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H. Res. 1253 in the House of Representatives, U
H. Res. 1253 In the House of Representatives, U. S., December 10, 2020. Whereas Joseph Hayne Rainey was born enslaved on June 21, 1832, in Georgetown, South Carolina; Whereas South Carolina prohibited the education of Black Americans, and instead of a formal education, Joseph H. Rainey learned the barbering trade from his father, Ed- ward Rainey; Whereas Edward Rainey used profits from his work as a bar- ber to buy his and his family’s freedom in the early 1840’s; Whereas Joseph H. Rainey eventually moved with his family to Charleston, South Carolina; Whereas in 1859, Joseph H. Rainey married his wife, Susan, with whom he had three children, Joseph, Herbert, and Olive; Whereas in 1861, Joseph H. Rainey was conscripted by the Confederate Army and worked as a ship’s steward aboard a Confederate vessel which secretly carried goods to the Union Navy; Whereas during the Civil War, in 1862, Joseph H. Rainey and his wife and family escaped to Bermuda, a British colony that had abolished slavery in 1834, where he un- 2 dertook successful entrepreneurial endeavors with his wife; Whereas in 1866 Joseph Rainey and his family moved back to Charleston, South Carolina after the Civil War had ended; Whereas Joseph H. Rainey co-founded the state Republican Party and represented Georgetown, South Carolina on the Party’s central committee; Whereas Joseph H. Rainey participated in the South Caro- lina State constitutional convention in 1868; Whereas Joseph H. Rainey won election to the House of Rep- resentatives in 1870 and was the first African American to serve in the House of Representatives; Whereas Joseph H. -
Contemporary Folk Week, July 24-30, 2016
36 24-30 Contemporary Folk Week celebrates our 25th Anniversary with a world-class staff of returning artist/instructors including our first Master Music Maker, folk legend Tom Paxton and the timeless artistry of Janis Ian. We’re honored to also welcome back favorites from last year and previous years including Grammy-winners Kathy Mattea, Jon Vezner, and Don Henry, folk stalwarts Ellis Paul, Cliff Eberhardt and Amy Speace, vocal coaches Siobhan Quinn and Danny Ellis, and music theory guru Ray Chesna. We welcome an exciting new addition to this year’s staff in one of the leading lights in today’s contemporary folk scene, the wonderful Mary Gauthier. Drawing on tradition and innovation, our instructors bring a world of practical and imaginative experience to help you create and perform the music that makes your heart sing. Whether you’re trying out material at a local ‘open mike’, a performer with some experience, a working musician looking for some help in reaching your next goal, or someone who would simply like to feel more confident pulling that guitar out in front of others, we’re here to help, and our foundations are support, fun, and community. Our top-notch staff, knowledgeable in the various aspects of both the art and business of contemporary acoustic music, can help you achieve your goals. In addition, our limited enrollment and small campus encourage community-building at its best – frequent and informal interaction between students and staff, all doing our utmost to ensure that you go home energized and empowered to make the most of your music in hands-on and meaningful ways. -
H.Doc. 108-224 Black Americans in Congress 1870-2007
“The Negroes’ Temporary Farewell” JIM CROW AND THE EXCLUSION OF AFRICAN AMERICANS FROM CONGRESS, 1887–1929 On December 5, 1887, for the first time in almost two decades, Congress convened without an African-American Member. “All the men who stood up in awkward squads to be sworn in on Monday had white faces,” noted a correspondent for the Philadelphia Record of the Members who took the oath of office on the House Floor. “The negro is not only out of Congress, he is practically out of politics.”1 Though three black men served in the next Congress (51st, 1889–1891), the number of African Americans serving on Capitol Hill diminished significantly as the congressional focus on racial equality faded. Only five African Americans were elected to the House in the next decade: Henry Cheatham and George White of North Carolina, Thomas Miller and George Murray of South Carolina, and John M. Langston of Virginia. But despite their isolation, these men sought to represent the interests of all African Americans. Like their predecessors, they confronted violent and contested elections, difficulty procuring desirable committee assignments, and an inability to pass their legislative initiatives. Moreover, these black Members faced further impediments in the form of legalized segregation and disfranchisement, general disinterest in progressive racial legislation, and the increasing power of southern conservatives in Congress. John M. Langston took his seat in Congress after contesting the election results in his district. One of the first African Americans in the nation elected to public office, he was clerk of the Brownhelm (Ohio) Townshipn i 1855. -
Joseph Rainey 150Th Anniversary Exhibition Timeline
Joseph Rainey, between 1860 and 1875 Image courtesy of the Library of Congress Born into slavery in 1832, Joseph Rainey was the first African American to serve in the U.S. House of Representatives, the first African American to preside over the House, and the longest-serving African American during Reconstruction. When Rainey was a child in the 1840s, his father bought the family’s freedom, and they settled in Charleston, South Carolina. EXHIBITION TIMELINE During the Civil War, Rainey escaped to Bermuda, where he had a profitable barbershop. He dove into politics immediately when he returned to South Carolina in 1866. Rainey was sworn in as a Member of Congress on December 12, 1870, and represented his South Carolina district for eight years. He argued for federal protection from Ku Klux Klan violence and demanded legislation to ensure African Joseph Rainey, 2004 Americans’ civil rights. history.house.gov @USHouseHistory Collection of the U.S. House of Representatives Joseph Rainey: 150th Anniversary commemorates the South Carolina Member’s swearing-in on December 12, 1870, when he became the first African American to serve in the House of Representatives. The exhibition explores the impact of Rainey and the African-American Representatives who followed in his footsteps, overcoming barriers raised by the legacy of slavery and the rise of Jim Crow. It is located in the first floor House Connecting Corridor of the U.S. Capitol. 1964–1965 1865–1877 Congress passes the The Civil War’s end ushers in Civil Rights Act of 1964, Reconstruction, the federal guaranteeing equal access 1969 government’s 12-year effort to public accommodations to establish rights for African and schools, and barring Shirley Chisholm is sworn Americans and return employment discrimination. -
Mack Studies
DOCUMENT RESUME ED 381 472 SO 024 893 AUTHOR Botsch, Carol Sears; And Others TITLE African-Americans and the Palmetto State. INSTITUTION South Carolina State Dept. of Education, Columbia. PUB DATE 94 NOTE 246p. PUB TYPE Guides Non-Classroom Use (055) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS Area Studies; *Black Culture; *Black History; Blacks; *Mack Studies; Cultural Context; Ethnic Studies; Grade 8; Junior High Schools; Local History; Resource Materials; Social Environment' *Social History; Social Studies; State Curriculum Guides; State Government; *State History IDENTIFIERS *African Americans; South Carolina ABSTRACT This book is part of a series of materials and aids for instruction in black history produced by the State Department of Education in compliance with the Education Improvement Act of 1984. It is designed for use by eighth grade teachers of South Carolina history as a supplement to aid in the instruction of cultural, political, and economic contributions of African-Americans to South Carolina History. Teachers and students studying the history of the state are provided information about a part of the citizenry that has been excluded historically. The book can also be used as a resource for Social Studies, English and Elementary Education. The volume's contents include:(1) "Passage";(2) "The Creation of Early South Carolina"; (3) "Resistance to Enslavement";(4) "Free African-Americans in Early South Carolina";(5) "Early African-American Arts";(6) "The Civil War";(7) "Reconstruction"; (8) "Life After Reconstruction";(9) "Religion"; (10) "Literature"; (11) "Music, Dance and the Performing Arts";(12) "Visual Arts and Crafts";(13) "Military Service";(14) "Civil Rights"; (15) "African-Americans and South Carolina Today"; and (16) "Conclusion: What is South Carolina?" Appendices contain lists of African-American state senators and congressmen. -
MY SATURDAY NIGHT at the GRAND OLE OPRY by Wayne Hogan Herald•Citizen, Cookeville, TN Sunday, 9 December 2012, Pg
MY SATURDAY NIGHT AT THE GRAND OLE OPRY By Wayne Hogan Herald•Citizen, Cookeville, TN Sunday, 9 December 2012, pg. C•4 ‘Writer’s Corner’ Editor’s note: This was originally written by Hogan in 1993. They call it the “Grand Ole Opry.” That’s what former newspaper reporter George D. Hay, its inventor, named it not long after the first group of performers had stood before their open mikes that first Saturday night and had their down•home music and vaudeville•comic routines beamed out over Nashville’s WSM•650 “clear•channel” radio to nearly all of America, way back in 1925. Nineteen hundred and twenty five. The year Nashville’s venerable Grand Ole Opry was born. It’s hardly missed a heartbeat since. Almost since its first moments, the Grand Ole Opry has been Mecca to the millions who’ve, over the years, come to Nashville to savor the finest in “country” music. It was not till a few short years ago, through, that I became one of those “savorers.” For a long time, I hated “country music” (which, as I’m sure you know, has been called “hillbilly music” much of its life and mine). Could barely stand to think of it, much less listen to it. Well, to make what could easily be a longer story shorter, Susan and I’d often talked about getting a couple of tickets and driving the 80 miles to Nashville some Saturday night to experience this “Grand Ole Opry” thing in person. See if it was all that our mind’s eye image had it cracked up to be. -
Documenting Racially Restrictive C
LibertyCon2021 May Event: Documenting Racially Restrictive C... Sat, 5/22 2:32PM • 1:57:33 SUMMARY KEYWORDS covenants, dc, deeds, neighborhood, white, restrictive covenants, mara, bloomingdale, property, african americans, lived, racial, research, black, called, city, housing, records, started, home SPEAKERS Mara Cherkasky, Paul Stewart, Maryliz Stewart, Deb Vincent Evans, David Hockfelder Paul Stewart 30:57 Oh, yeah welcome to Freedom con 2021 The 19th annual public history conference organized by underground railroad Education Center. This year our theme is freedom road the struggle for justice continues and we're glad that you could join us today. The purpose of underground railroad Education Center is to research and preserve the local and national history of the Underground Railroad movement, its international connections its legacy for today's social justice issues, seeking to empower people of all ages to be agents of change toward an equitable society, and just society. Yeah. Maryliz Stewart 31:40 And as Paul Stewart, so aptly reminds us in our ever increasing polarized society. The Underground Railroad movement of the 19th century, and its abolition activists and freedom seekers challenge us to publicly reflect and act upon the legacy of the institution of enslavement and the legacy of the Underground Railroad in our contemporary times, we always like to take this opportunity to publicly thank our sponsors who stepped up to the plate for us to help make all make this programming possible our sponsors this year includes Stephen and Diane O'Connor, Christina Cummings, Erie Canal a national heritage corridor, Albany steel capital line, Mayor Kathy Sheehan, Roger green Trinity Alliance mag Car Insurance Agency, that'll have neighbors for peace. -
Guitar Week, July 24-30, 2016 7:30- 8:30 Breakfast
JULY 3 - AUGUST 6, 2016 AT WARREN WILSON COLLEGE, ASHEVILLE, NC The Swannanoa Gathering Warren Wilson College, PO Box 9000, Asheville, NC 28815-9000 phone/fax: (828) 298-3434 email: [email protected] • website: www.swangathering.com shipping address: The Swannanoa Gathering, 701 Warren Wilson Rd., Swannanoa, NC 28778 For college admission information contact: [email protected] or 1-800-934-3536 WARREN WILSON COLLEGE CLASS INFORMATION President Dr. Steven L. Solnick The workshops take place at various sites around the Warren Wilson Vice President and Dean of the College Dr. Paula Garrett campus and environs, (contact: [email protected] or 1-800-934-3536 Vice President for Administration and Finance Stephanie Owens for college admission information) including classrooms, Kittredge Theatre, our Vice President of Advancement K. Johnson Bowles Bryson Gym dancehall and campus Pavilion, the campus gardens and patios, Vice President for Enrollment and Marketing Janelle Holmboe Dean of Student Life Paul Perrine and our own jam session tents. Each year we offer over 150 classes. Students are Dean of Service Learning Cathy Kramer free to create their own curriculum from any of the classes in any programs offered Dean of Work Ian Robertson for each week. Students may list a class choice and an alternate for each of our scheduled class periods, but concentration on two, or perhaps three classes is THE SWANNANOA GATHERING strongly recommended, and class selections are required for registration. We ask that you be thoughtful in making your selections, since we will consider Director Jim Magill them to be binding choices for which we will reserve you space. -
R 24, L94l> THECASHBOX
r 24, l94l> Whiting For PtiK*" Smith's Show When Jack Smith's CBS program returns to the air in •he fall, Margaret Whiting will THE CASH BOX be featured with Smith on Mondays and Fridays. Dinah Shore will continue on the other three nights. Smith, now in Europe on vaca- tion with his wife and Mr. and Mrs. Frank DeVol, also said the show would be televised. "Don't Cry, Joe" (3*9) Whiting was, until a fe,wijionths back, featured on the "Cjffe 1 5" "Perhaps, Perhaps, Perhaps" (3:04) stanza. She replaces Martrjj^TilK GORDON JENKINS ORCH. with Smith. Before launching tin program August 22, Margaret (Decca 24720) will fly east for an "in person' tour of several weeks. The Smith- • The super b m U81CB1 mioiv.., Whiting- Shore show will again be maestrc Jenk ns, hard to match at sponsored by Oxydol. any time iplendor on this ft Cry, Joe" am i°"P crha s, Per- haps •ails the NEWEST TEAM to parlay their l> deck, k duty that is talents on records finds Maggie Hollywood, Calif. f talk'in the disk biz. Whiting, just bock from Tennes- Variety imping tune, with see, making duets with Bing f lyrics. On the other (C!r. D. 6.832) Crosby's uncle, Robert Hope, and rnd^'Von^'Bavaar steps to the mike to i,non the pleasure of "lVrhaps. the fun they're having revolves Musn- ops and fans alike are sure to around the shamroclted sweatshirt SEP U 1943 «, for this couplin! ite a spot worn by Billy May, who con- ssssss^sssss^i««»^ssssssia^e^s^sssssss» v v v in an\ machine. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title The Fantasy and Fear of Chernobyl's Ruins Permalink https://escholarship.org/uc/item/3jd7815h Author Rotfeld, Masha Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE The Fantasy and Fear of Chernobyl’s Ruins A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Masha Rotfeld June 2012 Thesis Committee: Dr. Patricia Morton, Chairperson Dr. Susan Laxton Dr. Elizabeth Kotz Copyright by Masha Rotfeld 2012 The Thesis of Masha Rotfeld is approved: ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ Committee Chairperson University of California, Riverside ACKNOWLEDGMENTS My first acknowledgment is to my mother, Marina Kibrik, who instilled in me an unfaltering penchant for art and history and the curiosity that accompanies such learning. For the inspiration and encouragement they gave me as role models and mentors in the subsequent stage of my education, I would like to thank my undergraduate professors, Dr. Andrea Pappas and Dr. Blake de Maria. I feel deeply grateful to my advisor Dr. Patricia Morton for her guidance, patience, and endless insight. I would also like to recognize the two members of my thesis committee, Dr. Susan Laxton, and Dr. Elizabeth Kotz. I am grateful to my committee for choosing to share with me their keen knowledge of photography, architecture, and critical theory. Additionally, I would like to acknowledge several other faculty members in UCR’s History of Art department: Dr. Françoise Forster-Hahn for her course-altering thesis advice, Professor Erika Suderberg for her enlightening associations about war and memory in Eastern Europe, and Dr. -
1982-07-17 Kerrville Folk Festival and JJW Birthday Bash Page 48
BB049GREENLYMONT3O MARLk3 MONTY GREENLY 0 3 I! uc Y NEWSPAPER 374 0 E: L. M LONG RE ACH CA 9 0807 ewh m $3 A Billboard PublicationDilisoar The International Newsweekly Of Music & Home Entertainment July 17, 1982 (U.S.) AFTER `GOOD' JUNE AC Formats Hurting On AM Dial Holiday Sales Give Latest Arbitron Ratings Underscore FM Penetration By DOUGLAS E. HALL Billboard in the analysis of Arbitron AM cannot get off the ground, stuck o Retailers A Boost data, characterizes KXOK as "being with a 1.1, down from 1.6 in the win- in ter and 1.3 a year ago. ABC has suc- By IRV LICHTMAN NEW YORK -Adult contempo- battered" by its FM competitors formats are becoming as vul- AC. He notes that with each passing cessfully propped up its adult con- NEW YORK -Retailers were while prerecorded cassettes contin- rary on the AM dial as were top book, the age point at which listen - temporary WLS -AM by giving the generally encouraged by July 4 ued to gain a greater share of sales, nerable the same waveband a ership breaks from AM to FM is ris- FM like call letters and simulcasting weekend business, many declaring it according to dealers surveyed. 40 stations on few years ago, judging by the latest ing. As this once hit stations with the maximum the FCC allows. The maintained an upward sales trend Business was up a modest 2% or spring Arbitrons for Chicago, De- teen listeners, it's now hurting those result: WLS -AM is up to 4.8 from evident over the past month or so. -
NOVEMBER 12, 2007 ARTIST VARIOUS TITLE Country Style USA
SHIPPING DATE: OKTOBER 29, 2007 (estimated) STREET DATE: NOVEMBER 12, 2007 ARTIST VARIOUS TITLE Country Style U.S.A. Season 1 LABEL Bear Family Records CATALOG # BVD 20111 PRICE-CODE AT EAN-CODE 4000127 201119 ISBN-CODE 978-3-89916-348-3 FORMAT DVD digipac with 28-page booklet, b/w, NTSC, Multiregion GENRE Country TRACKS 91 PLAYING TIME 13 shows at 15 min. each (approx.) SALES NOTES COUNTRY STYLE USA The greatest repository of classic late 1950s and early 1960s country music on film. Ever! Around 1956-'57, the United States Armed Services filmed a series of recruitment videos with the top country stars of the day. Unseen for decades, these films capture the all-time greatest Nashville stars of the day singing many of their greatest hits. These are classic 'live' performances that represent the only chance that most of us will ever have of seeing these giants of country music at the very top of their game. Many fans have only ever dreamed of being in Nashville during the 1950s and seeing this parade of top stars. Now that dream is a reality. They're performing 'live' in your living room. The picture and sound quality is crystal clear, and there are mini-biographies and rare photos to round out the experience. Here are some of the many, many artists featured in this series: TRACK LISTING Host: Charlie Applewhite 1. Jim Reeves Stay All Night, Stay A Little Longer Waiting For A Train Am I losing You Army Recruiting Spot June Webb It's Too Late When Love Dies Jim Reeves According To My Heart Stay All Night, Stay A Little Longer 2.