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The Inventory of the Michael Douglas Collection #1839
The Inventory of the Michael Douglas Collection #1839 Howard Gotlieb Archival Research Center Douglas, Michael #1839 3/31/16, 4/7/16 Preliminary Listing I. Wardrobe. A. Costumes. Box 1-2 1. “The American President.” Box 3-8 2. “Behind the Candelabra.” Box 9 3. “Disclosure.” 4. “A Perfect Murder.” 5. “Romancing The Stone.” Box 9-14 6. “The Game.” Box 15-20 7. “The In-Laws.” Box 21-25 8. “It Runs In The Family.” Box 26 9. “Jewel Of The Nile.” Box 27-32 10. “Traffic.” Box 33-37 11. “Wonder Boys.” Box 38 12. “Wall Street.” B. Hanging Costumes. Pkg. 1-2 1. “The American President.” Pkg. 3-35 2. “Behind the Candelabra.” Pkg. 36-57 3. “The Game.” Pkg. 58-78 4. “The In-Laws.” Pkg. 79-116 5. “It Runs In The Family.” Pkg. 117 6. “Wall Street.” Box 39-56 C. Personal. Pkg. 118-124 D. Hanging Personal. II. Printed Materials. A. Files. Box 57-88 1. Clippings (not on their spreadsheets). Box 88 2. General. B. Blueprints/Maps. C. Internet printouts. D. Postcards. Box 89-91 E. Magazines. Box 92-94 F. Programs. Box 95 G. Newspapers. Box 95-96 H. Reviews. Box 96 I. Clippings. J. Booklets. K. Pamphlets. L. Fliers. Box 97 M. Posters. Pkg. 125-141 N. Oversized posters. Douglas, Michael (3/31/16, 4/7/16) Page 1 of 46 III. Film and Video. Box 98-131 A. VHS. Box 131 B. 8 mm cassettes. C. Mini-DVs. Box 132 D. DV-Cams. Box 133 E. DVDs. Box 134 F. -
Business Forum 2014
PCMA MEMBER COMPANIES BUSINESS A DIVISION OF THE Pharmaceutical Care Management Association FORUM 2014 March 12 & 13 JW MARRIOTT ORLANDO GRANDE LAKES ORLANDO, FL CONFERENCE PROGRAM PARTNERS PRESIDENTIAL SPONSORS Please join us in thanking the following companies for their support of this year’s sPCMA Business Forum PARTNERS PRESIDENTIAL SPONSORS EXECUTIVE SPONSOR GENERAL SPONSORS sPCMA BUSINESS FORUM | MARCH 12 & 13, 2014 Welcome to the 2014 sPCMA Business Forum The sPCMA Business Forum aims to offer invaluable networking and education for all individuals, companies and industries conducting business in the specialty pharmacy space. We’ve designed the Business Forum to be an essential component of your annual conference schedule and business strategy. From an educational standpoint, our speakers are among the industry’s top thought leaders and their insights are current and actionable. When it comes to networking and conducting business with industry partners and customers, the Business Forum has the highest number of specialty pharmacy decision makers assembled in one place. The ever-evolving specialty pharmacy industry presents a multitude of challenges and opportunities for the health care marketplace and we hope that over the next two days you’ll take full advantage of the conferences’ offerings to learn from and dialogue with industry experts, peers, allies and competitors. A few highlights you won’t want to miss: » Education: General Sessions are designed to be strategic in nature and Breakout Sessions drill down into the nuances of more specific marketplace dynamics. » Networking: Wednesday and Thursday evening receptions are open to all conference attendees. Enjoy the warm weather while you mix and mingle. -
Espectáculos
ESPECTÁCULOS SANTIAGO DE CHILE, JUEVES 6 DE FEBRERO DE 2020 Cinco filmes esenciales Reacciones “EL GRAN “CAUTIVOS “SED DE “SENDEROS DE “ESPARTACO” de la industria CARNAVAL” (1951) DEL MAL” (1952) VIVIR” (1956) GLORIA” (1957) (1960) Una de las películas más Una de las cintas La estrella obtuvo la Una de las primeras Nuevamente de polémicas de la carrera más ácidas sobre segunda de sus tres películas de Stanley la mano de Ku- de Douglas fue la de Hollywood es la nominaciones al Kubrick es este brick, Douglas Billy Wilder (la primera que dirigió Vincen- Oscar en este dra- drama bélico, que al realizó su filme “ESPARTACO” (1960) Kirk retuvo su en que él fue guionista, te Minnelli y en la ma, también dirigi- mismo tiempo es un más recordado e productor y director) en que Douglas inter- do por Minnelli, en discurso antiguerra, importante, una carisma de estrella la que cuenta la historia pretó a un produc- el que creó un re- en la que el actor superproducción de cine hasta el final de un periodista ines- tor de cine egoísta trato magistral e interpreta a un coro- que echó a andar crupuloso que manipula y despiadado que inolvidable del nel que debe defen- desde el inicio y de su maravillosa la historia de un hombre hará todo por pintor Vincent van “SED DE VIVIR” der a su tropa luego le valió varios atrapado en una cueva alcanzar el éxito. Gogh. El filme (1956) de que un general enfrentamientos vida y me siento para revitalizar su La cinta ganó cinco recorre la tormen- acusa a sus hombres con poderosos ‘‘ honrado de haber carrera. -
PRODUCTION in ONTARIO 2001 with Assistance from ONTARIO MEDIA DEVELOPMENT CORPORATION
PRODUCTION IN ONTARIO 2001 with assistance from ONTARIO MEDIA DEVELOPMENT CORPORATION ARARAT AVENGING ANGELO Ararat Productions Inc., Alliance Atlantis/ Avenging Film Productions Limited Partner- THEATRICAL FILMS Serendipity Point Films Inc. ship, Franchise Entertainment Producer: Robert Lantos, Atom Egoyan Producers: Stanley Wilson, Elie Samaha Co-Producer: Sandra Cunningham Executive Producer: Kevin Kring AMERICAN PSYCHO 2 - THE GIRL Associate Producers: Julia Rosenberg, Director: Martyn Burke WHO WOULDN'T DIE Simone Urdl Writers: Steve Mackall, Will Aldis Lions Gate Films Corp., Profiler Productions Director/Writer: Atom Egoyan Line Producer: Mike Drake Corp., Profiler Productions L.P. Production Manager: Sandra Cunningham Production Manager: Lyn Lucibello Producer: Ernie Barbarash Director of Photography: Paul Sarossy Director of Photography: Ousama Rawi Executive Producers: Michael Paseornek, Picture Editor: Susan Shipton Film Editor: David Codron Chris Hanley, Christian Halsey Solomon, Music Composer: Mychael Danna Production Designer: Eric Fraser Richard Hull Production Designer: Philip Baker Key Cast: Sylvester Stallone, Madeleine Stowe, Director: Morgan J. Freeman Key Cast: Christopher Plummer, Arsinee Khanjian, Anthony Quinn Writers: Alex Sanger, Karen Craig David Alpay, Marie Josée Croze Shooting Dates: March 2001 – April 2001 Shooting Dates: May - July 2001 Line Producer/ Production Manager: BAY OF LOVE AND SORROWS, THE Suzanne Colvin-Goulding Triptych Media Inc., Second Wave Productions, Director of Photography: Vanja Cernjul -
Making the Gendered Face: the Art and Science of Facial Feminization Surgery
Making the Gendered Face: The Art and Science of Facial Feminization Surgery By Eric Douglas Plemons A dissertation completed in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Anthropology in the Graduate Division of the University of California, Berkeley Committee in Charge Professor Cori Hayden, Chair Professor Lawrence Cohen Professor Charis Thompson Spring 2012 Abstract Making the Gendered Face: The Art and Science of Facial Feminization Surgery By Eric Douglas Plemons Doctor of Philosophy in Anthropology University of California, Berkeley Professor Cori Hayden, Chair Early surgical procedures intended to change a person’s sex focused on the genitals as the site of a body’s maleness or femaleness, and took the reconstruction of these organs as the means by which “sex” could be changed. However, in the mid-1980s a novel set of techniques was developed in order to change a part of the body that proponents claim plays a more central role in the assessment and attribution of sex in everyday life: the face. Facial Feminization Surgery (FFS)—a set of bone and soft tissue surgical procedures intended to feminize the faces of male-to-female transsexuals—is predicated upon the notion that femininity is a measurable quality that can be both reliably assessed and surgically reproduced. Such an assertion begs the questions: What does a woman look like? What forms of knowledge are used to support a claim to know? This project examines these questions through ethnographic research situated in the offices and operating rooms of prominent American surgeons who perform FFS. I explore the tensions between two different forms of knowledge that surgeons rely on and appeal to in the identification and surgical reproduction of femininity: scientific and aesthetic. -
Making the Gendered Face: the Art and Science of Facial Feminization Surgery
Making the Gendered Face: The Art and Science of Facial Feminization Surgery By Eric Douglas Plemons A dissertation completed in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Anthropology in the Graduate Division of the University of California, Berkeley Committee in Charge Professor Cori Hayden, Chair Professor Lawrence Cohen Professor Charis Thompson Spring 2012 Abstract Making the Gendered Face: The Art and Science of Facial Feminization Surgery By Eric Douglas Plemons Doctor of Philosophy in Anthropology University of California, Berkeley Professor Cori Hayden, Chair Early surgical procedures intended to change a person’s sex focused on the genitals as the site of a body’s maleness or femaleness, and took the reconstruction of these organs as the means by which “sex” could be changed. However, in the mid-1980s a novel set of techniques was developed in order to change a part of the body that proponents claim plays a more central role in the assessment and attribution of sex in everyday life: the face. Facial Feminization Surgery (FFS)—a set of bone and soft tissue surgical procedures intended to feminize the faces of male-to-female transsexuals—is predicated upon the notion that femininity is a measurable quality that can be both reliably assessed and surgically reproduced. Such an assertion begs the questions: What does a woman look like? What forms of knowledge are used to support a claim to know? This project examines these questions through ethnographic research situated in the offices and operating rooms of prominent American surgeons who perform FFS. I explore the tensions between two different forms of knowledge that surgeons rely on and appeal to in the identification and surgical reproduction of femininity: scientific and aesthetic. -
Spring 2017 Commencement Program
TE TA UN S E ST TH AT I F E V A O O E L F A DITAT DEUS N A E R R S I O Z T S O A N Z E I A R I T G R Y A 1912 1885 ArizonA StAte UniverSity CommenCement And ConvoCAtion ProgrAm Spring 2017 May 8–12, 2017 The NaTioNal aNThem The STaR SPaNGleD BaNNeR O say can you see, by the dawn’s early light, What so proudly we hailed at the twilight’s last gleaming? Whose broad stripes and bright stars through the perilous fight O’er the ramparts we watched, were so gallantly streaming? And the rockets’ red glare, the bombs bursting in air Gave proof through the night that our flag was still there. O say does that Star-Spangled Banner yet wave O’er the land of the free and the home of the brave? alma maTeR aRiZoNa STaTe UNiVeRSiTY Where the bold saguaros Raise their arms on high, Praying strength for brave tomorrows From the western sky; Where eternal mountains Kneel at sunset’s gate, Here we hail thee, Alma Mater, Arizona State. —Hopkins-Dresskell maRooN aND GolD Fight, Devils down the field Fight with your might and don’t ever yield Long may our colors outshine all others Echo from the buttes, Give em’ hell Devils! Cheer, cheer for A-S-U! Fight for the old Maroon For it’s Hail! Hail! The gang’s all here And it’s onward to victory! Students whose names appear in this program have completed degree requirements. -
NYSTA September-October Online 2008.Pmd
1 VOICEPrints JOURNAL OF THE NEW YORK SINGING TEACHERS’ ASSOCIATION SEPTEMBER-OCTOBER 2008 IN THISIssue: NYSTA Presidents: A History...................................Page 1 NYSTA Message from Our New President, David Sabella-Mills...........................................Page 2 Presidents: Meet NYSTA’s 2008-2011 Officers and Board of Directors.....................................Pages 3-7 A History Message from VOICEPrints Editor, Leon Carson 1940-1942 Matthew Hoch...............................................Page 7 Walter Golde 1944-1946 Broadway Discount Offer for [title of show] Before Solon Alberti (dates of terms unknown): to NYSTA Members..................................Back Cover Carl Gutekunst, Walter Mattern, Edgar Schofield, Walter Bogert, Edward Harris, Homer Mowe, Bernard Taylor NYSTANews...................................................Back Cover Solon Alberti 1950-1952 Cecile Jacobson 1952-1954 George Rasely 1954-1956 Carl Gutekunst 1956-1958 Featured Event: Burton Cornwall 1958-1960 Earl Rogers 1960-1962 CELEBRATINGIn The Heights Dolf Swing 1962-1964 AND Willard Young 1964-1966 SEASON OPENINGReception Constance Eberhart 1966-1968 October 6, 2008 William Gephart 1968-1970 Monday, 6:00PM - 9:00 PM Lola Hayes 1970-1972 Donald Read 1972-1974 Nominated for thirteen TONY awards, members Craig Timberlake 1974-1976 of the cast of In the Heights will share with us their Ingrid Sobolewska 1976-1978 incredible journey taking this musical from its humble Cesare Longo 1978-1980 beginnings to its triumphant, and groundbreaking Robert Latherow 1980-1982 Broadway run. And discuss the rigors of this unique Helen Lightner 1982-1984 vocal music in an eight-shows-a-week schedule. Thomas Rexdale 1984-1987 Panel includes Andrea Burns, (Songs for a New Jeannette LoVetri 1987-1990 World, The Full Monty, The Ritz, Beauty and the Beast) Mara Waldman 1990-1993 and TONY Nominee Olga Merediz (Man of La Mancha, Jan Eric Douglas 1993-1996 Mamma Mia, and Les Miserables). -
DENVER's NATURAL HISTORY MUSEUM a History
DENVER MUSEUM OF NATURE & SCIENCE ANNALS DENVER MUSEUM OF NATURE & SCIENCE ANNALS NUMBER 4, DECEMBER 31, 2013 NUMBER 4, DECEMBER 31, 2013 DENVER’S NATURAL HISTORY MUSEUM: MUSEUM: HISTORY DENVER’S NATURAL DENVER’S NATURAL HISTORY MUSEUM DENVER’S NATURAL HISTORY MUSEUM A History A History A HISTORY A HISTORY The Denver Museum of Nature & Science inspires curiosity and excites minds of all ages through scienti c discovery and the presentation and DMNS preservation of the world’s unique treasures. ANNALS Our vision is to create a community of NUMBER 4, DECEMBER 31, 2013 DECEMBER NUMBER 4, critical thinkers who understand the lessons of the past and act as responsible stewards of HTTP://WWW.DMNS.ORG/SCIENCE/MUSEUM-PUBLICATIONS the future. 2001 COLORADO BLVD. DENVER, CO 80205 Denver Museum of Nature & Science Annals (Print) ISSN 1948-9293 (Online) ISSN 1948-9307 HTTP://WWW.DMNS.ORG/SCIENCE/MUSEUMPUBLICATIONS DENVER MUSEUM OF NATURE & SCIENCE ANNALS NUMBER 4, DECEMBER 31, 2013 DENVER’S NATURAL HISTORY MUSEUM: A History EDITORS Kirk Johnson, Betsy Armstrong, Chip Colwell-Chanthaphonh, Frances Kruger, Kristine A. Haglund, and Frank-T. Krell DENVER MUSEUM OF NATURE & SCIENCE ANNALS NUMBER 4, DECEMBER 31, 2013 EDITOR-IN-CHIEF The DENVER MUSEUM OF NATURE & SCIENCE ANNALS is an Frank-T. Krell, PhD open-access, peer-reviewed scientifi c journal publishing original papers in the fi elds of anthropology, geology, paleontology, botany, zoology, space EDITORIAL BOARD: and planetary sciences, and health sciences. Papers are either authored James Hagadorn, PhD (subject editor, by DMNS staff, associates, or volunteers, deal with DMNS specimens or Paleontology and Geology) holdings, or have a regional focus on the Rocky Mountains/Great Plains ecoregions. -
Convocation 2021 Changing Lives Congratulations! Class of 2021 Message from the Board of Governors
Convocation 2021 Changing Lives Congratulations! Class of 2021 Message from the Board of Governors Graduation is a time to be proud of all that our learners have achieved. On behalf of the Algonquin College Board of Governors, I am pleased to share in the pride that you, our learners, your families and supporters experience today. Your hard work and dedication towards your success is celebrated today. As you transition to the next phase of your lifelong learning journey, I hope that the experiences that you have had at Algonquin College will support you and enable you to continue to “transform your hopes and dreams into lifelong success”. Our world is undergoing the most rapid rate of change that it has ever experienced. Each of you will face many opportunities and challenges for advancement. Algonquin College is constantly engaged in preparing our learners for this world of change. Should you require further upgrading of your education, don’t forget to consider returning to our campuses or to take advantage of our extensive on-line learning resources. As you become an alumnus of Algonquin College, I encourage you to stay in touch. The contacts that you have made with Faculty and Staff can remain as an ongoing resource as you leave this institution of learning. Your friends and colleagues at Algonquin can remain as such for many years to come. Share your experiences and success with them. Our Faculty, Staff, our Executive Team and the Board of Governors are pleased that you chose Algonquin in your search for education. As graduates you have an opportunity to become ambassadors of Algonquin College. -
P38-39 Layout 1
lifestyle THURSDAY, DECEMBER 11, 2014 Features Hobbit fans drop Tolkien evil eye plan for Moscow after Church protest group of Russian designers yesterday scrapped a planned light installation modeled on the all-seeing Aevil eye in JRR Tolkien’s fantasy novels after the Russian Orthodox Church protested. The group had planned to raise what resembles a giant glowing eye on the 21st floor of a sky- scraper to celebrate the local release of the final part of Peter Jackson’s movie adaptation of “The Hobbit” on Thursday. In Tolkien’s “The Hobbit” and also in the subsequent “Lord of the Rings” trilogy, the Eye of Sauron is a giant flaming eye controlled by the “dark lord” Sauron which allows him to watch anyone who puts on the fateful, power-giving ring. But the Russian Orthodox Church’s head of public affairs, Vsevolod Chaplin, objected to what he called a “demonic symbol” in an interview with Govorit Moskva radio station. “Such a symbol of the triumph of evil is rising up over the city, becoming practically the highest object in the city. Is that good or bad? I’m afraid it’s more likely bad. Just don’t be sur- prised later if something goes wrong with the city,” Chaplin warned. The city authorities then also reacted, saying that the Eye of Sauron could require planning permission. “Unfortunately we are forced to stop the ‘Eye of Sauron’ project,” the group of designers called Svecheniye, or Kirk Douglas poses for a portrait in Beverly Hills, Calif. Kirk Douglas, right, and wife Anne Douglas pose for a por- In this Dec 5, 1960 file photo, actor Kirk Douglas and his Radiance, wrote on Facebook, saying they did not expect —AP photos trait in Beverly Hills. -
Regulatory & Compliance Alert
Regulatory & Compliance Alert A P U B L I C AT I O N O F N A S D R E G U L AT I O N , I N C . 13.4 W I N T E R 1 9 9 9 NASD Year 2000 Update Recordkeeping Rule The Securities and Exchange Commission (SEC) has adopted temporary Rule 17a-9T which requires certain broker/dealers to make a separate copy of their blotters and their securities record or ledger for the last three business days of 1999 (December 29-31). The SEC adopted the recordkeeping rule to provide a safeguard against unforeseen Year 2000 problems. Should a Year 2000 problem disrupt a broker/dealer, its account positions and transactions must be reconstructed. It is crucial to assure that broker/dealers maintain all the necessary records to permit reconstruction in the event of a Year 2000-related failure. Co n t i n ued on page 3 1 c o n t e n t s N A S D R E G U L AT I O N , I N C . 1 C OV E R S TO R I E S • NASD Year 2000 Update • NASDR To Launch Additional Form Filing Regulation Applications • NASD Regulation Hosts Phone-In Workshops For Member Firms • NASDR Holds Open Forum With District Directors 1 1 A DV E RT I S I N G R E G U L AT I O N • Ask The Analyst 1 5 R E G U L ATO RY S H O RTTA K E S •Part-Time FINOPs • High-Yield Investments And Suitability • Special Supervisory Plans • Underwriter Disclosure Practices • Principal Registration • Use Of Error Accounts • Prime Bank Fraud 2 2 N A S D O M BU D S M A N • Ombudsman’s Office Provides Confidential And Neutral Assistance 2 4 QUA L I F I C AT I O N S/T E S T I N G/C O N T I N U I N G E D U C AT I O N •Testing Update • Certification Testing & Continuing Education Delivery Location List 2 9 N A S D D I S C I P L I N A RYAC T I O N S 6 3 R E G U L ATO RY & C O M P L I A N C E A L E RT I N F O R M AT I O N 2 NASD Year 2000 Update, from page 1 Millennium Transition Questionnaire Firms reporting to the NASD are advised that this request for information is made pursuant The SEC has developed a uniform question- to NASD Rule 8210.