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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Challenges and Directions for Monitoring P2P File Sharing Networks
Challenges and Directions for Monitoring P2P File Sharing Networks – or – Why My Printer Received a DMCA Takedown Notice Michael Piatek∗ Tadayoshi Kohno ∗ Arvind Krishnamurthy∗ Abstract— We reverse engineer copyright enforcement The focus of this paper is to examine the tension be- in the popular BitTorrent file sharing network and find tween P2P users and enforcement agencies and the chal- that a common approach for identifying infringing users lenges raised by an escalating arms race between them. is not conclusive. We describe simple techniques for im- We ground this work in an experimental analysis of the plicating arbitrary network endpoints in illegal content methods by which copyright holders currently monitor sharing and demonstrate the effectiveness of these tech- the BitTorrent file sharing network. Our work is based on niques experimentally, attracting real DMCA complaints measurements of tens of thousands of BitTorrent objects. for nonsense devices, e.g., IP printers and a wireless ac- A unique feature of our approach is that we intentionally cess point. We then step back and evaluate the challenges try to receive DMCA takedown notices, and we use these and possible future directions for pervasive monitoring in notices to drive our analysis. P2P file sharing networks. Our experiments uncover two principal findings: 1 Introduction • Copyright holders utilize inconclusive methods for identifying infringing BitTorrent users. We were able Users exchange content via peer-to-peer (P2P) file shar- to generate hundreds of DMCA takedown notices for ing networks for many reasons, ranging from the legal machines under our control at the University of Wash- exchange of open source Linux distributions to the ille- ington that were not downloading or sharing any con- gal exchange of copyrighted songs, movies, TV shows, tent. -
Malware Extorts Cash from Bittorrent Users | Torrentfreak
Malware Extorts Cash From BitTorrent Users | TorrentFreak http://torrentfreak.com/malware-extort-cash-from-bittorrent-use... TorrentFreak Home Contact About Archives Forum Malware Extorts Cash From BitTorrent Users Written by enigmax on April 11, 2010 A new type of malware is riding the wave of file-sharing pre-settlement letters by infecting BitTorrent users’ machines and then demanding payments in order to make imaginary lawsuits go away. ICPP Foundation try to give the impression they are RIAA and MPAA affiliated but the whole thing is a scam to extort cash and obtain credit card details. ICCP Foundation claims to be an international company operating out of Switzerland. They say they are “committed to promoting the cultural and economic benefits of copyright” while assisting their partners to fight “copyright theft around the world”. In fact what they really do is operate a scam to extort money from BitTorrent users. Right at this moment we are unsure of the exact route of infection, but somehow malware (probably in either fake file or attached virus form) is displaying a “copyright violation alert” on the victim’s screen, locking it, and redirecting users to the ICPP site where they are told they have been caught infringing copyright. There they are warned their offenses could result in 5 years in prison and a $250,000 fine and are given the option to take the (fake) case to court. They are also offered a chance to make the whole thing go away for the payment of a ‘fine’ of around $400. Victims are also prompted to give their name, address and full credit card details – it is unclear how this information is further abused but it doesn’t look good. -
The Business of Anti-Piracy: New Zones of Enterprise in the Copyright Wars
International Journal of Communication 6 (2012), 606–625 1932–8036/20120606 The Business of Anti-Piracy: New Zones of Enterprise in the Copyright Wars RAMON LOBATO1 JULIAN THOMAS Swinburne University of Technology From the perspective of copyright holders, piracy represents lost revenue. In this article we argue that piracy nevertheless has important generative features. We consider the range of commercial opportunities that piracy opens up outside of the media industries, identifying four overlapping fields of legal anti-piracy enterprise: technological prevention, revenue capture, knowledge generation, and policing/enforcement. Our analysis notes the commercialization of these activities and their close relationship with the informal media economy. A case study of recent “speculative invoicing” lawsuits demonstrates the extent of this commercialization and its detachment from the mainstream content industries. A key strategy of content industry groups during their long war on piracy has been to associate copyright infringement with lost revenue for artists, producers, and media businesses. Consumers are now familiar with the claim that piracy directly threatens the livelihoods of cultural workers and generates large profits for criminal organizations, bootleggers, and online intermediaries. Hence, the model of a zero-sum economic redistribution between two camps—producers and pirates—with the latter cannibalizing the revenues of the former. This is an ever-present theme in anti-piracy discourse, exemplified by the Motion Picture Association of America’s claim that “copyright theft means declining incomes, lost jobs and reduced health and retirement benefits” (MPAA, 2010, p. 2) and by the Australian Federation Against Copyright Theft’s warning that “film and TV piracy rips more than $230 million out of the Australian economy each year” (AFACT, 2008, p. -
The P2P Threat from Your PC
The P2P Threat From Your PC November 16, 2004 Robert Steinberg Yury Kapgan* * Robert Steinberg is a partner in the corporate and litigation departments, as well as a member of both the Venture & Technology and Intellectual Property and Technology practice groups in the Los Angeles office of Latham & Watkins. Bob has a J.D. from Georgetown University and B.S. degrees in Systems Science Engineering and Economics from the University of Pennsylvania. Bob has an extensive background in business, law and engineering. His practice focuses on all aspects of negotiations, transactions and litigation and rights acquisitions concerning technology and media. He has represented start-up companies, emerging and middle market companies, major international corporations, entertainment studios, venture capitalist and investment banks, including companies such as America Online, Broadcom and Disney. Yury Kapgan is an associate in the corporate and litigation departments at Latham & Watkins in Los Angeles. He has a J.D. from the University of California, Boalt Hall School of Law and a B.A. from UCLA. Special thanks to Roxanne Christ and Dan Schecter, partners in the Los Angeles office of Latham & Watkins, for their comments on this paper. The positions and opinions taken by the authors are not necessarily representative of their employers or clients. This notice also disclaims any responsibility with regard to actions taken or results obtained on the basis of this paper. © Copyright 2004 Latham & Watkins LLP. All rights reserved. Latham & Watkins operates as a limited liability partnership worldwide, with an affiliate in the United Kingdom and Italy, where the practice is conducted through an affiliated multinational partnership. -
You Are Not Welcome Among Us: Pirates and the State
International Journal of Communication 9(2015), 890–908 1932–8036/20150005 You Are Not Welcome Among Us: Pirates and the State JESSICA L. BEYER University of Washington, USA FENWICK MCKELVEY1 Concordia University, Canada In a historical review focused on digital piracy, we explore the relationship between hacker politics and the state. We distinguish between two core aspects of piracy—the challenge to property rights and the challenge to state power—and argue that digital piracy should be considered more broadly as a challenge to the authority of the state. We trace generations of peer-to-peer networking, showing that digital piracy is a key component in the development of a political platform that advocates for a set of ideals grounded in collaborative culture, nonhierarchical organization, and a reliance on the network. We assert that this politics expresses itself in a philosophy that was formed together with the development of the state-evading forms of communication that perpetuate unmanageable networks. Keywords: pirates, information politics, intellectual property, state networks Introduction Digital piracy is most frequently framed as a challenge to property rights or as theft. This framing is not incorrect, but it overemphasizes intellectual property regimes and, in doing so, underemphasizes the broader political challenge posed by digital pirates. In fact, digital pirates and broader “hacker culture” are part of a political challenge to the state, as well as a challenge to property rights regimes. This challenge is articulated in terms of contributory culture, in contrast to the commodification and enclosures of capitalist culture; as nonhierarchical, in contrast to the strict hierarchies of the modern state; and as faith in the potential of a seemingly uncontrollable communication technology that makes all of this possible, in contrast to a fear of the potential chaos that unsurveilled spaces can bring. -
Concert History of the Allen County War Memorial Coliseum
Historical Concert List updated December 9, 2020 Sorted by Artist Sorted by Chronological Order .38 Special 3/27/1981 Casting Crowns 9/29/2020 .38 Special 10/5/1986 Mitchell Tenpenny 9/25/2020 .38 Special 5/17/1984 Jordan Davis 9/25/2020 .38 Special 5/16/1982 Chris Janson 9/25/2020 3 Doors Down 7/9/2003 Newsboys United 3/8/2020 4 Him 10/6/2000 Mandisa 3/8/2020 4 Him 10/26/1999 Adam Agee 3/8/2020 4 Him 12/6/1996 Crowder 2/20/2020 5th Dimension 3/10/1972 Hillsong Young & Free 2/20/2020 98 Degrees 4/4/2001 Andy Mineo 2/20/2020 98 Degrees 10/24/1999 Building 429 2/20/2020 A Day To Remember 11/14/2019 RED 2/20/2020 Aaron Carter 3/7/2002 Austin French 2/20/2020 Aaron Jeoffrey 8/13/1999 Newsong 2/20/2020 Aaron Tippin 5/5/1991 Riley Clemmons 2/20/2020 AC/DC 11/21/1990 Ballenger 2/20/2020 AC/DC 5/13/1988 Zauntee 2/20/2020 AC/DC 9/7/1986 KISS 2/16/2020 AC/DC 9/21/1980 David Lee Roth 2/16/2020 AC/DC 7/31/1979 Korn 2/4/2020 AC/DC 10/3/1978 Breaking Benjamin 2/4/2020 AC/DC 12/15/1977 Bones UK 2/4/2020 Adam Agee 3/8/2020 Five Finger Death Punch 12/9/2019 Addison Agen 2/8/2018 Three Days Grace 12/9/2019 Aerosmith 12/2/2002 Bad Wolves 12/9/2019 Aerosmith 11/23/1998 Fire From The Gods 12/9/2019 Aerosmith 5/17/1998 Chris Young 11/21/2019 Aerosmith 6/22/1993 Eli Young Band 11/21/2019 Aerosmith 5/29/1986 Matt Stell 11/21/2019 Aerosmith 10/3/1978 A Day To Remember 11/14/2019 Aerosmith 10/7/1977 I Prevail 11/14/2019 Aerosmith 5/25/1976 Beartooth 11/14/2019 Aerosmith 3/26/1975 Can't Swim 11/14/2019 After Seven 5/19/1991 Luke Bryan 10/23/2019 After The Fire -
Torrentfreak
TorrentFreak • Home • About • Archives • Categories ○ Anti-Piracy ○ Bittorrent Software ○ Breaking News ○ Copyright Issues ○ Legal Issues ○ Opinion ○ Pirate Talk ○ Politics and Ideology ○ Torrent Sites ○ Tutorial & How To • News Bits • Contact The place where breaking news, BitTorrent and copyright collide • Subscribe via RSS • Subscribe via Email • Tip Us Off! Top of Form Search TorrentFreak Search Bottom of Form BitTorrent: Bypass any Firewall or Throttling ISP with SSH • Ernesto • 14/10/2007 • 190 • bittorrent , firewall, ssh, ssh-tunnel, throttling • Print • On some networks it’s impossible to use BitTorrent. For example, if you’re at work, school, or connected to Comcast or a public hotspot. But there’s an easy solution to overcome this problem. By using a secure connection (SSH), you can bypass almost every firewall or traffic shaping application. Here’s a relatively simple 3-step guide that will show you how to set it up. I wouldn’t recommend BitTorrent over SSH as a permanent solution since it will cripple the servers of the SSH providers. If you’re looking for a long term solution check out a VPN service such as BTGuard. 1. Get an SSH account. You need an SSH account in order to get this working. You can try one of these free shell providers from this list. 2. Download, Install and Configure Putty Download Putty, store it somewhere on your computer and run it. In the session screen enter the host name, the port number (22), and tick the connection type box (SSH). Next, go to SSH –> Tunnels, enter a source port and tick the dynamic box. -
Security Analysis of the Micro Transport Protocol with a Misbehaving Receiver
2012 International Conference on Cyber-Enabled Distributed Computing and Knowledge Discover Security Analysis of the Micro Transport Protocol with a Misbehaving Receiver ∗ † ‡ ∗ Florian Adamsky , Syed Ali Khayam , Rudolf Jäger , Muttukrishnan Rajarajan ∗ City University London, United Kingdom Email: {Florian.Adamsky.1, R.Muttukrishnan}@city.ac.uk † National University of Sciences and Technology, Pakistan Email: [email protected] ‡ Technische Hochschule Mittelhessen University of Applied Sciences, Germany Email: [email protected] Abstract—BitTorrent is the most widely used Peer- This approach is inflexible and often leaves big head to-Peer (P2P) protocol and it comprises the largest room which is unused. A better approach is to use share of traffic in Europe. To make BitTorrent more a separate transport protocol for background traffic Internet Service Provider (ISP) friendly, BitTorrent Inc. like TCP-LP [1] or TCP-Nice [2]. These protocols can invented the Micro Transport Protocol (uTP). It is based detect foreground traffic and automatically reduce their on UDP with a novel congestion control called Low Extra Delay Background Transport (LEDBAT). This sending rate. With uTP using LEDBAT there is a new protocol assumes that the receiver always gives correct kid on the block. feedback, since otherwise this deteriorates throughput or In December 2008, BitTorrent announced in the yields to corrupted data. We show through experimental developer forum that μTorrent will switch the data investigation that a misbehaving uTP receiver, which transfer from TCP to UDP [3]. Shortly after that is not interested in data integrity, can increase the announcement, panic started spreading all over the bandwidth of the sender by up to five times. -
Digital Hollywood Spring at Conference, and Your Registration the P2P Media for the Full DCIA Conference &
2nd Annual P2P Media Summit LA Page 1 of 10 2nd Annual P2P MEDIA SUMMIT LA DCIA Conference & Exposition June 11-14, 2007 | 8:00 AM - 7:30 PM | Santa Monica, California SPECIAL THANKS TO P2P MEDIA SUMMIT LA JAVIEN FOR HANDLING PARTNERS & ONLINE REGISTRATIONS SPONSORS PHONE REGISTRATION Plan now to attend the Distributed 410-476-7965 Computing Industry Association’s second annual Los Angeles LOCATION Conference & Exposition. Doubletree Guest Suites This seminal industry event is Santa Monica, CA scheduled for June 11th–14th at the Doubletree Guest Suites in Santa Monica, CA. Agenda The June 11th Conference will Speakers feature keynotes from top P2P and Sponsorships social networking software Event Registration distributors, panels of industry About Us leaders, valuable workshops, and much more. There will be a continental breakfast, luncheon, and networking cocktail reception Interested in with live entertainment. sponsoring, exhibiting, or hosting The June 12th-14th Exposition is being held in conjunction with the lunch or a reception Digital Hollywood Spring at Conference, and your registration the P2P Media for the full DCIA Conference & Summit? Exposition includes that event as well. Please contact Karen Kaplowitz Digital Hollywood has become the industry’s premier entertainment DCIA Member and technology conference and Services this spring’s expanded line-up promises to be very serious, very [email protected] crowded, critical to the industry, 888-890-4240 and critical to your life. ________________ DCIA Member speakers for the Press Registration P2P MEDIA SUMMIT LA are listed in the Speakers section, which is Please send e-mail below the Conference Agenda that with press immediately follows this summary. -
Master's Thesis
MASTER'S THESIS Analysis of UDP-based Reliable Transport using Network Emulation Andreas Vernersson 2015 Master of Science in Engineering Technology Computer Science and Engineering Luleå University of Technology Department of Computer Science, Electrical and Space Engineering Abstract The TCP protocol is the foundation of the Internet of yesterday and today. In most cases it simply works and is both robust and versatile. However, in recent years there has been a renewed interest in building new reliable transport protocols based on UDP to handle certain problems and situations better, such as head-of-line blocking and IP address changes. The first part of the thesis starts with a study of a few existing reliable UDP-based transport protocols, SCTP which can also be used natively on IP, QUIC and uTP, to see what they can offer and how they work, in terms of features and underlying mechanisms. The second part consists of performance and congestion tests of QUIC and uTP imple- mentations. The emulation framework Mininet was used to perform these tests using controllable network properties. While easy to get started with, a number of issues were found in Mininet that had to be resolved to improve the accuracy of emulation. The tests of QUIC have shown performance improvements since a similar test in 2013 by Connectify, while new tests have identified specific areas that might require further analysis such as QUIC’s fairness to TCP and performance impact of delay jitter. The tests of two different uTP implementations have shown that they are very similar, but also a few differences such as slow-start growth and back-off handling. -
Case 1:14-Cv-00810-LY Document 116 Filed 03/05/21 Page 1 of 15
Case 1:14-cv-00810-LY Document 116 Filed 03/05/21 Page 1 of 15 IN THE UNITED STATES DISTRICT COURT FOR THE WESTERN DISTRICT OF TEXAS AUSTIN DIVISION VIA VADIS, LLC and § § AC TECHNOLOGIES, S.A., § § Case No. 1:14-cv-810-LY Plaintiffs, § § v. § JURY TRIAL DEMAND § BLIZZARD § ENTERTAINMENT, INC, § § Defendant. SECOND AMENDED COMPLAINT FOR PATENT INFRINGEMENT Plaintiffs Via Vadis (“Via Vadis”) and AC Technologies, S.A. (“AC Tech,” collectively, “Plaintiffs”), by and through their attorneys, respectfully file this Second Amended Complaint for patent infringement against Blizzard Entertainment, Inc. (“Blizzard”) and in support thereof state: I. INTRODUCTION 1. This is a claim for patent infringement arising under the patent laws of the United States, Title 35 of the United States Code. Plaintiff AC Tech is the owner and Plaintiff Via Vadis is the exclusive U.S. licensee, respectively, of the Asserted Patent (defined below), which relate to an improved data access and management system. In particular, systems operating pursuant to the Asserted Patent store data in a redundant manner in multiple data storage devices depending on pre-specified parameters of the measured data transmission between those data storage devices and computer units. These computer units further access one or more of these data storage devices to access and use such data as a function of those determined pre-specified parameters. Further, the data storage devices process the stored data independently from any access or direction of the computer units. These computer units shift redundantly stored data. In this manner, data can be 1 Case 1:14-cv-00810-LY Document 116 Filed 03/05/21 Page 2 of 15 processed in a decentralized manner whereby increased data integrity and an increased fault tolerance, as well as relief of individual system components, is achieved.