DOCSLIB.ORG

Aca111othe American Writers Congress

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Aca111othe American Writers Congress City University of New York (CUNY) CUNY Academic Works Women's Studies Quarterly Archives and Special Collections 1981 Back Matter The Feminist Press How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/wsq/495 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] READERS' SPEAKOUT Other new projects planned for 1981-82 are CORRECTION (continued from page 3) protests against cuts in NEA funding and a literarv newspaper coedited by Rochelle H. appear in January 1982; and the soon-to-be­ Dubois and Alm1tra David , scheduled to released Words in Our Pocket: The Feminist appear in January 1982. The report on the "First National Conference Writers' Guild Handbook on How to Get If you want to join the organization, write on Women's Studies in India" in our Spring Published and Get Paid, published by Celeste to The Feminist Writers' Guild, PO Box 9396, issue was incorrectly identified as being by West of Booklegger Press, containing thirty­ Berkeley, CA 94709 . If there is a chapter in Florence Howe . This report was actually an six articles on such topics as "Copyright and your area, you will be sent information. If not, excerpt from the official press release of the Contracts,""Third World Women's Writing," you might like to start your own local chapter Conference, with additiona l material incor­ and "Liberating Children's Literature." or be an at-large member. porated from notes written by Maithreyi Last year, the FWG sponsored its first con­ Krishna Raj . Also, we regret that the photo­ test: a "Women of Promise" award in poetry. Rochelle H. Dubois graph on page 2 1 of that issue was improperly Cash prizes were awarded, and the winning Wes~field, New Jersey cropped. poems will be published in Thirteenth Moon, edited by Ellen Marie Bissert, an FWG mem­ ber herself. The second "Women of Promise" award will be in fiction, and news of the con­ Aca111othe test will appear in 1981 FWG newsletters. AmericanWriters congress WHATISSUES WILL THE WRITERS IN AMERICA CONGRESSADDRESS? FACE A CRISIS Government funding cutbacks - Assaults on First Rapidly advancing concentration in the com­ Amendment rights - Interests of writers and pub­ munications industry threatens as never before to lishers : where they converge , where they exclude and silence serious writers who are out of conflict-Cooperative publishing and distribution political or literary fashion. Government support methods - Who gets published/produced , who for the arts is being slashed. Attacks on writers­ doesn't-More , more, more. libel suits, book-bannings, censorship-are in­ WHO WILLCOME? creasing across the country. If you agree that these threats demand an active response, join us at More than 2,000 writers from across the United THE AMERICAN WRITERS CONGRESS­ States. Publishers, editors , other industry repre­ ROOSEVELT HOTEL, NEWYORK - OCTOBER sentatives, and foreign writers will also be invited . 9-12, 1981. THE INVITINGCOMMITTEE WHATWILL THE CONGRESSBE? (in formation) A ma'ssive gathering of writers of all descrip ­ E. L. Doctorow • Doug Ireland• Frances FitzGerald tions: poets, playwrights, novelists, journalists, • Kurt Vonnegut • James Merrill • Ed Bullins • Nat scholars, critics, and the associations, guilds, and Hentoff • John Herseh • Alice Walker • J. Anthony Lukas • John A. Williams • Ishmael Reed • Ring unions that represent them. Lardner • Barbara Grizzuti Harrison • Fred Cook • WHATIS THE GOAL Morris Dickstein • Blair Clark• Studs Terkel • Cal­ OF THECONGRESS? vin 'Il:illin • Roger Wilkins • Nancy Milford • Lois Gould • Ellen Willis • Jessica Mitford • Jane Kramer Connexions presents the Tu help American writers deal individually • Evan Connell • Mary Lee Settle• Staige Blackford• world from a woman's and collectively with bread -and-butter problems, Michael Arlen • Donald Barthelme • Penny Ler­ perspective: as well as the long-range political and economic noux • Alastair Reid • Norman Mailer • Alden trends that threaten the vitality of our written Whitman • N. Scott Momaday • Barbara Garson • culture . David Halberstam • Ron Radosh • Alan Wolfe • •NEWS WHY A "CONGRESS,"NOT Alta • Paul Cowan • Katha Pollitt • Lore MERELYA "CONFERENCE?" Dickstein • Jack Newfield • Albert In­ a ANALYSIS naurato • Nora Sayre• Lucinda Franks• Because at a conference people talk; Cynthia Arnson • A. W. Singham • a INTERVIEWS at a congress, people act. Steve Schlesinger • Jane Lazarre • Dan Wakefield • Justin Kaplan • WHATWILL HAPPEN AT Ann Bernays• R. D. Rosen• Diane THE CONGRESS? McWhorter• Jane HoltzKay •Ell en translated from the Panels- Workshops - Caucuses­ Cantarow • Robert Lekachman • international feminist Hearings - Festivities - A plenary Galen Will iams•CarolMuske •Ben session to consider formal resolu­ Sonnenberg • Douglas Day• Robert press. tions and ways to continue the work of K. Massie • Marcus Raskin • Frank the Congress. Snepp • Patricia Bosworth • Leslie SUBSCRIBE NOW! Epstein • Peter Stone • Arthur Kopit • Annual sub=$10 :,1111111111111111111111111111111111111111111111111111111111111111111111111111._ : THE AMERICANWRITERS CONGRESS : CONNEXIONS/PTS -• D YES, I want to register at the writer 's rate of $2S per Please make checks or money orders payable to The •- 4228 Telegraph Ave. • person (non-writers: $JOO per person) for The American Wnters Congress Send to: The American : American Writers Congress, to be held at The Wnters Congress G.P 0. Box 121S, New York. N.Y 10116. • Oakland, CA, 94609 Roosevelt HoteL October 9-12, 1981.I am reserving , ·: __ places oow. (Non-reserved admission $50 for • (415) 654-6725 writers; $ISOfor oon-writers.) Name__ __ ___ ___ ____ : D I am enclosing an addltlonal $___ to help off- Address : set the cost of The Congress. Contnb ullons are tax- --------- - --- - • $dedu___ ctib le within. legal limits. Total amount enclosed C1ty_______ State __ _ Z1p__ •: o Please send me room rate information for The : Roosevelt Hotel For mformallon call: 212/420-0608 ::; \1-1 - al 111111111111llII11111111111111111111111111111111111111111111111111111111111n: 46 Women's Studies Quarterly 9:3 (Fall 1981) All the Women Are White, All the Blacks Are Men, ut So1ne of Us' AreBrave Political th eory, literary , social and histori­ cal essays, bibliographies, syllabi-here for th e first time are the materials needed to develop cours es and course units on the liv es of black women. Tuskegee Institute , 1906 "Every1hing 1ha1 human beings par1icipale in is uhimalely subjeclive and biased , and 1here is nolhing inherenlly wrong wilh 1ha1. The bias of Black Women 's Studie black women's sludies must consider as primary th e knowl edge tha1 will save black women's lives." -from lhe introduction "Exciting! Affirmations and 1he beginning of a new era, where the 'women' in women's studies will no longer mean 'w hite.' " -Audre Lard e But Som e of Us Are Brave "This is 'necessary bread' for women of all colors. includes not es on studying slavery, repre­ The essays contain nol only fac1 and durabl e resources, but some of the best sentativ e issues in th e social sciences , black wriling I've seen around ." - Adrienne Ri ch wome n 's health , black wo men in hi gher educa tion , black women and th e chur ch, "A clear statement about black women. black women novelists, poets, playwrights Congratulations to th e edi1ors for compiling such a fine and composers, plus th e politics of black inlerdisciplinary volume." -Geraldine K. Brookins , Ph.D., wo men 's studi es, black feminism, racism in Jackson Stat e U.7iversity the women's movement, and much more! But Some of Us Are Brave the pioneering collectio n edi ted by Gloria T. Hull, Patricia Bell Scott, and Barbara Smith will be avai lable in simultan eo us hard and softcover ·editions in November from :c:FEMINIST ____ $ 7.95 pap er ISBN 0-9 I 2670-95-9 tPRESS ____ $14.95 clo1h ISBN 0-912670-92-4 Illu slrated , bib liographi es, index When ordering, please include $1.00 postage /handling for one hardcover or one-two paperback books and 35¢ foreach additional book. 20% discount on examination Back-to-School ~ ~ ~ •.. copies of all Feminist Press titles . for teachers . Please state Institu ­ Bonus for Teachers tion and course title. 1 11 11 Fiction, autobiography , and histor ica l "An impressive and important collection documents - many published here for 11111s 1111 documenting the extent to which women teachers have been makers of history the first time - illuminate th e hist ory of and ac tors on their own behalf . Th is "schoolmarms " from 1830 to 1920, on PIIFESSIII book makes an essential contribution to the frontier , in the South, in cities. voices from the History of Teaching the history of [both] women and teachers ." - Joseph Featherstone, "I like the book a great deal. It is Horvord Gradu ate School of Education a rich assortment of primary sources that give a vivid view of the everyday lives of __ $6.95 paper ISBN 0-912670 -72 -X teachers-a useful corrective to the __ $17.95 cloth ISBN 0-912670 -93-2 rather a b stract quality of much writing NA NCY Illustr ated , bibliography, index on the subject . The introductions are HOFFMA N clear and lively an d sound." ~FEMINIST - David Tyack, St anford University, PRESS auth or of Th e On e Best Sy stem t Box 334, Old Westbury , New York 11568 Nonprofit Organization ~FEMINIST U.S. POSTAGE PAID The Feminist Press t ~~3~.~~ WESTBURY, NEW YORK 11568 New! for Teachers,Counselors, Librarians, and Parents How-to and What for Ages 9-14 20 Complete Lesson Plans Bring The Best 100 Books of Contemporary Women's Studies to the Middle School Fiction for Girls and Boys, Ages 9-14 We all know the statistics: from J 97 4 to 1978 the average The authors of Books for Today's Children now tell how to number of pages on women in standard 500-600 page history pick your way through books for young readers that may in­ texts increased from one to 14.
Load more

Recommended publications
  • Poetics of Prophecy in Paule Marshall's Novels
    J. Basic. Appl. Sci. Res., 1(12)2600-2604, 2011 ISSN 2090-4304 Journal of Basic and Applied © 2011, TextRoad Publication Scientific Research www.textroad.com Poetics of Prophecy in Paule Marshall’s novels Fatemeh Azizmohammadi1 , Hamedreza Kohzadi 2 1,2 Department of English Literature, Arak Branch, Islamic Azad University, Arak, Iran 1 2 E-mails: [email protected], hamedreza_ [email protected] ABSTRACT Paule Marshall believes that the forces of colonialism have deprived both the oppressed and the oppressor of a sense of identity and purpose. In The Chosen Place, The Timeless People, she concentrates on history, culture and myth. She reveals events on a human, historic, and cultural continuum that evokes a time past in time present. This study attempts to examine poetics of prophecy in Paule Marshall’s novels. KEYWORDS: Paule Marshall, poetics of prophecy, Colonialism, Time, Culture, History. INTRODUCTION Then she remembered the two silver bangles she had always worn. She pushed up her coat sleeve and stretched one until it passed over her wrist, and, without turning, hurled it high over her shoulder. The bangle rose behind her, a bit of silver against the moon, then curved swiftly downward and struck a stone. A frail sound in that utter silence (Marshall 1959:255). With these lines concludes Paule Marshall's first novel Brown Girl, Brownstones and we are immediately brought into the world of ontological transmutation of the black woman's existential conditions in America. Selina's symbolic act of tossing the bangle high into the air and abandoning the Chauncey Street tenements and brownstone houses, where she grew up, is in itself a testimony to Marshall's prophetic vision that announced that the black woman in America was no more a mule of the world (Hurston 1938:29) carrying the burden heaped on her back but a radiant female hero.
    [Show full text]
  • Black Women, Educational Philosophies, and Community Service, 1865-1965/ Stephanie Y
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2003 Living legacies : Black women, educational philosophies, and community service, 1865-1965/ Stephanie Y. Evans University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Evans, Stephanie Y., "Living legacies : Black women, educational philosophies, and community service, 1865-1965/" (2003). Doctoral Dissertations 1896 - February 2014. 915. https://scholarworks.umass.edu/dissertations_1/915 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. M UMASS. DATE DUE UNIVERSITY LIBRARY UNIVERSITY OF MASSACHUSETTS AMHERST LIVING LEGACIES: BLACK WOMEN, EDUCATIONAL PHILOSOPHIES, AND COMMUNITY SERVICE, 1865-1965 A Dissertation Presented by STEPHANIE YVETTE EVANS Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2003 Afro-American Studies © Copyright by Stephanie Yvette Evans 2003 All Rights Reserved BLACK WOMEN, EDUCATIONAL PHILOSOHIES, AND COMMUNITY SERVICE, 1865-1964 A Dissertation Presented by STEPHANIE YVETTE EVANS Approved as to style and content by: Jo Bracey Jr., Chair William Strickland,
    [Show full text]
  • <I>Constructing Black Selves: Caribbean American Narratives
    University of Richmond UR Scholarship Repository English Faculty Publications English 2007 Constructing Black Selves: Caribbean American Narratives and the Second Generation by Lisa D. McGill (Book Review) Daryl Cumber Dance University of Richmond, [email protected] Follow this and additional works at: http://scholarship.richmond.edu/english-faculty-publications Part of the African American Studies Commons, American Literature Commons, Caribbean Languages and Societies Commons, Literature in English, Anglophone outside British Isles and North America Commons, and the Literature in English, North America, Ethnic and Cultural Minority Commons Recommended Citation Dance, Daryl Cumber. "Review of Constructing Black Selves: Caribbean American Narratives and the Second Generation by Lisa D. McGill." African American Review 41, no. 4 (2007): 812-14. This Book Review is brought to you for free and open access by the English at UR Scholarship Repository. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. sing second generation Americans Harry Lisa D. McGill. Constmcting Black Selves: UV-^ Belafonte, Paule Marshall, Audre Lorde, Piri Caribbean American Narratives and the Thomas, and the meringue hip hop group Proyecto Second Generation. New York: New York UP, Uno, Lisa D. McGill considers in Constructing Black 2005.327 pp. $50.00. 5^^^^^. Caribbean American Narratives and the Second Reviewed by
    [Show full text]
  • Paule Marshall Short Stories
    2170 / /'''tll Ii MAIt~"AI.I, III I ".\ ) 1(,<) 7 .... which shaded it were leveled years ago to make way for a city housing proj­ by Jamaican poet Edward Braithwaite "a Iruly third world nov<'I," for it <,xplore, 11)(' ect--a stark, graceless warren for the poor. So that now whenever I revisit hidden complexities of Ihe relatiollship hl'lwt'C'1l tite sllPposedly un,lerd('yelopcd that old section of Brooklyn and see these new and ugly forms, I feel nothing. world and the deYdopcd worlds. I might as well be in a strange city. Marshall's first two novels as well as her slories of til<' 19()Os were ahead of their time in that they clearly focused on the variety of black ('om.mlllit ie5, and on black But it is another matter with the people of my past, the faces that in their women, at a time when black cultural nationalism fostered a monolithic view of blacks darkness were myriad reflections of mine. Whenever I encounter them at as urhan African American and male. Although her novels received fine reviews, the funeral or wake, the wedding or christening-those ceremonies by which Marshall did not become well known. While she received many awards, induding a the past reaffirms its hold-my guard drops and memories banished to the Guggenheim fellowship and a National Endowment for the Arts fellowship, she had rear of the mind rush forward to rout the present. I almost become the child difficulty making a living as a writer. During the 1970s she taught creativp writing at again-anxious and angry, disgracefully diffident.
    [Show full text]
  • Toni Cade Bambara
    Toni Cade Bambara Biography Quick Facts * 1939-1995 Toni Cade Bambara, born Miltona Mirkin Cade on March 25, 1939, lived the first ten years of her life in Harlem. Bambara credits the Harlem * African- community as having a significant influence on her writing. She learned American writer, the power of the word from “the speakers on Speaker’s Corner in Har- filmmaker, lem” (Tate 28). She also credits the musicians of the forties and fifties activist, and with giving her “voice and pace and pitch” (Tate 29). While living on feminist 151st Street between Broadway and Amsterdam, Miltona changed her * First published name to “Toni” around kindergarten. The richly diverse population of the fictional work was area contributed much to Bambara’s life lessons. Always willing to “stop Gorilla, My Love and talk,” Bambara “adopted people” to fill the place in her life for rela- tives, especially grandmothers (Deep Sightings 208-209). Although the neighborhood was instrumental in forming an important part of Bambara’s identity, the author says her greatest influence and inspiration was her mother: “My mother had great respect for the life of the mind” (Deep Sightings 212). In a poignant dedication to her mother in The Salt Eaters, Bambara writes: “Mama, Helen Brent Henderson Cade Brehon, who in 1948, having come upon me daydreaming in the middle of the kitchen floor, mopped around me.” In 1959, Toni Cade graduated from Queen’s College with a B.A. in Theater Arts/English. For her first published short story, “Sweet Town,” she received the John Golden Award for fiction.
    [Show full text]
  • American Book Awards 2004
    BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre.
    [Show full text]
  • P R O S P E C T
    PROSPECTUS CHRIS ABANI EDWARD ABBEY ABIGAIL ADAMS HENRY ADAMS JOHN ADAMS LÉONIE ADAMS JANE ADDAMS RENATA ADLER JAMES AGEE CONRAD AIKEN DANIEL ALARCÓN EDWARD ALBEE LOUISA MAY ALCOTT SHERMAN ALEXIE HORATIO ALGER JR. NELSON ALGREN ISABEL ALLENDE DOROTHY ALLISON JULIA ALVAREZ A.R. AMMONS RUDOLFO ANAYA SHERWOOD ANDERSON MAYA ANGELOU JOHN ASHBERY ISAAC ASIMOV JOHN JAMES AUDUBON JOSEPH AUSLANDER PAUL AUSTER MARY AUSTIN JAMES BALDWIN TONI CADE BAMBARA AMIRI BARAKA ANDREA BARRETT JOHN BARTH DONALD BARTHELME WILLIAM BARTRAM KATHARINE LEE BATES L. FRANK BAUM ANN BEATTIE HARRIET BEECHER STOWE SAUL BELLOW AMBROSE BIERCE ELIZABETH BISHOP HAROLD BLOOM JUDY BLUME LOUISE BOGAN JANE BOWLES PAUL BOWLES T. C. BOYLE RAY BRADBURY WILLIAM BRADFORD ANNE BRADSTREET NORMAN BRIDWELL JOSEPH BRODSKY LOUIS BROMFIELD GERALDINE BROOKS GWENDOLYN BROOKS CHARLES BROCKDEN BROWN DEE BROWN MARGARET WISE BROWN STERLING A. BROWN WILLIAM CULLEN BRYANT PEARL S. BUCK EDGAR RICE BURROUGHS WILLIAM S. BURROUGHS OCTAVIA BUTLER ROBERT OLEN BUTLER TRUMAN CAPOTE ERIC CARLE RACHEL CARSON RAYMOND CARVER JOHN CASEY ANA CASTILLO WILLA CATHER MICHAEL CHABON RAYMOND CHANDLER JOHN CHEEVER MARY CHESNUT CHARLES W. CHESNUTT KATE CHOPIN SANDRA CISNEROS BEVERLY CLEARY BILLY COLLINS INA COOLBRITH JAMES FENIMORE COOPER HART CRANE STEPHEN CRANE ROBERT CREELEY VÍCTOR HERNÁNDEZ CRUZ COUNTEE CULLEN E.E. CUMMINGS MICHAEL CUNNINGHAM RICHARD HENRY DANA JR. EDWIDGE DANTICAT REBECCA HARDING DAVIS HAROLD L. DAVIS SAMUEL R. DELANY DON DELILLO TOMIE DEPAOLA PETE DEXTER JUNOT DÍAZ PHILIP K. DICK JAMES DICKEY EMILY DICKINSON JOAN DIDION ANNIE DILLARD W.S. DI PIERO E.L. DOCTOROW IVAN DOIG H.D. (HILDA DOOLITTLE) JOHN DOS PASSOS FREDERICK DOUGLASSOur THEODORE Mission DREISER ALLEN DRURY W.E.B.
    [Show full text]
  • Introduction. Revisiting Slave Narratives II Judith Misrahi Barak
    Introduction. Revisiting Slave Narratives II Judith Misrahi Barak To cite this version: Judith Misrahi Barak. Introduction. Revisiting Slave Narratives II. Revisiting Slave Narratives II, Presses universitaires de la Méditerranée, 478 p., 2007, 978-2-84269-811-9. hal-03051081v2 HAL Id: hal-03051081 https://hal.archives-ouvertes.fr/hal-03051081v2 Submitted on 10 Jun 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. PĹrĂeŊsŇsĂeŊŽ ĹuŠnĹiŠvČeĽrŇsĹiĹtĄaĹiĹrĂeŊŽ ĂdĂe ĎlĄaĞ MĂéĄdĹiĹtĄeĽrĹrĂaŠnĂéĄe — UŢnĂe ĂqĹuĂeŊsĹtĽiĂoŤn? UŢnĞ ŇpĹrĂoĘbĘlĄèŞmĂe? TĂéĚlĄéŊpŘhĂoŤnĂeĽz ĂaĹuĞ 04 99 63 69 23 ĂoŁuĞ 27. i i SĎlĄaŠvČeŊs2 — DĂéŊpĂaĹrĹt ĹiŠmŇpĹrĹiŠmĂeĽrĹiĂe — 2007-9-25 — 10 ŘhĞ 58 — ŇpĂaĂgĄe 1 i i i i i i PĹrĂeŊsŇsĂeŊŽ ĹuŠnĹiŠvČeĽrŇsĹiĹtĄaĹiĹrĂeŊŽ ĂdĂe ĎlĄaĞ MĂéĄdĹiĹtĄeĽrĹrĂaŠnĂéĄe — UŢnĂe ĂqĹuĂeŊsĹtĽiĂoŤn? UŢnĞ ŇpĹrĂoĘbĘlĄèŞmĂe? TĂéĚlĄéŊpŘhĂoŤnĂeĽz ĂaĹuĞ 04 99 63 69 23 ĂoŁuĞ 27. i i SĎlĄaŠvČeŊs2 — DĂéŊpĂaĹrĹt ĹiŠmŇpĹrĹiŠmĂeĽrĹiĂe — 2007-9-25 — 10 ŘhĞ 58 — ŇpĂaĂgĄe 2 i i I address my warmest thanks to Glenn Ligon and his gallery in New York, D'Amelio Terras, for letting me use one of the ten litho- graphs constituting “Runaways”, 1993 ; 39,3 ˆ 29,2 cm ; photogra- pher André Morin ; Collection Frac Champagne-Ardenne, Reims, France. My thanks also go to David Boxer and Christopher Cozier for authorizing the reproduction of their works.
    [Show full text]
  • Caribbean Migration and the Construction of a Black Diaspora Identity in Paule Marshall's BROWN GIRL, BROWNSTONES a Good Deal
    TIMOTHY S. CHIN CaRibbEan MigRATion and THE ConSTRUCTion of A BLACK DiaSpoRA IDENTITY in PauLE MARShaLL’S Brown Girl, Brownstones A good deal of the scholarship currently being done in ethnic and cultural studies, as well as many other fields within the humanities and social sci- ences, attempts to theorize or employ diaspora models and other frameworks that enable transnational analyses.1 This essay is indebted to and builds upon this scholarship by exploring the relevance that diaspora models might have for the way we read Paule Marshall, as well as other writers like her, and African American literature in general. In fact, I would argue that the current emphasis on diasporic frameworks and issues of transnationality not only serves to illuminate aspects of Marshall’s fiction that have not been fully understood or appreciated, but also reaffirms the importance of her work. Spanning nearly four decades and tracing roots, as well as routes, that are African American as well as Caribbean, Marshall’s narratives present an especially ripe opportunity for thinking about how migration and displace- ment, key terms of the diaspora experience, affect the formation of cultural identities in the twentieth century. Although the idea of diaspora is certainly not new, the questions that are currently being asked – about borders and boundaries and their inevitable permeability, about syncretism and hybridity and the necessary “impurity” of cultures and identities, for example – may enable a more adequate assessment of the particular strengths of Marshall’s fiction: its transnational and cross-cultural focus, its representation of migrant and hybrid subjectivities, its figuration of the diaspora as an organizing prin- ciple for Black identity.
    [Show full text]
  • Portraits of Outstanding African American Women. Grades 4-8+
    DOCUMENT RESUME ED 406 274 SO 027 046 AUTHOR Metcalf, Doris Hunter TITLE Portraits of Outstanding African American Women. Grades 4-8+. REPORT NO GA-1548; ISBN-1-56417-717-3 PUB DATE 96 NOTE 99p.; Published by Good Apple, an imprint of Modern Curriculum Press, Simon & Schuster Elementary, 299 Jefferson Road, P.O. Box 480, Parsippany, NJ 07054-0480. AVAILABLE FROM Frank Schaffer Publications, 23740 Hawthorne Blvd., Torrance, CA 90505. PUB TYPE Guides Classroom Use Instructional Materials (For Learner) (051) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS American Studies; Biographies; *Black History; *Blacks; Elementary Education; *Females; Modern History; North Americans; Social Studies; *United States History IDENTIFIERS *African Americans ABSTRACT This resource book provides information and activity sheets on the achievements and contributions of exceptional African American women, past and present. The book contains six sections, thematically organized around the central issue(s) affecting the lives of the women featured. Introductory questions, biographical portraits and skill-building activities for grades 4-8 are included for each individual. "They Spoke from Their Hearts" profiles Toni Morrison, Edith Simpson, Dr. Sarah Garland Jones, Dr. Clarice Reid, Mahalia Jackson, and Katherine Dunham. "They Let Nothing Stand in Their Way" examines the contributions of Bessie Coleman, Mary Fields, Phillis Wheatley, Norma Merrick Sklarek, and Cheryl Miller. "They Broke New Ground" focuses on Ella Fitzgerald, Zora Neale Hurston, Judith Jamison, Lena Horne, and Susan Taylor. "They Did Not Bow to Fear" highlights the work of Tina Turner, Clara Brown, Fannie Lou Hamer, Unita Blackwell, and Yolanda King. "They Stood Up for Other People" chronicles the work of Ida B.
    [Show full text]
  • Paule Marshall’S Coming of Age and the “Third Migration” of African-American Literature
    No. 21 May 2010 Travellin’ woman Joshua Jelly-Schapiro on Paule Marshall’s coming of age and the “third migration” of African-American literature Brooklyn brownstones. Photograph by Drew Spencer At a small book party in a Harlem storefront in the fall of 1959, it would have taken a lot to distract attention from the guest of honour, a striking thirty-year-old woman, eight months pregnant at the time, who was celebrating the publication of her debut novel. The arrival of Langston Hughes, though, certainly did the trick. The party was just getting under way when he appeared in the doorway. His arrival awed everyone — including the writer being feted, whom Hughes had never met before deigning to toast the release of her “somewhat standard coming-of-age story,” as Paule Marshall too modestly describes her first novel today, “about a girl not unlike myself born and raised in a Brooklyn community that was both African-American and West Indian.” Hughes was famously generous to younger writers, and he later arranged for this one to accompany him on a State Department–sponsored tour of Europe. Taking a fond interest in Marshall and her career, he continued, until his death in 1967, to offer her encouragement in the form of postcards penned in his trademark green ink, and regular late-night phone calls entreating her to hurry up and finish her second novel (“I have a book out for every year you’ve been alive!” he’d crow). -1- He wasn’t alone in admiringBrown Girl, Brownstones, a bildungsroman that mines its author’s experience to tell the story of Selina Boyce, a child of immigrant parents from Barbados, whose self-realisation entails transcending the insular mores of her mother’s home and a tight-knit West Indian community in Brooklyn.
    [Show full text]
  • The Norton Anthology Or American Literature
    The Norton Anthology or American Literature SIXTH EDITION Nina Baym, General.(Editor •a SWANLUND CHAIRVAND.CENTER FOR ADVANCED STUDY PROFESSOR ]OF ENGLISH^ JUBILEE PROFESSOR OF LIBERAt'ARTSMiNb SCIENCES UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN VOLUME E American Literature since 1945 W • W • NORTON & COMPANY • New York • London Contents PREFACE TO THE SIXTH EDITION xix ACKNOWLEDGMENTS xxiii American Prose since 1945 Introduction , 1953 Timeline 1964 EUDORAWELTY (1909-2001) 1966 Petrified Man 1967 TENNESSEE WILLIAMS (1911-1983) 1976 A Streetcar Named Desire 1979 JOHN CHEEVER (1912-1982) 2041 The Swimmer 2043 BERNARD MALAMUD (1914-1986) 2051 The Magic Barrel 2052 RALPH ELLISON (1914-1994) 2064 Cadillac Flambe 2065 Invisible Man 2077 Prologue 2077 Chapter I [Battle Royal] 2083 SAUL BELLOW (b. 1915) 2093 Looking for Mr. Green 2095 ARTHUR MILLER (b. 1915) 2109 Death of a Salesman 2111 GRACE PALEY (b. 1922) 2176 A Conversation with My Father 2177 KURT VONNEGUT(b. 1922) 2181 Fates Worse Than Death 2183 JAMES BALDWIN (1924-1987) 2190 Going to Meet the Man 2191 viii / CONTENTS FLANNERY O'CONNOR (1925-1964) 2203 The Life You Save May Be Your Own '2204 Good Country People 2211 URSULA K. LE GUIN (b. 1929) 2225 Schrodinger's Cat 2226 She Unnames Them 2232 PAULE MARSHALL (b. 1929) 2234 Reena 2235 DONALD BARTHELME (1931-1989) 2247 The Balloon 2248 TONI MORRISON (b. 1931) 2252 Recitatif 2253 JOHN UPDIKE (b. 1932) 2267 Separating 2268 PHILIP ROTH (b. 1933) 2276 Defender of the Faith 2278 AMIRI BARAKA (LEROI JONES) (b. 1934) 2299 Dutchman 2301 An Agony. As Now. 2314 A Poem for Willie Best 2315 Will They Cry When You're Gone, You Bet 2320 N.
    [Show full text]