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Magnetic Black Moi by BEVERLEY MITCHELL of the Gazette

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Magnetic Black Moi by BEVERLEY MITCHELL of the Gazette Magnetic black moi By BEVERLEY MITCHELL of The Gazette The hips are wider, she notes dis- passionately, and she’s pretty sure she’s a quarter of an inch shorter. Arm bangles no longer slide up above the elbow with ease. But at' 53 Johanne Harelle, Mont- real’s first black model, still pos- sesses the magnetism which lit up a thousand fashion-show runways more than two décades ago. “ She stalked the runways like a sleek, black panther,” an un- abashed admirer says of Harelle’s show-stopping appearances. JOHANNE HARELLE Harelle guffaws at the descrip­ tion. Staying put in Montréal “ I think I walk like a fast gi1- raffc.” Harper's Bazaar That was a year Harelle is once again a Montreal- after Harelle had blithely walked er, after a self-imposed exile of 19 away from the modelling career years in Paris and other parts of she had enjoyed from the mid-’50s the world with hcr now-divorced on. French sociologist husband. “ I left like that for a weekend in She is the mother of a 33-year-old Paris and remained,” she recalled illegitimate son, the resuit of an in a recent interview. earlier romantic liaison. She is a Reminiscing about her modelling sometime actress and the author of days, she was w ry rather than an autobiography, Un Leçon, pub- angry concerning the racial préju­ lished two years ago. dice she encountered. She is still exploring, still ex- “ I suffered from a little racism. panding and being middle-aged There were a few incidents but not doesn’t bother her a b it . except many It was much more than for society’s unexpressed demand my being black. It was an inability that she act differently now that to imagine a French-speaking she is 53 instead of 23. black.” “ I don’t think that people should She remembers parading for a have to behave differently because time as a Haitian immigrant to ex- they reach a certain âge. It’s negat- plain her French background. In re- ing the person’s individuality. They ality, her mother was a French-Ca- are the same people but society nadian and her father an says that if they’re grçy they’re English-speaking West Indian. old. She was born Joan Harrell and “ So I dye my hair.” spoke English until her father died The coloring of her hair is her of tuberculosis when she was three. only concession to the passihg When her mother became confined years. Otherwise, Harelle romains to a sanitarium for treatment of the the laidback, admittedly lazy inde- same disease, Harelle and her two pendent she was 25 years ago when, younger brothers were sent to an almost without realizing it, she set orphanage. a precedent by becoming Mont- The nuns who ran the orphanage real’s first black model. altered her name and she was sub- In the United States, this break- sequently raised in French. Several through was not to occur until 1964, attempts at placing her in adoptive when Donyale Luna, a six-foot homes ended unsuccessfully be­ beauty, exploded on to the pages of cause, she said, the adoptive par- _____________________________ Harelle with designer Michel Robichaud in the ’60s. ents appeared to be more interest- would regard as a burden. ed in having an unpaid maid than a Had she been raised with a con- daughter. ventional family in a conventional After finishing school, she milieu, she reasons, she would worked at an astonishing array of probably not have becpme a suc- ' jobs — as a maid, a waitress, an ac- cessful model, sometime-actress countant, babysitter, nightcjub pho- and author. tographer, laboratory technician She might not have had a pas- and, eventually, as a model at sionate, three-year love affair with l’Ecole Beaux Arts. film-maker Claude Jutras, a liaison There, she made contact with the dissected in his subséquent film, A city’s French-speaking intelligen­ Tout Prendre, which starred him tsia, among them people working in and Harelle. film and the fledgling télévision in- She might not have married a dustry. French sociologist and bounced “ After I met them, if there was a around the world with him. rôle for a colored girl, I got it.” She might not now be back where She was treated not as an out- she feels she truly belongs — in cast, she said, but rather as a “ mar­ Montréal, in a dream of a house on ginal person. Being a French-Cana- Drolet St. dian black girl, I was let to do Harelle is now settled here per-, whatever I felt like doing. I wàs manently, working on other books, outside the ordinary.” doing occasional acting and some The results, she said, were won- télévision and radio work. derful if unpredictable years. “ I dream sometimes of finding “ It was a marvelous time, 1950- somebody who would not encumber 1957 It was a revolutionary time my life but who would take care of and I would like to live that alï the encumbrances of bills and again.” mortgages, the financial merde. She is, in short, grateful for a But it is my choice and not being background which many others ambitious makes it easier.” The GAZETTE, Montréal, Friday, March 11, 1983 C-17 ‘Legends’ in the making Legends was produced by Gazelle clusively. Quinto shoes, Henri Cohen Fashion Editor lona Monahan and Barbra glasses, jewelry from Chateau d'ivoire. Katz. Page 4: Claude Montana suede jacket and Assistants: Margo Harrison, June skirt at Holt Renfrew, exclusively. Ear­ Thompson. Consultants: Dick Walsh, rings, Boutique Cliq. Brass bracelets The Denis Dero. Bay. Black bracelets, Holt Renfrew. Page Caricatures by Terry (“ Aislin") Mosher. 5: Yves Saint Laurent coat-dress and suit Photographs by John Mahoney. Photo- at Saint Laurent Boutique. Open-toed graph of Johanne Harelle by Tedd pumps from Saint Laurent. Plain pumps, Church. Bellini. Anita Pineault hat. Calvin Klein Layout by Frances Litwin, assisted by pea-jacket and side-laced skirt from Gordon Griftin. Eaton. Moug sun-glasses. Mink's lapel MAKEUP designed for Legends by Elec- pin. Bracelets from Holt Renfrew and The ta di Genova of Electa & Corrado, using Bay. Ogilvy bag. Page 6: Laura Ashley Designer Dazzle colors; visagiste Philip white cotton dress at Laura Ashley Bou­ Chansel. tique. Chloe corselette belt at Holt Ren­ HAIR DESIGN by La Coupe’s artistic frew, silk sash from Eaton, The Bay ear­ director Brigitte Danyi, assisted by Tina rings. Page 7: Albert Nipon dress at The Del Vecchio. Bay (the Nipon collection is available in 20 MODELS: Melissa Anctil, Claudia Blon- Quebec stores). Guy Laroche dress at deau, Vivienne Brown, Debbie Lunny, Boutique Guy Laroche. Quinto shoes, Holt Nathalie Machabee, Petra Pocklington, Renfrew earrings, Eaton gloves. Glasses from the Audrey Morris Agency; Domini­ from Henri Cohen. Writing cases from que Bertrand and Nancy Hood from Con­ Leather World. Pin from Mink's. Page 8: stance Brown Agency; Diane Young, Elis- Chloe suit and dress, designed by Karl La­ sa Hill, Susie Huneault, Lisa Mclsaac and gerfeld, at Holt Renfrew. Kates hat, Moug Kate Richmond from Jo Penney Agency. jewelry. Page 9: Basile pantailleur at ACCESSORIES: Under ail fashion: Har­ Ogilvy. Bellini flats. Holt .Renfrew bell. monie Wolfe's Harmoniminis. Hosiery from Brown's pumps. Quinto bag. Genny suit, Caprice Can Can, Cameo, Kayser, Secret, by Gianni Versace, at Lily Simon. Betty's Whisper and Holt Renfrew collections. boots, Holt Renfrew socks, Mink's ear­ Cas! of characters rings, Holt Renfrew bracelets. Perry Ellis Page 2, Rene Levesque, Jean Dore; collection at Eaton and Holt Renfrew (jack­ page 3, David Fennario, Tim Burke; page et and pants photographed from Holt Ren­ 4, Léonard Cohen; page 5, Henri Richard, frew). Mario Valentino sandals at Holt André Gagnon; page 6, Jacques Parizeau; Renfrew. Carved bangles from Holt Ren­ page 7, Camille Laurin; page 8, George frew, brass and wood bangles, necklace. Balcan; page 9, Gerald Godin, André Daw- from Mink's. Page 10: Anne Klein's cash- son; page 10, Jehane Benoit; page 12, mere and silk co-ordinates at Rita. The Pierre Elliot Trudeau, Officer “ Trudge Anne Klein collection is available at Eaton, Souvlaki"; page 13, Mordecai Richler; Simpson, Lily Simon. Ceil Chorlton jewelry page 14, Jean Drapeau; page 16,-Claude at Ogilvy. Page 11: Andréa Pflster'S flow- Ryan, Brian Mulroney. ered shoe at Bally. Bruno Magli's high- heeled pump at Brown. Bellini low-heeled Whero to buy pump. Page 12: Emanuel Ungaro suit at COVER: Jean Charles de Castelbajac Lily Simon, exclusively. Quinto pumps. skirt, top, jacket at Eaton. Betty's Ma­ Chateau d'ivoire jewelry, Holt Renfrew dame boots. Mink's necklace and ear- gloves and bag. Auckie Sanft collection is rings, The Bay bracelets, Eaton's scarf. available in 40 stores in Quebec. Holt Ren­ Page 2: Christian Dior (Canada) Prêt a frew shoes. Moug jewelry. Page 13: Porter designs are at Simpsons, Elizabeth Layered knitwear by Sonia Rykiel available Hager, Lily Simon and Ogilvy. Suit photo- at Clubissimo, Eaton, Lily Simon. Items graphed, from Simpsons' Salon Vendôme. photographed from Clubissimo. Fiat shoes Bally shoes. La Boite à Chapeau hat. Holt from Quinto, Bally pumps. Jewelry from Renfrew bracelets, Eaton earrings. Thierry Kerman-Lachapelle. Page 14: Mario Valen­ Mugler’s nautical suit at Clubissimo. Yves tino suedes at Ingrid's Boutique and Holt St. Laurent shoes from Holt Renfrew, Renfrew. Patterned skirt and top at Holt briefcase from Lily Simon Chaussures, Renfrew, blouse and skirt from Ingrid’s. Anita Pineault hat, Ceil Chorlton bracelets Wrap belts from Canada Belt at Eaton, from Ogilvy. Page 3: Kenzo designs are bracelets from Chateau d'ivoire.
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