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The Design of Rijndael: AES - the Advanced Encryption Standard/Joan Daemen, Vincent Rijmen
Joan Daernen · Vincent Rijrnen Theof Design Rijndael AES - The Advanced Encryption Standard With 48 Figures and 17 Tables Springer Berlin Heidelberg New York Barcelona Hong Kong London Milan Paris Springer TnL-1Jn Joan Daemen Foreword Proton World International (PWI) Zweefvliegtuigstraat 10 1130 Brussels, Belgium Vincent Rijmen Cryptomathic NV Lei Sa 3000 Leuven, Belgium Rijndael was the surprise winner of the contest for the new Advanced En cryption Standard (AES) for the United States. This contest was organized and run by the National Institute for Standards and Technology (NIST) be ginning in January 1997; Rij ndael was announced as the winner in October 2000. It was the "surprise winner" because many observers (and even some participants) expressed scepticism that the U.S. government would adopt as Library of Congress Cataloging-in-Publication Data an encryption standard any algorithm that was not designed by U.S. citizens. Daemen, Joan, 1965- Yet NIST ran an open, international, selection process that should serve The design of Rijndael: AES - The Advanced Encryption Standard/Joan Daemen, Vincent Rijmen. as model for other standards organizations. For example, NIST held their p.cm. Includes bibliographical references and index. 1999 AES meeting in Rome, Italy. The five finalist algorithms were designed ISBN 3540425802 (alk. paper) . .. by teams from all over the world. 1. Computer security - Passwords. 2. Data encryption (Computer sCIence) I. RIJmen, In the end, the elegance, efficiency, security, and principled design of Vincent, 1970- II. Title Rijndael won the day for its two Belgian designers, Joan Daemen and Vincent QA76.9.A25 D32 2001 Rijmen, over the competing finalist designs from RSA, IBl\!I, Counterpane 2001049851 005.8-dc21 Systems, and an English/Israeli/Danish team. -
'Myth' and 'Religion'
THOUGHTS ON MYTH AND RELIGION IN EARLY GREEK HISTORIOGRAPHY Robert L. FOWLER University of Bristol [email protected] RESUMEN: El artículo examina el nacimiento del concepto de mythos/mito en el contexto de la historiografía y la mitografía de la Grecia arcaica. La posibilidad de oponerse a relatos tradicionales es un factor crítico en este proceso y se relaciona estrechamente con los esfuerzos de los autores por fijar su autoridad. Se compara la práctica de Heródoto con la de los primeros mitógrafos y, aunque hay amplias similitudes, hay diferencias cruciales en el tratamiento de los asuntos religiosos. Los escrúpulos personales de Heródoto responden en parte a su bien conocida reserva en lo referente a los dioses, pero es también relevante su actitud acerca de la tarea del historiador y su noción de cómo los dioses intervienen en la historia. Mientras que los mitógrafos tratan de historicizar la mitología, Heródoto trata de modo notable de desmitologizar la historia, separando ambas, pero al mismo tiempo definiendo con más profundidad que nunca sus auténticas interconexiones. Esta situación sugiere algunas consideraciones generales acerca de la relación entre mito y ritual en Grecia. ABSTRACT: The article examines the emerging concept of mythos/myth in the context of early Greek historiography and mythography. The possibility of contesting traditional stories is a critical factor in this process, and is closely related to the efforts of writers to establish their authority. Herodotos’ practice is compared with that of the early mythographers, and though there are some broad similarities, there are crucial differences in their approach to religious matters. -
Greek Mythology at the Service of the Portuguese Inquisition: the Case of Hercules and the Hydra of Lerna
Athens Journal of Mediterranean Studies- Volume 1, Issue 1 – Pages 25-44 Greek Mythology at the Service of the Portuguese Inquisition: The Case of Hercules and the Hydra of Lerna By Milton Dias Pacheco Greek mythology has been along the centuries a fruitful source of inspiration to artists and writers, as it possesses the strength of expressing symbolically the most common circumstances of life. Regarding the threats that in every age put in danger human life the most popular figure was maybe the Hydra that infested the region of the Lake of Lerna, in Argolis. This mythical figure may still have an older origin as it is connected with chthonic dangers. Because of its terrifying aspect, reptilian traits and poisonous breath, it was related to the evil and the domains of Hell. Later the Hydra significance became larger and deeper as it represented the heresies that could affect the Christian orthodoxy. According to this point of view, every defender of the Catholic Faith was immediately compared to Hercules, the Greek hero who succeeded in killing the mythological Hydra monster. In this way, it is easy to understand why this representation was often used in connection with the Iberian Habsburg Kings, as it worked as a political strategy of this dynasty, in which the Spanish Habsburgs were faced as the guardians and defenders of the Church of Rome, mainly in times when the Inquisition developed a determinative role. An illustrative example of this was the decoration of the arch built by the Inquisition in Lisbon, when King Philip II of Portugal visited the Portuguese Empire capital. -
Greek Myths - Creatures/Monsters Bingo Myfreebingocards.Com
Greek Myths - Creatures/Monsters Bingo myfreebingocards.com Safety First! Before you print all your bingo cards, please print a test page to check they come out the right size and color. Your bingo cards start on Page 3 of this PDF. If your bingo cards have words then please check the spelling carefully. If you need to make any changes go to mfbc.us/e/xs25j Play Once you've checked they are printing correctly, print off your bingo cards and start playing! On the next page you will find the "Bingo Caller's Card" - this is used to call the bingo and keep track of which words have been called. Your bingo cards start on Page 3. Virtual Bingo Please do not try to split this PDF into individual bingo cards to send out to players. We have tools on our site to send out links to individual bingo cards. For help go to myfreebingocards.com/virtual-bingo. Help If you're having trouble printing your bingo cards or using the bingo card generator then please go to https://myfreebingocards.com/faq where you will find solutions to most common problems. Share Pin these bingo cards on Pinterest, share on Facebook, or post this link: mfbc.us/s/xs25j Edit and Create To add more words or make changes to this set of bingo cards go to mfbc.us/e/xs25j Go to myfreebingocards.com/bingo-card-generator to create a new set of bingo cards. Legal The terms of use for these printable bingo cards can be found at myfreebingocards.com/terms. -
The Labours of Heracles (Part 1)
The Labours of Heracles (part 1) Long ago, a baby boy was asleep in a nursery. The door was open to let the cool breeze waft into the room. However, it was not just the air that could enter the room. First one, and then a second snake slithered in through the gap. They had been sent by the goddess Hera, Queen of Heaven. It’s hard to understand how anyone, even a goddess, could hold anything against innocent children, but her immortal heart was filled with hatred for the baby boy. His mother was a human woman, but his father was none other than Zeus, Lord of Heaven, and husband of Hera. In short, Hera was jealous. The snakes slid towards the bed. The baby stretched and yawned. The viper who was out in front stuck out his tongue and hissed. It reared its head to see if it could reach the top of the mattress. That was the last thing it did, because the boy shot out his hand and grabbed it by the neck. The other snake slid swiftly across the floor towards him, but the child grabbed that one too and began to shake it violently. The nurse heard the commotion came rushing into the nursery, but it was too late – for the snakes. The boy, whose name was Heracles, had killed them both. The boy grew into a teenager, and he was without doubt the strongest human who had ever walked on the face of the Earth. Still young, he was a formidable sight, with his towering height and his huge muscles. -
Naming the Extrasolar Planets
Naming the extrasolar planets W. Lyra Max Planck Institute for Astronomy, K¨onigstuhl 17, 69177, Heidelberg, Germany [email protected] Abstract and OGLE-TR-182 b, which does not help educators convey the message that these planets are quite similar to Jupiter. Extrasolar planets are not named and are referred to only In stark contrast, the sentence“planet Apollo is a gas giant by their assigned scientific designation. The reason given like Jupiter” is heavily - yet invisibly - coated with Coper- by the IAU to not name the planets is that it is consid- nicanism. ered impractical as planets are expected to be common. I One reason given by the IAU for not considering naming advance some reasons as to why this logic is flawed, and sug- the extrasolar planets is that it is a task deemed impractical. gest names for the 403 extrasolar planet candidates known One source is quoted as having said “if planets are found to as of Oct 2009. The names follow a scheme of association occur very frequently in the Universe, a system of individual with the constellation that the host star pertains to, and names for planets might well rapidly be found equally im- therefore are mostly drawn from Roman-Greek mythology. practicable as it is for stars, as planet discoveries progress.” Other mythologies may also be used given that a suitable 1. This leads to a second argument. It is indeed impractical association is established. to name all stars. But some stars are named nonetheless. In fact, all other classes of astronomical bodies are named. -
1. Some of the Definitions of the Different Types of Objects in the Solar
1. Some of the definitions of the different types of objects in has the greatest orbital inclination (orbit at the the solar system overlap. Which one of the greatest angle to that of Earth)? following pairs does not overlap? That is, if an A) Mercury object can be described by one of the labels, it B) Mars cannot be described by the other. C) Jupiter A) dwarf planet and asteroid D) Pluto B) dwarf planet and Kuiper belt object C) satellite and Kuiper belt object D) meteoroid and planet 10. Of the following objects in the solar system, which one has the greatest orbital eccentricity and therefore the most elliptical orbit? 2. Which one of the following is a small solar system body? A) Mercury A) Rhea, a moon of Saturn B) Mars B) Pluto C) Earth C) Ceres (an asteroid) D) Pluto D) Mathilde (an asteroid) 11. What is the largest moon of the dwarf planet Pluto 3. Which of the following objects was discovered in the called? twentieth century? A) Chiron A) Pluto B) Callisto B) Uranus C) Charon C) Neptune D) Triton D) Ceres 12. If you were standing on Pluto, how often would you see 4. Pluto was discovered in the satellite Charon rise above the horizon each A) 1930. day? B) 1846. A) once each 6-hour day as Pluto rotates on its axis C) 1609. B) twice each 6-hour day because Charon is in a retrograde D) 1781. orbit C) once every 2 days because Charon orbits in the same direction Pluto rotates but more slowly 5. -
Aspects of the Demeter/Persephone Myth in Modern Fiction
Aspects of the Demeter/Persephone myth in modern fiction Janet Catherine Mary Kay Thesis presented in partial fulfilment of the requirements for the degree of Master of Philosophy (Ancient Cultures) at the University of Stellenbosch Supervisor: Dr Sjarlene Thom December 2006 I, the undersigned, hereby declare that the work contained in this thesis is my own original work and that I have not previously in its entirety or in part submitted it at any university for a degree. Signature: ………………………… Date: ……………… 2 THE DEMETER/PERSEPHONE MYTH IN MODERN FICTION TABLE OF CONTENTS PAGE 1. Introduction: The Demeter/Persephone Myth in Modern Fiction 4 1.1 Theories for Interpreting the Myth 7 2. The Demeter/Persephone Myth 13 2.1 Synopsis of the Demeter/Persephone Myth 13 2.2 Commentary on the Demeter/Persephone Myth 16 2.3 Interpretations of the Demeter/Persephone Myth, Based on Various 27 Theories 3. A Fantasy Novel for Teenagers: Treasure at the Heart of the Tanglewood 38 by Meredith Ann Pierce 3.1 Brown Hannah – Winter 40 3.2 Green Hannah – Spring 54 3.3 Golden Hannah – Summer 60 3.4 Russet Hannah – Autumn 67 4. Two Modern Novels for Adults 72 4.1 The novel: Chocolat by Joanne Harris 73 4.2 The novel: House of Women by Lynn Freed 90 5. Conclusion 108 5.1 Comparative Analysis of Identified Motifs in the Myth 110 References 145 3 CHAPTER 1 INTRODUCTION The question that this thesis aims to examine is how the motifs of the myth of Demeter and Persephone have been perpetuated in three modern works of fiction, which are Treasure at the Heart of the Tanglewood by Meredith Ann Pierce, Chocolat by Joanne Harris and House of Women by Lynn Freed. -
MERGING+ANUBIS User Manual
USER MANUAL V27.09.2021 2 Contents Thank you for purchasing MERGING+ANUBIS ........................................................................................... 6 Important Safety and Installation Instructions ........................................................................................... 7 Product Regulatory Compliance .................................................................................................................... 9 MERGING+ANUBIS Warranty Information................................................................................................ 11 INTRODUCTION .............................................................................................................................................. 12 Package Content ........................................................................................................................................ 12 OVERVIEW ................................................................................................................................................... 13 MERGING+ANUBIS VARIANTS AND KEY FEATURES ........................................................................ 13 ABOUT RAVENNA ...................................................................................................................................... 16 MISSION CONTROL - MODULAR BY SOFTWARE ............................................................................... 16 MERGING+ANUBIS panels description .................................................................................................... -
Volcanism on Mars
Author's personal copy Chapter 41 Volcanism on Mars James R. Zimbelman Center for Earth and Planetary Studies, National Air and Space Museum, Smithsonian Institution, Washington, DC, USA William Brent Garry and Jacob Elvin Bleacher Sciences and Exploration Directorate, Code 600, NASA Goddard Space Flight Center, Greenbelt, MD, USA David A. Crown Planetary Science Institute, Tucson, AZ, USA Chapter Outline 1. Introduction 717 7. Volcanic Plains 724 2. Background 718 8. Medusae Fossae Formation 725 3. Large Central Volcanoes 720 9. Compositional Constraints 726 4. Paterae and Tholi 721 10. Volcanic History of Mars 727 5. Hellas Highland Volcanoes 722 11. Future Studies 728 6. Small Constructs 723 Further Reading 728 GLOSSARY shield volcano A broad volcanic construct consisting of a multitude of individual lava flows. Flank slopes are typically w5, or less AMAZONIAN The youngest geologic time period on Mars identi- than half as steep as the flanks on a typical composite volcano. fied through geologic mapping of superposition relations and the SNC meteorites A group of igneous meteorites that originated on areal density of impact craters. Mars, as indicated by a relatively young age for most of these caldera An irregular collapse feature formed over the evacuated meteorites, but most importantly because gases trapped within magma chamber within a volcano, which includes the potential glassy parts of the meteorite are identical to the atmosphere of for a significant role for explosive volcanism. Mars. The abbreviation is derived from the names of the three central volcano Edifice created by the emplacement of volcanic meteorites that define major subdivisions identified within the materials from a centralized source vent rather than from along a group: S, Shergotty; N, Nakhla; C, Chassigny. -
Antigone by Sophocles Scene 4, Ode 4, Scene 5, Paean and Exodos
Antigone by Sophocles Scene 4, Ode 4, Scene 5, Paean and Exodos By: Anmol Singh, Kesia Santos, and Yuri Seo Biographical, Cultural, and Historical Background The Greek Theater - Sophocles was one of the prominent figures in Greek theater. - Plays were performed in outdoor areas. - There were a limited number of actors and a chorus.6 - Antigone was mostly likely performed in the same fashion. AS Family Tree YS What do Scene 4, Ode 4, Scene 5, Paean and Exodos of Antigone focus on? - Family Conflict (internal and external) - Death (tragedy) - Poor judgment - Feeling and thinking - Fate - Loyalty - Love YS Genres & Subgenres Tragedy - Not completely like modern tragedies (ex. sad & gloomy). - Tragedies heavily used pathos (Greek for suffering). - Used masks and other props. - Were a form of worship to Dionysus.7 AS Tragic Hero - Antigone and Creon are both like tragic heros. - Each have their own hamartia which leads to their downfalls.8,9 AS Family Conflict & Tragedy in Antigone - Antigone hangs herself - Haimon stabs himself - Eurydice curses Creon and blames him for everything - Eurydice kills herself YS Dominant Themes Family: The story of Niobe - Antigone relates her story to the story of Niobe. - Antigone says “How often have I hear the story of Niobe, Tantalus’s wretched daughter…” (18) - Chorus tells Antigone that Niobe “was born of heaven,” but Antigone is a woman. YS Womanhood - Antigone defies the place a woman is supposed to have during this time period - Antigone and Ismene contrast each other - Creon is the prime example of the beliefs that males hold during this period KS Power and Corruption: Dryas and Lycurgus - A character the chorus compares to Antigone is Lycurgus. -
Dikes of Distinct Composition Intruded Into Noachian-Aged Crust Exposed in the Walls of Valles Marineris Jessica Flahaut, John F
Dikes of distinct composition intruded into Noachian-aged crust exposed in the walls of Valles Marineris Jessica Flahaut, John F. Mustard, Cathy Quantin, Harold Clenet, Pascal Allemand, Pierre Thomas To cite this version: Jessica Flahaut, John F. Mustard, Cathy Quantin, Harold Clenet, Pascal Allemand, et al.. Dikes of dis- tinct composition intruded into Noachian-aged crust exposed in the walls of Valles Marineris. Geophys- ical Research Letters, American Geophysical Union, 2011, 38, pp.L15202. 10.1029/2011GL048109. hal-00659784 HAL Id: hal-00659784 https://hal.archives-ouvertes.fr/hal-00659784 Submitted on 19 Jan 2012 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. GEOPHYSICAL RESEARCH LETTERS, VOL. 38, L15202, doi:10.1029/2011GL048109, 2011 Dikes of distinct composition intruded into Noachian‐aged crust exposed in the walls of Valles Marineris Jessica Flahaut,1 John F. Mustard,2 Cathy Quantin,1 Harold Clenet,1 Pascal Allemand,1 and Pierre Thomas1 Received 12 May 2011; revised 27 June 2011; accepted 30 June 2011; published 5 August 2011. [1] Valles Marineris represents the deepest natural incision and HiRISE (High Resolution Imaging Science Experiment) in the Martian upper crust.