The the Man, the Myth, the Legend, the Mr. Tylinski
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April 12, 2002 Issue
April 12, 2002 Volume 16 Issue '89 $6.00 ASHANTI IF it COMES FROM the HEART, THENyouKNOW that IT'S TRUE... theCOLORofLOVE "The guys went back to the formula that works...with Babyface producing it and the greatest voices in music behind it ...it's a smash..." Cat Thomas KLUC/Las Vegas "Vintage Boyz II Men, you can't sleep on it...a no brainer sound that always works...Babyface and Boyz II Men a perfect combination..." Byron Kennedy KSFM/Sacramento "Boyz II Men is definitely bringin that `Boyz II Men' flava back...Gonna break through like a monster!" Eman KPWR/Los Angeles PRODUCED by BABYFACE XN SII - fur Sao 1 III\ \\Es.It iti viNA! ARM&SNykx,aristo.coni421111211.1.ta Itccoi ds. loc., a unit of RIG Foicrtainlocni. 1i -r by Q \Mil I April 12, 2002 Volume 16 Issue 789 DENNIS LAVINTHAL Publisher ISLAND HOPPING LENNY BEER Editor In Chief No man is an Island, but this woman is more than up to the task. TONI PROFERA Island President Julie Greenwald has been working with IDJ ruler Executive Editor Lyor Cohen so long, the two have become a tag team. This week, KAREN GLAUBER they've pinned the charts with the #1 debut of Ashanti's self -titled bow, President, HITS Magazine three other IDJ titles in the Top 10 (0 Brother, Ludcaris and Jay-Z/R. TODD HENSLEY President, HITS Online Ventures Kelly), and two more in the Top 20 (Nickelback and Ja Rule). Now all she has to do is live down this HITS Contents appearance. -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
The K-Pop Wave: an Economic Analysis
The K-pop Wave: An Economic Analysis Patrick A. Messerlin1 Wonkyu Shin2 (new revision October 6, 2013) ABSTRACT This paper first shows the key role of the Korean entertainment firms in the K-pop wave: they have found the right niche in which to operate— the ‘dance-intensive’ segment—and worked out a very innovative mix of old and new technologies for developing the Korean comparative advantages in this segment. Secondly, the paper focuses on the most significant features of the Korean market which have contributed to the K-pop success in the world: the relative smallness of this market, its high level of competition, its lower prices than in any other large developed country, and its innovative ways to cope with intellectual property rights issues. Thirdly, the paper discusses the many ways the K-pop wave could ensure its sustainability, in particular by developing and channeling the huge pool of skills and resources of the current K- pop stars to new entertainment and art activities. Last but not least, the paper addresses the key issue of the ‘Koreanness’ of the K-pop wave: does K-pop send some deep messages from and about Korea to the world? It argues that it does. Keywords: Entertainment; Comparative advantages; Services; Trade in services; Internet; Digital music; Technologies; Intellectual Property Rights; Culture; Koreanness. JEL classification: L82, O33, O34, Z1 Acknowledgements: We thank Dukgeun Ahn, Jinwoo Choi, Keun Lee, Walter G. Park and the participants to the seminars at the Graduate School of International Studies of Seoul National University, Hanyang University and STEPI (Science and Technology Policy Institute). -
I Spent More Time with the Beachcombers As a Kid Than
WesTern TV, eh? the best of the West By diane Wild hoosing the best TV show to of convoluted conspiracy, but the And then there’s the right choice: radio station using a tape recorder come out of Western Cana- mostly-monster-of-the-week sea- SCTV. I can hear you now – does and our best attempt to capture Cda in the last 30 years is al- sons remain a favourite today. Ex- that really qualify as a Western Ca- some of the SCTV spirit. Those most as hard as figuring out wheth- cept Home. I don’t need those kind nadian show, when most seasons tapes didn’t survive for long, but I er Nick or Relic was my favourite of nightmares again. were produced in Ontario? As a don’t think the SCTV writers would beachcomber. I loved them for such APTN’s Blackstone would be my born and bred Edmontonian, where have been quaking in their boots at different and opposing reasons. socially conscious choice. It’s The you can take an SCTV shooting loca- the competition. And that is the obvious nostal- Wire of Canada, equally relegated to tion walking tour, I can definitively It made household names out gia winner if I’m going to make a a cult audience – which in Canada say yes. Just as Gretzky will always of people who are still household choice. I spent more time with The means a cult of a cult audience -- be ours, so too will SCTV. Argue with names 30 years later. Eugene Levy Beachcombers as a kid than I did with and equally willing to delve into me and I’ll send Dave Semenko af- and Catherine O’Hara are still most of my extended family. -
Network-40-1994-05-0
CONTEMPORARY RADIO'S MUSIC & NEWS RESOURCE MAY 6, 1994 Spotlight On WZEE Madisor Interview With lob Case Feature: Pounding The Pavement www.americanradiohistory.com H vh F1 1.44 hR`r7..:n.h I I roc . Rdell. 1 6e ».;,t ae ` Imo sn,r.. Gyri . I id liee-pd .100 °. 13 -na ",. a?I.. .1.2.-.111341,-11.1.4 Jr, F:.kea ya:n t.\Ih.nnniod.\crrrr nua3.m7Inr.0 \lind. c0111,111. www.americanradiohistory.com TilAt-Cm-urrs PLAYS PER WEEK RETAIL SALES N n i i,. n W i+ 1 1 i i (3141 SAI LABEL ARTIST/SONG/LABEL 2W LW TW 2W LW AN ARnsT/LP Columbia O PRINCE. The Most Beautiful Girl In The World (N.P.G. Records/Belimark) 8084 8913 9096 1 1 0 PINK FLOYD. The Division Bell DOMINGO.Chant Angel 2 BIG MOUNTAIN. Baby I Love Your Way (RCA) 8192 8691 8517 3 3 Q BENEDICTINE MONKS OF SANTO Q MADONNA. I'll Remember (Maverick/Sire/WB) 6946 7620 8006 2 2 3 ABOVE THE RIM. Soundtrack Death Row/Interscope/AG 4 COUNTING CROWS. Mr. Jones (DGC) 7612 7944 7731 4 4 0 COUNTING CROWS. August And Everything After DGC 5 ACE OF BASE. The Sign (Arista) 8095 7966 7418 7 5 Q ACE OF BASE. The Sign Arista 5682 6415 6822 O ENIGMA. Return To Innocence (Charisma/Virgin) 6 6 Q R KELLY. 12 -Play Jive ALL -4 -ONE. I Swear (Blitzz/AUantic/AG) 2358 4724 6538 O DEBUT 0 REBA McENTIRE. Read My Mind MCA Nashville TEVIN CAMPBELL. -
Domestic Hallyu: K-Pop Metatexts and the Media's Self-Reflexive Gesture
International Journal of Communication 11(2017), 2308–2331 1932–8036/20170005 Domestic Hallyu: K-Pop Metatexts and the Media’s Self-Reflexive Gesture MICHELLE CHO1 McGill University, Canada Television serves as a crucial medium for shaping the South Korean public’s response to the success of hallyu, or the Korean Wave, in news reports, variety shows, and celebrity interview programs. Further, in the last decade, several K-pop idols have been cast in serial narrative television shows that fictionalize hallyu creative industries. These metatextual shows domesticate transnational idol pop celebrities by contributing layers of televisual intimacy to their star personae and by seeming to expose the inner workings of the entertainment industries. This essay focuses on two notable examples, Dream High (2011, KBS2) and Answer Me 1997 (2012, tvN), to consider what this proliferation of popular narratives about media production and reception on South Korean television signifies. I argue that the intertextual presentation of K-pop on Korean television negotiates a complex relationship between popular culture and public culture in South Korea. The metatextual relay revealed in these shows—what I characterize as the media’s self-reflexive critical gesture—provides access to the ideological impasses of the attempt to produce intimate national publics through globalized contents. Keywords: metatextuality, television, K-drama, K-pop, hallyu, Korean Wave If the ideological function of mass culture is understood as a process whereby otherwise dangerous and protopolitical impulses are “managed” and defused, rechanneled and offered spurious objects, then some preliminary step must also be theorized in which these same impulses—the raw material upon which the process works—are initially awakened within the very text that seeks to still them. -
THE GLOBALIZATION of K-POP by Gyu Tag
DE-NATIONALIZATION AND RE-NATIONALIZATION OF CULTURE: THE GLOBALIZATION OF K-POP by Gyu Tag Lee A Dissertation Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Doctor of Philosophy Cultural Studies Committee: ___________________________________________ Director ___________________________________________ ___________________________________________ ___________________________________________ Program Director ___________________________________________ Dean, College of Humanities and Social Sciences Date: _____________________________________ Spring Semester 2013 George Mason University Fairfax, VA De-Nationalization and Re-Nationalization of Culture: The Globalization of K-Pop A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at George Mason University By Gyu Tag Lee Master of Arts Seoul National University, 2007 Director: Paul Smith, Professor Department of Cultural Studies Spring Semester 2013 George Mason University Fairfax, VA Copyright 2013 Gyu Tag Lee All Rights Reserved ii DEDICATION This is dedicated to my wife, Eunjoo Lee, my little daughter, Hemin Lee, and my parents, Sung-Sook Choi and Jong-Yeol Lee, who have always been supported me with all their hearts. iii ACKNOWLEDGEMENTS This dissertation cannot be written without a number of people who helped me at the right moment when I needed them. Professors, friends, colleagues, and family all supported me and believed me doing this project. Without them, this dissertation is hardly can be done. Above all, I would like to thank my dissertation committee for their help throughout this process. I owe my deepest gratitude to Dr. Paul Smith. Despite all my immaturity, he has been an excellent director since my first year of the Cultural Studies program. -
Dobeck to Appear at Skidmore
Dobeck to Appear at Last Issue This is your last issue! (if you Skidmore aren't a member or if you haven't let us know when you 40 years of covering Jazz. bought a ticket that you wanted the newsletter). Mr. Dobek is known for his and play- intense emotional So many of you have bought ing. His recording, reviewed tickets, become members, has in our newsletter last year votrunteered and been good been broadcast nationally and friends of the Jazz Commu- has received great reviews. nity. But with cutbacks in all of the arts funding sources, ifs The admission charge will be tough to carry some of you on students, $3.00 for Skidmore the "free" list. And now the Senior Citizens and Skidmore good old Post Office has community and only $6.00 for raised its rates for bulk mail the general public. Another and changed other rules that lazz,bargain that has got to makes it expensive to be Dan Dobek, area pianist who come under the category of generous. appeared at our Jazz Picnic in cheap thrills! l990,will appear as a soloist at If you haven't become a mem- Skidmore's Filene Music HaII INSIDE ber, renewed your member- on Friday March 6,1992 at ship or told us you wanted to 200 Words....................p.2 7Pm. be a part of making A Place Billie Holiday Play......p.2 torJazz in Northeastern New The performance will consist My Solo... ....p.3 York when you came to our of exciting new music from his J azz, Calendar........... -
2022 March Term Course and Trips Offerings.Docx
Cuyahoga Valley Christian Academy LEARNING AND DISCOVERY BEYOND THE CLASSROOM 2022 COURSE AND TRIP OFFERINGS 1 Welcome to March Term 2022 (March 21-25, 2022)! Our January and March term sessions (Jterm and Mterm) increase opportunities for learning and exploration that challenge our students in areas of interest and also encourage deeper faculty-student relationships through enrichment electives, educational travel, service, mission trips, and Career Experience Opportunities. The Middle School Mterm program (grades 6-8) is designed to cultivate spiritual, educational, and personal growth in each student. Each middle school grade participates in a unified Mterm experience allowing students a unique and developmentally appropriate time of experiential learning and class bonding. Middle school students are automatically enrolled in their Mterm. More detailed packets and information for Excelerate (6th grade), Elevate (7th grade) and Prepare to Believe (8th grade) will be forthcoming from the leaders of these experiences. Participation in Mterm is a graduation requirement for all students in grades 9-12. High school students must enroll in one of the following options: ● an AM (morning) and PM (afternoon) class session ● All-day class ● Career Experience Opportunity (grades 11-12) ● Trip Mterm registration, for high school students, opens on Sunday afternoon, August 29, 2021, through Tuesday, September 7, 2021. Registration is completed online. Parents will receive a text alert on Sunday, 8/29/21, notifying them to check email for an important Mterm notification. Access to the online registration starts with seniors, followed by students in grades 9-11. For students selecting an Mterm trip, a non-refundable deposit of $175 is required at the time of registration. -
Enjoy the Magic of Walt Disney World All Year Long with Celebrations Magazine! Receive 6 Issues for $29.99* (Save More Than 15% Off the Cover Price!) *U.S
Enjoy the magic of Walt Disney World all year long with Celebrations magazine! Receive 6 issues for $29.99* (save more than 15% off the cover price!) *U.S. residents only. To order outside the United States, please visit www.celebrationspress.com. To subscribe to Celebrations magazine, clip or copy the coupon below. Send check or money order for $29.99 to: YES! Celebrations Press Please send me 6 issues of PO Box 584 Celebrations magazine Uwchland, PA 19480 Name Confirmation email address Address City State Zip You can also subscribe online at www.celebrationspress.com. On the Cover: “I’ve Got a Bad Feeling About This...”, photo by Tim Devine Issue 22 Star Tours: 42 Contents New Destinations, Letters ..........................................................................................6 New Worlds Calendar of Events ............................................................ 8 Disney News & Updates................................................10 MOUSE VIEWS ......................................................... 15 Guide to the Magic by Tim Foster............................................................................16 20,000 Leagues Explorer Emporium by Lou Mongello .....................................................................18 Under the Sea 48 Hidden Mickeys by Steve Barrett .....................................................................20 Photography Tips & Tricks by Tim Devine .........................................................................22 Pin Trading & Collecting by John Rick .............................................................................24 -
Diversity of K-Pop: a Focus on Race, Language, and Musical Genre
DIVERSITY OF K-POP: A FOCUS ON RACE, LANGUAGE, AND MUSICAL GENRE Wonseok Lee A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2018 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2018 Wonseok Lee All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Since the end of the 1990s, Korean popular culture, known as Hallyu, has spread to the world. As the most significant part of Hallyu, Korean popular music, K-pop, captivates global audiences. From a typical K-pop artist, Psy, to a recent sensation of global popular music, BTS, K-pop enthusiasts all around the world prove that K-pop is an ongoing global cultural flow. Despite the fact that the term K-pop explicitly indicates a certain ethnicity and language, as K- pop expanded and became influential to the world, it developed distinct features that did not exist in it before. This thesis examines these distinct features of K-pop focusing on race, language, and musical genre: it reveals how K-pop groups today consist of non-Korean musicians, what makes K-pop groups consisting of all Korean musicians sing in non-Korean languages, what kind of diverse musical genres exists in the K-pop field with two case studies, and what these features mean in terms of the discourse of K-pop today. By looking at the diversity of K-pop, I emphasize that K-pop is not merely a dance- oriented musical genre sung by Koreans in the Korean language. -
Public Law 94-171) Summary File 2000 Issued March 2005 2000 Census of Population and Housing PL/00-6 (RV)
Census 2000 Redistricting Data (Public Law 94-171) Summary File 2000 Issued March 2005 2000 Census of Population and Housing PL/00-6 (RV) Technical Documentation U.S. Department of Commerce Economics and Statistics Administration U.S. CENSUS BUREAU For additional information concerning the files, contact Marketing Services Office, Customer Services Center, U.S. Census Bureau, Washington, DC 20233 or phone 301-457-4100. For additional information concerning the technical documentation, contact Administrative and Customer Services Division, Electronic Products Development Branch, U.S. Census Bureau, Washington, DC 20233 or phone 301-457-1326. U.S. Census Bureau Census 2000 Redistricting Data (Public Law 94-171) Summary File 2000 Issued March 2005 2000 Census of Population and Housing PL/00-6 (RV) Technical Documentation U.S. Department of Commerce Donald L. Evans, Secretary U.S. CENSUS BUREAU William G. Barron, Acting Director SUGGESTED CITATION FILES: Census 2000 Redistricting Data (Public Law 94-171) Summary File - (name of state) [machine-readable data files]/prepared by the U.S. Census Bureau, 2001 TECHNICAL DOCUMENTATION: Census 2000 Redistricting Data (Public Law 94-171) Summary File - Technical Documentation/ prepared by the U.S. Census Bureau, 2001 ECONOMICS AND STATISTICS ADMINISTRATION U.S. CENSUS BUREAU Cynthia Z.F. Clark, William G. Barron, Associate Director for Methodology and Acting Director Standards William G. Barron, Marvin D. Raines, Deputy Director Associate Director Nancy A. Potok, for Field Operations Principal Associate Director Preston Jay Waite, and Chief Financial Officer Assistant Director Paula J. Schneider, for Decennial Census Principal Associate Director for Programs John H. Thompson, Associate Director for Decennial Census Nancy M.