DOCSLIB.ORG

Waiter Hampden

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Waiter Hampden FEB. 29, 1936 THE INDIANAPOLIS TIMES PAGE 11 'MODERN TIMES' HAILED AS FUNNIEST FILM SINCE CHAPLIN'S LAST Derby, Cane, Federal Players Prepare for Their Presentation of 'Clarence' Laurel and Hardy Sparkle Shoes--Not a in One of Their Best; Thing's Lost Lyric Stage Show Tops,Too Hii. & fXMM . • 'mmm? JlwlP ' US iaMi. .... ¦¦ SB iWBiaMKKSaHHiIMBliiKMBalMBWMi ’hkFvHl.‘W3H K . t ' s&k . ns®* ''’ -Ww mßmEHUsmr'> Paulette Goddard, Newest BBBL TSB S jsBBBBbb .Jam a BP . lz K-7gsssK< ¦¦¦¦ W&el 4 Hi “The Bohemian Girl” Gives Pair Ample Room for Their Heroine, Wins Cheers Antics and They Produce; “Revue Continental” of Reporter. Contains Excellent Talent. BY JOHN W. THOMPSON Stan Laurel stages one of the funniest scenes we have ever seen on & t He hasn't changed a bit. Derby, r m§L Hal k Si f I the screen in “The Bohemian Girl,” in which he is starred with Oliver I If Jp . im**w < m y/|T|lk IB mustache, cane and shoes, they're Hardy at the Lyric this week. ¦V-. % J| Laurel and Hardy, playing a couple of gypsies in the film, have all there in Times,’’ which 9 m- ft .JmF' “Modern i'mL fit f fmm Ms cooked up a barrel of grape wine. Hardy leaves, telling Laurel to bottle la,. Is just about the funnies thing aMUrMr 11 ¦ it. So Laurel runs a rubber hose from the barrel to the table and starts seen “City running he one ¦we've since Lights,’’ the * #lf hl the siphon. With the hose fills after another of the ¦ ~ last Charlie Chaplin film. empties. i The one big improvement in this But he can’t stop the flownig wine, picture is Paulette Goddard. Mr. so he sticks the hose in his mouth. Titled Film Adviser Chaplin's new leading lady, a After fillingseveral bottles and him- sprightly brunet, who bolsters the self, you can imagine the rest. falternig plot with pantomime al- The picture o fers the boys ample No Longer a 'Valet' is their most as artistic as Charlie’s. room for their antics. It By United Press Unlike mast of the screen’s new- best full length feature, with plenty Feb. 29.—Viscount est 1.—A for HOLLYWOOD. “finds” Miss Goddard can’t tap tense moment in a recent of the opera’s music thrown in De Kergoet no longer is a "Varlet.” dance, doesn’t exhibit any striking found asleep in a pile of dry goods. rehearsal of the Federal Players’ relief. Little Darla Hood looks like The French nobleman, technical coiffures, and he goes to Antonio looks just as attrac- Again jail. production of Booth Tarkington’s another Shirley Temple, adviser to a film studio, today dis- tive in rags as she The girl gets WHERE, WHAT, WHEN for the first time in does in ermine. a job as a case danc- Cyrano 1000 Times! Hampden to Moreno is seen closed that for a time he had been APOLLO shows Paul Rouse, Hal The story gets er and when Charlie “Clarence” many months, Jacqueline Wells off to a running is released he, “Ceiling and •a butler because of reduced circum- start too, Zero.”* with Jimmy Cag- Hawkes and Betty Brown, with Charlie as a factory is given a job in the case, as a ney, Pat O'Brien. Stuart Erwin and Anne makes a good beginning as the he- stances and used the name of "Var- worker given the hectic job of tight- singing waiter. His waiting is con- June Travis, at 11:40, 1:38, 3:36, 5:34, concentrating their lines. The roine. 7:32 and 9:30. Reach That Goal at Tour's End on let.” ening numberless on demned by the manager, but he is The story a princess, bolts a mov- CIRCLE play will be given at Keith's for concerns The Viscount six months ago ing track. The monotony gets given a chance as a singer. “Rose with Nelson Eddy by a band of gypsies. Aft- him Marie.” a week starting Monday. kidnaped found himself and strand- and he goes berserk. He is This is the scene which introduces and Jeanette MacDonald at 11, 1:15, er 12 years she finds her father. Left penniless sent to 3.25, 5:30, 7:40 and 9:55. in California. In des- a. hospital and recovers. Chaplin's voice to the screen for the Famed Thespian to Appear at English Theater Next 2. Old-timer Charles Berkell, by her original kidnaper, she is fos- ed Southern INDIANA peration he wrote himself a letter first time. He sings, not words, but ’’ well known stock producer, now tered by Laurel and Hardy, mem- Aha, the Red Leader! “Klondike Annie. with Mae West of that unintelligible sounds, in a skit which and Victor McLaglcn. at 11:50, 1:50, Saturday Afternoon and Evening. bers of the band who give up the recommendation saying 3:50, 5:50, 7:50 and 9:50. directing the Federal group, points Rene Varlet was a butler Out again, he picks up a is the best in the show. gypsy business. capable red LOEW’S When Walter Hampden made his first revival of Edmond Rostand’s out a change in the script to his and “Viscount De Ker- ilag dropped off a truck. A success, he and the girl face signed it Unwit- “Modetn Times.” with Charlie “Cryano de Bergerac,” in which he is to appear at English’s Saturday assistant, Excellent Talent in Show in hand, he becomes happiness together. Then comes Chaplin, at 11. 12:50, 2:43, 4:36, Ricca Scott Titus. goet.” the 8:16, afternoon and evening, March 7, it was necessary for him to lease a job with leader of a striking band of work- the juvenile officers to claim the 6:56. and 10:05. 3—Judging from the expressions Again little Leon Miller, who The letter got him a a LYRIC theater in New York. family in and ers He goes to girl. of Betty Anne wealthy Pasadena Jail. “The Bohemian Girl.” with laurel It was in November, 1923, that he Brown and Alice looks like Eddie Cantor and dances for several months he was a butler Not knowing exactly what is hap- Fundamentals Are Same and Hardy, at 11:25, 2:15, 5:15, 8:05, 10:46. opened his first performance of Arnold, “Clarence” is something adroitly, leads A. B. Marcus’ “Re- Finally he obtained the pening, Charlie thwarts a jail have a New York playhouse of his there. In an old-fashioned chase, Charlie “Continental Revue” on stage. A. "Cyrano,” and he played until the of a comedy. on With studio position and disclosed his break, gets a comfortable cell, with B. Marcus show with Ha Cha San, own was realized when he opened vue Continental” the stage. and next fourth of July. identity. Yadio, soft cushions and a canary, the girl escape, are last seen at 12:56, 3:46, 6:46 and 9:36. Hampden’s Theater with a revival lavish sets, and many girls, this OHIO The success of this offering was es a reward. Happy again, he is shuffling down a iong road, the fa- of “Hamlet,” in which Ethel Barry- show also contains excellent talent. miliar “Annie Oakley,” with Barbara unprecedented in the history of suddenly pardoned. His pleas to Chaplin figure siihouetted Stanwyck, at 10:30, 1:33, 4:25. 7:21, more was seen with him. the Knight sisters, a romantic drama in York, ex- Hose There are ’LI VIR. AVE. be allowed to remain jail go against the early morning sun. 10:17. Also “The Pavoff” with James New This was followed by “Merchant Hunters jM 111 in un- Dunn, at 12:30, 3:22, 6:18, ceeding the run of Constant duo adagio team with something iSulaUlauU dr. 800 wanted. He goes to work All the old tricks of the Chaplin and 9:14. of Venice,” again with Miss Barry- in a Couquelin’s original production of If this isn’t true, you can sue new in their line; Harold Boyd the shipyard, launches the trade are in “Modem Times.” It mor. In the following autumn, came vessel before “Cyrano” in Paris and Richard Clark (call him Nimrod) anemic little comedian, and his Jig it is completed gets is better produced, perfection of the picture’s panto- his production of ‘Caponsacchi,” and fired. better filmed Mansfield in New York. Gable: He tells about tramping Saws, in spotty comedy. Lee Se- Then he girl, than its predecessors, mime, still an entertaining art. ran 272 performances. meets the a street but the The following autumn Mr. Hamp- which for back from a fruitless hunting christ is back again with his ac- Ramin, who steals rather than fundamentals are the some. With Miss Goddard, his most Mr. Hampden then turned from of yet, den in “Cryano” toured the prin- trip and meeting a couple cordion. starve. She has just “lifted” a Pie-tossing, brick-throwing, oil- pleasant heroine Mr. Chaplin is the tragic and romantic to realis- with loaf still master of all surveys the cipal Eastern cities, breaking all little boys loaded down Ben McAtee is the chief comic Picture with fj^ cf bread for her hungry squirting, these and other ludicrous he in tic comedy, appearing as Dr. Stock- rabbits. no no sisters. realm of this of records in theaters in which he ap- They had dogs, with the revue, with Sharon De- Charles tries to take the incidents add to the hilarity of the brand comedy. man in Ibsen’s “An Enemy of the gun, I PENNER OAKIE blame for “Modern peared.
Load more

Recommended publications
  • The Films of Raoul Walsh, Part 1
    Contents Screen Valentines: Great Movie Romances Screen Valentines: Great Movie Romances .......... 2 February 7–March 20 Vivien Leigh 100th ......................................... 4 30th Anniversary! 60th Anniversary! Burt Lancaster, Part 1 ...................................... 5 In time for Valentine's Day, and continuing into March, 70mm Print! JOURNEY TO ITALY [Viaggio In Italia] Play Ball! Hollywood and the AFI Silver offers a selection of great movie romances from STARMAN Fri, Feb 21, 7:15; Sat, Feb 22, 1:00; Wed, Feb 26, 9:15 across the decades, from 1930s screwball comedy to Fri, Mar 7, 9:45; Wed, Mar 12, 9:15 British couple Ingrid Bergman and George Sanders see their American Pastime ........................................... 8 the quirky rom-coms of today. This year’s lineup is bigger Jeff Bridges earned a Best Actor Oscar nomination for his portrayal of an Courtesy of RKO Pictures strained marriage come undone on a trip to Naples to dispose Action! The Films of Raoul Walsh, Part 1 .......... 10 than ever, including a trio of screwball comedies from alien from outer space who adopts the human form of Karen Allen’s recently of Sanders’ deceased uncle’s estate. But after threatening each Courtesy of Hollywood Pictures the magical movie year of 1939, celebrating their 75th Raoul Peck Retrospective ............................... 12 deceased husband in this beguiling, romantic sci-fi from genre innovator John other with divorce and separating for most of the trip, the two anniversaries this year. Carpenter. His starship shot down by U.S. air defenses over Wisconsin, are surprised to find their union rekindled and their spirits moved Festival of New Spanish Cinema ....................
    [Show full text]
  • September 17, 1937 (4.325Mb)
    OFFICIAL PAPER THE SPECTRUM Of Student Body of the North dedicates this issue. Dakota Agricultural College HE SPECTRUM to the class of '41 FRESHMAN ORIENTATION ISSUE VOLUME LIII. STATE COLLEGE STATION, NORTH DAKOTA, li'RIDAY, SEPTEMBER 17, 1937. NUMBER 1 SEEK FRESHMAN NEWSMEN Huge Program Any freshman, man or woman, Bison Eleven To Meet Omaha Grid wishing to cultivate a talent for news writing, to contribute weekly Mapped Out For to the sports, society, or editorial columns, or to apply for a job on the Stars Tonight In First Conference it Freshman Days advertising staff will be welcomed at the Spectrum office on the lower floor of Science Hall at any time Battle Of 1937-38 Football Season Five Big Days of Orientation convenient to them next Monday, Include Lectures, Drives, Tuesday, or Wednesday. The sec- Dinner and Dance ondary purpose of this college pub- Bison Are Strong Favorites lication is to give any or all stu- This Year; Gossip Says dents to acquaint themselves with The class of '41, most of the mem- Omaha Is Weak the problems, the experience, and bers of which invaded the campus the fun of journalism. For edi- Once again the thundering herd last night, will be lectured, feted, fed open torial positions see George Putz, and their quest for a conference title against and entertained beginning this morn- for busine.s positions see Jim Elwin. Omaha University. The two teams will ing, by the college administration and cooperating agencies in an elaborate clash together tonight under the lights of the AC field. Although the Bison five-day program of orientation de- signed to welcome, forewarn and ad- NOTICE TO BANDMEIN were the underdogs in the opener just them to the four years of college There will be a band rehearsal against Omaha last year they rank as strong favorites to win tonight's game.
    [Show full text]
  • September-0Ctober 2013
    september-0ctober 2013 On September 10, 1988, Museum of the As we enter our 25th anniversary year, I while doing the rounds through the Moving Image opened its doors to the can tell you that it has been a thrilling ride galleries, and then repair a video arcade public. At the time, years before the for the Museum, at least as action-packed game. He was a true professional, but will promise of the Internet and digital media as The Great Train Robbery. We have be best remembered as a great husband, were captured in the now-quaint phrase transformed and expanded over the years father, and friend, and he will be missed. “Information Superhighway,” the idea of a to serve a growing audience and to offer an We will pay tribute to Richie on October Museum, built on an historic site for movie increasingly ambitious slate of exhibitions, 4 at an event to mark the opening of a production, that would take a unified view screenings, and education programs. wonderful photo exhibit, The Booth, about of the disparate worlds of film, television, Our film programs range from the best projectionists and their workspaces. and video games, seemed as audacious as of classic Hollywood—as in our complete it was unprecedented. There was, simply, Howard Hawks retrospective—to the best Richie was a great showman; more than no museum like it in the world. It was an of contemporary world cinema—as in our anything at the Museum, he was obsessed innovative blend of a science museum, focus on the great French director Claire with making sure that we put on the best an art museum, a technology museum, Denis.
    [Show full text]
  • Silhouettes of Stars, Players, and Directors of Warner Bros. Pictures
    library! THE MUSEUM 0F MODERN ART j Received: Scanned from the collection of The Museum of Modern Art Library Coordinated by the Media History Digital Library www.mediahistoryproject.org Funded by a donation from John McElwee Digitized by the Internet Archive in 2014 https://archive.org/details/silhouettesofstaOOunse I : SILHOUETTES Of Stars, Players, and Directors Of WARNER BROS. PICTURES, INC. LIBRARY THS MUSEUM OF MODERN ART Received: From in ?2 WARNER BROS. PICTURES, INC. jT* 321 West 44th Street New York City PRINTED IN U.S.A. FL >l 5-3 FOREWORD This unpretentious volume contains a wealth of material in bio- graphical form covering all important stars, players, and directors of Warner Bros. Pictures, Inc. It should be invaluable to the motion picture editor, or to anyone doing editorial work pertaining to motion pictures. This volume went to press in October, 1937. All data, therefore, is up-to-date, and most of it is accurate for several months to come. You will note that the end of each biography contains the list of pictures the player has been featured in. It is suggested that you — the editor — may keep each biography up to the minute as to performances by adding each new picture a star is cast in, as you receive a new announcement. TABLE OF CONTENTS How It All Began 1 Nagel, Anne 125 STARS AND PLAYERS O'Brien, Pat 127 O'Connell, Hugh 130 Acuff, Eddie 8 Oliver, Gordon 132 Aherne, Brian 9 O'Neill, Henry 134 Baker, Kenny 12 Perry, Linda 136 Blondell, Joan 16 Powell, Dick 138 Blondell, Gloria 20 Purcell, Dick 141 Bogart, Humphrey
    [Show full text]
  • November, 1935 Central Edition
    November, 1935 Central Edition k ARMISTICE MURAL PANEL BY EUGENE SAVAGE ELKS NATIONAL MEMORIAL BUILDING CHICAGO, ILL. i What Is Good Taste? And mellow as a lute note That's the kind Old Overholt Good rye whiskey Straight rye whiskey is ... Should taste of good rye Has been for 125 years Should remind you And it's back again now When you sip it Bottled in bond Of tall stalks 4'/^ years old Heavy with sun-plump kernels And as gracious to the palate Nodding in the breeze As barreled Nature Should be extra rich A corking drink to uncork! In body too Robust in flavor Deep in color Grainy in bouquet h- m R«r. V.S.Vtu (jS. BOTTLED IN BOND UNDER U. S. GOVERNMENT SUPERVtSION , A. Ovechoh BiCo.. inc.. BrOsd Ford. Pa. A GOOD GUIDE TO GOOD WHISKCyJ November, 1935 The 7§UfSt AmMUiiQ. SHAKESPEARE 8MiqiCMt ivetOffe^tcd! Yes, Only 98c—in full and with no further pay ments—for this beautiful volume of Shakespeare's Complete Works! And you don't even have to send I the 98c now! Unless you are fully convinced that this is the biggest book bargain you have ever seen after reading the book for 7 days at our risk, you may return it. Just mailing the coupon below will bring your copy at once. But send it NOW—because this offer has never been made before and may never be made again! COMPLETE—Every Word He Ever Wrote IM , Now, in one single volume is the world's marvelous knowledge of language and supreme literature—very word Shakespeare psychology will make you a better ever wrote.
    [Show full text]
  • Stranded (1935 Film) Ð​ктьор Ñ​пиÑ
    Stranded (1935 film) ÐÐ​ ºÑ‚ьор ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (Cast) Henry O'Neill https://bg.listvote.com/lists/film/actors/henry-o%27neill-461949/movies Leo White https://bg.listvote.com/lists/film/actors/leo-white-1383202/movies Robert Barrat https://bg.listvote.com/lists/film/actors/robert-barrat-556990/movies Wilfred Lucas https://bg.listvote.com/lists/film/actors/wilfred-lucas-2477748/movies Spencer https://bg.listvote.com/lists/film/actors/spencer-charters-3493013/movies Charters Barton MacLane https://bg.listvote.com/lists/film/actors/barton-maclane-577621/movies Frankie Darro https://bg.listvote.com/lists/film/actors/frankie-darro-1445069/movies John Wray https://bg.listvote.com/lists/film/actors/john-wray-912559/movies Mary Forbes https://bg.listvote.com/lists/film/actors/mary-forbes-975586/movies Paul Panzer https://bg.listvote.com/lists/film/actors/paul-panzer-70692/movies William Harrigan https://bg.listvote.com/lists/film/actors/william-harrigan-3568682/movies Donald Woods https://bg.listvote.com/lists/film/actors/donald-woods-1240511/movies George Brent https://bg.listvote.com/lists/film/actors/george-brent-1124735/movies Ann Shoemaker https://bg.listvote.com/lists/film/actors/ann-shoemaker-440054/movies Kay Francis https://bg.listvote.com/lists/film/actors/kay-francis-268110/movies June Travis https://bg.listvote.com/lists/film/actors/june-travis-275799/movies Gavin Gordon https://bg.listvote.com/lists/film/actors/gavin-gordon-3758989/movies Joseph Crehan https://bg.listvote.com/lists/film/actors/joseph-crehan-6282326/movies Niles Welch https://bg.listvote.com/lists/film/actors/niles-welch-7037054/movies Donald Woods https://bg.listvote.com/lists/film/actors/donald-woods-1767387/movies.
    [Show full text]
  • Ath001 Chronology of Limerick Athenaeum 2.Pdf
    Introduction The Limerick Athenaeum is comprised of two separate buildings at Upper Cecil Street Limerick. The original building, which now houses the Limerick Vocational Educational Committee [LVEC], was built as the offices of the Commissioners of St. Michael’s Parish in 1833. It was, in effect, the Town Hall of Georgian Limerick. The second building, the Athenaeum Hall was built by the Limerick Athenaeum as a Lecture Theatre in 1855. 1833 MINUTES OF St MICHAEL'S PARISH COMMISSIONERS [Source: From original manuscripts at the Limerick Archives] April 19th 1833: At a meeting of the above, with William White in the Chair, it was resolved that the proposal of John Stokes end Michael Guerin to build the new Parish Offices be accepted, for the sum of'£ 1,070 sterling. The contractors have to expend £300 before they get any money from the Board. Nicholas Hannon is appointed superintendent. Report in the Limerick Chronicle of the 20th April 1833: "The Commissioners of St Michael's Parish, yesterday, agreed with Mr Stokes, architect, for the sum of £1,070 to erect premises for a Watch-House, Board-Room etc in Cecil Street, to be accomplished on the 1st January next". Extracts from the Minute Books of the Commissioners of St. Michael's Parish: Page 2: Creagh & Charles McMahon act as guarantors for contractors. Page l7: Letter from John Stokes re £200 payment for building costs. Page 20: Donel Barrington is agent for Earl of Limerick. John Fogerty is awarded £ 3-10-0 for plans of the new building. Page 24: £100 awarded to the builder.
    [Show full text]
  • Author Functions, Auteur Fictions Understanding Authorship in Conglomerate Hollywood Commerce, Culture, and Narrative
    Author Functions, Auteur Fictions Understanding Authorship in Conglomerate Hollywood Commerce, Culture, and Narrative VOLUME II: APPENDICES Thomas James Wardak A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities School of English Literature March 2017 Bibliography ‘2009 WORLDWIDE GROSSES’, Box Office Mojo (n.d.) <http://www.boxofficemojo.com/yearly/chart/?view2=worldwide&yr=2009> [accessed 13 March 2017]. ‘2015 WORLDWIDE GROSSES’, Box Office Mojo (n.d.) <http://www.boxofficemojo.com/yearly/chart/?view2=worldwide&yr=2015> [accessed 13 March 2017]. ‘3D screens—2004 onwards’, UK Cinema association (n.d.) <http://www.cinemauk.org.uk/the- industry/facts-and-figures/uk-cinema-industry-infrastructure/3d-screens/> [accessed 13 March 2017]. ‘ABOUT REDDIT’, Reddit (13 April 2016) <https://web.archive.org/web/20160413011025/https://www.reddit.com/about/> [accessed 13 March 2017]. ‘Box office revenue in North America from 1980 to 2015 (in billion U.S. dollars)’, Statista: The Statistics Portal (2016) <http://www.statista.com/statistics/187069/north-american-box- office-gross-revenue-since-1980/> [accessed 13 March 2017]. ‘Comic Book Sales by Year’, Comichron (n.d.) <http://www.comichron.com/yearlycomicssales.html> [accessed 13 March 2017]. ‘Footfall Breakdown for each Station’, Network Rail (n.d.) <https://web.archive.org/web/20160910230139/https://www.networkrail.co.uk/Footfa llBreakdownForEachStation.pdf> [accessed 13 March 2017]. ‘John Ford’s Young Mr. Lincoln: A collective text by the Editors of Cahiers du Cinéma’, trans. Helen Lackner and Diana Matias, Screen, 13.3 (1972), 5-44. ‘Monthly reach of Empire magazine in the United Kingdom (UK) from October 2012 to September 2015 (in 1,000s)’, Statista: The Statistics Portal (n.d.) <http://www.statista.com/statistics/413664/empire-monthly-reach-uk/> [accessed 13 March 2017].
    [Show full text]
  • The Beast of Yucca Flats
    Apocalypse Later Books by Hal C F Astell Cinematic Hell Huh? An A-Z of Why Classic American Bad Movies Were Made Filmography Series Velvet Glove Cast in Iron: The Films of Tura Satana Festival Series The International Horror & Sci-Fi Film Festival 2012 Apocalypse Later Cinematic Hell Huh? An A-Z of Why Classic American Bad Movies Were Made Apocalypse Later Press Phoenix, AZ Apocalypse Later Cinematic Hell Series Huh? An A-Z of Why Classic American Bad Movies Were Made ISBN-10: 0989461300 ISBN-13: 978-0-9894613-0-6 Apocalypse Later Press catalogue number: ALP001 Reviews by Hal C F Astell These reviews originally appeared, albeit in evolutionary form, at Apocalypse Later http://www.apocalypselaterfilm.com They evolved out of a series of reviews I wrote for Cinema Head Cheese http://cinemaheadcheese.blogspot.com Front cover art by Eric Schock http://www.evilrobo.com All posters and videocassette covers reproduced here are believed to be owned by the studios, producers or distributors of their associated films, or the graphic artists or photographers who originally created them. They are used here in reduced, black and white form in accordance with fair use or dealing laws. Published through CreateSpace https://www.createspace.com Typeset in Gentium http://scripts.sil.org/FontDownloadsGentium Licensed through Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0) http://creativecommons.org/licenses/by-nc-sa/3.0/ Dedication This book is dedicated to three ladies and three gentlemen, all of whom had a hand in its evolution, however inadvertently. Pam Astell, you’ve put up with me longer than anyone else and, in doing so, taught me to read, to write and to think.
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • P-26 Motion Picture Collection Repository: Seaver Center For
    P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings.
    [Show full text]
  • Dancing Lady Robert Z. Leonard M-G-M USA 1933 16Mm 5/6/1972
    Listed Screening Season Title Director Studio Country Year Format runtime Date Notes Dancing Lady Robert Z. Leonard M-G-M USA 1933 16mm 5/6/1972 The first screening ever! 11/25/1972 Per Trib article from 11/23/1972, "our meeting this Saturday will be our last until after the Holidays" Go Into Your Dance Archie Mayo Warner Bros. USA 1935 16mm 1/18/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Sunny Side Up David Butler Fox Film Corp. USA 1929 16mm 1/25/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Shall We Dance Mark Sandrich RKO USA 1937 16mm 2/1/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 You'll Never Get Rich Sidney Lanfield Columbia USA 1941 16mm 2/8/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 - subbed in for A Night at the Opera Stand-In Tay Garnett United Artists USA 1937 16mm 2/15/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 - subbed in for No Man Of Her Own Now And Forever Henry Hathaway Paramount USA 1934 16mm 2/22/1975 per Chuck Schaden's Nostalgia Newsletter 2/1975 Spy Smasher Returns William Witney Republic USA 1942 16mm 3/1/1975 per Chuck Schaden's Nostalgia Newsletter 3/1975 - subbed in for Sing You Sinners White Woman Stuart Walker Paramount USA 1933 16mm 3/8/1975 per Chuck Schaden's Nostalgia Newsletter 1/1975 Broadway Gondolier Lloyd Bacon Warner Bros. USA 1935 16mm 3/15/1975 per Chuck Schaden's Nostalgia Newsletter 4/1975 Argentine Nights Albert S.
    [Show full text]