EDWARDIAN PEACE TESTIMONY: BRITISH QUAKERS AGAINST MILITARISM and CONSCRIPTION, C
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
CSUSB Scholarworks April 29 1975
California State University, San Bernardino CSUSB ScholarWorks Paw Print (1966-1983) Arthur E. Nelson University Archives 4-29-1975 April 29 1975 CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/pawprint Recommended Citation CSUSB, "April 29 1975" (1975). Paw Print (1966-1983). 199. https://scholarworks.lib.csusb.edu/pawprint/199 This Article is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Paw Print (1966-1983) by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. OfHce of Publjcotion California Siofe CcfJ$0«, San Bernardino LWF121NT Volume Vll No. 21 Published by The Associated Students of California State College/ San Bernardino April 29, 1975 Fireball kicks off. A dunking concession, with continue through 8 p.m., Saturday; faculty members as targets, is one and 10 a.m. to 5 p.m., Sunday. of the numerous activities at Cal Certain games, such as "hole-in- State, San Bernardino's festival for one," archery and horseshoes, will all ages, Fireball '75, Saturday and be open from 10 a.m. to 5 p.m., Sunday, May 3 and 4. Saturday and 1 to 4 p.m., Sunday. Cal State students are inviting Saturday special events include the community to join in the two- a karate demonstration at 1 p.m. day spring event, which features a and a tug-of-war at 4 p.m. variety of attractions, including A band contest is planned for 12 food and game booths, exhibits, noon until 5 p.m. -
Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell
Copyrights sought (Albert) Basil (Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell) Filson Young (Alexander) Forbes Hendry (Alexander) Frederick Whyte (Alfred Hubert) Roy Fedden (Alfred) Alistair Cooke (Alfred) Guy Garrod (Alfred) James Hawkey (Archibald) Berkeley Milne (Archibald) David Stirling (Archibald) Havergal Downes-Shaw (Arthur) Berriedale Keith (Arthur) Beverley Baxter (Arthur) Cecil Tyrrell Beck (Arthur) Clive Morrison-Bell (Arthur) Hugh (Elsdale) Molson (Arthur) Mervyn Stockwood (Arthur) Paul Boissier, Harrow Heraldry Committee & Harrow School (Arthur) Trevor Dawson (Arwyn) Lynn Ungoed-Thomas (Basil Arthur) John Peto (Basil) Kingsley Martin (Basil) Kingsley Martin (Basil) Kingsley Martin & New Statesman (Borlasse Elward) Wyndham Childs (Cecil Frederick) Nevil Macready (Cecil George) Graham Hayman (Charles Edward) Howard Vincent (Charles Henry) Collins Baker (Charles) Alexander Harris (Charles) Cyril Clarke (Charles) Edgar Wood (Charles) Edward Troup (Charles) Frederick (Howard) Gough (Charles) Michael Duff (Charles) Philip Fothergill (Charles) Philip Fothergill, Liberal National Organisation, N-E Warwickshire Liberal Association & Rt Hon Charles Albert McCurdy (Charles) Vernon (Oldfield) Bartlett (Charles) Vernon (Oldfield) Bartlett & World Review of Reviews (Claude) Nigel (Byam) Davies (Claude) Nigel (Byam) Davies (Colin) Mark Patrick (Crwfurd) Wilfrid Griffin Eady (Cyril) Berkeley Ormerod (Cyril) Desmond Keeling (Cyril) George Toogood (Cyril) Kenneth Bird (David) Euan Wallace (Davies) Evan Bedford (Denis Duncan) -
A3299-B8-1-2-001-Jpeg.Pdf
G> ) vl Recording made by Hilda Bernstein, 1j5th March 1973, on her recollections of the South African Peace Movement. I think there were two very important reasons why we started a Peace Movement - at least I was involved with these two reasons The first was a desire to do something about the menacing world situation since the dropping of the nuclear bombs in Japan, to outlaw nuclear weapons and to save the potential world from this terriDleXdisaster it was facing; and the second was the desire to link up any activities on this front in South Africa with some sort of international movement, particularly in South Africa because one is so terribly isolated there from world affairs. This was in the early 1950's, a kind of post-war activity which grew up: people who took an active part in politics in South Africa also of course followed what was happening overseas, inter national affairs as we called it, but a lot of South Africans are very much absorbed with their own problems which are real and near, and everything else seems so far away and nobody cares a damn about it. We felt a necessity to establish this international link. Now during the whole time of its existence the official peace movement in South Africa wasn't officially connected with the World Peace Council, but this was for safety reasons as far as the South African Government was concerned. But unofficially we kept our links with them, and wherever we could we sent people to conferences that were held. -
Peace Initiatives in Colombia
UNITED STATES InsTITUTE OF PEACE www.usip.org SPECIAL REPORT 1200 17th Street NW • Washington, DC 20036 • 202.457.1700 • fax 202.429.6063 ABOUT THE REPORT Nearly half-a-century old, the Colombian conflict has spawned a Virginia M. Bouvier long tradition of peace initiatives that offer innovative alternatives to violence. Peace Initiatives in Colombia, a conference sponsored by the United States Institute of Peace and the Latin American Studies Program at Cornell University in Ithaca, New York, November 19–20, 2005, analyzed these initiatives from various perspectives and Harbingers of Hope identified the variables and strategies relevant to their success. The conference brought together contributors to a book on Colombian peace initiatives being edited by Virginia M. Bouvier, a Latin American Peace Initiatives in Colombia specialist and senior program officer of the Jennings Randolph Program at the U.S. Institute of Peace. Conference speakers included some twenty individuals from a broad range of academic fields, as well as human rights and development specialists, photographers, Summary and political and military analysts from Colombia, the United States, and Europe. A list of conference participants, about half of whom are • With the reelection of incumbent President Alvaro Uribe on May 28, 2006, a “ripe current or former USIP grantees or peace scholars, is at the end of moment” may be emerging for resolving Colombia’s long-standing armed conflict. this report. After exerting pressure on the guerrillas and demobilizing the largest paramilitary The conference was organized by Dr. Bouvier and Dr. Mary Roldán. organization during his first term, President Uribe is well positioned to pursue a Additional sponsors included Cornell’s Africana Studies and Research political solution to the conflict. -
Growing up with Vertigo: British Writers, Dc, and the Maturation of American Comic Books
CORE Metadata, citation and similar papers at core.ac.uk Provided by ScholarWorks @ UVM GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children. However, historians are not yet in agreement as to when the medium became mature. This thesis proposes that the medium’s maturity was cemented between 1985 and 2000, a much later point in time than existing texts postulate. The project involves the analysis of how an American mass medium, in this case the comic book, matured in the last two decades of the twentieth century. The goal is to show the interconnected relationships and factors that facilitated the maturation of the American sequential art, specifically a focus on a group of British writers working at DC Comics and Vertigo, an alternative imprint under the financial control of DC. -
Unit V 1. India As a Champion of World Peace and Justice A
UNIT V 1. INDIA AS A CHAMPION OF WORLD PEACE AND JUSTICE A peace movement is a social movement that seeks to achieve ideals such as the ending of a particular war (or all wars), minimize inter-human violence in a particular place or type of situation, and is often linked to the goal of achieving world peace. Means to achieve these ends include advocacy of pacifism, non-violent resistance, diplomacy, boycotts, peace camps, moral purchasing, supporting anti-war political candidates, legislation to remove the profit from government contracts to the Military–industrial complex, banning guns, creating open government and transparency tools, direct democracy, supporting Whistleblowers who expose War-Crimes or conspiracies to create wars, demonstrations, and national political lobbying groups to create legislation. The political cooperative is an example of an organization that seeks to merge all peace movement organizations and green organizations, which may have some diverse goals, but all of whom have the common goal of peace and humane sustainability. A concern of some peace activists is the challenge of attaining peace when those that oppose it often use violence as their means of communication and empowerment. Some people refer to the global loose affiliation of activists and political interests as having a shared purpose and this constituting a single movement, "the peace movement", an all encompassing "anti-war movement". Seen this way, the two are often indistinguishable and constitute a loose, responsive, event-driven collaboration between groups with motivations as diverse as humanism, environmentalism, veganism, anti- racism, feminism, decentralization, hospitality, ideology, theology, and faith. There are different ideas over what "peace" is (or should be), which results in a plurality of movements seeking diverse ideals of peace. -
April 29Th 1975
California State University, San Bernardino CSUSB ScholarWorks Paw Print (1966-1983) Arthur E. Nelson University Archives 4-29-1975 April 29th 1975 CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/pawprint Recommended Citation CSUSB, "April 29th 1975" (1975). Paw Print (1966-1983). 156. https://scholarworks.lib.csusb.edu/pawprint/156 This Article is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Paw Print (1966-1983) by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. OfHce of Publjcotion California Siofe CcfJ$0«, San Bernardino LWF121NT Volume Vll No. 21 Published by The Associated Students of California State College/ San Bernardino April 29, 1975 Fireball kicks off. A dunking concession, with continue through 8 p.m., Saturday; faculty members as targets, is one and 10 a.m. to 5 p.m., Sunday. of the numerous activities at Cal Certain games, such as "hole-in- State, San Bernardino's festival for one," archery and horseshoes, will all ages, Fireball '75, Saturday and be open from 10 a.m. to 5 p.m., Sunday, May 3 and 4. Saturday and 1 to 4 p.m., Sunday. Cal State students are inviting Saturday special events include the community to join in the two- a karate demonstration at 1 p.m. day spring event, which features a and a tug-of-war at 4 p.m. variety of attractions, including A band contest is planned for 12 food and game booths, exhibits, noon until 5 p.m. -
The Papers of John Turner Walton Newbold, 1888-1943: an Introductory Guide
THE PAPERS OF JOHN TURNER WALTON NEWBOLD, 1888-1943: AN INTRODUCTORY GUIDE ROBERT DUNCAN WORKERS' EDUCATIONAL ASSOCIATION (SCOTLAND) The radical and socialist aspects of the complex political life of Walton Newbold have, directly or indirectly, attracted the attention of several historians of the British and international labour movement in recent years. While the secondary literature on Newbold is not extensive, the frequency of references to him in historical publications is hardly surprising, as this Lancashire-born, university-educated, 'birthright' Quaker from a wealthy Liberal background, with inherited private means at his disposal, was involved in a range of significant interests and causes for over thirty years, during which time he was associated, sometimes closely, with many leading public figures. To date, the extent and results of scholarly interest in the political career of Newbold have been uneven. There is no biography or major study, but a review of the relevant historiography reveals that serious attention has at least touched on the following concerns and roles: as a Quaker and Independent Labour Party investigative journalist in the pre-1914 peace movement, his exposure of the threatening influence of the private armaments industry and of capitalist militarism;1 his emergence as a Marxist intellectual and revolutionary propagandist from 1917, including defence of the Russian Revolution;2 his promotion of independent working-class education via the Plebs 1 For a brief critique of Newbold's expose journalism see Clive Trebilcock, 'Radicalism and the Armament Trust', in A.J.A. Morris (ed.) Edwardian radicalism 1900-1914 (London: Routledge and Kegan Paul, 1974), 180-201; also Douglas J. -
The British and French Representatives to the Communist International, 1920–1939: a Comparative Surveyã
IRSH 50 (2005), pp. 203–240 DOI: 10.1017/S0020859005001938 # 2005 Internationaal Instituut voor Sociale Geschiedenis The British and French Representatives to the Communist International, 1920–1939: A Comparative Surveyà John McIlroy and Alan Campbell Summary: This article employs a prosopographical approach in examining the backgrounds and careers of those cadres who represented the Communist Party of Great Britain and the Parti Communiste Franc¸ais at the Comintern headquarters in Moscow. In the context of the differences between the two parties, it discusses the factors which qualified activists for appointment, how they handled their role, and whether their service in Moscow was an element in future advancement. It traces the bureaucratization of the function, and challenges the view that these representatives could exert significant influence on Comintern policy. Within this boundary the fact that the French representatives exercised greater independence lends support, in the context of centre–periphery debates, to the judgement that within the Comintern the CPGB was a relatively conformist party. Neither the literature on the Communist International (Comintern) nor its national sections has a great deal to say about the permanent representatives of the national parties in Moscow. The opening of the archives has not substantially repaired this omission.1 From 1920 to 1939 fifteen British communists acted as their party’s representatives to the à This article started life as a paper delivered to the Fifth European Social Science History Conference, Berlin, 24–27 March 2004. Thanks to Richard Croucher, Barry McLoughlin, Emmet O’Connor, Bryan Palmer, Reiner Tosstorff, and all who participated in the ‘‘Russian connections’’ session. -
A Sheffield Hallam University Thesis
The Sheffield peace movement 1934-1940. STEVENSON, David Anthony Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/3916/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/3916/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. REFERENCE ProQuest Number: 10701051 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10701051 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 The Sheffield Peace Movement 1934 -1940 David Anthony Stevenson A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy January 2001 Abstract: The object of the thesis was to build a portrait of a local peace movement in order to contrast and compare it with existing descriptions of the peace movement written from a national perspective. -
British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont
University of Vermont ScholarWorks @ UVM Graduate College Dissertations and Theses Dissertations and Theses 2013 Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont Follow this and additional works at: https://scholarworks.uvm.edu/graddis Recommended Citation Salisbury, Derek, "Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books" (2013). Graduate College Dissertations and Theses. 209. https://scholarworks.uvm.edu/graddis/209 This Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks @ UVM. It has been accepted for inclusion in Graduate College Dissertations and Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children. -
Armageddon: the Musical Free Ebook
FREEARMAGEDDON: THE MUSICAL EBOOK Robert Rankin | 336 pages | 25 Apr 1991 | Transworld Publishers Ltd | 9780552136815 | English | London, United Kingdom Soundtracks Armageddon: The Musical () (Armageddon Series) They Came and Ate Us (Armageddon II: The B Movie) () (Armageddon Series) The Suburban Book of the Dead (Armageddon III: The Remake) () (Armageddon Series) The Book of Ultimate Truths () (Cornelius Murphy Series) Raiders of the Lost Car Park () (Cornelius Murphy Series). Armageddon were an English hard rock band formed in Their self-titled debut, Armageddon, was recorded in England and released in the United States on A&M Records. The albums' original liner notes use the term "supergroup", as their personnel were drummer Bobby Caldwell, singer Keith Relf, guitarist Martin Pugh, and bassist Louis Cennamo. Armageddon, the musical. [Robert Rankin] Home. WorldCat Home About WorldCat Help. Search. Search for Library Items Search for Lists Search for. Armageddon: The Musical Armageddon: The Musical is the first in the three-part Armageddon Quartet that would go on to inspire a generation of comedy fantasy authors; Rankin reveals himself to be a true visionary (who else foresaw the depths to which reality television would plumb - a mere 20 years on?). Written by John Denver Performed by Ben Affleck, Michael Clarke Duncan, Steve Buscemi and Ken Hudson Campbell (Sung by AJ and crew members to Grace before the shuttle launch) Getting Started | Contributor Zone». Armageddon were an English hard rock band formed in Their self-titled debut, Armageddon, was recorded in England and released in the United States on A&M Records. The albums' original liner notes use the term "supergroup", as their personnel were drummer Bobby Caldwell, singer Keith Relf, guitarist Martin Pugh, and bassist Louis Cennamo.