Boston Symphony Orchestra Concert Programs, Summer, 1996
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Ocn815314626-1971.Pdf
. , . ,J THE REPORT OF THE PRESIDE~'T ~~SS', IDWELL TECHNO LOGI CA L INSTITUTE .J Lowe//. FOR THE A CADErlIC YEAR ~ ... : t ._ . -. .. .. .. '.. : :... .. .. .. .. : " ~ .) .. '. -'. ... .... " ... .. vf1,/E. '-.3 7 8, LfA'I/ L9/r /97~~ 1/ .A~1tJ It is my privilege, in accordance with the provisions of Section 10 of Chapter 407 of the A.cts of 1953, to submit the report of the Lowell Technological Institute for the year 1970-1971. EOOCATIONAt PROGRAHS A total of 8507 men and women are enrolled in the combined programs of the lowell Technological Institute day, evening and summer sessions. Their course work leads to degrees ranging from the Associate to the Bachelor's and at the graduate level through the Doctorate. A. complete breakdown of these figures appears in Appendix II. Undergraduate Courses The Bachelor of Science was offered in seventeen areas in the day div ision. A combined enrollment of 3630, .drawn from twenty-two states of the Union and from thirty-six nations around the world, benefitted. Commonwealth students outnumber those from other states by nearly six to one, while the ratio to tTl's international student body is nearly thirty-to-one. The largest concentration of stUdents is in Business Administration (558,) with Electrical Engineering following closely at (544.) MeQhanical Engineering, Industrial Management and Civil Engi neering are in contention at 254, 242 and 235 respective~. The engineering curricula account for a combined 1319 among Tech under graduates this year; the sciences for 457; the technologies for 178. There were 522 baccalaureate degrees awarded between September last and June. Gradua te School A. -
Carlisle Public Schools
Carlisle Public Schools The Carlisle Public School and the Carlisle School Committee worked together in 2016 to provide an excellent educational experience for the children of Carlisle. There were some changes that inevitably occur in an organization, but our mission statement continued to guide all that we do: The mission of the Carlisle Public Schools is to provide a collaborative and caring community in which each student is known, understood, and valued so that students can learn to their fullest potential in a safe, inclusive environment with high expectations and clear standards for all. The School Committee managed the biggest change in the district in 2016 with the hiring of a new superintendent, James F. O’Shea, following the resignation of Dr. Joan Wickman at the end of 2015. Parents, students, and community members were involved in the superintendent search, which was an exhaustive and thorough process, facilitated by the consulting firm of HYA Associates. In addition to the mission statement cited above, the district vision statement provided a yardstick for evaluating candidates for the school’s leadership: The vision of the Carlisle Public Schools is to inspire intellectual and ethical excellence so our students are prepared to participate with integrity in a global community. Mr. O’Shea began his work in Carlisle in August and immediately engaged staff and parents, and in September, met our students. He spent the first months of his tenure learning about the school and about Carlisle through attending both town and school events and meeting citizens and town officials. In other personnel changes, two long- serving teachers, Mimi Chandler and Patricia Comeau, retired after many years of dedicated service. -
Weinzweig Long
John Weinzweig (1913-2006) Born in 1913 to Polish-Jewish immigrants, John Weinzweig became a noted Canadian composer, educator and advocate. He began music study at the age of 14, learning mandolin at the Workmen’s Circle Peretz School, a Jewish community school in North Toronto. During his high school years at Harbord Collegiate, Weinzweig joined the orchestra playing the violin parts on the mandolin but eventually learned the tuba, tenor saxophone, and bass. Weinzweig’s early musical training led to an interest in composition and he spent between 1934-37 studying at the University of Toronto with Healy Willan, Leo Smith, and Sir Ernest McMillan. During his time at the University of Toronto Weinzweig founded and conducted the University of Toronto Symphony Orchestra. Following the completion of his education in Toronto, Weinzweig moved to Rochester, NY to study with Howard Hanson at the Eastman School of Music. There he was first introduced to serial compositional techniques. Upon his return to Toronto, Weinzweig experimented with serialism in his Piano Suite no. 1 (1939) and in incidental music for docudrama radio programming at the growing CBC. For the remainder of his career, Weinzweig continued to use serialism as the governing structure behind his compositions even when he experimented with other musical ideas. Following a decade long tenure at the CBC (1941-51), Weinzweig’s compositional interests returned to concert music. He began composition of his Divertimenti, with Divertimento no. 1 winning an award for chamber music at the 1948 Olympics. Works such as String Quartet no. 1 and Suite for Piano no. -
18423 Cmp.Pdf
® GRAN TEATRE DEL LICEU LA PROEZARougeDE UNA LARGA DURACiÓNMagnéticLIGERA COMO UNA PLUMA Ei o u <Ú Ei o u 1 Temporada 1998-99 CONSORCI DEL GRAN TEATRE DEL LICEU GENERALITAT DE CATALUNYA AJUNTAME T DE BARCELO A Ei MI ISTERIO DE C LTURA o u DIPUTACIÓ DE BARCELO A innova.,tion <Ú lANCOME Ei o --99-- u .§ LANCOME 4£) � PARIS � � ® Die Zauberflote ingspiel n do actos Libreto de Emmanuel chikaneder Música de Wolfgang Amadeu Mozart Teatre Victòria Vierne 11 de 21 núm. -i turno , junio, h., función 1, E Sábado, 12 de junio, 21 h., función núm. -i9 (precio populares) Domingo, 13 de junio, 17 h., función núm. -i2. turno T Martes, 15 de junio, 21 h., función núm. -i3, turno A Miércoles, 16 de junio, 21 h., función núm. 50 (precios populares) Jueves, 17 de junio, 21 h., función núm. -i4, turno B 18 21 45 Vierne , de junio, h., función núm. (precios populares) Sábado, 19 de junio, 21 h., función núm. -i6, turno e Domingo, 20 de junio, 17 h., función núm. 47 (precios populares) Martes, 22 de junio, 21 h., función núm. -i8, turno D I Indice 9 Reparto 10 Resumen argumental 32 Papageno en el centro del universo de la Zauberflote 50 Eclecticismo y unidad en La flauta màuica 72 Biografías 95 Grabaciones 103 Cronología liceísta 107 Próximas funcione ® Die Zauberfl óte ara 1 ro Harry Peeters Kon (an tin Corny (día 12, 16,18 Y 20 le junio) Tamino Jo ep Bros Claude Pia (día 12.16. 18 �. 20 ci junio) Orador Robert Holzer Sacerdotes Cristóbal Viñas, Vicenç Esteve l adrid Reina de la Noche Cyndia Sieden Milagros Poblador (día 12. -
1983: Improvements Have Been Made to Schools, Water Projects, Recreation Facilities, Elderly Housing, and Highway Department Buildings
THE COVER To the Citizens of West Newbury: Pictured on the cover are the subjects of several projects under taken or completed during 1983: improvements have been made to schools, water projects, recreation facilities, elderly housing, and highway department buildings. These efforts reflect the cooperative and productive environment which existed among departments and town committees in 1983. Broad based committees with representatives from our schools, the Board of Selectmen, Finance Committee, and interested towns people have undertaken reviews of school facilities. Major ex terior repairs have been defined for the Page School. Now educa tional programs are being assessed in terms of renovations to the Page and Central Schools. The town may be asked this spring to place all our elementary educational programs in the Page School. 1983 also marked the completion of the new water tank, pumping station and meter pit by the Water Department. A new long-term contract for water has been agreed to in principle with Newbury port, at reduced rates for West Newbury citizens. In the foreground of the picture are two professional quality horse rings and a new Highway Department salt shed. The horse rings were built with a lot of help by the Riding and Driving Club. We now have outstanding equistrian facilities which are used by townspeople and are rented to groups to help pay for further improvements to the area. The salt shed was built with a grant from the Commonwealth and will help pnotect the environ ment and highway department equipment. The Mill Pond Committee is working hard with the help of several townspeople and the Merrimack Valley Planning Commission to clean up the pond. -
PROKOFIEV Hannu Lintu Piano Concertos Nos
Olli Mustonen Finnish Radio Symphony Orchestra PROKOFIEV Hannu Lintu Piano Concertos Nos. 2 & 5 SERGEI PROKOFIEV (1891–1953) Piano Concerto No. 2 in G minor, Op. 16 33:55 1 I Andantino 11:57 2 II Scherzo. Vivace 2:59 3 III Intermezzo. Allegro moderato 7:04 4 IV Finale. Allegro tempestoso 11:55 Piano Concerto No. 5 in G major, Op. 55 23:43 5 I Allegro con brio 5:15 6 II Moderato ben accentuato 4:02 7 III Toccata. Allegro con fuoco 1:58 8 IV Larghetto 6:27 9 V Vivo 6:01 OLLI MUSTONEN, piano Finnish Radio Symphony Orchestra HANNU LINTU, conductor 3 Prokofiev Piano Concertos Nos. 2 and 5 Honestly frank, or just plain rude? Prokofiev was renowned for his uncompromisingly direct behaviour. On one occasion he berated a famous singer saying – within the hearing of her many admirers – that she understood nothing of his music. Seeing her eyes brim, he mercilessly sharpened his tongue and humiliated her still further: ‘All of you women take refuge in tears instead of listening to what one has to say and learning how to correct your faults.’ One of Prokofiev’s long-suffering friends in France, fellow Russian émigré Nicolas Nabokov, sought to explain the composer’s boorishness by saying ‘Prokofiev, by nature, cannot tell a lie. He cannot even say the most conventional lie, such as “This is a charming piece”, when he believes the piece has no charm. […] On the contrary he would say exactly what he thought of it and discuss at great length its faults and its qualities and give valuable suggestions as to how to improve the piece.’ Nabokov said that for anyone with the resilience to withstand Prokofiev’s gruff manner and biting sarcasm he was an invaluable friend. -
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I UCM NEW MUSIC f~ST VAL 2011: 0 D ANl;)NEW - / I . \ 1 ~011 SOCIETY OF COMPOS5RS, 11\lc. REGION VI CONFERENCE ,-A I I , , I ' , I ' ~ ~ ~ ~' ' I NIVERSllTY OF CENTRAt MISSOURI /,) I I DEPARTMENT O~MlJSl6 APRIL 8-10, 20 1 ' J UCM New Music Festival 2011: OLD AND NEW 2011 Society of Composers, Inc. Region VI Conference Festival Featured Guest Artists: ATHENS SAXOPHONE QUARTET KCCONTINUUM April 8-10, 2011 University of Central Missouri College of Arts, Humanities, and Social Sciences Department of Music An All-Steinway School Festival at a Glance Alf concerts will be held in Hart Recital Half Friday, April 8 Saturday, April 9 Sunday, April 11, 2010 8AM: Papers I (Utt 008) 8AM: Papers Ill (Utt 100) 8AM: Papers V (Utt 100) 10AM: Concert I 10AM: Concert IV 10AM: Concert VII 1PM: Papers II (Utt 107) 1 PM: Papers IV (Utt 100) 1 PM: Papers VI (Utt 100) 3PM: Concert II 3PM: Concert V 3PM: Concert VII 8PM: Concert Ill KCContinuum 8PM: Concert IX 8PM: Concert VI Athens Saxophone Quartet UNNERSI1Y OF CENTRAL MISSOURJ - - DEPARTMENTOF - MUS!C _5CI - Est. 1871- AN A LL-STEINWAY SCHOOL ;ociety of Composers, Inc. UCM New Music Festival 2011: OLD AND NEW April 8-10, 2011 U niversity of Central Missouri College of Arts, Humanities, and Social Sciences Department of Music TABLE OF CONTENTS Welcome from the Chair ... ....... .. ..... ...... .. .. ...... ...... ................. ........... .......... ........ ....... ................. ... ......... 1 UCM Department of Music Faculty . ...... ....... ........ .. .... ...... ...................... ....... -
Diszkográfia Az Első Kötethez
© Typotex Kiadó Diszkográfia az első kötethez Janet Baker: Full Circle Her last year in Opera Gluck: Alceste. The Royal Opera Covent Garden Donizetti: Stuart Maria. English National Opera Gluck: Orfeo ed Euridice. Glyndebourne Festival Opera Felvétel: 1992 Warner, NVC ARTS, 2006, DVD 50-51011-4855-2-7 Beethoven: Fidelio Waltraud Meier, Plácido Domingo, Falk Stuckmann, René Pape, Soile Isokoski, Werner Güra, Kwangchul Youn Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin Vezényel: Daniel Barenboim Felvétel: Groβer Sendesaal, Berlin, May/June 1999 Teldec, 1999, 2 CD 3984-25249-2 Beethoven: Fidelio Dietrich Fischer-Dieskau, Hans Sotin, René Kollo, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Adolf Dallapozza, Karl Terkal, Alfred Sramek Wiener Staatsoperchor, Wiener Philharmoniker Vezényel: Leonard Bernstein Felvétel: Wien, Musikverein, Groβer Saal, 2/1978 Deutsche Grammophon, 1978, 2 CD 419 438-2 Beethoven: Fidelio Leonie Rysanek, Judith Blegen, Jon Vickers, Walter Berry, Giorgio Tozzi, Murray Dickie, John Macurdy, Leo Goeke, Robert Goodloe Orchestra e coro dell’Opera di San Francisco Vezényel: Karl Böhm Élő felvétel: 29. 11. 1968, San Francisco Melodram, 1990, 2 CD 27086 Beethoven: Fidelio Michael Schade, Elizabeth Norberg-Schulz, Matthias Hölle, Deborah Voigt, www.interkonyv.hu © Fodor Géza jogutóda © Typotex Kiadó 248 • Mi szól a lemezen? Günter von Kannen, Andreas Schulist, Wielfried Vorwol, Ben Heppner, Thomas Quasthoff Symphonieorchester und Chor des Bayerischen Rundfunks, Bavarian Radio Symphony Orchestra and Chorus -
11 NOVEMBER WEDNESDAY SERIES 5 Helsinki Music Centre at 19
11 NOVEMBER WEDNESDAY SERIES 5 Helsinki Music Centre at 19 Olli Mustonen, piano Sergei Prokofiev: Piano Sonata No. 5 in C Major, Op. 38 15 min (original version) I Allegro tranquillo II Andantino III Un poco allegretto Sergei Prokofiev: Piano Sonata No. 8 in B-flat Major, 29 min Op. 84 I Andante dolce II Andante sognando III Vivace INTERVAL 20 min Sergei Prokofiev: Piano Sonata No. 1 in F Minor, Op. 1 8 min Allegro Sergei Prokofiev: Piano Sonata No. 3 in A Minor, Op. 28 7 min Allegro tempestoso Sergei Prokofiev: Piano Sonata No. 7 in B-flat Major, 18 min Op. 83 I Allegro inquieto II Andante caloroso III Precipitato Interval at about 19.55. The concert ends at about 21.10. Broadcast live on Yle Radio 1 and online at yle.fi/rso. 1 SERGEI PROKOFIEV The sonata begins with an Allegro tempestoso (“tempestuous”) that (1891–1953): PIANO charges along like the cavalry; such ac- SONATAS tion-packed Allegros would in fact be- come one of Prokofiev’s trademarks in As a student in the early years of last his works for the piano. The elegant century, Sergei Prokofiev composed a second theme (Moderato) makes only a host of piano sonatas, some of which fleeting appearance before the march- survived after subsequent revision. His like Allegro comes storming back. The Piano Sonata No. 1 dates from 1909 second time round, the lyrical second and was based on a sonata he had theme has increasingly ethereal aspira- sketched during the family’s summer tions and works up to a splendid dra- vacation in Sontsovka a couple of years matic climax. -
Handel's Harp
HANDEL’S HARP MAXINE EILANDER SEATTLE BAROQUE ORCHESTRA STEPHEN STUBBS CYNDIA SIEDEN SOPRANO e t r o p a L n i t r a M : o t o h P ACD2 2541 ATM A Classique GEORGE FRIDERIC HANDEL (1685-1759) MAXINE EILANDER HARPE BAROQUE | BAROQUE HARP CYNDIA SIEDEN SOPRANO THE SEATTLE BAROQUE ORCHESTRA INGRID MATTHEWS PREMIER VIOLON | CONCERTMISTRESS STEPHEN STUBBS DIRECTION ET LUTH | CONDUCTOR AND LUTE 1 | “Praise the Lord with cheerful noise” Esther [ 5:50 ] SEATTLE BAROQUE ORCHESTRA SOPRANO , CORDES ET HARPE SOLO | SOPRANO STRINGS , AND HARP SOLO PREMIERS VIOLONS | FIRST VIOLINS : 2 | Symphony Saul [ 2:57 ] Ingrid Matthews, James Garlick, Courtney Kuroda SOLO DE HARPE | HARP SOLO DEUXIÈMES VIOLONS | SECOND VIOLINS : Concerto pour harpe en si bémol majeur | Harp Concerto in Bb Alexander’s Feast [ 12:00 ] Tekla Cunningham, Steve Creswell, Olga G. Hauptman CORDES , DEUX FLÛTES À BEC ET HARPE SOLO | STRINGS , TWO RECORDERS , HARP SOLO 3 | Allegro moderato [ 6:06 ] 4 | Larghetto [ 3:30 ] 5 | Allegro moderato [ 2:24 ] ALTOS | VIOLAS : Margriet Tindemans, Steve Creswell, Ruth Sereque 6 | “Tune your harps to cheerful strains” Esther [ 4:10 ] SOPRANO , CORDES EN PIZZICATO , HAUTBOIS ET HARPE | SOPRANO , PIZZICATO STRINGS , OBOE , HARP VIOLONCELLES | CELLOS : Nathan Whittacker, Karen Fardal, Page Smith 7 | Sinfonia &“V’adoro pupille” Giulio Cesare [ 6:16 ] FLÛTES | FLUTES : SOPRANO , CORDES AVEC SOURDINE , VIOLE DE GAMBE , THÉORBE , HARPE , HAUTBOIS ET BASSON SOPRANO , STRINGS WITH SORDINI , VIOLA DA GAMBA , THEORBO , HARP , OBOE , BASSOON Courtney Westcott, Janet See FLÛTES TRAVERSIÈRES | RECORDERS : 8 | “Lascia ch’io pianga” Rinaldo [ 4:00 ] Vicki Boeckman, Sand Dalton SOLO DE HARPE | HARP SOLO [ARR . -
Schizophonia — Issue 124, 1 August 2018
C L A S S I C A L M U S I C D A I L Y Schizophonia — Issue 124, 1 August 2018 SPONSORED FEATURE — 'MY LIFE ON EARTH & ELSEWHERE' A P Virag: It is a sad fact that in Canada far too few of its people know the name R Murray Schafer and far more know hockey players and certain pop singers better left unmentioned. In this autobiography Schafer recollects his life, his work, his personal responses to literature, people and nature — the last most especially in its sounding form, for Schafer is above all a composer. And sadly, he recalls the people who either stood in his way, maltreated him or behaved in unprofessional fashion. Depending on your character (optimist or pessimist), you will read this as a pean to creativity or a litany of uncalled-for struggles. Both views are correct: one way, and the other. Schafer wrote a novel entitled Wolftracks, which can be read either from the first right hand page to the end or from the last left hand page to the front. The tale is an 'ouroboros' and circles forever. But both 'sides' are present. My Life on Earth & Elsewhere by R Murray Schafer The negative experiences might give a certain dramatic 2012, The Porcupine's Quill, 280pp, ISBN 9780889843523 fervour (how could they have done that?), but it is probably better to focus upon the good. Further, when it is a matter of Schafer's creativity, there is so much to be amazed at. Surprisingly, Schafer retains the usual pattern of autobiographies: from beginning until now. -
Press Release
Press Release Polish Premiere of Baltic Sea Youth Philharmonic’s ‘Baltic Sea Voyage’ programme at the Warsaw Philharmonic Concert Hall, 26 March 2015, 7.30 pm • Under the baton of Kristjan Järvi at the 19th Ludwig van Beethoven Easter Festival • BYP LAB from 22-25 March 2015 at the Krzysztof Penderecki Center for Music in Krakow Berlin, 23 March 2015. Baltic Sea Youth Philharmonic (BYP) returns to Poland to perform for the first time at the Ludwig van Beethoven Easter Festival, on Thursday 26 March at the prestigious concert hall, the Filharmonia Narodowa. Following on from its exhilarating debut at the Warsaw Philharmonic in 2014, BYP will now give the Polish premiere of its electrifying concert programme, Baltic Sea Voyage, under the baton of Founding Conductor and Music Director, Kristjan Järvi. The programme celebrates the rich and diverse musical landscape of the entire region, giving audiences the chance to discover the sounds of the countries bordering the Baltic Sea. Another Polish premiere will be the BYP LAB, the orchestra’s annual innovative educational workshop led by Kristjan Järvi and his team of internationally-renowned coaches. This year BYP LAB takes place at the Krzystzof Penderecki Center for Music in Krakow from 22 to 25 March 2015. Discover the unique sound of the Baltic Sea region Audiences of the Warsaw concert will have the chance to hear music from composers representing every country in the Baltic Sea region: Denmark, Sweden, Norway, Finland, Russia, Estonia, Latvia, Lithuania, Germany, and Poland. The programme of musical features 12 pieces of music, and will take audiences on a journey of discovery across the Baltic Sea.