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Copyright By Christin Essin Yannacci 2006 The Dissertation Committee for Christin Essin Yannacci certifies that this is the approved version of the following dissertation: Landscapes of American Modernity: A Cultural History of Theatrical Design, 1912-1951 Committee: _______________________________ Charlotte Canning, Supervisor _______________________________ Jill Dolan _______________________________ Stacy Wolf _______________________________ Linda Henderson _______________________________ Arnold Aronson Landscapes of American Modernity: A Cultural History of Theatrical Design, 1912-1951 by Christin Essin Yannacci, B.A.; M.A. Dissertation Presented to the faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2006 Acknowledgements There are many individuals to whom I am grateful for navigating me through the processes of this dissertation, from the start of my graduate course work to the various stages of research, writing, and editing. First, I would like to acknowledge the support of my committee members. I appreciate Dr. Arnold Aronson’s advice on conference papers exploring my early research; his theoretically engaged scholarship on scenography also provided inspiration for this project. Dr. Linda Henderson took an early interest in my research, helping me uncover the interdisciplinary connections between theatre and art history. Dr. Jill Dolan and Dr. Stacy Wolf provided exceptional mentorship throughout my course work, stimulating my interest in the theoretical and historical complexities of performance scholarship; I have also appreciated their insights and generous feedback on beginning research drafts. Finally, I have been most fortunate to work with my supervisor Dr. Charlotte Canning. From seminar papers to the final drafts of this project, her patience, humor, honesty, and overall excellence as an editor has pushed me to explore the cultural implications of my research and produce better scholarship. -
The Inventory of the Michael Douglas Collection #1839
The Inventory of the Michael Douglas Collection #1839 Howard Gotlieb Archival Research Center Douglas, Michael #1839 3/31/16, 4/7/16 Preliminary Listing I. Wardrobe. A. Costumes. Box 1-2 1. “The American President.” Box 3-8 2. “Behind the Candelabra.” Box 9 3. “Disclosure.” 4. “A Perfect Murder.” 5. “Romancing The Stone.” Box 9-14 6. “The Game.” Box 15-20 7. “The In-Laws.” Box 21-25 8. “It Runs In The Family.” Box 26 9. “Jewel Of The Nile.” Box 27-32 10. “Traffic.” Box 33-37 11. “Wonder Boys.” Box 38 12. “Wall Street.” B. Hanging Costumes. Pkg. 1-2 1. “The American President.” Pkg. 3-35 2. “Behind the Candelabra.” Pkg. 36-57 3. “The Game.” Pkg. 58-78 4. “The In-Laws.” Pkg. 79-116 5. “It Runs In The Family.” Pkg. 117 6. “Wall Street.” Box 39-56 C. Personal. Pkg. 118-124 D. Hanging Personal. II. Printed Materials. A. Files. Box 57-88 1. Clippings (not on their spreadsheets). Box 88 2. General. B. Blueprints/Maps. C. Internet printouts. D. Postcards. Box 89-91 E. Magazines. Box 92-94 F. Programs. Box 95 G. Newspapers. Box 95-96 H. Reviews. Box 96 I. Clippings. J. Booklets. K. Pamphlets. L. Fliers. Box 97 M. Posters. Pkg. 125-141 N. Oversized posters. Douglas, Michael (3/31/16, 4/7/16) Page 1 of 46 III. Film and Video. Box 98-131 A. VHS. Box 131 B. 8 mm cassettes. C. Mini-DVs. Box 132 D. DV-Cams. Box 133 E. DVDs. Box 134 F. -
MAN of LA MANCHA Book by Dale Wasserman Music by Mitch Leigh Lyrics by Joe Darion Original Production Staged by Albert Marre Originally Produced by Albert W
barringtonstagecompany AWARD-WINNING THEATRE IN DOWNTOWN PITTSFIELD Julianne Boyd, Artistic Director Tristan Wilson, Managing Director and Cynthia and Randolph Nelson present MAN OF LA MANCHA Book by Dale Wasserman Music by Mitch Leigh Lyrics by Joe Darion Original Production Staged by Albert Marre Originally Produced by Albert W. Selden and Hal James Starring Jeff McCarthy and Felicia Boswell Rosalie Burke Meg Bussert Ed Dixon Todd Horman Lexi Janz Sara Kase Matthew Krob Parker Krug Sean MacLaughlin Louie Napoleon Waldemar Quinones-Villanueva Chris Ramirez Lyonel Reneau Tom Alan Robbins Ben Schrager Jonathan Spivey Joseph Torello Scenic Designer Costume Designer Lighting Designer Sound Designer James Kronzer Olivera Gajic Chris Lee Ed Chapman Director of Production Casting Press Representative Jeff Roudabush Pat McCorkle, CSA Charlie Siedenburg Fight Choreographer Production Stage Manager Ryan Winkles Renee Lutz Musical Direction by Darren R. Cohen Choreography by Greg Graham Directed by Julianne Boyd Man of La Mancha is sponsored in part by Bonnie and Terry Burman & The Feigenbaum Foundation MAN OF LA MANCHA is presented by arrangement with Tams-Witmark Music Library, Inc., 560 Lexington Avenue, New York, NY 10022. BOYD-QUINSON MAINSTAGE JUNE 10-JULY 11, 2015 Cast (in order of appearance) Esté Fuego Dancer/Moorish Dancer ............................................................... Lexi Janz Esté Fuego Singer/Muleteer .................................................................. Joseph Torello* Cervantes/Don Quixote ........................................................................... -
Download Show Archive
1959 - 1960 6O NOTEWORTHY PERFORMANCE NO. OF PRODUCTION PERFORMERS DATES PERFORMANCES VENUE SEASON SPONSOR Business Professional Women’s Club ODD MAN IN Ann Sheridan, Scott McKay 10/26/59 1 HHS THE DARK AT THE Joan Blondell 1 HHS TOP OF THE STAIRS TWO FOR THE SEESAW Hal March 2 HHS LOOK HOMEWARD, Miriam Hopkins 1 HHS ANGEL 1960 - 1961 6O SEASON SPONSOR Business Professional Women’s Club THE PLEASURE OF Joan Bennett, Donald Cook 10/ 7/1960 1 HHS HIS COMPANY ONCE UPON A MATTRESS Edward Everette Horton, 12/1/1960 1 HHS Imogene Coca, King Donovan J. B. John Carradine 3/16/1961 1 HHS ANDERSONVILLE TRIAL Brian Donlevy 4/10/1961 1 HHS 1961 - 1962 5O SEASON SPONSOR Business Professional Women’s Club A THURBER CARNIVAL Arthur Treacher, Imogene Coca, 1 HHS King Donovan THE MIRACLE WORKER Eileen Brennan 1 HHS THE BEST MAN Don Porter, Scott Brady 1 HHS CRITICS CHOICE Jeffrey Lynn, Wanda Hendrix 1 HHS 1962 - 1963 6O NOTEWORTHY PERFORMANCE NO. OF PRODUCTION PERFORMERS DATES PERFORMANCES VENUE SEASON SPONSOR Business Professional Women’s Club A SHOT IN THE DARK Annie Farge 10/ 20/1962 1 HHS CARNIVAL Elaine Malbin 12/1/1962 1 HHS MARY, MARY Jeffrey Lynn 2/2/1963 1 HHS THE PREMISE Theodore Flicker 1 HHS (New York cast flew in for performance) 1963 - 1964 6O SEASON SPONSOR Business Professional Women’s Club A THOUSAND CLOWNS John Ireland 1 HHS A MAN FOR ALL Robert Harris, Jeff Morrow 1 HHS SEASONS THE BOYS FROM Chet Summers, Eddie Roll, 1 HHS SYRACUSE Ralph McWilliams CAMELOT Jeannie Carson, Biff McGuire, 3/11/1964 1 HHS Melville Cooper 1964 - 1965 6O SEASON SPONSOR Business Professional Women’s Club LUTHER Alan Bergmann 1 HHS SPOON RIVER Original Cast - Barbara Gilbert, Carl 1 HHS Esser, Linda Seff, William Severs OLIVER! Jules Munchin, Joan Eastman, 1 HHS Christopher Spooner NEVER TOO LATE Lyle Talbot, Penny Singleton 1 HHS 1965 - 1966 6O NOTEWORTHY PERFORMANCE NO. -
Winter Garden Theater, First Floor Interior
Landmarks Preservation Commission January 5, 1988; Designation List 199 LP-1387 WINTER GARDEN THEATER, first floor interior consisting of the inner lobby, the auditorium, the stage; the balcony floor interior consisting of the balcony, the upper part of the auditorium and ceiling; and the fixtures and interior components of these spaces, including but not limited to, wall and ceiling surfaces, doors, stair railings and attached decorative elements; 1634-1646 Broadway, Manhattan; initial structure built c. 1885 and rebuilt 1896; remodeled and partially rebuilt for theater use 1910-11, architect W. Albert Swasey; remodeled 1922-23, architect Herbert J. Krapp. Landmark Site: Borough of Manhattan Tax Map Block 1022, Lot 26. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as an Interior Landmark of the Winter Garden Theater, first floor interior consisting of the outer lobby, the inner lobby, the auditorium, the stage, the staircases leading from the first floor to the ba 1 cony floor and all connecting entrance areas; the ba 1 cony floor interior consisting of the balcony, the upper part of the auditorium and ceiling, the upper part of the stage house; and the fixtures and interior components of these spaces, including but not limited to, wall, ceiling, and floor surfaces, doors, stair railings and attached decorative elements; and the proposed designation of the related Landmark Site (I tern No. 83). The hearing was continued to October 19, 198 2. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-one witne sses spoke or had statements read into the record in favor of designation. -
Mixed-Race Identity Politics in Nella Larsen and Winnifred Eaton (Onoto
MIXED-RACE IDENTITY POLITICS IN NELLA LARSEN AND WINNIFRED EATON (ONOTO WATANNA) A dissertation presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Sachi Nakachi November 2001 2001 Sachi Nakachi All Rights Reserved. This dissertation entitled MIXED-RACE IDENTITY POLITICS IN NELLA LARSEN AND WINNIFRED EATON (ONOTO WATANNA) BY SACHI NAKACHI has been approved for the Department of English and the College of Arts and Sciences by David Dean McWilliams J. Richard Hamilton, Baker and Hostetler Professor of Humanities Leslie A. Flemming Dean, College of Arts and Sciences Nakachi, Sachi. Ph.D. November 2001. English Mixed-Race Identity Politics in Nella Larsen and Winnifred Eaton (Onoto Watanna) (216pp.) Director: David Dean McWilliams The dissertation examines how two women authors of mixed-race, Nella Larsen and Winnifred Eaton (Onoto Watanna), resisted American identity politics in their works. The ideological complexities of mixed-race identity, which is “in-between” races, are the focus of my argument. To discuss what Judith Butler calls “the performativity of identity” in the interracial context, “passing,” “masquerading” and “mimicking” are used as key strategies. I examine whether the space of hybridity, in which the incompatible notions of difference and sameness exist together, opens up the horizon of transformation of significations. In Chapter One, I discuss how Larsen used her “mulatto” heroines to criticize the essentialist notion of identity. I probe how crossing boundaries (passing, geographical crossing and transgressing sexual norms) functions in her novels. In Chapter Two, I examine the works of Winnifred Eaton, who passed as Japanese in her authorship. -
Jobs Lost in Shortage of Gasoline
' 1 $140^000 Check Refused Only One Opposes Plan Standout Field Assured I Watershed Patrols Until Sewer Pact Settled I To Change Liquor Rule In New England Relays 1 Try to Break Habits Page 2 \ Page 6 Page 11 1 Page 20 L-------------------------------------------------------1 JIanrt|PHtfr Cloudy Tonight, Showers Likely □•tails on pag* 2 Gaswatch lEu^ninn nmlh Vol. XCVIII, No. 223 — Manchester, Conn., Friday, June 22, 1979 I A Family NEWSpaper Since 1B61 • 20C Single Copy • 15c Home Delivered In a word, it’s going to be tough to find gaspiine in most of New Engiand this weekend. It should be slightly easier in resort areas such as (^ape Cod and in iess traf ficked far northern New England. Jobs Lost With a little patience, motorists should be able to fill up Saturday, or at least get a few dollars worth. But regardless of whose figures you use, Sunday drivers will not fare so welt. In Shortage Latest auto club surveys of the gasoline situation in New England confirm what motorists already know — that getting from here to 00 there has to be planned more Of Gasoline carefully. This week’s ALA Auto and Travel Club survey of 264 gasoline By JACQUELINE HUARD second day of odd-even gas sales retailers showed that only 8 per brought a slew of complaints that cent of the stations polled in the United Press International dealers were not posting hours as region will be open Sunday. An The first job layoffs struck Connec ordered or were illegally limiting gas American Automobile Associa ticut today as a result of the gasoline sales. -
Meg Bussert Curriculum Vitae 1/28/19 1 MEG BUSSERT 1085 Warburton Ave #223 Yonkers NY 10701 [email protected] Cell: 914.71
MEG BUSSERT 1085 Warburton Ave #223 Yonkers NY 10701 [email protected] Cell: 914.715.8756 2001 to present: New York University’s Steinhardt School of Culture, Education, and Human Development Music Associate Professor of Acting and Musical Theatre Studies, Vocal Performance Department of Music and Performing Arts Professions Recognitions • Tony Award® Nomination for Fiona in Broadway revival of Brigadoon, 1981. • Theater World Award for Marian in Broadway revival of The Music Man 1980. • Cable ACEAward Nomination for Queen Guenevere, Camelot, Broadway production broadcast by Home Box Office, 1983, DVD released 2007. Education • M.A.T. English/Secondary, Manhattanville College, Purchase • B.A., Drama Studies, SUNY Purchase College • University of Illinois, Urbana, IL Speech Communication (3 Years) Certifications • NYS Permanent Teacher Certification: English/Secondary, 2001 • NY City Teacher Certification, 2000 • Lovetri Somatic Voicework™, 2007 • Acting Pedagogy, the Actors Center, NYC. 2003 • Michael Chekhov Pedagogy Certificate NYC 2004 Industry Training • Voice: Marge Rivingston. 20 years • Coaches: Marni Nixon, Wally Harper, Tom Helm • Dance: Luigi, Bob Audy, Peter Gennaro, Finis Yung. 15 years • Acting: HB Studios: Uta Hagan, Aaron Frankel, Vivian Matalon • The Actors Center: Viatcheslav Dolgachev, Robert Cohen • MICHA Joanna Merlin, Ted Pugh • Classical Mime: Claude Kipnis, Lenka Pichlikova • Voice/Speech: Fitzmaurice Voicework® Catherine Fitzmaurice Memberships and Affiliations AEA Actors Equity Association SAG-AFTRA Screen Actors -
STARLIGHT MUSICALS Presents "THE WIZARD of OZ" Music and Lyrics of the by L
'THE WIZARD OF 01" July 25 - July 30 Souvenir Program rt HILTON U. BROWN TH DRAW (BUTLER BOWL} LENNOX & Mi INC. BUTLER UNIVERSlf GUARANTORS AND CONTRIBUTORS 1961 STARLIGHT MUSICALS (Guarantors give nothing unless there is an operational loss at the end of a season, in which event they are a,ssessed on a pro rata basis to the limit of their guaranties. Individuals, and organizations of all kinds, who are interested in joining the list of civic-minded people and organizations printed below, are invited to call any officer of the Board of Directors for particulars.) Advertising Letter Service, Inc. Joseph J. Daniels Robert R. Hamilton C. 0. Alig Mr. and Mrs. James L. Darlington Melvin A. Hansen Cornelius 0. Alig, Jr. George W. Davidson Dr. F. M. Hapak Rowland Allen Davidson's Southport Lumber Co. Clifford J. Hart E. E. Allison Frank H. Davis Gaylord A. Hawkins H. A. Alpert Mr. and Mrs. T,. Clare Davis Stanley Herman Miss Gladys Alwes Watson E. Deakyne C. M. Herriman American States Insurance Company Mr. and Mrs. Donald F. Dean Hubert Hickam Mrs. William B. Ansted, Jr. Paul J. DeVault Mr. and Mrs. Beryl E. Hicks Frederic D. Anderson H. H. Dice Benj Hitz, Jr. Arthur Jordan Foundation Michael Dobich J. I. Holcomb Manufacturing Co. Bon O. Aspy Mr. and Mrs. Robert L. Drake Robert Bruce Holley Frederic M. Ayres, Jr. Donal H. Draper, D. D. S. Walter C. Holmes Ayrshire Collieries Corp. L. E. Drum Henry Holt Michael J. Duffecy Hooven Letter Service Co. George Bahre Jack Dustman Mr. and Mrs. -
Business Forum 2014
PCMA MEMBER COMPANIES BUSINESS A DIVISION OF THE Pharmaceutical Care Management Association FORUM 2014 March 12 & 13 JW MARRIOTT ORLANDO GRANDE LAKES ORLANDO, FL CONFERENCE PROGRAM PARTNERS PRESIDENTIAL SPONSORS Please join us in thanking the following companies for their support of this year’s sPCMA Business Forum PARTNERS PRESIDENTIAL SPONSORS EXECUTIVE SPONSOR GENERAL SPONSORS sPCMA BUSINESS FORUM | MARCH 12 & 13, 2014 Welcome to the 2014 sPCMA Business Forum The sPCMA Business Forum aims to offer invaluable networking and education for all individuals, companies and industries conducting business in the specialty pharmacy space. We’ve designed the Business Forum to be an essential component of your annual conference schedule and business strategy. From an educational standpoint, our speakers are among the industry’s top thought leaders and their insights are current and actionable. When it comes to networking and conducting business with industry partners and customers, the Business Forum has the highest number of specialty pharmacy decision makers assembled in one place. The ever-evolving specialty pharmacy industry presents a multitude of challenges and opportunities for the health care marketplace and we hope that over the next two days you’ll take full advantage of the conferences’ offerings to learn from and dialogue with industry experts, peers, allies and competitors. A few highlights you won’t want to miss: » Education: General Sessions are designed to be strategic in nature and Breakout Sessions drill down into the nuances of more specific marketplace dynamics. » Networking: Wednesday and Thursday evening receptions are open to all conference attendees. Enjoy the warm weather while you mix and mingle. -
Espectáculos
ESPECTÁCULOS SANTIAGO DE CHILE, JUEVES 6 DE FEBRERO DE 2020 Cinco filmes esenciales Reacciones “EL GRAN “CAUTIVOS “SED DE “SENDEROS DE “ESPARTACO” de la industria CARNAVAL” (1951) DEL MAL” (1952) VIVIR” (1956) GLORIA” (1957) (1960) Una de las películas más Una de las cintas La estrella obtuvo la Una de las primeras Nuevamente de polémicas de la carrera más ácidas sobre segunda de sus tres películas de Stanley la mano de Ku- de Douglas fue la de Hollywood es la nominaciones al Kubrick es este brick, Douglas Billy Wilder (la primera que dirigió Vincen- Oscar en este dra- drama bélico, que al realizó su filme “ESPARTACO” (1960) Kirk retuvo su en que él fue guionista, te Minnelli y en la ma, también dirigi- mismo tiempo es un más recordado e productor y director) en que Douglas inter- do por Minnelli, en discurso antiguerra, importante, una carisma de estrella la que cuenta la historia pretó a un produc- el que creó un re- en la que el actor superproducción de cine hasta el final de un periodista ines- tor de cine egoísta trato magistral e interpreta a un coro- que echó a andar crupuloso que manipula y despiadado que inolvidable del nel que debe defen- desde el inicio y de su maravillosa la historia de un hombre hará todo por pintor Vincent van “SED DE VIVIR” der a su tropa luego le valió varios atrapado en una cueva alcanzar el éxito. Gogh. El filme (1956) de que un general enfrentamientos vida y me siento para revitalizar su La cinta ganó cinco recorre la tormen- acusa a sus hombres con poderosos ‘‘ honrado de haber carrera. -
MEG BUSSERT 1085 Warburton Ave #223 Yonkers NY 10701 Office: 212.992.9446 [email protected] Home: 914.478-4978 Cell: 914.715.8756
MEG BUSSERT 1085 Warburton Ave #223 Yonkers NY 10701 Office: 212.992.9446 [email protected] Home: 914.478-4978 Cell: 914.715.8756 2001 to present: New York University’s Steinhardt School of Culture, Education, and Human Development Music Associate Professor of Acting and Musical Theatre Studies, Vocal Performance Department of Music and Performing Arts Professions Recognitions • Tony Award® Nomination for Fiona in Broadway revival of Brigadoon, 1981. • Theater World Award for Marian in Broadway revival of The Music Man 1980. • ACE Award Nomination (Cable Television Awards) for Queen Guenevere, Camelot, Broadway production taped for and broadcast by Home Box Office, 1983. Education • M.A.T. English/Secondary, Manhattanville College, Purchase, 1999 • B.A., Drama Studies, Purchase College SUNY, 1997. • University of Illinois, Urbana, IL Speech Communication (3 Years) 1971 • Northern Illinois University, DeKalb, IL (1 year) Certifications • NYS Permanent Teacher Certification: English/Secondary, 2001 • NY City Teacher Certification, 2000 • NY State Provisional Teacher’s Certification, 1999 • Lovetri Somatic Voicework™, 2007 • Acting Pedagogy, the Actors Center, NYC. 2003 • New York Singing Teachers’ Association Pedagogy Cert. pending • Michael Chekhov Pedagogy Certificate NYC 2004 Industry Training • Voice: Marge Rivingston. 20 years • Coaches: Marni Nixon, Wally Harper, Tom Helm, Grant Wenaus • Dance: Luigi, Bob Audy, Peter Gennaro, Finis Yung. 15 years • Acting: HB Studios: Uta Hagan, Aaron Frankel, Vivian Matalon • The Actors Center: