The Revenge of Europe
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Esadegeo Annual Reports
CENTER FOR GLOBAL ECONOMY AND GEOPOLITICS 2017 ANNUAL 2018 REPORT Contents 03 About ESADEgeo 06 Education 09 Policy Debate 25 Publications & Research 30 Key Figures 2 About ESADEgeo Vision To become the benchmark for other business schools in the study of globalisation and organisations. Mission To provide organisations with the necessary tools to organise themselves and strategise in a globalised world. Programmes Global Governance Global Economy Global Risks ESADE China Europe Club 3 Financial Supporters & Partners Financial supporters Activity-based partners Global Governance ESADE China Europe Club Academic partners External Internal Brookings Chair in Leadership & Democratic Governance CIDOB & IBEI Department of Economics Georgetown University ESADEgov Center for Public Governance European University Institute ESADE Law School Sciences Po Observatory of Spanish Multinational Companies 4 Team Javier Solana President of ESADEgeo David Vegara Vice-President of ESADEgeo Angel Saz-Carranza Director of ESADEgeo Angel Pascual-Ramsay Director of the Global Risks Programme Ivana Casaburi Director of the ESADE China Europe Club Irene Alba Associate Director of ESADEgeo Marie Vandendriessche Researcher & Project Manager, ESADEgeo Óscar Fernández Research Assistant, ESADEgeo Non-resident fellows Ruth Aguilera Full Professor at D’Amore-McKim School of Business, Northeastern University (Boston, MA) Adrià Albareda Research Associate, Institute for Public Governance and Management, ESADE Ryan Federo PhD in Management Sciences, ESADE 5 Education Teaching ESADEgeo's MOOC on Coursera: Geopolítica y gobernanza global Since its launch in November 2015, over 20,000 students have enrolled in ESADEgeo’s MOOC Geopolítica y Gobernanza Global, hosted by Coursera. Over the last two and a half years, however, the global context has undeniably changed – and ESADEgeo has kept up. -
Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama
e Interdisciplinary Journal of Popular Culture and Pedagogy Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama Courtney Watson, Ph.D. Radford University Roanoke, Virginia, United States [email protected] ABSTRACT Cultural movements including #TimesUp and #MeToo have contributed momentum to the demand for and development of smart, justified female criminal characters in contemporary television drama. These women are representations of shifting power dynamics, and they possess agency as they channel their desires and fury into success, redemption, and revenge. Building on works including Gillian Flynn’s Gone Girl and Netflix’s Orange is the New Black, dramas produced since 2016—including The Handmaid’s Tale, Ozark, and Killing Eve—have featured the rise of women who use rule-breaking, rebellion, and crime to enact positive change. Keywords: #TimesUp, #MeToo, crime, television, drama, power, Margaret Atwood, revenge, Gone Girl, Orange is the New Black, The Handmaid’s Tale, Ozark, Killing Eve Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy 37 Watson From the recent popularity of the anti-heroine in novels and films like Gone Girl to the treatment of complicit women and crime-as-rebellion in Hulu’s adaptation of The Handmaid’s Tale to the cultural watershed moments of the #TimesUp and #MeToo movements, there has been a groundswell of support for women seeking justice both within and outside the law. Behavior that once may have been dismissed as madness or instability—Beyoncé laughing wildly while swinging a baseball bat in her revenge-fantasy music video “Hold Up” in the wake of Jay-Z’s indiscretions comes to mind—can be examined with new understanding. -
Some Observations on the Weddings of Tokugawa Shogun’S Daughters – Part 2
University of Pennsylvania ScholarlyCommons Department of East Asian Languages and Civilizations School of Arts and Sciences October 2012 Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 2 Cecilia S. Seigle Ph.D. University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/ealc Part of the Family, Life Course, and Society Commons, Inequality and Stratification Commons, and the Social and Cultural Anthropology Commons Recommended Citation Seigle, Cecilia S. Ph.D., "Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 2" (2012). Department of East Asian Languages and Civilizations. 8. https://repository.upenn.edu/ealc/8 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/ealc/8 For more information, please contact [email protected]. Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 2 Abstract This section discusses the complex psychological and philosophical reason for Shogun Yoshimune’s contrasting handlings of his two adopted daughters’ and his favorite son’s weddings. In my thinking, Yoshimune lived up to his philosophical principles by the illogical, puzzling treatment of the three weddings. We can witness the manifestation of his modest and frugal personality inherited from his ancestor Ieyasu, cohabiting with his strong but unconventional sense of obligation and respect for his benefactor Tsunayoshi. Disciplines Family, Life Course, and Society | Inequality and Stratification | Social and Cultural Anthropology This is available at ScholarlyCommons: https://repository.upenn.edu/ealc/8 Weddings of Shogun’s Daughters #2- Seigle 1 11Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 2 e. -
Reproductions Supplied by EDRS Are the Best That Can Be Made from the Ori Inal Document. SCHOOL- CHOICE
DOCUMENT RESUME ED 460 188 UD 034 633 AUTHOR Moffit, Robert E., Ed.; Garrett, Jennifer J., Ed.; Smith, Janice A., Ed. TITLE School Choice 2001: What's Happening in the States. INSTITUTION Heritage Foundation, Washington, DC. ISBN ISBN-0-89195-100-8 PUB DATE 2001-00-00 NOTE 275p.; For the 2000 report, see ED 440 193. Foreword by Howard Fuller. AVAILABLE FROM Heritage Foundation, 214 Massachusetts Avenue, N.E., Washington, DC 20002-4999 ($12.95). Tel: 800-544-4843 (Toll Free). For full text: http://www.heritage.org/schools/. PUB TYPE Books (010) Reports Descriptive (141) EDRS PRICE MF01/PC11 Plus Postage. DESCRIPTORS *Academic Achievement; Charter Schools; Educational Vouchers; Elementary Secondary Education; Private Schools; Public Schools; Scholarship Funds; *School Choice ABSTRACT This publication tracks U.S. school choice efforts, examining research on their results. It includes: current publicschool data on expenditures, schools, and teachers for 2000-01 from a report by the National Education Association; a link to the states'own report cards on how their schools are performing; current private school informationfrom a 2001 report by the National Center for Education Statistics; state rankingson the new Education Freedom Index by the Manhattan Institute in 2000; current National Assessment of Educational Progress test results releasedin 2001; and updates on legislative activity through mid-July 2001. Afterdiscussing ways to increase opportunities for children to succeed, researchon school choice, and public opinion, a set of maps and tables offera snapshot of choice in the states. The bulk of the book containsa state-by-state analysis that examines school choice status; K-12 public schools andstudents; K-12 public school teachers; K-12 public and private school studentacademic performance; background and developments; position of the governor/composition of the state legislature; and statecontacts. -
The Pathologising Effect of TV Revengendas
University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Arts, Social Sciences & Humanities 1-1-2015 The bitter taste of payback: the pathologising effect of TV revengendas Cassandra E. Sharp University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/lhapapers Part of the Arts and Humanities Commons, and the Law Commons Recommended Citation Sharp, Cassandra E., "The bitter taste of payback: the pathologising effect of TV revengendas" (2015). Faculty of Law, Humanities and the Arts - Papers. 2422. https://ro.uow.edu.au/lhapapers/2422 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The bitter taste of payback: the pathologising effect of TV revengendas Abstract The thirst for vengeance is a timeless subject in popular entertainment. One need only think of Old Testament scripture; Shakespeare's Hamlet; Quentin Tarantino's Kill Bill or the TV series Revenge, and we immediately conjure up images of a protagonist striving to seek justice to avenge a heinous wrong committed against them. These texts, and others like it, speak to that which is ingrained in our human spirit about not only holding others responsible for their actions, but also about retaliation as payback. This article seeks to problematise the way the popular revenge narrative effectively constructs the vendetta as a guilty pleasure through which the audience can vicariously gain satisfaction, while at the same time perpetuates law's rhetoric that personal desires for vengeance are to be repressed and denied. -
The Rise of Controversial Content in Film
The Climb of Controversial Film Content by Ashley Haygood Submitted to the Department of Communication Studies in partial fulfillment of the requirements for the degree of Masters of Arts in Communication at Liberty University May 2007 Film Content ii Abstract This study looks at the change in controversial content in films during the 20th century. Original films made prior to 1968 and their remakes produced after were compared in the content areas of profanity, nudity, sexual content, alcohol and drug use, and violence. The advent of television, post-war effects and a proposed “Hollywood elite” are discussed as possible causes for the increase in controversial content. Commentary from industry professionals on the change in content is presented, along with an overview of American culture and the history of the film industry. Key words: film content, controversial content, film history, Hollywood, film industry, film remakes i. Film Content iii Acknowledgements I would like to thank my family for their unwavering support during the last three years. Without their help and encouragement, I would not have made it through this program. I would also like to thank the professors of the Communications Department from whom I have learned skills and information that I will take with me into a life-long career in communications. Lastly, I would like to thank my wonderful Thesis committee, especially Dr. Kelly who has shown me great patience during this process. I have only grown as a scholar from this experience. ii. Film Content iv Table of Contents ii. Abstract iii. Acknowledgements I. Introduction ……………………………………………………………………1 II. Review of the Literature……………………………………………………….8 a. -
MA Thesis Ceremonials FINAL
ABSTRACT CEREMONIALS: A RECLAMATION OF THE WITCH THROUGH DEVISED RITUAL THEATRE by Rachel Lynn Brandenburg Rituals have been used throughout history as a way to process change and emotion. In the modern day, people are beginning to turn away from organized religion and to take on more personalized rituals and spirituality. As such, identifying as a witch is a growing phenomenon that serves to empower many personally, politically, and spiritually. This creative thesis takes an autobiographical approach to explore how ritual and the identity of the witch can be used as tools of empowerment, tracing the artist’s own journey from Catholicism to a more fluid spiritual life. On February 22nd, 2019, Ceremonials: A Ritual Play opened as part of Miami University’s Independent Artist Series. The play was devised with a student ensemble over a period of five months and stands as the culmination of a series of performance projects that sought to combine ritual and theatre. This portfolio spans the breadth of that practice-based research and includes examples from performance experiments and the devising process, as well as reflections on how ritual and devised theatre can help to empower the individual and the artist. CEREMONIALS: A RECLAMATION OF THE WITCH THROUGH DEVISED RITUAL THEATRE A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts by Rachel Lynn Brandenburg Miami University Oxford, Ohio 2019 Advisor: Saffron Henke Reader: Julia Guichard Reader: Christiana Molldrem Harkulich ©2019 Rachel Lynn Brandenburg This Thesis titled CEREMONIALS: A RECLAMATION OF THE WITCH THROUGH DEVISED RITUAL THEATRE by Rachel Lynn Brandenburg has been approved for publication by The College of Creative Arts and Department of Theatre ____________________________________________________ Saffron Henke, MFA ______________________________________________________ Julia Guichard, MFA _______________________________________________________ Christiana Molldrem Harkulich, PhD Table of Contents 1. -
Jastics Delays' Rsveüge
Jastics Delays’ Rsveüge- . ■ C il 1X1 a i - . : . "Г / с;. Justice Delays Revenge- The Spanish Tragedy and Revenge Tradition A Thesis Submitted to the Faculty of Letters and the Institute of Economics and Social Sciences of Bilkent University in Partial Fulfilment of the Requirements for the Degree of Master of Arts in English Language and Literature ta «4^^ by Erhan Kukner September, 1991 PR. Л.65'4 ' S63 è- 3079 We certify that we have read this thesis and that in our combined opinion it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Arts. Asst.Prof.Dr. Hamit Çalışkan (A d v i s o r ) L y ■'· Prof.Dr. Bülent Bozkurt (Committee Member) ' ^ 1 Dr. Laurence A. Raw Approved for the Institute of Economics and Social Sciences 1 1 Abstract Justice Delays Revenge- The Spanish Tragedy and Revenge Tradition Erhan Kükner M.A. In English Literature Advisor: Asst.Prof-Dr. Hamit Çalışkan September, 1991 The Spanish Tragedv. one of the best examples of English Renaissance drama, contributed towards the establishment of the revenge tragedy genre, which gained popularity in the years to come. Kyd in this play not only indicates that when the law is unjust, man will resort to revenge; but also demonstrates that a citizen should obey the ruler and regard revenge as a revolt against the state. Tl-is play tells the story of Hieronimo, who expects the murderer^ of his son to be punished. However, Hieronimo gradually discovers that the institutions of justice are useless and therefore takes revenge. -
A Critical Assessment of the Political Doctrines of Michael Oakeshott
David Richard Hexter Thesis Title: A Critical Assessment of the Political Doctrines of Michael Oakeshott. Submitted in partial fulfilment of the requirements of the Degree of Doctor of Philosophy. 1 Statement of Originality I, David Richard Hexter, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged and my contribution indicated. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the college has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. David R Hexter 12/01/2016 2 Abstract Author: David Hexter, PhD candidate Title of thesis: A Critical Assessment of the Political Doctrines of Michael Oakeshott Description The thesis consists of an Introduction, four Chapters and a Conclusion. In the Introduction some of the interpretations that have been offered of Oakeshott’s political writings are discussed. The key issue of interpretation is whether Oakeshott is best considered as a disinterested philosopher, as he claimed, or as promoting an ideology or doctrine, albeit elliptically. -
Press Conference Held by Javier Solana and Milo Djukanovic at the Council of the European Union (Brussels, May 2006)
Press conference held by Javier Solana and Milo Djukanovic at the Council of the European Union (Brussels, May 2006) Source: Conférence de presse: Javier Solana et Milo Djukanovic / JAVIER SOLANA, Milo Djukanovic.- Bruxelles: Communautés européennes [Prod.], mai 2006. Conseil de l'Union européenne, Bruxelles. - VIDEO (00:05:12, Couleur, Son original). Council of the European Union, Rue de la Loi, 175, B-1048 Brussels. Copyright: Transcription CVCE.EU by UNI.LU All rights of reproduction, of public communication, of adaptation, of distribution or of dissemination via Internet, internal network or any other means are strictly reserved in all countries. Consult the legal notice and the terms and conditions of use regarding this site. URL: http://www.cvce.eu/obj/press_conference_held_by_javier_solana_and_milo_djukan ovic_at_the_council_of_the_european_union_brussels_may_2006-en-662f1844- 3305-45db-b9eb-21aeaf72f2d4.html Last updated: 04/07/2016 1/2 Press conference held by Javier Solana and Milo Djukanovic at the Council of the European Union (Brussels, May 2006) [Javier Solana] It is a great pleasure for me to receive Milo Djukanovic, the Prime Minister of Montenegro, a friend of many, many years, and days after the referendum that took place in Montenegro. Let me make just a few remarks, a few comments on behalf of the European Union. First, I told to him personally, as I said publicly the other day, that we want to congratulate the Montenegrin people. I want to say that, for us, the referendum has been free and fair, and the results very impressive, taking into consideration the very high percentage of turnout. So, for us, the question of the referendum is over, since the international institutions in which we trusted to analyse the behaviour of the electoral process have said that the referendum was free and fair. -
Quartet Statement
19 July 2007 STATEMENT BY MIDDLE EAST QUARTET The following statement was issued today by the Quartet (United Nations, Russian Federation, United States and European Union): The Quartet principals -- Russian Foreign Minister Sergei Lavrov, United States Secretary of State Condoleezza Rice, United Nations Secretary-General Ban Ki-moon, High Representative for European Foreign and Security Policy Javier Solana, Portuguese Foreign Minister Luis Amado and European Commissioner for External Relations Benita Ferrero-Waldner -- met today in Portugal to discuss the situation in the Middle East. They were joined by Quartet Representative Tony Blair. The Quartet reaffirmed its commitment to bring about an end to the Israeli- Palestinian conflict and to work to lay the foundation for the establishment of an independent, democratic and viable Palestinian State living side by side with Israel in peace and security, as a step towards a comprehensive, just and lasting peace in the Middle East, consistent with the Road Map and United Nations Security Council resolutions. The Quartet welcomed President [George W.] Bush’s 16 July statement renewing United States commitment to a negotiated two-State solution, and supported President Bush’s call for an international meeting in the fall. The Quartet looks forward to consultations as the meeting is prepared. The Quartet agreed that such a meeting should provide diplomatic support for the parties in their bilateral discussions and negotiations in order to move forward on a successful path to a Palestinian State. The Quartet welcomed the agreement by Tony Blair to be the Quartet Representative and discussed with him the urgent work that lies ahead. -
Towards an Understanding of the Contemporary Artist-Led Collective
The Ecology of Cultural Space: Towards an Understanding of the Contemporary Artist-led Collective John David Wright University of Leeds School of Fine Art, History of Art and Cultural Studies Submitted in accordance with the requirements for the degree of Doctor of Philosophy December 2019 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of John David Wright to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. 1 Acknowledgments Thank you to my supervisors, Professor Abigail Harrison Moore and Professor Chris Taylor, for being both critical and constructive throughout. Thank you to members of Assemble and the team at The Baltic Street Playground for being incredibly welcoming, even when I asked strange questions. I would like to especially acknowledge Fran Edgerley for agreeing to help build a Yarn Community dialogue and showing me Sugarhouse Studios. A big thank you to The Cool Couple for engaging in construcutive debate on wide-ranging subject matter. A special mention for all those involved in the mapping study, you all responded promptly to my updates. Thank you to the members of the Retro Bar at the End of the Universe, you are my friends and fellow artivists! I would like to acknowledge the continued support I have received from the academic community in the School of Fine Art, History of Art and Cultural Studies.