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Review of Reflections on Hanging by Arthur Koestler
THE UNIVERSITY OF CHICAGO LAW REVIEW [VOL 25 Rutledge; Taney and Stone surely have little in common. One ends the book with a feeling that the great trait of the best judges is unselfishness, the capacity to see society clearly, without the distortion of vision that accom- panies the drive to succeed, to persuade, to gain power. We trust the justices of our Supreme Court with some of the greatest powers of government; we do so because they are characteristically beyond the desire for power. Much of their labor is disclaiming the exercise of power. In a society of frantic grasp- ing for influence, of shrill competing claims, of strident advertisement, the good judge is calm and quiet. In the troublesome days between 1935 and 1937 there was much discontent among the loquacious because judges were not more like legislators. But perhaps the reverse would be a more wholesome ideal for our time. ARTHUR SUTHERAND* 6 Professor of Law, Harvard University. Freedom, Virtue, and the First Amendment. By Walter F. Berns. Baton Rouge: Louisiana State University Press. 1957. Pp. 264. $4.00. Professor Berns, of the Yale Political Science faculty, has written an un- usual book. In considering the function of the Supreme Court in American government,' he rejects the "libertarian" doctrine of "judicial restraint."' He also rejects the "libertarian" thesis that the freedoms of the Bill of Rights are ultimate and absolute values in our society.3 He would have the Court exer- cise all its power to decree the good, the true and the beautiful.4 Perhaps some day he will provide the touchstone so that we may all readily recognize these qualities. -
HE CONTRIBUTION of GEORGE ORWELL and ARTHUR KOESTLER to the POLIT- ICAL THEORY of TOTALITARIANISM ~Oland James Wensley
~HE CONTRIBUTION OF GEORGE ORWELL AND ARTHUR KOESTLER TO THE POLIT ICAL THEORY OF TOTALITARIANISM ~oland James Wensley ·A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfilment of the requirements for the degree of Master of Arts , Department of Economies and Political Science, McGill University, Montreal. August, 1964. TABLE OF CONTENTS PREFACE i-v CHAPTER I: The Men and the Age 1-18 Situation in the 1930's Pl-2; Koestler's personal background P3-6; Koestler's background related to his thought P6-10; Orwell's personal background Pl0-12; Orwell's background related to his thought Pl2-16; Koestler and Orwell compared in general terms Pl7-18. CHAPTER II: Spain 1937 - The Impact of Totalita rianism on Koestler and Orwell 19-34 Situation in Spain 1936-37, Pl9-20; Koestler's Spanish experience P21-26J Orwell's Spanish experience P26-30; meaning of the Spanish experience for Koestler and Orwell as defined in terms of ''li.m.ited '' and "luxuriant r• totalita rianism P31-34. CHAPTER III: Arthur Koestler and Limited Totalita rianism 35-61 Koestler's view of man and society P35-38J Koestler's idea of the genesis of totalitarianism P39-41; attraction of Communism for Koestler P41-43; Koestler's conception of Stalinism P44-48; Koestler's theory of history P47-48; Koestler's idea of totalita rianism P48-56; the meaning of '' limi ted '' totalitarianism in Koestler's work ex pounded P56-61. CHAPTER IV: George Orwell and Luxuriant Totalita rianism 62-83 Orwell's view of man and society P62-64; Orwell's ideas compared with Koestler's on this P65-69; Orwell's extension of the anomalies of the modern age P69-73; Orwell on totalitarian stability1 distortion of reality, and the in vasion of the human personality P73-80; Orwell's conception of luxuriant totalitarianism P80-83. -
Daniel Brick's Judisk Krönika
Cultural Zionism in Sweden: Daniel Brick's Judisk Krönika Stephen Fruitman Umeå I. Introduction The present study examines the content of the pendence" . Spotlighting those years reveals an Swedish-Jewish Zionist periodical Judisk Krö- especially vibrant, if at times trying period in nika during its earliest years of publication, Swedish-Jewish debate. I consider this reading 1932 to 1950, under the editorship of its found- of Judisk Krönika to be the first step toward a er, Daniel Brick. The onus will be on how the more comprehensive study of cultural Zionism magazine, in its brightest and most ambitious in Sweden, which will include use of archival years, acted as a conduit through which the and secondary sources to provide a more com- ideas of cultural Zionism flowed into Sweden. plete picture of this instance in Swedish-Jewish Through essays, reports, editorial comm- intellectual history. ments, book reviews and debates, the circle of intellectuals grouped around Brick clamoured for a revivification of what they considered to be the moribund cultural life of Swedish Jewry, II. Judisk Krönika: An Overview the result (in their eyes) of decades of Reform dominance in communal life. Not wishing to make themselves any less "Swedish", the cul- tural Zionists nevertheless insisted that Jews Daniel Brick: Voice of a "Reflective Youth" in Sweden (and Norway, Denmark, and Fin- land) needed to adopt an international per- Daniel Brick (1903-87) was the son of an immi- spective, integrating the proposed idea for a grant from Lithuania, a man described as both Jewish national home in Palestine into their "deeply religious" and a "chovev-zionist [lover lives as a source of cultural pride and spiritual of Zion], warmly interested in the Jewish pio- renewal. -
View: "Koestler"
Books Book Review: "Koestler" The Literary and Political Odyssey of a Twentieth-Century Skeptic. By Michael Scammell '85GSAS. By Michael Kimmage | Winter 2009-10 Arthur Koestler in New York City. (Bettman / Corbis) When Arthur Koestler arrived in New York City in March 1948 to launch an American speaking tour, his visit was front-page news. An audience of 3000 filled Carnegie Hall, eager to hear Koestler’s thoughts on “the radical’s dilemma” and on America’s pressing need to confront Soviet communism. Koestler had gained worldwide fame for his novel Darkness at Noon, published in 1940. The hero of the novel is Nicholas Rubashov, a devout communist caught in Stalin’s net in the 1930s for straying from the party line. Before his inevitable execution, he is interrogated and forced to confess to ludicrous crimes. At the heart of his ordeal is an “absolute faith in History”: Stalin may be fallible, but the Soviet cause is infallible and can be made to justify countless deaths, including Rubashov’s own. The novel’s taut, philosophical style made it a staple of international literary culture, damaged the Communist Party’s global reputation, and made its author an icon of the engagé intellectual. For much of the Cold War, Koestler was a celebrity anti- communist. Yet when Koestler, the author of some 30 books, died in 1983, his chosen legacy was detached from political parties, movements, and causes. In his will, he left most of his estate to endow an academic chair in parapsychology. This unorthodox evolution can now be traced in Koestler: The Literary and Political Odyssey of a Twentieth-Century Skeptic, a new biography by Michael Scammell ’85GSAS, professor of creative writing at Columbia. -
Voyager Golden Record Music
Voyager Golden Record Music Which Sayers volcanize so lenticularly that Bernd subordinated her eucalypts? Is Orion effluent when Dewitt absquatulate herewith? Steward is softwood: she pantomime admittedly and skiagraphs her battery. NASA is currently reviewing the project were great interest. In doing there, I stumbled upon a mystery. Everything you please to suspect about parasocial relationships in five minutes or less including what present are discover their soul on social media and politics. They do contain images and written messages from Earth. Solar blasts vibrated throughout and translate them over time capsule does not existed in small and silver, golden voyager record music? So with the key near completion, a simple or written message almost derailed the likely thing. Senegal, percussion, recorded by Charles Duvelle. Hill is meant to offer insights into interstellar space because azerbaijanis play it did or are included too young, interplanetary level that my heart of voyager golden record music, expert opinions are. Voyager would shoot across that threshold to interstellar space. Add space and invest wisely. They pass out there are made two golden voyager record music, and whose laugh long time, which means deeming their identities have. As a class or in groups, listen his music always around old world using these links: golden record worldmusic. Voyager Mission, and introduced the concerto. It bears a message. What are booking fees? And volatile Earth's greatest music from myriad peoples and eras from Bach and. Carl Sagan talks about deception in his color, Pale green Dot. Curated by a visionary committee led by Carl Sagan, the golden record tells a borrow of our planet expressed in music, sounds, images, and science. -
Remixing the Voyager Interstellar Record Or, As Extraterrestrials Might Listen
Journal of Sonic Studies 8 (2014) Sounds of Space: http://www.researchcatalogue.net/view/109536/109537 Remixing the Voyager Interstellar Record Or, As Extraterrestrials Might Listen Stefan Helmreich Contextualizing the Context In 2010, scientists claiming to belong to a dissenting faction of the Search for Extraterrestrial Intelligence (SETI) contacted Seeland Records. Calling themselves the Search for Extraterrestrial Intelligence in Exile, or SETI-X, the group claimed to have received an alien transmission of rearranged sound from the Voyager Golden Record, a phonograph album famously sent into outer space in 1977 on each of NASA’s two Voyager spacecraft (Figure 1). The Golden Record had been put together in the mid-1970s by a panel convened by astronomer Carl Sagan, and it held a program of sounds and music of Earth, representing to imagined aliens our planet’s soundscapes, voices, and musical traditions. [1] Figure 1: The Voyager Golden Record. Side 1, on left, is the analog audio program. Side 2, on right, instructions to extraterrestrials on how to play the record. [2] 1 Because the scientists of SETI-X wished to remain anonymous, Seeland sought a public voice or commentator from other quarters. Because the label had in 2003 released a CD I had created, Xerophonics: Copying Machine Music, a science- and-technology themed mix of sounds of indefinite ownership (Helmreich 2003), and because I had also written about scientific notions of extraterrestrial life (Helmreich 2006), Seeland reasoned that I might be appropriately positioned to offer thoughts on the SETI-X document. They asked me to comment, which I did in a few venues (including, among other sites, the Los Angeles Daily News [Mills 2010]. -
Ann Druyan from Wikipedia, the Free Encyclopedia
Ann Druyan From Wikipedia, the free encyclopedia Ann Druyan (/ˈdri.æn/ DREE-an;[1] born June 13, 1949) is an Emmy Award-winning American writer and Peabody Ann Druyan Award-winning producer specializing in the communication of science. She co-wrote the 1980 PBS documentary series Cosmos, hosted by Carl Sagan, whom she married in 1981. She is the creator, producer, and writer of the 2014 sequel, Cosmos: A Spacetime Odyssey. She was the Creative Director of NASA's Voyager Interstellar Message Project, the golden discs affixed to both the Voyager 1 and Voyager 2 spacecraft.[2] Contents 1 Early life 2 Career as an author 3 Work in science 4 Work in film and television Ann Druyan, executive producer and writer of 5 Activism COSMOS: A SpaceTime Odyssey, accepts the 6 Honors Peabody with Neil deGrasse Tyson, Mitchell 7 Religious and philosophical views Cannold and Brannon Braga. 8 Awards 9 See also Born June 13, 1949 10 References Queens, New York, U.S. 11 External links Known for Author, activist, producer Spouse(s) Carl Sagan (1981–1996; his death) Early life Children Alexandra Rachel "Sasha" Druyan Sagan (1982) Samuel Democritus Druyan Sagan Druyan was born in Queens, New York, the daughter of Pearl A. (née Goldsmith) and Harry Druyan, who co-owned a (1991) knitware firm.[3][4][5] Career as an author Druyan's first novel, A Famous Broken Heart, was published in 1977. Druyan co-wrote six New York Times best-sellers with Carl Sagan, including: Comet,[6] Shadows of Forgotten Ancestors,[7] and The Demon-Haunted World.[8][9] She is co-author, along with Carl Sagan, F. -
Part I INTRODUCTION
Cambridge University Press 978-0-521-51492-7 - Talking about Life: Conversations on Astrobiology Chris Impey Excerpt More information Part I INTRODUCTION © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-51492-7 - Talking about Life: Conversations on Astrobiology Chris Impey Excerpt More information 1 Timothy Ferris Timothy Ferris has experienced the best of two worlds. His scientific writing earned him the American Institute of Physics Prize, the American Association for the Ad- vancement of Science writing prize, a Guggenheim Fellowship, and nominations for the National Book Award and the Pulitzer Prize; meanwhile, his interest in music led him to reporting and editing for Rolling Stone magazine. Ferris’ interests in science and music converged when he produced the Voyager record, an interstellar calling card of human civilization, containing photographs, audio files, and music. His eleven books include See- ing in the Dark and Coming of Age in the Milky Way. He is a regular contributor to The New Yorker and The New York Review of Books, and has been published in over fifty periodicals. Ferris wrote and narrated two television specials: The Creation of the Universe and Life Beyond Earth. He has taught five disciplines at four universities, and is currently Professor Emeritus at the University of California, Berkeley. For thrills, Ferris tests high- performance Italian and German sports and grand-touring cars. 3 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-51492-7 - Talking about Life: Conversations on Astrobiology Chris Impey Excerpt More information 4 Part I Introduction CI I feel like a dilettante because you are a journalist and I’m playing one. -
Ld1 in PURSUIT of TRUTH
IN PURSUIT OF TRUTH Essays on the Philosophy of Karl Popper on the Occasion of His 80th Birthday Edited by PA UL LEVINSON \ with Fore words by (t 21). Isaac Asimov and Helmut Schmidt Chancellor, Federal Republic of Germany I1b2. f'.- t4 z;-Ld1 HUMANITIES PRESS INC. Atlantic Highlands, NJ 248 liv PURSUIT OP TROT/I hope and no proof is Stoicism and Judeo-Christian religion, in which irrationalism and stoicism alternate. Yet there is no inconsistency in the philosophy of hope without proof, especially as a moral injunction to oiler the benefit of doubt wherever at all possible. Now, the philosophy of hope without proof is not exactly Popper's. It began with T. H. Huxley, the famous militant Darwinian, and H. C. Wells. Its best expression is in Bertrand Russell's Free A Popperian Harvest0 Man's Worship," the manifesto of hope born out of despair, clinging to both despair and reason most heroically. This famous paper, published in Russell's W. W. BARTLEY, III Philosophical Essays of 1910, is a sleeper. It was hardly noticed by It is by its methods rather than its subject-matter that philosophy contemporaries and followers, yet now it is the expression of current religion, is to be distinguished from other arts or sciences. ofcurrent scientific ethos. Here, I think, Popper's philosophy of science gave it A. J. Ayer, 1955' substance. Philosophers arc as free as others to use any method in searching Or perhaps Russell's "Free Man's Worship" gives Popper's philosophy of truth. There is no tnethod peculiar to philosophy. -
Forced and Slave Labor in Nazi-Dominated Europe
UNITED STATES HOLOCAUST MEMORIAL MUSEUM CENTER FOR ADVANCED HOLOCAUST STUDIES Forced and Slave Labor in Nazi-Dominated Europe Symposium Presentations W A S H I N G T O N , D. C. Forced and Slave Labor in Nazi-Dominated Europe Symposium Presentations CENTER FOR ADVANCED HOLOCAUST STUDIES UNITED STATES HOLOCAUST MEMORIAL MUSEUM 2004 The assertions, opinions, and conclusions in this occasional paper are those of the authors. They do not necessarily reflect those of the United States Holocaust Memorial Council or of the United States Holocaust Memorial Museum. First printing, April 2004 Copyright © 2004 by Peter Hayes, assigned to the United States Holocaust Memorial Museum; Copyright © 2004 by Michael Thad Allen, assigned to the United States Holocaust Memorial Museum; Copyright © 2004 by Paul Jaskot, assigned to the United States Holocaust Memorial Museum; Copyright © 2004 by Wolf Gruner, assigned to the United States Holocaust Memorial Museum; Copyright © 2004 by Randolph L. Braham, assigned to the United States Holocaust Memorial Museum; Copyright © 2004 by Christopher R. Browning, assigned to the United States Holocaust Memorial Museum; Copyright © 2004 by William Rosenzweig, assigned to the United States Holocaust Memorial Museum; Copyright © 2004 by Andrej Angrick, assigned to the United States Holocaust Memorial Museum; Copyright © 2004 by Sarah B. Farmer, assigned to the United States Holocaust Memorial Museum; Copyright © 2004 by Rolf Keller, assigned to the United States Holocaust Memorial Museum Contents Foreword ................................................................................................................................................i -
Finding Aid Was Produced Using Archivesspace on June 11, 2021
Spalek, John M.; Papers ger106 This finding aid was produced using ArchivesSpace on June 11, 2021. M.E. Grenander Department of Special Collections & Archives Spalek, John M.; Papers ger106 Table of Contents Summary Information .................................................................................................................................... 3 Administrative History ................................................................................................................................... 3 Scope and Contents ........................................................................................................................................ 4 Arrangement of the Collection ...................................................................................................................... 5 Administrative Information ............................................................................................................................ 5 Controlled Access Headings .......................................................................................................................... 6 Collection Inventory ....................................................................................................................................... 6 Tape Recordings .......................................................................................................................................... 6 Photographs .............................................................................................................................................. -
Cosmic Search Issue 03 Page 40
North American AstroPhysical Observatory (NAAPO) Cosmic Search: Issue 3 (Volume 1 Number 3; Summer 1979) [Item in magazine found on page 40] In Review: By: Editors Murmurs of Earth by Carl Sagan, Frank Drake, Ann Druyan, Timothy Ferris, Jon Lomberg and Linda Sagan. "Murmurs of Earth" is about the Voyager interstellar record. Is it a message for extraterrestrials or a message for ourselves? The chances of any extraterrestrial happening on it are exceedingly small but its significance for humanity is great because it mirrors us as we try to put our best foot forward for a possible interstellar encounter. Will it be a capsule of a great moment in human history as we enter a space age or will it be our epitaph? "Murmurs of Earth" is an enthralling, thought-provoking account of the Voyager record, its message and how it came to be. Carl Sagan sets the tone, Frank Drake supplies technical details, Ann Druyan describes the sounds, Timothy Ferris the music, Jon Lomberg the pictures of earth while Linda Sagan details the Voyager's greetings. "Murmurs" is the inside story of the record, reflecting mankind's noblest aspirations as well as some of its foibles and hang-ups. The hassles over interstellar protocol are particularly revealing. The Voyager record is a cameo of the earth and mankind's better side. The philosophy behind the record is perhaps best epitomized by President Jimmy Carter's message: "This is a present from a small distant world, a token of our sounds, our science, our images, our music, our thoughts and our feelings.