SEPTEMBER 2013 from the Editor Welcome to the September 2013 Edition of the AAA Newsletter
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The KNIGHT REVISION of HORNBOSTEL-SACHS: a New Look at Musical Instrument Classification
The KNIGHT REVISION of HORNBOSTEL-SACHS: a new look at musical instrument classification by Roderic C. Knight, Professor of Ethnomusicology Oberlin College Conservatory of Music, © 2015, Rev. 2017 Introduction The year 2015 marks the beginning of the second century for Hornbostel-Sachs, the venerable classification system for musical instruments, created by Erich M. von Hornbostel and Curt Sachs as Systematik der Musikinstrumente in 1914. In addition to pursuing their own interest in the subject, the authors were answering a need for museum scientists and musicologists to accurately identify musical instruments that were being brought to museums from around the globe. As a guiding principle for their classification, they focused on the mechanism by which an instrument sets the air in motion. The idea was not new. The Indian sage Bharata, working nearly 2000 years earlier, in compiling the knowledge of his era on dance, drama and music in the treatise Natyashastra, (ca. 200 C.E.) grouped musical instruments into four great classes, or vadya, based on this very idea: sushira, instruments you blow into; tata, instruments with strings to set the air in motion; avanaddha, instruments with membranes (i.e. drums), and ghana, instruments, usually of metal, that you strike. (This itemization and Bharata’s further discussion of the instruments is in Chapter 28 of the Natyashastra, first translated into English in 1961 by Manomohan Ghosh (Calcutta: The Asiatic Society, v.2). The immediate predecessor of the Systematik was a catalog for a newly-acquired collection at the Royal Conservatory of Music in Brussels. The collection included a large number of instruments from India, and the curator, Victor-Charles Mahillon, familiar with the Indian four-part system, decided to apply it in preparing his catalog, published in 1880 (this is best documented by Nazir Jairazbhoy in Selected Reports in Ethnomusicology – see 1990 in the timeline below). -
Marquetry on Drawer-Model Marionette Duo-Art
Marquetry on Drawer-Model Marionette Duo-Art This piano began life as a brown Recordo. The sound board was re-engineered, as the original ribs tapered so soon that the bass bridges pushed through. The strings were the wrong weight, and were re-scaled using computer technology. Six more wound-strings were added, and the weights of the steel strings were changed. A 14-inch Duo-Art pump, a fan-expression system, and an expression-valve-size Duo-Art stack with a soft-pedal compensation lift were all built for it. The Marquetry on the side of the piano was inspired by the pictures on the Arto-Roll boxes. The fallboard was inspired by a picture on the Rhythmodic roll box. A new bench was built, modeled after the bench originally available, but veneered to go with the rest of the piano. The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION SEPTEMBER/OCTOBER 2005 VOLUME 42, NUMBER 5 Teresa Carreno (1853-1917) ISSN #1533-9726 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. AMICA was founded in San Francisco, California in 1963. PROFESSOR MICHAEL A. KUKRAL, PUBLISHER, 216 MADISON BLVD., TERRE HAUTE, IN 47803-1912 -- Phone 812-238-9656, E-mail: [email protected] Visit the AMICA Web page at: http://www.amica.org Associate Editor: Mr. Larry Givens VOLUME 42, Number -
1. Index 2. Purpose of the Document 3. Abbreviations 4. Related
1. Index 1. Index ..................................................................................................................................... 1 2. Purpose of the document...................................................................................................... 1 3. Abbreviations ........................................................................................................................ 1 4. Related documents...............................................................................................................1 5. Introduction ........................................................................................................................... 1 6. Definitions ............................................................................................................................. 1 6.1. Classification Scheme.................................................................................................. 1 6.2. Term............................................................................................................................. 2 6.3. Term Reference ........................................................................................................... 2 6.4. Term Relation............................................................................................................... 2 6.5. TermUse ...................................................................................................................... 2 6.6. ControlledTermUse..................................................................................................... -
'Race' and Diaspora: Romani Music Making in Ostrava, Czech Republic
Music, ‘Race’ and Diaspora: Romani Music Making in Ostrava, Czech Republic Melissa Wynne Elliott 2005 School of Oriental and African Studies University of London PhD ProQuest Number: 10731268 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731268 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract This thesis is a contribution towards an historically informed understanding of contemporary music making amongst Roma in Ostrava, Czech Republic. It also challenges, from a theoretical perspective, conceptions of relationships between music and discourses of ‘race’. My research is based on fieldwork conducted in Ostrava, between August 2003 and July 2004 and East Slovakia in July 2004, as well as archival research in Ostrava and Vienna. These fieldwork experiences compelled me to explore music and ideas of ‘race’ through discourses of diaspora in order to assist in conceptualising and interpreting Romani music making in Ostrava. The vast majority of Roma in Ostrava are post-World War II emigres or descendants of emigres from East Slovakia. In contemporary Ostrava, most Roma live on the socio economic margins and are most often regarded as a separate ‘race’ with a separate culture from the dominant population. -
Howe Collection of Musical Instrument Literature ARS.0167
http://oac.cdlib.org/findaid/ark:/13030/c8cc1668 No online items Guide to the Howe Collection of Musical Instrument Literature ARS.0167 Jonathan Manton; Gurudarshan Khalsa Archive of Recorded Sound 2018 [email protected] URL: http://library.stanford.edu/ars Guide to the Howe Collection of ARS.0167 1 Musical Instrument Literature ARS.0167 Language of Material: Multiple languages Contributing Institution: Archive of Recorded Sound Title: Howe Collection of Musical Instrument Literature Identifier/Call Number: ARS.0167 Physical Description: 438 box(es)352 linear feet Date (inclusive): 1838-2002 Abstract: The Howe Collection of Musical Instrument Literature documents the development of the music industry, mainly in the United States. The largest known collection of its kind, it contains material about the manufacture of pianos, organs, and mechanical musical instruments. The materials include catalogs, books, magazines, correspondence, photographs, broadsides, advertisements, and price lists. The collection was created, and originally donated to the University of Maryland, by Richard J. Howe. It was transferred to the Stanford Archive of Recorded Sound in 2015 to support the Player Piano Project. Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, California 94305-3076”. Language of Material: The collection is primarily in English. There are additionally some materials in German, French, Italian, and Dutch. Arrangement The collection is divided into the following six separate series: Series 1: Piano literature. Series 2: Organ literature. Series 3: Mechanical musical instruments literature. Series 4: Jukebox literature. Series 5: Phonographic literature. Series 6: General music literature. Scope and Contents The Howe Musical Instrument Literature Collection consists of over 352 linear feet of publications and documents comprising more than 14,000 items. -
Roma As Alien Music and Identity of the Roma in Romania
Roma as Alien Music and Identity of the Roma in Romania A thesis submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy 2018 Roderick Charles Lawford DECLARATION This work has not been submitted in substance for any other degree or award at this or any other university or place of learning, nor is being submitted concurrently in candidature for any degree or other award. Signed ………………………………………… Date ………………………… STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. Signed ………………………………………… Date ………………………… STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated, and the thesis has not been edited by a third party beyond what is permitted by Cardiff University’s Policy on the Use of Third Party Editors by Research Degree Students. Other sources are acknowledged by explicit references. The views expressed are my own. Signed ………………………………………… Date ………………………… STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available online in the University’s Open Access repository and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ………………………………………… Date ………………………… ii To Sue Lawford and In Memory of Marion Ethel Lawford (1924-1977) and Charles Alfred Lawford (1925-2010) iii Table of Contents List of Figures vi List of Plates vii List of Tables ix Conventions x Acknowledgements xii Abstract xiii Introduction 1 Chapter 1 - Theory and Method -
Naomi Harris CV
Naomi Harris [email protected] BOOKS 2011 California Dreaming, Editions Intervalles a collection of photos by Naomi Harris and interviews by Yann Perreau of immigrants who moved to LA in search of their American dream, published by Editions Intervalles 2010 America Swings, TASCHEN Books (trade edition) Edited by Dian Hanson and interviewed by Richard Prince 2008 America Swings, TASCHEN Books (limited edition) Edited by Dian Hanson and interviewed by Richard Prince 2007 Image Makers, Image Takers, Thames & Hudson written by Anne-Celine Jaeger The New Erotic Photography, TASCHEN a collection of erotic photographers edited by Dian Hanson and Eric Kroll SELECTED EXHIBITIONS SOLO 2015, “EUSA,” Curated by Claire Sykes, Circuit Gallery, Toronto, Canada 2015, “EUSA,” Athens Photo Festival, Athens, Greece 2015, “EUSA,” Fotofestiwal, International Festival of Photography in Lodz, Poland 2013, “Oh Canada,” Francophonie Festival, Alliance Française, High Commission of Canada, Pretoria, South Africa 2012, “Shaping Canada: Exploring Our Cultural Landscapes,” Canadian Immigration Museum at Pier 21, Halifax, Canada 2012, “Oh Canada,” Month of Photography 5, Cape Town, South Africa 2010, “We Are All Fanatics,” Levi’s Photo Workshop, New York, NY, USA 2010, “America Swings,” GetxoPhoto Festival, Getxo, Spain 2009, “America Swings,” Galleri Kontrast, Stockholm, Sweden 2008, "America Swings," M+B Gallery, Los Angeles, CA, USA 2008, "America Swings," Phillips de Pury, New York, NY, USA 2005, “White Picket Fences – Swinging in Suburbia,” Fotofestiwal, Lodz, -
Volume I March 1948
Abstracts of Articles in GSJ Volume LXXI (March 2018) The Secret of the Bagpipes: Controlling the Bag. Techniques, Skill and Musicality: Cassandre Balosso-Bardin, Augustin Ernoult, Patricio de la Cuadra, Benoît Fabre & Ilya Franciosi Abstract: Despite their many organological and esthetical differences, bagpipes are all played by the movement of the arm on a bag, creating enough pressure to activate the reeds and produce sound. In 2016, an interdisciplinary team of acousticians and an ethnomusicologist within the inter- institutional Geste-Acoustique-Musique project focused on understanding how a bagpiper exerts control on their bag, enhancing our comprehension of the importance of the arm during a musical performance. In this article, we observe what role the arm plays in controlling the instrument, whether a player controls the bag for musical purposes, and whether this influences repertoire and the performance itself. Evidential material consists of acoustical data collected during two experiments in different cultural contexts and with musicians of different levels, together with the statistical and empirical results of an online questionnaire about bagpipe bag techniques. With acoustic measurements, quantitative and qualitative data as well as an ethnomusicological framework, this research offers the first multidimensional and interdisciplinary study of the control of the bagpipe’s bag. Tracking Flutes on Nineteenth-Century Pohnpei: Queries about Instruments and their Movements in the Colonial Pacific: Brian Diettrich Abstract: This article explores flutes on the island of Pohnpei in the Caroline Islands of Micronesia across the nineteenth century and into the first decade of the twentieth century. During this time Pohnpei became a prominent port for ships in the northwest Pacific, and together with the subsequent colonial administrations by Spain and Germany, the musical and material transformations on the island are demonstrated by the influx of new musical instruments. -
Ebook Download Baroque Woodwind Instruments 1St Edition Ebook, Epub
BAROQUE WOODWIND INSTRUMENTS 1ST EDITION PDF, EPUB, EBOOK Paul Carroll | 9781351574662 | | | | | Baroque Woodwind Instruments 1st edition PDF Book Because this arrangement of the fingers looked vaguely like the tines of a fork, some musicians call it a fork fingering. Recorders flauti dolci are sometimes used to express humility or poverty, such as in Bach's cantata Brich dem Hungrigen dein Brot , BWV Carrying forward Baroque practice, composers in the Classical era also wrote chamber music for mixed ensembles of winds with piano or strings or wind concerti, such as those for clarinet and bassoon by Mozart. A bassoon reed is bound with thread and wire over a steel mandrel, which is later removed to leave a hollow rounded stem. Examples of this type of flute include the recorder , ocarina , and organ pipes. Main article: Woodwind section. However, the larger sizes were unwieldy, which made them somewhat rare. The shawm became so closely associated with the town waits die Stadtpfeifer in German and I pifferi in Italian that it was also known as the wait-pipe. Wind instrument Article Media Additional Info. The saxophone, for example, though made of brass, is considered a woodwind because it requires a reed to produce sound. Wind instrument Article Media Additional Info. Because of the acoustic characteristics of flutes and reeds, only a few pitches are available on instruments lacking finger holes. Single-reed woodwinds produce sound by fixing a reed onto the opening of a mouthpiece using a ligature. This family includes the crumhorn. Later, flutes were made of metals such as tin , copper , or bronze. -
Ottawa Jewish Bulletin Inside
PLANT A TREE Happy 100th birthday – 1st OPTIONS REALTY LTD. – FOR ALL OCCASIONS Brokerage, Independently Owned & Operated Penny Torontow TREES $18 | TREE BANK $150 FOR 10 TREES Anne Mayberger Blair Broker of Record 613-321-3600 • [email protected] 613-798-2411 > p. 12 www.4ottawahomes.com Ottawa Jewish Bulletin FEBRUARY 17, 2014 | 17 ADAR 1 5774 ESTABLISHED 1937 OTTAWAJEWISHBULLETIN.COM | $2 Shopify executive mentors younger Jewish entrepreneurs Harley Finkelstein cites ‘special connection’ and ‘particular responsibility’ to Jewish community BY MONIQUE ELLIOT semester at McGill University in 2001, “I know I’m never going to be the smartest when his mother called from the family guy in the room, ever. But I will be the guy home in Florida with a message: “We are who works the hardest.” broke.” Harley Finkelstein is known for his Finkelstein’s father had been “leveraged hustle. to the hilt” and now owed creditors The 30-year-old entrepreneur has made millions. PHOTO: MONIQUE ELLIOT his home in Ottawa as the chief platform He was given a choice: leave McGill, go Harley Finkelstein started his first business as a university student when his family could no offi cer (CPO) of Shopify, one of the back to Florida and try to work everything longer provide financial support. fastest-growing tech companies in Canada. out as a family; or try to make it on his “Hustle is just about persistence. It’s own in Montreal, without any fi nancial “I needed to do something that would out of passion, ambition. I wish that was about being smart and creative.” support and tuition costs of $18,000 per put food on the table and pay the bills,” he the case for me. -
Downbeat.Com July 2010 U.K. £3.50
.K. £3.50 .K. u downbeat.com July 2010 2010 July DownBeat Victor Wooten // clauDio RoDiti // Frank Vignola // Duke RoBillarD // John Pizzarelli // henry ThreaDgill July 2010 JULY 2010 Volume 77 – Number 7 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser AdVertisiNg Sales Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] offices 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] customer serVice 877-904-5299 [email protected] coNtributors Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Marga- sak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Nor- man Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Go- logursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Jennifer Odell, Dan Ouellette, -
Component-I (A) – Personal Details
Component-I (A) – Personal details: Prof. P. Bhaskar Reddy Sri Venkateswara University, Tirupati. Prof. R Thiagarajan Presidency College, Chennai. Prof. Suneera Kasliwal Vyas Delhi University, New Delhi Prof. Anjali Mittal Delhi University, New Delhi. 1 Component-I (B) – Description of module: Subject Name Indian Culture Paper Name Indian Aesthetics and Fine Arts Module Name/Title Musical Instruments of North India Module Id IC / IAFA / 22 Pre requisites An interest to know about the instruments used in Hindustani classical music Objectives To trace the origin and evolution of different musical instruments, differentiate the sound of various musical instruments, to draw the structure of enlisted musical instruments, to explain about the application of the musical instruments, to write about the important parts of the musical instruments, to state the name of renowned players of enlisted musical instruments, to briefly introduce the readers about the making of the instruments. Keywords Vadya, tata, avanaddha, ghana, sushir, rudra veena, sitar, sarod, santoor, sarangi, sarangi,tanpura,tabla, pakhawaj, bansuri,shehnai,harmonium,violin,guitar, dand,tumba,baj ka taar,khunti. E-text (Quadrant-I) Introduction A musical instrument is called “Vadya”, derived from the word “Vad”, which means “to speak”. The word “Vadan” literally means the act of making the musical instrument “speak” or to sound. In this lesson we shall learn about some prominent musical instruments of north Indian classical music. These are mainly used in the concerts. Classification Of Musical Instruments From the ancient texts on music and dance, we get to know that musical instruments can be classified into four main categories namely: Tata Vadya, Avanaddha Vadya, Ghana Vadya and Sushir Vadya.