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Scaricata E Mandata Al Mio SEGUE a PAGINA 32 32 CULTURE | WORLD N.280, Aprile 2011

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Scaricata E Mandata Al Mio SEGUE a PAGINA 32 32 CULTURE | WORLD N.280, Aprile 2011 mensile di informazione e cultura musicale 04|11 ANNO XXVII, n. 280 / aprile 2011 SVIZZERA (CANTON TICINO) CHF 12,90 Piovono ripensamenti Il 23 marzo il Consiglio dei Ministri con un decreto legge ha riportato il sostegno statale allo spettacolo a 428 milioni. Giancarlo Galan è stato nominato Ministro per i beni e le attività culturali, al posto del dimissionario e amareggiato Sandro Bondi. Lo spettacolo italiano non chiude il sipario ANNA BARINA, MAURO MARIANI, ANTONIO TRUDU ALLE PAGINE 3-4-5 ATTUALITÁ concerti opere festival PROFESSIONI formazione lavoro strumenti CULTURE Il triangolo temi libri dischi di Aida 6 CLASSICA Laboratorio Il regista cinematografico Bologna 19 Squilli Ferzan Ozpetek debutta CLASSICA nell’opera di Verdi che apre Intervista a Donatella Pieri, di rivoluzione 31 il Maggio Musicale Fiorentino direttrice del Conservatorio Dai nostri inviati sulle piazze WORLD di Elisabetta Torselli “Martini” tunisine ed egiziane di Andrea Ravagnan di Mark LeVine e Hanene Zbiss Pidò il viennese Il coro che canta Bimestre belcantistico 9 Il mito di Apollo per il direttore italiano, CLASSICA con i gesti 24 Una grande mostra a New York 37 alla Staatsoper Il Coro Mani Bianche CLASSICA celebra il teatro che nel 1934 JAZZ per Bellini e Donizetti della Scuola di Testaccio vide esordire Ella Fitzgerald di Juri Giannini di Amalia Lavinia Rizzo di Silvana Porcu Poste Italiane s.p.a. - spedizione in abbonamento postale - D.L. 353/2003 (conv. in L. 27/02/2004 n.46) art. 1, comma 1, DCB MILANO - n. 4 APRILE 2011 - IN CASO DI MANCATO RECAPITO INVIARE AL CMP DI MILANO ROSERIO PER LA RESTITUZIONE AL MITTENTE, PREVIO PAGAMENTO RESI 2 | sommario 04|11 ATTUALITÀ PROFESSIONI concerti opere festival formazione lavoro strumenti 3-11 CLASSICA 19-26 CLASSICA INCHIESTA: Non è fi nita Laboratorio Bologna di Andrea Ravagnan di Anna Barina, Mauro Mariani, Antonio Trudu Al Conservatorio Martini di Bologna scambi con l’estero e Un sospiro di sollievo dopo il reintergo del Fus: i teatri possibilità di collaborare con le istituzioni musicali cittadine. non chiudono, ma come ridisegnare il nuovo futuro? Parla la direttrice Donatella Pieri Gilda e il gelido Duca di Isabella Maria Dal 12 aprile Rigoletto al Teatro Regio di Torino 27-30 audizioni concorsi corsi Il triangolo di Aida di Elisabetta Torselli Firenze: Ferzan Ozpetek debutta come regista lirico nell’opera che apre il Maggio Le inizitive del Cidim, ovvero l’unione fa la forza di Carlo Lanfossi CULTURE Intervista al presidente Luigi Corbani temi libri dischi Quante vocalità per Oz di Stefano Jacini Fabio Vacchi racconta la sua nuova opera, Lo stesso mare, in scena a Bari dal 18 aprile 31-33 WORLD Un gioco di coppia di Gianluigi Mattietti Armi rivoluzionarie di Mark LeVine e Hanene Zbiss Quartett di Francesconi (da Heiner Müller) alla Scala Ogni rivoluzione, nella storia, ha avuto i suoi cori e i suoi La ricerca di Filidei di Maurizio Corbella rulli di tamburi: nel mondo arabo travolto dalla voglia Il 14 aprile a Pisa la sua opera sull’anarchico Serantini di democrazia le speranze e la rabbia le cantano giovani Il futuro della Mozart di Andrea Ravagnan come l’egiziano Ramy Essam, o i rapper tunisini... Abbado sul podio insieme alla Mahler e alla Argerich L’av venire in concer to di Franco Soda 34-35 CLASSICA Harding inaugura il Festival di Bergamo e Brescia iPhone ovation per l’Orchestra Rai di Susanna Franchi Il viaggio di Belmonte di Mauro Mariani Abu Dhabi: nella città del petrolio, dei grattacieli, del Ferrari Opera di Roma: Vick mette in scena Il Ratto dal serraglio Park, della Gran Moschea Sceicco Zayed, la terza edizione Pidò belcanta di Juri Giannini di Abu Dhabi Classics Il direttore d’orchestra alla Staatsoper di Vienna con Bellini e Donizetti JAZZ Wozzeck a Berlino di Corina Kolbe 36-37 Daniel Barenboim sul podio per i suoi Festtage Chi c’è dietro a Djembé? di Neri Pollastri Mahler Chamber, nata in viaggio di Corina Kolbe Parlano Fosco D’Amelio e Rosaria Parretti, gli autori Il sovrintendente Andreas Richter parla dei prossimi impegni della popolare trasmissione di Rai Radio3, condotta ANTEPRIMA FESTIVAL ESTERO da Stefano Bollani, David Riondino e Mirko Guerrini Otto sorprese scelte nel cartellone di primavera e estate L’Apollo Theater da Ella al rap di Silvana Porcu Sino al 1° maggio la mostra sulla sala di Harlem, NYC JAZZ 12 POP Pinocchio è maggiorenne di Paolo Carradori 38-39 Il circolo jazz fi orentino è un modello di gestione Quando il rock diventò dance di Andrea Pomini Bobby Gillespie dei Primal Scream racconta i vent’anni di Screamadelica 13 POP Come un romanzo di Jacopo Tomatis CLASSICA Le contraddizioni di Nada Malanima, dal nuovo disco Vamp 40-41 allo spettacolo teatrale Musicaromanzo L’autunno di Brahms di Maurizio Giani L’intensa interpretazione di Rossi e Bezziccheri delle Sonate per viola e pianoforte 14 WORLD Banda unita di Daniele Bergesio 42-43 JAZZ Il nuovo spettacolo di Banda Improvvisa per i 150 anni Retrospettiva d’avanguardia di Marcello Lorrai dell’Unità d’Italia La FMP in un cofanetto antologico 15-18 cartellone 44-45 POP Nostalgia di canzoni maiuscole di Jacopo Tomatis Passato e futuro della canzone d’autore la foto di copertina: Opera di Roma: durante il Nabucco diretto da Riccardo Muti i lavoratori lanciano volantini di protesta; 46-47 WORLD qualche giorno dopo il Governo ha ripristinato parzialmente Esotici funk di Jacopo Tomatis i tagli al Fus Vecchio e nuovo vintage dal mondo “il giornale della musica” torna in edicola il 2 maggio. Seguiteci ogni giorno su giornaledellamusica.it mensile di informazione e cultura musicale [email protected] stampa: NUOVA SEBE s.p.a., via Brescia 22, 20063 Cernusco sul Naviglio (MI), tel. 0292104710 direttore responsabile: Enzo Peruccio distribuzione in edicola: Italia: SO.DI.P. Angelo Patuzzi s.p.a., condirettore: Daniele Martino 18 via Bettola 20092 Cinisello Balsamo (MI)‚ tel. 02660301‚ caporedattrice: Susanna Franchi (tel. 0115591804) fax 0266030320; Canton Ticino (Svizzera): S.I.E.S. s.r.l. redazione: Jacopo Tomatis (tel. 0115591842) collaboratori della redazione: Gabriella Zecchinato (cartellone), Stefano Cena (audizioni, concorsi, corsi) il giornale della musica è pubblicato da editor: Stefano Zenni (jazz), Alberto Campo (pop), Marcello Lorrai (world) via Pianezza 17‚ 10149 Torino grafi ca e prepress: Enzo Ciliberti, Ivo Villa tel. 0115591811 fax 0112307035 progetto grafi co: elyron web e IT: Carlo Mario Chierotti (responsabile), Registrazione del Tribunale di Torino: n. 3591 del 2/12/85 Luca Dario Carità, Marco Verlengia Conto corrente postale: n. 17853102 pubblicità: Antonietta Sortino (responsabile, tel. 0115591828); Manuela Menghini (tel. 0115591849) diff usione, abbonamenti e vendite: Eloisa Bianco (tel. 0115591831); numeri arretrati Italia: € 8‚00; Unione Europea: € 12‚00; Paesi extraeuropei: € 16‚00 il giornale della musica è stampato su carta ecologica riciclata naturale; amministrazione: Daniela Armillotta questa carta ha ottenuto dal Ministero produzione: Alberto Capano dell’Ambiente Tedesco il marchio “Angelo Blu” 02|10 ATTUALITÁATTUALITÁ concerti opere festival Un sospiro di sollievo dopo il reintegro del Fus: i teatri non chiudono, Non è finita ma come ridisegnare il nuovo futuro? Il Parlamento “tricolore” nei Vespri siciliani con la regia di Davide Livermore in scena al Teatro Regio di Torino (foto Ramella&Giannese) MAURO MARIANI Si sono fermati sull’orlo del re delusione, perché alle fondazioni lirico-sinfoniche arrivavano solo 15 milioni, quanto serviva a prolungar- baratro. Sembrava che avessero ne per un po’ l’agonia. Per di più, per ottenere questi fi nanziamenti aggiuntivi sarebbe stato necessario rispet- deciso che la cultura era un tare una tale serie di condizioni che alla fi ne ben poche fondazioni avrebbero visto qualcosa, a quanto afferma peso inutile e stavano portando che conosce la diffi cile arte di leggere tra le righe delle leggi italiane. Inoltre alla Scala, all’Arena e all’Orchestra avanti con determinazione e con Sinfonica “Giuseppe Verdi” di Milano andavano 3 mi- precisione scientifi ca un piano lioni ciascuna: e gli altri, quelli che non hanno la for- tuna di appartenere all’area geografi ca cara alla Lega o per azzerare la vita culturale e lo spettacolo italiani. La che, pur appartenendovi, hanno la colpa di avere la loro musica in Italia sembrava condannata a non vedere la sede in una città amministrata dal centro-sinistra, come fi ne del 2011: dalla Scala alla più piccola istituzione con- la Fenice? Pochi giorni dopo il Ministero dell’Economia certistica, tutti avrebbero dovuto fermare la loro attività, annunciava un’altra beffa, il congelamento di 27 milioni per entrare prima in letargo e poi, entro breve tempo, del Fondo Unico per lo Spettacolo, che sarebbero tor- chiudere i battenti. Restavano poche speranze. nati disponibili se e quando si sarebbero verifi cate una Davanti alla musica e a tutta la cultura italiana ago- serie di condizioni riguardanti gli introiti preventivati nizzanti i nostri governanti avevano inscenato per mesi dalla vendita delle frequenze del digitale terrestre (!?). il classico giochino del buono (Gianni Letta, che pro- Questo provvedimento è stato defi nito dai partiti di op- metteva e invitava a stare buoni) e del cattivo (Giulio posizione «un’amara sorpresa, un altro colpo alle risorse Tremonti, che picchiava duro). C’era anche un terzo destinate alla cultura, che è diffi cile da spiegare e ancor incomodo, il Ministro per i beni e le attività culturali più da accettare». Sandro Bondi, ma alla fi ne non c’era più, letteralmente. Poi improvvisamente al Governo hanno cambiato Per due mesi e mezzo nessuno lo ha mai visto nella sede opinione. Possibile che la causa sia la manifestazione del suo dicastero e l’ultimo suo segno di vita è stata la “risorgimentale” alla prima del Nabucco a Roma, con lettera di dimissioni inviata a gennaio, che Berlusconi ha Riccardo Muti che fa sentire dal podio la sua vibrata preso per quel che era, una lettera fantasma di un mini- protesta e poi dirige tutto il pubblico in “Va’ pensie- stro fantasma di un dicastero fantasma: ha fatto come se non esistesse, non accettandola né respingendola.
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