Introduction 1. the Visionary Experience Is Apparent As Early As the Grass Is Singing in Mary Turner's Moments of Intense Illumi
Notes Introduction 1. The visionary experience is apparent as early as The Grass is Singing in Mary Turner's moments of intense illumination, which has resonance in the process of conscious evolution in the later novels. 2. Michael Magie, 'Doris Lessing and Romanticism', College English, Vol. 38 (Feb. 1977), p. 552. See also Robert K. Morris who argues in Continuance and Change, 1972, p. 26, that in her later novels Lessing depicts a 'dead-end world', and Ingrid Holmquist who objects to The Four-Gated City on the grounds that the 'mystical consciousness leads to social nullity', in From Society to Nature: A Study of Doris Lessing's 'Children of Violence', 1980, p. 162. 3. See Nancy Corson Carter, 'Journey Towards Wholeness: A Meditation on Doris Lessing's The Memoirs of a Survivor', Journal of Evolutionary Psychology (2 Aug. 1981), pp. 33-47, and Alvin Sullivan, 'Memoirs of a Survior: Lessing's Notes toward a Supreme Fiction', Modern Fiction Studies, Vol. 26, No. 1 (Spring 1980), p. 157. 4. Nissa Torrents, 'Doris Lessing: Testimony to Mysticism', Doris Lessing Newsletter, Vol. 4, No. 2 (Winter 1980), p. 13. 5. Doris Lessing, 'A Small Personal Voice', in A Small Personal Voice: Doris Lessing, Paul Schlueter (ed.), 1974, p. 12. 6. Ibid., p. 14. 7. In an interview with Nissa Torrent she asserts: I recently had to read all my work for reprinting, and in my first work, The Grass is Singing, all my themes already appear. Critics tend to compartmentalize ... At first they said that I write about the race problem, later about Communism, and then about women, the mystic experience, etc.
[Show full text]