dorothy Arzner Directed by James Cruze 3 THE FALL OF THE ROMANOV DYNASTY (PADENIE DINASTII ROMANOVYKH) (1927) Edited by Esfir Shub Directed by Esfir Shub 4 MAN WITH A MOVIE CAMERA (CHELOVEK S KINO-APPARATOM) (1929) Edited by Yelizaveta Svilova Directed by Dziga Vertov 5 CLEOPATRA (1934) Edited by Anne Bauchens Directed by Cecil B. De Mille 6 CAMILLE (1936) Edited by Margaret Booth Directed by George Cukor 7 ALEXANDER NEVSKY (ALEKSANDR NEVSKIY) (1938) Edited by Esfir Tobak Directed by Sergei M. Eisenstein and Dmitriy Vasilev 8 RULES OF THE GAME (LA RÈGLE DU JEU) (1939) Edited by Marguerite Renoir Directed by Jean Renoir 9 THE WIZARD OF OZ (1939) Edited by Blanche Sewell Directed by Victor Fleming 10 MESHES OF THE AFTERNOON (1943) Edited by Maya Deren Directed by Maya Deren and Alexander Hammid 11 IT’S UP TO YOU! (1943) Edited by Elizabeth Wheeler Directed by Henwar Rodakiewicz 12 LIFEBOAT (1944) Edited by Dorothy Spencer Directed by Alfred Hitchcock 13 ROME, OPEN CITY (ROMA CITTÀ APERTA) (1945) Edited by Jolanda Benvenuti Directed by Roberto Rossellini 14 ENAMORADA (1946) Edited by Gloria Schoemann Directed by Emilio Fernández 15 THE LADY FROM SHANGHAI (1947) Edited by Viola Lawrence Directed by Orson Welles 16 LOUISIANA STORY (1948) Edited by Helen van Dongen Directed by Robert Flaherty 17 ALL ABOUT EVE (1950) Edited by Barbara “Bobbie” McLean Directed by Joseph L.