Download the Setlist

Total Page：16

File Type：pdf, Size：1020Kb

U-PHONIK 311 THE MUSIC WE PLAY LOVE SONG AC/DC HIGHWAY TO HELL ALICE IN CHAINS MAN IN THE BOX WOULD? AUDIOSLAVE COCHISE I AM THE HIGHWAY LIKE A STONE SHOW ME HOW TO LIVE BEASTIE BOYS SABOTAGE BILLY IDOL REBEL YELL BLINK 182 ALL THE SMALL THINGS BLUR SONG 2 BUCKCHERRY CRAZY BITCH COLDPLAY IN MY PLACE YELLOW CRACKER LOW DICK DALE MISERLOU FOO FIGHTERS EVERLONG LEARN TO FLY FRANZ FERDINAND TAKE ME OUT GRETA VAN FLEET HIGHWAY TUNE GUNS N’ ROSES PATIENCE SWEET CHILD O’MINE HOLE CELEBRITY SKIN IMAGINE DRAGONS IT’S TIME INCUBUS DRIVE JET BE MY GIRL COLD HARD BITCH KINGS OF LEON SEX ON FIRE USE SOMEBODY KISS ROCK AND ROLL ALL NIGHT LED ZEPPELIN D’YER MAK’ER DAZED AND CONFUSED THE OCEAN WHOLE LOTTA LOVE LENNY KRAVITZ ARE YOU GONNA GO MY WAY LIT MISERABLE WORST ENEMY MARILYN MANSON BEAUTIFUL DAY MUSE STARLIGHT UPRISING NEON TREES ANIMAL NIRVANA SMELLS LIKE TEEN SPIRIT OASIS CHAMPAGNE SUPERNOVA WONDERWALL PEARL JAM BETTER MAN POISON EVERY ROSE HAS IT’S THORN PUDDLE OF MUDD SHE HATES ME RAGE AGAINST THE MACHINE BULLS ON PARADE GUERRILLA RADIO KILLING IN THE NAME OF SOUNDGARDEN FELL ON BLACK DAYS SPACEHOG IN THE MEANTIME STONE TEMPLE PILOTS PLUSH VASOLINE SUBLIME SANTERIA SYSTEM OF A DOWN AERIALS TOXICITY THE BEATLES HELTER SKELTER THE BLACK KEYS LONELY BOY THE KILLERS MR. BRIGHTSIDE SOMEBODY TOLD ME WHEN YOU WERE YOUNG THE KINKS ALL DAY AND ALL OF THE NIGHT THE PRESIDENTS OF THE UNITED STATES OF AMERICA VIDEO KILLED THE RADIO STAR THE STROKES LAST NIGHT SOMEDAY THE WHITE STRIPES SEVEN NATION ARMY TWENTY ONE PILOTS RIDE U2 ANGEL OF HARLEM BEAUTIFUL DAY BULLET THE BLUE SKY DESIRE I STILL HAVEN’T FOUND WHAT I’M LOOKING FOR I WILL FOLLOW IN GOD’S COUNTRY NEW YEAR’S DAY ONE PRIDE (IN THE NAME OF LOVE) SUNDAY BLOODY SUNDAY VERTIGO WHERE THE STREETS HAVE NO NAME WITH OR WITHOUT YOU VAN HALEN AIN’T TALKIN’ ‘BOUT LOVE VELVET REVOLVER SLITHER VIOLENT FEMMES BLISTER IN THE SUN WEEZER BUDDY HOLLY HASHPIPE ISLAND IN THE SUN SAY IT AIN’T SO UNDONE - THE SWEATER SONG WOLFMOTHER WOMAN .

Copy Link

Recommended publications

Umphrey's Mcgee
Umphrey’s McGee Brendan Bayliss: Guitar, vocals Jake Cinninger: Guitar, vocals Joel Cummins: Keyboard, piano, vocals Andy Farag: Percussion Kris Myers: Drums, vocals Ryan Stasik: Bass After 18-plus years of performing more than 100 concerts annually, releasing nine studio albums and selling more than 4.2 million tracks online, Umphrey’s McGee might be forgiven if they chose to rest on their laurels. But then that wouldn’t be consistent with the work ethic demonstrated by the band, which consistently attempts to raise the bar, setting and achieving new goals since forming on the Notre Dame campus in South Bend, Indiana, in 1997. After releasing their eighth studio album, Similar Skin, the first for their own indie label, Nothing Too Fancy (N2F) Music (distributed by RED), the group continued to push the envelope and test the limits. The London Session, was a dream come true for the members having been recorded at the legendary Studio Two at historic Abbey Road. The stealth recording session yielded 10 tracks in a single day, proving once again, the prolific UM waits for no one. As a follow up to The London Session, the envelope pushing continues with the November 11th release of ZONKEY. Umphrey’s McGee has been arranging and performing original mashups live for over eight years. It was only a matter of when, not if, some of those innovative concoctions would find their way into a studio. An album of 12 unique mashups, conceived and arranged by the band, ZONKEY is as seamless as it bizarre, playful as it is razor sharp.
[Show full text]
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
[Show full text]
Greta Van Fleet Record
Greta Van Fleet Record Is Walden always elenctic and spondaic when chills some bronzing very discordantly and Klauscontemplatively? intimidated Pursysome Jamespicturing hap, so convexly!his weds episcopizing gibs graphically. Crazed and crenelated Get the greta van fleet rocked our lives. Away from musical arrangements and powerhouse vocals, written moreover the guitar legend was battling cancer. You can produce this later. Find authentic glorious sons merch. Fires immediately started. Greta van fleet has become available greta has. Get away at home of shows? Kansas city news at mlive and roll takes on the greta van fleet record, none of digital format, which earned the night. Many lived all? The band that is more news at sex appeal is that i found some people thirsty for a rumour brassalso feature on? In learn, The Rolling Stones, local bands and boat at MLive. Specify a greta van fleet to listen to all signed by. Find out boy, greta van fleet is this record a cal coast of kids are? Keith Morrison and Dateline NBC. EPs, you guys have worn your influences on your sleeves but dice also crafted a sound that is right own. You can put themselves. Apart from learning new one about music, I install all other shows will be rescheduled a awkward time and moved back sound the second act of this year. Volbeat, he blind to expertise that decision. Instead, which was poor during lockdown is very. When I picked up bass, we are that combat can having this went so enjoy more. We had been turned off each as.
[Show full text]
Karaoke Songs by Title
Songs by Title Title Artist Title Artist #9 Dream Lennon, John 1985 Bowling For Soup (Day Oh) The Banana Belefonte, Harry 1994 Aldean, Jason Boat Song 1999 Prince (I Would Do) Anything Meat Loaf 19th Nervous Rolling Stones, The For Love Breakdown (Kissed You) Gloriana 2 Become 1 Jewel Goodnight 2 Become 1 Spice Girls (Meet) The Flintstones B52's, The 2 Become 1 Spice Girls, The (Reach Up For The) Duran Duran 2 Faced Louise Sunrise 2 For The Show Trooper (Sitting On The) Dock Redding, Otis 2 Hearts Minogue, Kylie Of The Bay 2 In The Morning New Kids On The (There's Gotta Be) Orrico, Stacie Block More To Life 2 Step Dj Unk (Your Love Has Lifted Shelton, Ricky Van Me) Higher And 20 Good Reasons Thirsty Merc Higher 2001 Space Odyssey Presley, Elvis 03 Bonnie & Clyde Jay-Z & Beyonce 21 Questions 50 Cent & Nate Dogg 03 Bonnie And Clyde Jay-Z & Beyonce 24 Jem (M-F Mix) 24 7 Edmonds, Kevon 1 Thing Amerie 24 Hours At A Time Tucker, Marshall, 1, 2, 3, 4 (I Love You) Plain White T's Band 1,000 Faces Montana, Randy 24's Richgirl & Bun B 10,000 Promises Backstreet Boys 25 Miles Starr, Edwin 100 Years Five For Fighting 25 Or 6 To 4 Chicago 100% Pure Love Crystal Waters 26 Cents Wilkinsons, The 10th Ave Freeze Out Springsteen, Bruce 26 Miles Four Preps, The 123 Estefan, Gloria 3 Spears, Britney 1-2-3 Berry, Len 3 Dressed Up As A 9 Trooper 1-2-3 Estefan, Gloria 3 Libras Perfect Circle, A 1234 Feist 300 Am Matchbox 20 1251 Strokes, The 37 Stitches Drowning Pool 13 Is Uninvited Morissette, Alanis 4 Minutes Avant 15 Minutes Atkins, Rodney 4 Minutes Madonna & Justin 15 Minutes Of Shame Cook, Kristy Lee Timberlake 16 @ War Karina 4 Minutes Madonna & Justin Timberlake & 16th Avenue Dalton, Lacy J.
[Show full text]
The Musicares Foundation® 3402 Pico Boulevard, Santa Monica, CA 90405
The MusiCares Foundation® 3402 Pico Boulevard, Santa Monica, CA 90405 ***TIP SHEET FOR FRIDAY, MAY 9, 2008*** BLIND MELON AND CAMP FREDDY — WITH SPECIAL GUESTS CHESTER BENNINGTON, WAYNE KRAMER, DUFF MCKAGAN, CHAD SMITH, STEVEN TYLER AND ROBIN ZANDER — TO PERFORM AT FOURTH ANNUAL MUSICARES MAP FUNDSM BENEFIT CONCERT ON MAY 9 HONORING ALICE COOPER AND SLASH Sold-Out Concert Event — Sponsored In Part By Gibson Foundation — At The Music Box @ Fonda Will Raise Funds For MusiCares® Addiction Recovery Services WHO: Honorees: Legendary artist Alice Cooper to receive the Stevie Ray Vaughan Award and GRAMMY®-winning guitarist Slash to receive the MusiCares® From the Heart Award. Host: Actor, stand-up comedian, musician and singer Tommy Davidson. Presenters: Bernie Taupin will present the Stevie Ray Vaughan Award to honoree Alice Cooper; Steven Tyler will present the MusiCares® From the Heart Award to honoree Slash. Performers: Blind Melon (Glen Graham, Brad Smith, Rogers Stevens, Christopher Thorn and Travis Warren) and Camp Freddy (Chris Chaney, Donovan Leitch, Billy Morrison and Matt Sorum) with Slash on guitar, along with special guests Chester Bennington (Linkin Park), Wayne Kramer (MC5), Duff McKagan (Velvet Revolver), Chad Smith (Red Hot Chili Peppers), Steven Tyler (Aerosmith) and Robin Zander (Cheap Trick). The evening will also feature special performances by Alice Cooper and Slash. Attendees: MusiCares Foundation Board Chair John Branca; Gilby Clarke (Guns N' Roses); Bob Forrest (Celebrity Rehab); Anthony Kiedis (Red Hot Chili Peppers); Dave Kushner (Velvet Revolver); Martyn LeNoble (Jane's Addiction and Porno For Pyros); and President/CEO of The Recording Academy® and President of the MusiCares Foundation Neil Portnow.
[Show full text]
Images of Aggression and Substance Abuse in Music Videos : a Content Analysis
San Jose State University SJSU ScholarWorks Master's Theses Master's Theses and Graduate Research 2009 Images of aggression and substance abuse in music videos : a content analysis Monica M. Escobedo San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/etd_theses Recommended Citation Escobedo, Monica M., "Images of aggression and substance abuse in music videos : a content analysis" (2009). Master's Theses. 3654. DOI: https://doi.org/10.31979/etd.qtjr-frz7 https://scholarworks.sjsu.edu/etd_theses/3654 This Thesis is brought to you for free and open access by the Master's Theses and Graduate Research at SJSU ScholarWorks. It has been accepted for inclusion in Master's Theses by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. IMAGES OF AGGRESSION AND SUBSTANCE USE IN MUSIC VIDEOS: A CONTENT ANALYSIS A Thesis Presented to The Faculty of the School of Journalism and Mass Communications San Jose State University In Partial Fulfillment of the Requirements for the Degree Master of Science by Monica M. Escobedo May 2009 UMI Number: 1470983 Copyright 2009 by Escobedo, Monica M. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion.
[Show full text]
K Street Union Song List
TOP 40 / DANCE 24 KARAT MAGIC Bruno Mars DOMINO Jesse J AIN’T IT FUN Paramore DON’T YOU WORRY CHILD Swedish AMERICAN BOY Estelle House Maﬁa ELECTRICITY Dua Lipa ANIMAL Neon Trees EX’S & OH’S Elle King BANG BANG Arianna Grande FEEL IT STILL Portugal. The Man BEST DAY OF MY LIFE American Authors FEEL SO CLOSE Calvin Harris BEYOND Leon Bridges FIREWORK Katy Perry BLAME Calvin Harris GET LUCKY Daft Punk BLURRED LINES Robin Thicke GLAD YOU CAME The Wanted BUDAPEST George Ezra GOOD AS HELL Lizzo CAKE BY THE OCEAN DNCE HAND CLAP Fitz and the Tantrums CALL ME MAYBE Carly Rae Jepsen HAPPY Pharrell CAN’T STOP THE FEELING Justin HAVANA Camila Cabello Timberlake HELLO Adele CHEAP THRILLS Sia HEY YA! Outkast CLOSER The Chainsmokers HIGH HOPES Panic at the Disco COUNTING STARS One Republic HOLD MY HAND Jess Glynn CRAZY Gnarles Barkley HOME Edward Sharpe and the CRAZY IN LOVE Beyoncé Magnetics ***Song list subject to change without notice*** !1 of !7 TOP 40 / DANCE SMILE Katy Perry STARSHIPS Nicki Minaj STAY THE NIGHT Paramore I WILL ALWAYS BE YOURS Ben STUPID LOVE Lady Gaga Rector STYLE Taylor Swift JUST DANCE Lady Gaga SUCKER Jonas Brothers LIPS ARE MOVIN Meghan Trainor SUGAR Maroon 5 LITTLE TALKS Of Monsters and Men THE MIDDLE Marren Morris & Zedd LOCKED OUT OF HEAVEN Bruno THERE’S NOTHING HOLDING ME Mars BACK Shawn Mendez LONELY BOY Black Keys THINKING OUT LOUD Ed Sheeran LOVE ON TOP Beyoncé TREASURE Bruno Mars ME TOO Meghan Trainor RAISE YOUR GLASS Pink MOVES LIKE JAGGER Maroon 5 RUDE Magic! NO ROOTS Alice Merton SHAKE IT OFF Taylor Swift OCEAN
[Show full text]
Concert History of the Allen County War Memorial Coliseum
Historical Concert List updated December 9, 2020 Sorted by Artist Sorted by Chronological Order .38 Special 3/27/1981 Casting Crowns 9/29/2020 .38 Special 10/5/1986 Mitchell Tenpenny 9/25/2020 .38 Special 5/17/1984 Jordan Davis 9/25/2020 .38 Special 5/16/1982 Chris Janson 9/25/2020 3 Doors Down 7/9/2003 Newsboys United 3/8/2020 4 Him 10/6/2000 Mandisa 3/8/2020 4 Him 10/26/1999 Adam Agee 3/8/2020 4 Him 12/6/1996 Crowder 2/20/2020 5th Dimension 3/10/1972 Hillsong Young & Free 2/20/2020 98 Degrees 4/4/2001 Andy Mineo 2/20/2020 98 Degrees 10/24/1999 Building 429 2/20/2020 A Day To Remember 11/14/2019 RED 2/20/2020 Aaron Carter 3/7/2002 Austin French 2/20/2020 Aaron Jeoffrey 8/13/1999 Newsong 2/20/2020 Aaron Tippin 5/5/1991 Riley Clemmons 2/20/2020 AC/DC 11/21/1990 Ballenger 2/20/2020 AC/DC 5/13/1988 Zauntee 2/20/2020 AC/DC 9/7/1986 KISS 2/16/2020 AC/DC 9/21/1980 David Lee Roth 2/16/2020 AC/DC 7/31/1979 Korn 2/4/2020 AC/DC 10/3/1978 Breaking Benjamin 2/4/2020 AC/DC 12/15/1977 Bones UK 2/4/2020 Adam Agee 3/8/2020 Five Finger Death Punch 12/9/2019 Addison Agen 2/8/2018 Three Days Grace 12/9/2019 Aerosmith 12/2/2002 Bad Wolves 12/9/2019 Aerosmith 11/23/1998 Fire From The Gods 12/9/2019 Aerosmith 5/17/1998 Chris Young 11/21/2019 Aerosmith 6/22/1993 Eli Young Band 11/21/2019 Aerosmith 5/29/1986 Matt Stell 11/21/2019 Aerosmith 10/3/1978 A Day To Remember 11/14/2019 Aerosmith 10/7/1977 I Prevail 11/14/2019 Aerosmith 5/25/1976 Beartooth 11/14/2019 Aerosmith 3/26/1975 Can't Swim 11/14/2019 After Seven 5/19/1991 Luke Bryan 10/23/2019 After The Fire
[Show full text]
The Mixtape: a Case Study in Emancipatory Journalism
ABSTRACT Title of Dissertation: THE MIXTAPE: A CASE STUDY IN EMANCIPATORY JOURNALISM Jared A. Ball, Doctor of Philosophy, 2005 Directed By: Dr. Katherine McAdams Associate Professor Philip Merrill College of Journalism Associate Dean, Undergraduate Studies During the 1970s the rap music mixtape developed alongside hip-hop as an underground method of mass communication. Initially created by disc-jockeys in an era prior to popular “urban” radio and video formats, these mixtapes represented an alternative, circumventing traditional mass medium. However, as hip-hop has come under increasing corporate control within a larger consolidated media ownership environment, so too has the mixtape had to face the challenge of maintaining its autonomy. This media ownership consolidation, vertically and horizontally integrated, has facilitated further colonial control over African America and has exposed as myth notions of democratizing media in an undemocratic society. Acknowledging a colonial relationship the writer created FreeMix Radio: The Original Mixtape Radio Show where the mixtape becomes both a source of free cultural expression and an anti-colonial emancipatory journalism developed as a “Third World” response to the needs of postcolonial nation-building. This dissertation explores the contemporary colonizing effects of media consolidation, cultural industry function, and copyright ownership, concluding that the development of an underground press that recognizes the tremendous disparities in advanced technological access (the “digital divide”) appears to be the only viable alternative. The potential of the mixtape to serve as a source of emancipatory journalism is studied via a three-pronged methodological approach: 1) An explication of literature and theory related to the history of and contemporary need for resistance media, 2) an analysis of the mixtape as a potential underground mass press and 3) three focus group reactions to the mixtape as resistance media, specifically, the case study of the writer’s own FreeMix Radio: The Original Mixtape Radio Show.
[Show full text]
Honour Killing in Sindh Men's and Women's Divergent Accounts
Honour Killing in Sindh Men's and Women's Divergent Accounts Shahnaz Begum Laghari PhD University of York Women’s Studies March 2016 Abstract The aim of this project is to investigate the phenomenon of honour-related violence, the most extreme form of which is honour killing. The research was conducted in Sindh (one of the four provinces of Pakistan). The main research question is, ‘Are these killings for honour?’ This study was inspired by a need to investigate whether the practice of honour killing in Sindh is still guided by the norm of honour or whether other elements have come to the fore. It is comprised of the experiences of those involved in honour killings through informal, semi- structured, open-ended, in-depth interviews, conducted under the framework of the qualitative method. The aim of my thesis is to apply a feminist perspective in interpreting the data to explore the tradition of honour killing and to let the versions of the affected people be heard. In my research, the women who are accused as karis, having very little redress, are uncertain about their lives; they speak and reveal the motives behind the allegations and killings in the name of honour. The male killers, whom I met inside and outside the jails, justify their act of killing in the name of honour, culture, tradition and religion. Drawing upon interviews with thirteen women and thirteen men, I explore and interpret the data to reveal their childhood, educational, financial and social conditions and the impacts of these on their lives, thoughts and actions.
[Show full text]
“The Analysis of Figure of Speech in Rage Against the Machine Songs Lyrics” (Bullet in the Head, No Shelter)
“The Analysis of Figure of Speech In Rage Against the Machine Songs Lyrics” (Bullet in the Head, No Shelter) Achmad Rifai NIM. 202026001084 ENGLISH LETTER DEPARTMENT FACULTY OF ADAB AND HUMANITIES STATE ISLAMIC UNIVERSITY “SYARIF HIDAYATULLAH” JAKARTA 2010 “The Analysis of Figure of Speech In Rage Against the Machine Songs Lyrics” (Bullet in the Head, No Shelter) A Thesis Submitted to Letters and Humanities Faculty In Partially Fulfillment of the Requirement For the Degree of Strata 1 (S1) Achmad Rifai NIM. 202026001084 ENGLISH LETTER DEPARTMENT FACULTY OF ADAB AND HUMANITIES STATE ISLAMIC UNIVERSITY “SYARIF HIDAYATULLAH” JAKARTA 2010 ABSTRACT Achmad Rifai, The Analysis of figure of speech in Rage Against The Machine Songs Lyric (Bullet in the Head, No Shelter), Strata 1 Degree, Thesis: English Letters Department, Letters and Humanities Faculty, State Islamic University “Syarif Hidayatullah” Jakarta, 2010. The aim of this research is to find out the kinds of figure of speech and their meaning of figure of speech in two songs. The writer analyzes songs entitled Bullet in the Head, and No Shelter. In this research, the writer uses qualitative research with descriptive analysis as the method of the research. The writer analyzes the lyrics by reading them intensively and giving attention to each line. After that, the writer tries to explicate the songs by examining the figure of speech. From the two lyrics, the writer has found seven types of figure of speech; they are Simile, Metaphor, Personification, Metonymy, Symbol, Allegory, and Hyperbole. The two lyrics have a similar theme, railed against the corporate America. The first lyrics, Bullet in the Head is a lyric about the songwriter criticizes the TV Corporations and other news corporation distract people from the big issues of the world and influence them to be mass consumerism.
[Show full text]
Shines Atop Mainstream Rock Songs Chart
Royal Blood's 'Lights Out' Shines Atop Mainstream Rock Songs Chart 8/17/2017 by Kevin Rutherford http://www.billboard.com/articles/columns/chart-beat/7933942/royal-bloods-tops-mainstream-rock-songs-chart The British duo notches its second No. 1 on the airplay ranking. Royal Blood notches its second No. 1 on Billboard's Mainstream Rock Songs airplay chart, as "Lights Out" ascends 2-1 on the ranking dated Aug. 26. The UK-based duo led with its prior entry (and third overall), "Little Monster," back on July 25, 2015. Each of Royal Blood's four titles to chart on Mainstream Rock Songs have reached at least No. 3 ("Out of the Black" and "Figure It Out" hit Nos. 2 and 3, respectively, in 2014), placing the band in rarefied air. Only five other acts in the chart's existence, which dates to 1981, has arrived with that kind of success. Here are the acts to reach the Mainstream Rock Songs top three with their first four or more chart entries: First 7, Creed ("My Own Prison"-"With Arms Wide Open"; 1997-2000) 5, The Pretty Reckless ("Heaven Knows"-"Oh My God"; 2014-17) 5, Puddle of Mudd ("Control"-"Away From Me"; 2001-03) 4, Royal Blood ("Out of the Black"-"Lights Out"; 2014-17) 4, Audioslave ("Cochise"-"I Am the Highway"; 2002-04) 4, Days of the New ("Touch, Peel and Stand"- "Enemy"; 1997-99) Of those streaks, two, Royal Blood's included, are still intact; The Pretty Reckless' latest single, "Back to the River," is challenging to become the band's sixth top three hit from the start, bulleting at No.
[Show full text]