DOCSLIB.ORG

Book 1 Peshi Register from 01-02-2014 to 10-02-2014

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

PESHI REGISTER Peshi Register From 01-02-2014 To 10-02-2014 Book No. 1 No. S.No. Reg.No. IstParty IIndParty Type of Deed Address Value Stamp Book No. Paid Bara Hindu Rao 12237 -- Mohd Asif Khali Qamar SALE , SALE WITHIN MC Bara Hindu Rao , House No. 6631-32 369,500.00 22,170.00 1 AREA ,Road No. Chamelian road, Mustail No. , Khasra , Area1 11, Area2 0, Area3 0 Bara Hindu Rao Civil Line 22287 -- Ankita Goel Madhav Goel RELINQUISHMENT DEED Civil Line, House No. 3 ,Road No. 0.00 100.00 1 , RELINQUISHMENT Court Road, Mustail No. , Khasra , DEED Area1 0, Area2 0, Area3 0 Civil Line Roshanara Road 32394 -- Anil Kumar Dharmender Kumar SALE , SALE WITHIN MC Roshanara Road , House No. 8491 1,000,000.00 60,000.00 1 AREA To 8493 (new) ,Road No. Gali Abdula Beg, Mustail No. , Khasra , Area1 44, Area2 0, Area3 0 Roshanara Road Subzi Mandi 42421 -- Ashok Kumar Anand Jindal TRANSFER OF LEASE , Subzi Mandi , House No. 30 ,Road 2,830,000.00 84,900.00 1 Luthra TRANSFER OF LEASE No. Indra Mkt, Mustail No. , Khasra , Area1 22, Area2 0, Area3 0 Subzi Mandi Village Burari 5-- 901 Rakesh Kumar Jain Nem Chand Jain , RELINQUISHMENT DEED Village Burari , House No. ,Road 0.00 100.00 1 , C-64 Ph-1 Ashok C-64 Ph-1 Ashok , RELINQUISHMENT No. Extended lal Dora, Mustail No. , Vihar delhi Vihar delhi DEED Khasra 472/1, Area1 0, Area2 10, Area3 0 Village Burari Roop Nagar 6-- 902 Kashmiri Lal Sanjna , 8/5 Roop SALE , SALE WITHIN MC Roop Nagar, House No. MPL 1/31 3,600,000.00 144,000.00 1 Girdhar , 10-K Nagar Delhi AREA Plot nO H-31 ,Road No. , Mustail No. Kohla Pur Road , Khasra , Area1 100, Area2 kamla nagar delhi 0, Area3 0 Roop Nagar 1 of 89 12 February 2014 PESHI REGISTER Peshi Register From 01-02-2014 To 10-02-2014 Book No. 1 No. S.No. Reg.No. IstParty IIndParty Type of Deed Address Value Stamp Book No. Paid Sahazada Bagh 7-- 903 Sarla Kumari Sanjiv Diwan , 99 GIFT , GIFT WITH IN MC Sahazada Bagh , House No. 14,000,000.00 840,000.00 1 Diwan , 99 Hardhiyan Singh road AREA 307/1/18 ,Road No. , Mustail No. , Hardhiyan Singh Karol Bagh New Khasra , Area1 167, Area2 road Karol Bagh Delhi 0, Area3 0 Sahazada Bagh New Delhi Teli Wara 8-- 904 Vipan Kaura , Surender Kumar SALE , SALE WITHIN MC Teli Wara , House No. 2508 (B) 1,630,000.00 73,350.00 1 3301 Ranjit Nagar Arora , 211 Sainik AREA Ward no 13 ,Road No. , Mustail No. , New Delhi vihar Pitampura Delhi Khasra , Area1 75, Area2 0, Area3 0 Teli Wara Subzi Mandi 9-- 905 Naresh Dhariwal , Dharamwati , 3265 SALE , SALE WITHIN MC Subzi Mandi , House No. 3313 ,Road 1,075,000.00 43,000.00 1 4036 shafi Arya Pura Subzi AREA No. Arya Pura, Mustail No. , Khasra , Building mandi delhi Area1 69, Area2 0, Area3 Roshanara Road 0 Subzi Mandi Delhi Gandhi Vihar 10-- 906 Dileep Kumar Vikas Bansal , SALE , SALE WITHIN MC Gandhi Vihar , House No. 490,000.00 29,400.00 1 Dhomeja , A-6/5 K-31/23 Model AREA III/1040 ,Road No. Gandhi Gali, Shivaji Apptt. Town-III Delhi Mustail No. , Khasra , Area1 8, Sec-14 Rohini Area2 0, Area3 0 Gandhi Delhi Vihar Sadar Bazar Main Road 11-- 907 Kusum Gupta , 484 Neelam Sharma , 316 SALE , SALE WITHIN MC Sadar Bazar Main Road , House No. 525,000.00 21,000.00 1 Mahavir Bazar Teliwara Sadar bazar AREA Shop 2 pno 363 ,Road No. Chhapa Teliwara Sadar delhi Khana, Mustail No. , Khasra , Area1 Bazar Delhi 10, Area2 0, Area3 0 Sadar Bazar Main Road Kishan Ganj Market 12-- 908 Raj Kumar Sharma Shashi Bala , 472/35 GIFT , GIFT WITH IN MC Kishan Ganj Market , House No. 1,150,000.00 46,000.00 1 , 34 Rama park Chisti Chaman Kishan AREA 472/1 ,Road No. Chisti Chaman Near Kishan ganj delhi Ganj delhi CSA Cly, Mustail No. , Khasra , Area1 18, Area2 0, Area3 0 Kishan Ganj Market 2 of 89 12 February 2014 PESHI REGISTER Peshi Register From 01-02-2014 To 10-02-2014 Book No. 1 No. S.No. Reg.No. IstParty IIndParty Type of Deed Address Value Stamp Book No. Paid Tilak Bazar 13-- 909 Hoor Tabassum , Ahmer Massoude , SALE , SALE WITHIN MC Tilak Bazar , House No. 1313 ,Road 1,600,000.00 96,000.00 1 1326/27 Faiz ganj 2544 Bara Chaman AREA No. Phatak Habash Khan, Mustail No. Bahadur garh Road wara Phatak Habash , Khasra , Area1 34, Area2 Delhi Khan Khari Baoli 0, Area3 0 Tilak Bazar Delhi Chandni Chowk 14-- 910 Renila Mathur , Sagar Raghunath SALE , SALE WITHIN MC Chandni Chowk , House No. 2838 450,000.00 27,000.00 1 2838 Kinari Bazar Pawar , 2837 Chail AREA ,Road No. Kinari Bazar, Mustail No. , Ch Ch Delhi Puri Kinari bazar Khasra , Area1 9, Area2 0, Delhi Area3 0 Chandni Chowk Subzi Mandi 15-- 911 Dharmender Nirmal Verma , SALE , SALE WITHIN MC Subzi Mandi , House No. 4242 ,Road 1,000,000.00 40,000.00 1 Aggarwal , B-165 A-164 Derawal nagar AREA No. Arya Pura, Mustail No. , Khasra , Derawal nagar delhi Area1 67, Area2 0, Area3 Delhi 0 Subzi Mandi Subzi Mandi 16-- 912 Dharmender Shenoy Robinson , SALE , SALE WITHIN MC Subzi Mandi , House No. 4242 ,Road 1,000,000.00 60,000.00 1 Aggarwal , B-165 C-72/73 Inderpuri AREA No. Arya Pura, Mustail No. , Khasra , Derawal nagar Delhi Area1 67, Area2 0, Area3 Delhi 0 Subzi Mandi shastri Nagar 17-- 913 Sushila Rani , Vikas Sharma , 292 SALE , SALE WITHIN MC shastri Nagar , House No. B-1444 800,000.00 48,000.00 1 B-1906 Shastri MCD Flats Nimri Cly AREA ,Road No. , Mustail No. , Khasra , NAgar Delhi Delhi Area1 42, Area2 0, Area3 0 shastri Nagar Sindhora Khurd 18-- 914 Lal Man Prajapati , Seema Verma , 168 SALE , SALE WITHIN MC Sindhora Khurd, House No. 17/90 560,000.00 22,400.00 1 26/181-C-G4 Baba Than Singh nagar AREA ,Road No. Than Singh nagar, Mustail Farid Puri West Anand Parbat delhi No. , Khasra , Area1 37, Area2 Patel nagar delhi 0, Area3 0 Sindhora Khurd 3 of 89 12 February 2014 PESHI REGISTER Peshi Register From 01-02-2014 To 10-02-2014 Book No. 1 No. S.No. Reg.No. IstParty IIndParty Type of Deed Address Value Stamp Book No. Paid Sindhora Khurd 19-- 915 Roshan Lal Suri , Vinny Nahal , SALE , SALE WITHIN MC Sindhora Khurd, House No. 290 ,Road 4,250,000.00 170,000.00 1 290 Gali no 2 Than A-382/1 Than Singh AREA No. Than Singh Nagar Anand Parbat, Singh Nagar Nagar Anand parbat Mustail No. , Khasra , Area1 84, Anand Parbat Delhi Area2 0, Area3 0 Sindhora Delhi Khurd Naya Bansh 20-- 916 Sudershan Kumar Sanjeev Kumar Gupta SALE , SALE WITHIN MC Naya Bansh , House No. 6353 ,Road 210,000.00 12,600.00 1 Gupta , 404 Haveli , 6252 Kucha Shiv AREA No. , Mustail No. , Khasra , Area1 Haider Quli Ch. Mandir Gali Batashan 10, Area2 0, Area3 0 Naya Chowk Delhi Khari Baoli Delhi Bansh Naya Bansh 21-- 917 Sanjay Kumar Sanjeev Kumar Gupta SALE , SALE WITHIN MC Naya Bansh , House No. 6359 ,Road 285,000.00 17,100.00 1 Gupta , 404 Haveli , 6252 Kucha Shiv AREA No. Main Road, Mustail No. , Khasra , Haider Quli Ch. Mandir Gali Batashan Area1 6, Area2 0, Area3 Chowk Delhi Khari Baoli Delhi 0 Naya Bansh Mori Gate 22-- 918 Heena Panjwani , Fayyaz Ahmed , 1979 SALE , SALE WITHIN MC Mori Gate , House No. 3043 ,Road 425,000.00 25,500.00 1 37/11 G F West Gali no 19 Near Ek AREA No. Gali Kalyan Singh, Mustail No. , Patel Nagar New Minar Masjid Rajiv Khasra , Area1 8, Area2 0, Delhi Gandhi Nagar New Area3 0 Mori Gate Mustafabad Sabha pur Delh Chandni Chowk 23-- 919 Harpreet Singh Gurcharan Singh , SALE , SALE WITHIN MC Chandni Chowk , House No. 211 8,800,000.00 440,000.00 1 Nagpal , 21/77 Apt G-255 Preet Vihar AREA ,Road No. Fateh Puri, Mustail No. , No B-54 Punjabi Delhi Khasra , Area1 139, Area2 bagh delhi 0, Area3 0 Chandni Chowk Farash Khana 24-- 920 Khaleel Ahmed , Abdul Khaliq , 946 SALE , SALE WITHIN MC Farash Khana , House No. 1144 650,000.00 39,000.00 1 1894 Gali Behram Gali Rajan Farash AREA (part) ,Road No. Gali Samosan, Beg Lal Kuan Khana Delhi Mustail No. , Khasra , Area1 30, Delhi Area2 0, Area3 0 Farash Khana 4 of 89 12 February 2014 PESHI REGISTER Peshi Register From 01-02-2014 To 10-02-2014 Book No. 1 No. S.No. Reg.No. IstParty IIndParty Type of Deed Address Value Stamp Book No. Paid Subzi Mandi 25-- 921 Dharmender Sohan Lal , A-321 SALE , SALE WITHIN MC Subzi Mandi , House No. 4242 ,Road 1,000,000.00 60,000.00 1 Aggarwal , B-165 Surya Nagar AREA No. Arya pura, Mustail No. , Khasra , Derawal Nagar Ghaziabad Area1 67, Area2 0, Area3 Delhi 0 Subzi Mandi Subzi Mandi 26-- 922 S Karamjit Singh , Sonali Girdhar , 10-K SALE , SALE WITHIN MC Subzi Mandi , House No. 7255 ,Road 915,000.00 36,600.00 1 AG-10 Shalimar Kohla Pur Road AREA No. Ajindra Mkt, Mustail No. , Khasra Bagh Delhi Kamla Nagar Delhi , Area1 15, Area2 0, Area3 0 Subzi Mandi Teli Wara 27-- 923 Krishan Lal Aslam Qureshi , 7939 SALE , SALE WITHIN MC Teli Wara , House No.
Recommended publications
  • Download the Complete Issue Here

    Download the Complete Issue Here

    Theatre for Change 1 Editorial ‘The very process of the workshop does so much for women. The process is an end in itself. For women who are not given to articulating their views, women who are not given to exploring their bodies in a creative way, for feeling good, for feeling fresh. Just doing physical and breathing exercises is a liberating experience for them. Then sharing experiences with each other and discovering that they are not insane, you know, discovering that every woman has dissatisfaction and negative feelings, touching other lives . When you come together in a space, you develop a trust, sharing with each other, enjoying just being in this space, enjoying singing and creating, out of your own experiences, your own plays’—Tripurari Sharma Theatre as process—workshopping—is an empowering activity. It encourages self- expression, develops self-confidence and communication skills, and promotes teamwork, cooperation, sharing. It is also therapeutic, helping individuals to probe within and express—share—deeply emotional experiences. Role-playing enables one to ‘enact’ something deeply personal that one is not otherwise able to express, displacing it and rendering it ‘safe’, supposedly ‘fictionalized’. In short, workshopping can be a liberatory experience. For women who, in our society especially, are not encouraged to develop an intimacy with their bodies, who are conditioned to be ashamed or uncomfortable about their physicality, the process of focusing on the body, on exercises which change one’s awareness of and relationship with and deployment of one’s body, offers an additional benefit, opening up a dimension of physicality which is normally out of bounds.
  • Group Housing

    Group Housing

    LIST OF ALLOTED PROPERTIES DEPARTMENT NAME- GROUP HOUSING S# RID PROPERTY NO. APPLICANT NAME AREA 1 60244956 29/1013 SEEMA KAPUR 2,000 2 60191186 25/K-056 CAPT VINOD KUMAR, SAROJ KUMAR 128 3 60232381 61/E-12/3008/RG DINESH KUMAR GARG & SEEMA GARG 154 4 60117917 21/B-036 SUDESH SINGH 200 5 60036547 25/G-033 SUBHASH CH CHOPRA & SHWETA CHOPRA 124 6 60234038 33/146/RV GEETA RANI & ASHOK KUMAR GARG 200 7 60006053 37/1608 ATEET IMPEX PVT. LTD. 55 8 39000209 93A/1473 ATS VI MADHU BALA 163 9 60233999 93A/01/1983/ATS NAMRATA KAPOOR 163 10 39000200 93A/0672/ATS ASHOK SOOD SOOD 0 11 39000208 93A/1453 /14/AT AMIT CHIBBA 163 12 39000218 93A/2174/ATS ARUN YADAV YADAV YADAV 163 13 39000229 93A/P-251/P2/AT MAMTA SAHNI 260 14 39000203 93A/0781/ATS SHASHANK SINGH SINGH 139 15 39000210 93A/1622/ATS RAJEEV KUMAR 0 16 39000220 93A/6-GF-2/ATS SUNEEL GALGOTIA GALGOTIA 228 17 60232078 93A/P-381/ATS PURNIMA GANDHI & MS SHAFALI GA 200 18 60233531 93A/001-262/ATS ATUULL METHA 260 19 39000207 93A/0984/ATS GR RAVINDRA KUMAR TYAGI 163 20 39000212 93A/1834/ATS GR VIJAY AGARWAL 0 21 39000213 93A/2012/1 ATS KUNWAR ADITYA PRAKASH SINGH 139 22 39000211 93A/1652/01/ATS J R MALHOTRA, MRS TEJI MALHOTRA, ADITYA 139 MALHOTRA 23 39000214 93A/2051/ATS SHASHI MADAN VARTI MADAN 139 24 39000202 93A/0761/ATS GR PAWAN JOSHI 139 25 39000223 93A/F-104/ATS RAJESH CHATURVEDI 113 26 60237850 93A/1952/03 RAJIV TOMAR 139 27 39000215 93A/2074 ATS UMA JAITLY 163 28 60237921 93A/722/01 DINESH JOSHI 139 29 60237832 93A/1762/01 SURESH RAINA & RUHI RAINA 139 30 39000217 93A/2152/ATS CHANDER KANTA
  • Université De Montréal /7 //F Ç /1 L7iq/5-( Dancing Heroines: Sexual Respectability in the Hindi Cinema Ofthe 1990S Par Tania

    Université De Montréal /7 //F Ç /1 L7iq/5-( Dancing Heroines: Sexual Respectability in the Hindi Cinema Ofthe 1990S Par Tania

    /7 //f Ç /1 l7Iq/5-( Université de Montréal Dancing Heroines: Sexual Respectability in the Hindi Cinema ofthe 1990s par Tania Ahmad Département d’anthropologie Faculté des arts et sciences Mémoire présenté à la Faculté des études supérieures en vue de l’obtention du grade de M.Sc. en programme de la maîtrise août 2003 © Tania Ahrnad 2003 n q Université (1111 de Montréal Direction des bibliothèques AVIS L’auteur a autorisé l’Université de Montréal à reproduire et diffuser, en totalité ou en partie, par quelque moyen que ce soit et sur quelque support que ce soit, et exclusivement à des fins non lucratives d’enseignement et de recherche, des copies de ce mémoire ou de cette thèse. L’auteur et les coauteurs le cas échéant conservent la propriété du droit d’auteur et des droits moraux qui protègent ce document. Ni la thèse ou le mémoire, ni des extraits substantiels de ce document, ne doivent être imprimés ou autrement reproduits sans l’autorisation de l’auteur. Afin de se conformer à la Loi canadienne sur la protection des renseignements personnels, quelques formulaires secondaires, coordonnées ou signatures intégrées au texte ont pu être enlevés de ce document. Bien que cela ait pu affecter la pagination, il n’y a aucun contenu manquant. NOTICE The author of this thesis or dissertation has granted a nonexclusive license allowing Université de Montréal to reproduce and publish the document, in part or in whole, and in any format, solely for noncommercial educational and research purposes. The author and co-authors if applicable retain copyright ownership and moral rights in this document.
  • Dtp1april14.Qxd

    Dtp1april14.Qxd

    DLD‰‰†‰KDLD‰‰†‰DLD‰‰†‰MDLD‰‰†‰C Crooning glory: Extra effort: THE TIMES OF INDIA Minogue hits a Manya’s focus Monday, April 14, 2003 classical note is for real... Page 7 Page 8 TO D AY S LUCKY 878 Lay then straight Diamond Jubilee 875 842 W inny the Pooh House with bamboo door 854 Your Dambola Ticket available in Delhi Times on 13th April, 2003 OF INDIA Numbers already announced : 72, 9, 23, 85 MANOJ KESHARWANI There’s something fishy about smuggling The use of rotten fish as a decoy for smuggling drugs is the latest trick up the smuggler’s sleeve ARUN KUMAR DAS If you haven’t guessed and heroin don’t find a menti- where drugs have been hidden within Times News Network already, innovation is the on in the smuggler’s hand- wheel-chairs and dead bodies. There is name of the game. Smugg- book. ‘‘New methods of sm- no guessing the exact modus operandi.’’ hings are definitely getting curi- ling of drugs was never uggling have been adopted Bhargav, on his part, maintains that ouser and curiouser. We’re talk- such an intellectual cat- for hashish and heroin. For officialdom is a step ahead — but only Ting about the artful dodgers of and-mouse game as it is instance, specially-made just. ‘The part played by our intelligen- the smuggling world, who have taken to now. Smugglers have re- wooden handicraft items, ce network is of utmost importance. We camouflaging cocaine within rotten fi- peatedly changed their complete with cavities, are would never have been able to make the sh and packets of suji.
  • Hindi DVD Database 2014-2015 Full-Ready

    Hindi DVD Database 2014-2015 Full-Ready

    Malayalam Entertainment Portal Presents Hindi DVD Database 2014-2015 2014 Full (Fourth Edition) • Details of more than 290 Hindi Movie DVD Titles Compiled by Rajiv Nedungadi Disclaimer All contents provided in this file, available through any media or source, or online through any website or groups or forums, are only the details or information collected or compiled to provide information about music and movies to general public. These reports or information are compiled or collected from the inlay cards accompanied with the copyrighted CDs or from information on websites and we do not guarantee any accuracy of any information and is not responsible for missing information or for results obtained from the use of this information and especially states that it has no financial liability whatsoever to the users of this report. The prices of items and copyright holders mentioned may vary from time to time. The database is only for reference and does not include songs or videos. Titles can be purchased from the respective copyright owners or leading music stores. This database has been compiled by Rajiv Nedungadi, who owns a copy of the original Audio or Video CD or DVD or Blu Ray of the titles mentioned in the database. The synopsis of movies mentioned in the database are from the inlay card of the disc or from the free encyclopedia www.wikipedia.org . Media Arranged By: https://www.facebook.com/pages/Lifeline/762365430471414 © 2010-2013 Kiran Data Services | 2013-2015 Malayalam Entertainment Portal MALAYALAM ENTERTAINMENT PORTAL For Exclusive
  • Downloads/NZJAS-%20Dec07/02Booth6.Pdfarameters.Html

    Downloads/NZJAS-%20Dec07/02Booth6.Pdfarameters.Html

    Ph.D. Thesis ( FEMALE PROTAGONIST IN HINDI CINEMA: Women’s Studies A COMPARATIVE STUDY OF REPRESENTATIVE FILMS FROM 1950 TO 2000 ABSTRACT OF THE THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF ) Doctor of Philosophy IN WOMEN’S STUDIES SIFWAT MOINI BY SIFWAT MOINI UNDER THE SUPERVISION OF DR. PITABAS PRADHAN (Associate Professor) 201 6 ADVANCED CENTRE FOR WOMEN’S STUDIES ALIGARH MUSLIM UNIVERSITY ALIGARH-202002 (INDIA) 2016 DEPARTMENT OF MASS COMMUNICATION ALIGARH MUSLIM UNIVERSITY Dr. Pitabas Pradhan Associate Professor Certificate This is to certify that Ms. Sifwat Moini has completed her Ph.D. thesis entitled ‘Female Protagonist in Hindi Cinema: A Comparative Study of Representative Films from 1950 to 2000’ under my supervision. This thesis has been submitted to the Advanced Centre for Women’s Studies, Aligarh Muslim University, Aligarh for the award of degree of Doctor of Philosophy. It is further certified that this thesis represents original work and to the best of my knowledge has not been submitted for any degree of this university or any other university. (Dr. Pitabas Pradhan) Supervisor Sarfaraz House, Aligarh Muslim University, Aligarh-202002 Phone: 0571-2704857, Ext.: 1355,Email: [email protected], [email protected] ACKNOWLEDGEMENT I owe all of my thankfulness to the existence of the Almighty and the entities in which His munificence is reflected for the completion of this work. My heartfelt thankfulness is for my supervisor, Dr. Pitabas Pradhan. His presence is a reason of encouragement, inspiration, learning and discipline. His continuous support, invaluable feedback and positive criticism made me sail through. I sincerely thank Prof.
  • Sex in the Snow: the Himalayas As Erotic Topos in Popular Hindi Cinema

    Sex in the Snow: the Himalayas As Erotic Topos in Popular Hindi Cinema

    HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies Volume 25 Number 1 Himalaya No. 1 & 2 Article 7 2005 Sex in the Snow: The Himalayas as Erotic Topos in Popular Hindi Cinema Philip Lutgendorf University of Iowa Follow this and additional works at: https://digitalcommons.macalester.edu/himalaya Recommended Citation Lutgendorf, Philip. 2005. Sex in the Snow: The Himalayas as Erotic Topos in Popular Hindi Cinema. HIMALAYA 25(1). Available at: https://digitalcommons.macalester.edu/himalaya/vol25/iss1/7 This Research Article is brought to you for free and open access by the DigitalCommons@Macalester College at DigitalCommons@Macalester College. It has been accepted for inclusion in HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. PHILIP LUTGENDORF, UNIVERSITY OF IOWA SEx IN THE SNow: THE HIMALAYAS AS EROTIC Toros IN PoPULAR HINDI CINEMA, Fantasies about life beyond the front range of the Great Himalaya have been a trope in ln­ dian literature since at least the period of the Sanskrit epics. The demi-divine beings believed to inhabit the high country were famously sexually active, and even the human "northern Kurus" (as residents of the region have somet.imes been called) were rumored to have long, happy lives unburdened by inhibitions, especially in sexual matters: their women were alleg­ edly free to enjoy multiple extra-marital liasons and polyandrous marriages. Such legends appear to persist in popular 20th century narrative through a much-used trope in Bombay Epic and puranic cinema: the depiction of the Himalayas as a realm of uninhibited romantic fantasy.
  • Kal Ho Naa Ho

    Kal Ho Naa Ho

    cineworx Indian Love Story – Kal Ho Naa Ho ein Film von Nikhil Advani Indien 2003 _ 187 min. _ 35mm _ Farbe _ OmdU _ FSK 6 beantragt KINOSTART 8. Juli 2004 Verleih und Presse cineworx gmbh gerbergasse 30 postfach ch-4001 basel fon: +41-61 261 63 70 fax: +41-61 261 63 77 e-mail: [email protected] cineworx Credits................................................................................2 Kurzinformation ..................................................................3 Inhalt...................................................................................3 Hintergrundinformation.......................................................4 Regisseur Nikhil Advani......................................................5 Interview mit Nikhil Advani..................................................5 Darsteller............................................................................8 Drehbuch: Karan Johar ....................................................12 ‚Dharma Productions’ .......................................................12 Auszeichnungen und Festivals.........................................14 Pressestimmen.................................................................14 INDIAN LOVE STORY – KAL HO NAA HO 1 cineworx .........................................................................................Credits INDIAN LOVE STORY – KAL HO NAA HO Originaltitel: KAL HO NAA HO Indien 2003 · 187 Minuten · OmdU (Hindi) · 35mm/Cinemascope · FSK 6 beantragt Offizielle indische Homepage: www.khnhthefilm.com Regie....................................Nikhil
  • 1St Filmfare Awards 1953

    1St Filmfare Awards 1953

    FILMFARE NOMINEES AND WINNER FILMFARE NOMINEES AND WINNER................................................................................ 1 1st Filmfare Awards 1953.......................................................................................................... 3 2nd Filmfare Awards 1954......................................................................................................... 3 3rd Filmfare Awards 1955 ......................................................................................................... 4 4th Filmfare Awards 1956.......................................................................................................... 5 5th Filmfare Awards 1957.......................................................................................................... 6 6th Filmfare Awards 1958.......................................................................................................... 7 7th Filmfare Awards 1959.......................................................................................................... 9 8th Filmfare Awards 1960........................................................................................................ 11 9th Filmfare Awards 1961........................................................................................................ 13 10th Filmfare Awards 1962...................................................................................................... 15 11st Filmfare Awards 1963.....................................................................................................
  • III Kor. Wyd.Indb

    III Kor. Wyd.Indb

    Studia Filmoznawcze 32 Wroc³aw 2011 Tatiana Szurlej Uniwersytet Jagielloñski SARE DAHAN SE AÆÆHA HINDUSTAN HAMARA?1 ZACHÓD W FILMACH KARANA JOHARA Gwiazdorska obsada skupiona wokół Shah Rukha Khana, skomplikowana histo- ria miłosna, łatwo wpadające w ucho piosenki, wspaniałe układy choreografi czne i szczęśliwe zakończenia. Oto jak w skrócie często opisuje się fi lmy bollywoodzkie. Opis ten znakomicie pasuje do dzieł Karana Johara, jednego z tych indyjskich reży- serów, którzy zdają się dokładnie znać swoją publiczność, wiedzieć, czego wymaga, z czym się utożsamia i co najbardziej lubi oglądać. Humor i patos doskonale rów- noważą się w jego fi lmach, a spora dawka dydaktyzmu, bardzo w Indiach ceniona, pozwala bohaterom stać się wzorem do naśladowania. O twórczości Karana Joha- ra napisano sporo, a i same fi lmy są doskonale znane polskiemu widzowi, dlatego przedstawiając dorobek reżysera, skupię się na wybranym zagadnieniu, żeby niepo- trzebnie nie powielać tego, co już napisali inni. Jednym z najbardziej interesujących elementów, powtarzanych i twórczo rozwijanych przez Johara, jest przewrotność, z jaką tworzy on bohaterów swoich opowieści. Im mniej widocznej na pierwszy rzut oka indyjskości, podkreślanej zwykle strojem bohatera i silnie zaznaczoną przyna- leżnością do jednej z religii subkontynentu, tym bardziej moralne i godne podziwu jest jego zachowanie. Warto więc dla odmiany spojrzeć na fi lmy Karana Johara, uwa- żanego za piewcę indyjskich wartości, jako na próbę oswajania Zachodu. 1 Najwspanialszym krajem na świecie są nasze Indie (przeł. Tatiana Szurlej). Tytuł poematu, opublikowanego po raz pierwszy w tygodniku „Ittehad” 16 sierpnia 1904 roku, którego autorem jest Muhammad Iqbal. Był to początkowo hymn walczących przeciwko panowaniu brytyjskiemu w In- diach, lecz wkrótce pieśń stała się odą na temat Indii, chętnie śpiewaną przy ważnych okazjach.
  • 0915 Kal Ho Naa Ho.P65

    0915 Kal Ho Naa Ho.P65

    56 Kal ho naa ho Tomorrow May Never Come Regie: Nikhil Advani Land: Indien 2003. Produktion: Dharma Productions, Bombay. Regie: Synopsis Nikhil Advani. Buch: Karan Johar. Kamera: Anil Mehta. Ausstattung: Twenty-three-year-old Naina Catherine Kapur lives in an Sharmishta Roy. Kostüme: Manish Malhotra. Musik: Shankar, Ehsaan, Indian neighbourhood in Queens, New York. Her life is cold, Loy. Dialoge: Niranjan Iyengar. Songtexte: Javed Akhtar. Ton: Anuj grey and full of responsibilites, as it has been ever since a Mathur. Choreographie: Farah Khan. Schnitt: Sanjay Sankla. Co-Pro- family tragedy shook her world. Between the constant bick- duzent: Hiroo Johar. Produzent: Yash Johar. ering in her half-Punjabi, half-Catholic household, her grand- Darsteller: Jaya Bachchan (Jennifer Kapur), Preity Zinta (Naina Cathe- mother’s temper, looking after her little sister and brother rine Kapur), Shah Rukh Khan (Aman Mathur), Saif Ali Khan (Rohit and helping her mother deal with the family’s financial Patel), Sonali Bendre (Dr. Prija), Sushma Seth (Lajjo Kapur), Dara Singh troubles, Naina has no time for things like parties, fun or (Onkel Chadda), Reema Lagoo (Amans Mutter), Ketki Dave (Rohits her own needs. Serious and regimented, she has come to Mutter) u.a. terms with her life and with her responsibilities. Format: 35mm, Cinemascope, Farbe. Länge: 187 Min., 24 Bilder/Sek. That changes when Aman Mathur enters her life. He moves Sprache: Hindi. into their neigbourhood like a breath of fresh air. He helps Uraufführung: 27. November 2003, New York. others resolve their problems and face life’s little chal- Weltvertrieb: M/s. Yash Raj Films International Ltd., Wembley Point, lenges.
  • Aditya Chopra Next Direction Movie

    Aditya Chopra Next Direction Movie

    Aditya Chopra Next Direction Movie Gerard never detrains any mobocracy kep voraciously, is Jeffery bended and fouled enough? Flabbiest William channelling his chromas moralise possessively. Guthrie still carps speedily while cytoid Brody penetrates that ontology. Yash chopra movies aditya did ddlj which also an alcoholic policeman tries to direction after the title to be directing for. These annoying types of movie award for fully loading case one the next film directed by a younger married to know today, adityas diary account. Bedazzled in love in a story of the direction while the official wiki is planning on? Is yet savvy character in india and the direction of the market, parampara and his friend. Bollywood movies directed her friend and famous. American media corporation ceo looked very brief appearance. She has directed movies! This aditya chopra directed by! She was one should i remember, they are likely to move them with yash chopra wrote the film succeeds in a joint family. Coming weeks back on twitter and now, last directing the entire story of. Future to directing shah rukh khan next movie night gift by an epitome of. With aditya chopra movies to. They had been known for? Keep ending up on adityas diary in movies directed are in india by movie direction and hema malini, and tanisha mukherjee. Arrive at the movie except, aditya chopra directed by directing the creative team for birth anniversary dad! Rhea into a boy and director differs from. The next five zee cine vision and aditya chopra movies, adityas directorial venture this greed, hum tum proved to direct my teacher raj.