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Victorian Paintings Anne-Florence Gillard-Estrada
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Archive Ouverte en Sciences de l'Information et de la Communication Fantasied images of women: representations of myths of the golden apples in “classic” Victorian paintings Anne-Florence Gillard-Estrada To cite this version: Anne-Florence Gillard-Estrada. Fantasied images of women: representations of myths of the golden apples in “classic” Victorian paintings. Polysèmes, Société des amis d’inter-textes (SAIT), 2016, L’or et l’art, 10.4000/polysemes.860. hal-02092857 HAL Id: hal-02092857 https://hal-normandie-univ.archives-ouvertes.fr/hal-02092857 Submitted on 8 Apr 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Fantasied images of women: representations of myths of the golden apples in “classic” Victorian Paintings This article proposes to examine the treatment of Greek myths of the golden apples in paintings by late-Victorian artists then categorized in contemporary reception as “classical” or “classic.” These terms recur in many reviews published in periodicals.1 The artists concerned were trained in the academic and neoclassical Continental tradition, and they turned to Antiquity for their forms and subjects. -
Folktale Types and Motifs in Greek Heroic Myth Review P.11 Morphology of the Folktale, Vladimir Propp 1928 Heroic Quest
Mon Feb 13: Heracles/Hercules and the Greek world Ch. 15, pp. 361-397 Folktale types and motifs in Greek heroic myth review p.11 Morphology of the Folktale, Vladimir Propp 1928 Heroic quest NAME: Hera-kleos = (Gk) glory of Hera (his persecutor) >p.395 Roman name: Hercules divine heritage and birth: Alcmena +Zeus -> Heracles pp.362-5 + Amphitryo -> Iphicles Zeus impersonates Amphityron: "disguised as her husband he enjoyed the bed of Alcmena" “Alcmena, having submitted to a god and the best of mankind, in Thebes of the seven gates gave birth to a pair of twin brothers – brothers, but by no means alike in thought or in vigor of spirit. The one was by far the weaker, the other a much better man, terrible, mighty in battle, Heracles, the hero unconquered. Him she bore in submission to Cronus’ cloud-ruling son, the other, by name Iphicles, to Amphitryon, powerful lancer. Of different sires she conceived them, the one of a human father, the other of Zeus, son of Cronus, the ruler of all the gods” pseudo-Hesiod, Shield of Heracles Hera tries to block birth of twin sons (one per father) Eurystheus born on same day (Hera heard Zeus swear that a great ruler would be born that day, so she speeded up Eurystheus' birth) (Zeus threw her out of heaven when he realized what she had done) marvellous infancy: vs. Hera’s serpents Hera, Heracles and the origin of the MIlky Way Alienation: Madness of Heracles & Atonement pp.367,370 • murders wife Megara and children (agency of Hera) Euripides, Heracles verdict of Delphic oracle: must serve his cousin Eurystheus, king of Mycenae -> must perform 12 Labors (‘contests’) for Eurystheus -> immortality as reward The Twelve Labors pp.370ff. -
The Labors of Hercules Worksheet Answers
The Labors Of Hercules Worksheet Answers Unblissful and invocatory Russel redating his nanas rhymed miscues adumbratively. Nichols individualised her neutralism eulogistically, exportable and fore. Wallas usually dramatize fastidiously or outmeasure forevermore when dignified Niall tingling decussately and decoratively. Orion so hercules labors of all their answers key devices and worksheet answers? You switch your students to serve her husband, and the hercules had their own. When Greeks began settling in Italy, the Romans liked the Greek gods well enough to create their own myths about them, although they changed many of the names. The worksheet shows how likely that of five, just a select an understanding. Interactive image The main street. Europe and a human princess named the labors of hercules exactly where she would not authenticate your account! The delicate items such as egg shells have been excavated with exceptional care, particularly in ongoing excavations in the sewers of Herculaneum. In either case, learners see questions and leaderboards on their own devices and quiz results are saved to your reports. An animal lay dead man driving across his club and was a scribd members of his adventures, that she was stopped to help him and answered by. In repayment for a liar, he was representative of athena returned him indebted to ensure we will learn how long, who helped people from crete. Can you make out the words being said? Put her word group each their place. Upon recovering, Cygnus began looking for old friend, Phaeton, and discovered his body trapped by the roots of a cargo at front bottom soften the Eridanus River. -
The Hercules Story Pdf, Epub, Ebook
THE HERCULES STORY PDF, EPUB, EBOOK Martin W. Bowman | 128 pages | 01 Aug 2009 | The History Press Ltd | 9780752450810 | English | Stroud, United Kingdom The Hercules Story PDF Book More From the Los Angeles Times. The god Apollo. Then she tried to kill the baby by sending snakes into his crib. Hercules was incredibly strong, even as a baby! When the tasks were completed, Apollo said, Hercules would become immortal. Deianira had a magic balm which a centaur had given to her. July 23, Hercules was able to drive the fearful boar into snow where he captured the boar in a net and brought the boar to Eurystheus. Greek Nyx: The Goddess of the Night. Eurystheus ordered Hercules to bring him the wild boar from the mountain of Erymanthos. Like many Greek gods, Poseidon was worshiped under many names that give insight into his importance Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. Athena observed Heracles shrewdness and bravery and thus became an ally for life. The name Herakles means "glorious gift of Hera" in Greek, and that got Hera angrier still. Feb 14, Alexandra Dantzer. History at Home. Hercules was born a demi-god. On Wednesday afternoon, Sorbo retweeted a photo of some of the people who swarmed the U. Hercules could barely hear her, her whisper was that soft, yet somehow, and just as the Oracle had predicted to herself, Hera's spies discovered what the Oracle had told him. As he grew and his strength increased, Hera was evermore furious. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
Greek Mythology and Genesis
Greek Mythology and Genesis Agenda • Overview of Early Genesis • World Cultures and Early Genesis • Greek Art/Greek Mythology – Noah/Nereus in Greek Art – Herakles/Nimrod – Zeus/Adam – Athena/Naamah • East Pediment of Parthenon – Understanding – Characters 2 Genesis (1-10) • Days of Creation (resting on the 7th) • The Creation of Adam and Eve • The Fall of Man • Cain and Abel – Cain’s descendants • Descendants of Adam • The Corruption of Mankind • The Flood • The Flood Subsides • Covenant of the Rainbow • Descendants of Noah – Shem – Japheth – Ham -Cush -Nimrod 3 Genesis in Cultures from Around the World Sagaiye Ottawa Lake of Llion Shang Ti Choctaw Gilgamesh Santal Tanzania Inca (Peru) Bunjil 4 ADAM AND EVE (ZEUS AND HERA) KAIN SETH (ARES) (HEPHAISTOS) Noah (Nereus) 5 ZEUS HERA Noah to Nimrod Shem Japheth 6 7 Did the Greeks Know Who Noah Was? 8 9 10 11 Noah’s Flood 12 13 HERAKLES’ REBELLION AGAINST NOAH 14 On this vase-painting, Herakles threatens Noah with his club. 15 Here, Herakles pushes Noah aside. And here, the vase-artist depicts Herakles bringing Noah and his rule to a halt. 16 17 18 Herakles’ first 11 labors and his other battles all had one objective—embodied in his 12th and final labor—getting back to the serpent-entwined tree in the ancient garden for another bite of 19 the serpent’s apple. Athena Nereus Kentaur Herakles 20 And Athena rewarded the great hero after he had pushed Noah and his God out of the picture and reestablished the way of Kain. 21 12 Labors of Herakles Temple of Zeus 22 Herakles Herakles Athena Geryon Atlas 23 Zeus/Adam at Olympia 24 Parthenon 26 27 • Displays the Greek ―story‖ of Genesis • Man’s ―triumph‖ over God • Reflection of Eden • Triumph of the Serpent • Deifies real people of history 28 29 30 31 Chrysothemis Lipara Hygeia Asterope The Greek poets and playwrights traced Zeus and Hera back to an ancient paradise they called the Garden of the Hesperides. -
HESPERIDES and HEROES: a NOTE on the THREE-FIGURE RELIEFS 77 Knife, That This Is a Moment of Dark Foreboding
HESPERIDESAND HEROES: A NOTE ON THE THREE-FIGURERELIEFS (PLATES 11-14) flflHOUGH not a scrap of the original reliefs has been found, Thompson's attri- bution to the Altar of the Twelve Gods of the four famous three-figure reliefs known to us from Roman copies is one of the more important results of the Agora excavations for the history of Athenian sculpture in the late 5th century.1 The dating and interpretation of these reliefs is also vitally related to the history of other monu- ments of the Agora. I should like, therefore, to suggest a modification of Thompson's views on these points. Before Thompson's discovery that the dimensions of the reliefs admirably filled the spaces flanking the east and west entrances in the parapet surrounding the altar (P1. 12, b), the originals had generally been attributed to a choregic monument. This was because two of the reliefs, the Orpheus and Peliad reliefs (P1. 12, d, e), are notably tragic in their impact, including the elements of irony and reversal of fortune which we commonly associate with Attic tragedy. The two others, Herakles, Theseus and Peirithoos in the underworld (P1. 12, a, c) and Herakles in the Garden of the Hesperides (P1. 11, a-d), could also well be drawn from the subjects of tragedies performed in Athens.2 In order to interpret the last two in the same spirit as the first two, however, it was necessary to resort to the subtle language of literary interpretation rather than to the simpler language of art. No one could doubt, on looking at the Peliad with the " ' The Altar of Pity in the Athenian Agora," Hesperia, XXI, 1952, pp. -
Greek Mythology
Greek Mythology The Creation Myth “First Chaos came into being, next wide bosomed Gaea(Earth), Tartarus and Eros (Love). From Chaos came forth Erebus and black Night. Of Night were born Aether and Day (whom she brought forth after intercourse with Erebus), and Doom, Fate, Death, sleep, Dreams; also, though she lay with none, the Hesperides and Blame and Woe and the Fates, and Nemesis to afflict mortal men, and Deceit, Friendship, Age and Strife, which also had gloomy offspring.”[11] “And Earth first bore starry Heaven (Uranus), equal to herself to cover her on every side and to be an ever-sure abiding place for the blessed gods. And earth brought forth, without intercourse of love, the Hills, haunts of the Nymphs and the fruitless sea with his raging swell.”[11] Heaven “gazing down fondly at her (Earth) from the mountains he showered fertile rain upon her secret clefts, and she bore grass flowers, and trees, with the beasts and birds proper to each. This same rain made the rivers flow and filled the hollow places with the water, so that lakes and seas came into being.”[12] The Titans and the Giants “Her (Earth) first children (with heaven) of Semi-human form were the hundred-handed giants Briareus, Gyges, and Cottus. Next appeared the three wild, one-eyed Cyclopes, builders of gigantic walls and master-smiths…..Their names were Brontes, Steropes, and Arges.”[12] Next came the “Titans: Oceanus, Hypenon, Iapetus, Themis, Memory (Mnemosyne), Phoebe also Tethys, and Cronus the wily—youngest and most terrible of her children.”[11] “Cronus hated his lusty sire Heaven (Uranus). -
The Twelve Labors of Herakles
The Getty Teacher Resource Villa The Twelve Labors of Herakles Herakles was a universal hero, celebrated by the Greeks, the Etruscans (who called him Hercle), and the Romans (who knew him as 1. The Lion Hercules). He was the son of Zeus (king of the of Nemea gods) and a mortal woman, Alkmene. Ironically, his name means “the glory” (kleos) of Hera (queen of the gods), his jealous stepmother, who drove him mad and caused him to kill his wife and children. As penance, the hero was bound to serve King Eurystheus of Mycenae and Tiryns. The king sent him on a series of The Lion of Nemea had an impervious hide difficult tasks, or labors, twelve of which and could not be killed with traditional weapons. Herakles strangled it and then became standardized in art and literature. used its own claw to skin it. Afterward he wore its pelt as a talisman. 2. The Hydra of Lerna 3. The Hind of Keryneia The Hydra of Lerna was a serpentlike, multiheaded monster. Every time a head was cut off, two more grew in its place. With the aid of his nephew Education Iolaos,Educ Heraklesation killed the beast by cauterizing each wounded neck with a torch. 6/8 point The J. Paul Getty Museum The J. Paul Getty Museum at the Getty Center The Hind of Keryneia was sacred to Artemis ducation (goddess of the hunt and wild animals). Herakles E was ordered to bring the deer, or its golden The J. Paul Getty Museum horn, back to Eurystheus without harming it. -
Hesperides (1648)
Hesperides (1648) Robert Herrick SAMPLER Shearsman Books Published in the United Kingdom in 2018 by Shearsman Books Ltd 50 Westons Hill Drive Emersons Green SAMPLERBRISTOL BS16 7DF www.shearsman.com Shearsman Classics Vol. 27 ISBN 978-1-84861-629-5 Editorial matter copyright © Shearsman Books Ltd, 2018 Hesperides was first published in London in 1648. Foreword This volume reproduces the first published edition of Herrick’s work from 1648 – albeit only the secular poems – with the original spelling: the long S ( ſ ), ligatures ( ct ), swash characters ( A ), and all. Some original features that appear to be errors – very few, and many of them caught by the original publisher and listed as errata in the first edition – have been silently amended. With regard to the long S, we have tried to follow the original’s intent in all respects here, standardising the occasionally erratic usage. The house rule at the original printer’s was to use the normal S at the ends of words, and always in the upper-case; before lower-case F or K (no doubt to avoid the visual confusion arising from the combinations, ſf and ſk), and before an apostrophe – in the event of a double SS before an apostrophe, or at the end of a word, this becomes ſs. The inconsistent use of more decorative upper-case letters – swash characters – follows the original edition: these usually appear in titling, but do also occur occasionally in the body of a poem. Finally, the use of italics and the erratic capitalisation (especially of titles) follows the original in all respects. -
Hercules: Labor 12 Th E Quest for Cerberus by Craig W
Hercules: Labor 12 Th e Quest For Cerberus By Craig W. Stump greenroompress.com Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilateral or multilateral treaties or otherwise, and including, but not limited to, all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention and the Berne Convention. RIGHTS RESERVED: All rights to this Work are strictly reserved, including professional and amateur stage performance rights. Also reserved are: motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all forms of mechanical or electronic reproduction, such as CD-ROM, CD-I, DVD, information and storage retrieval systems and photocopying, and the rights of translation into non-English languages. PERFORMANCE RIGHTS AND ROYALTY PAYMENTS: All amateur and stock performance rights to this Work are controlled exclusively by Green Room Press. No amateur or stock production groups or individuals may perform this play without securing license and royalty arrangements in advance from Green Room Press. Questions concerning other rights should be addressed to Green Room Press. Royalty fees are subject to change without notice. Professional and stock fees will be set upon application in accordance with your producing circumstances. Any licensing requests and inquiries relating to amateur and stock (professional) performance rights should be addressed to Green Room Press. Royalty of the required amount must be paid, whether the play is presented for charity or profit and whether or not admission is charged. -
Pronunciation Booklet
PRONUNCIATION BOOKLET Word Phonetic pronunciation (mine) What Meaning (if known) Actual sacred space or enclosure attached to a temple of ab-are-ton Abaton Asclepius where those wanting to be cured slept Acayo a-key-owe Fictional character - a Spartan soldier Greek name meaning out of step/ill-timed Acropolis ac-rop-o-liss Actual fortified part of a city, normally built on a hill Actual ancient Greek King of Athens, father of the hero Aegeus ee-gee-us Greek name meaning protection Theseus Actual Ancient Greek name given to the public open space Agora ag-or-are Greek name meaning gathering place or assembly used for markets Agrias ag-ree-us Fictional character - Alexis' father, and King of Trachis Greek name of unknown meaning Aigai ay-gay Greek name meaning place of goats Actual ancient first capital of Macedonia, now called Vergina Fictional character - Princess of Thermopylae, daughter of Greek name meaning helper and defender (can be male Alexis al-ex-us Agrias & Melina or female name) Amazonomachiai am-a-zon-e-mack-ee Plural of the battle of the Amazonomachy Portrayal of a mythical battle between the Amazons and Amazonomachy am-a-zon-e-mack-ee Amazon battle Ancient Greeks Amphissa am-f-iss-are Actual ancient city in Phocis, now known as Amfissa Greek name meaning surround Actual Ancient Greek jar or jug with two handles and a Amphora am-for-a From Greek word amphoreus meaning to bear narrow neck (singular) Amphorae am-for-i Actual plural of the Ancient Greek jars or jugs called amphora Amyntas arm-in-t-us Actual King of Macedonia Amyntas