Amos Gitai Biografía
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Production Notes Greg Haddrick, Greg Mclean Nick Forward, Rob Gibson, Jo Rooney, Andy Ryan EXECUTIVE PRODUCERS
A Stan Original Series presents A Screentime, a Banijay Group company, production, in association with Emu Creek Pictures financed with the assistance of Screen Australia and the South Australian Film Corporation Based on the feature films WOLF CREEK written, directed and produced by Greg McLean Adapted for television by Peter Gawler, Greg McLean & Felicity Packard Production Notes Greg Haddrick, Greg McLean Nick Forward, Rob Gibson, Jo Rooney, Andy Ryan EXECUTIVE PRODUCERS Peter Gawler & Elisa Argenzio PRODUCERS Peter Gawler & Felicity Packard SERIES WRITERS Tony Tilse & Greg McLean SERIES DIRECTORS As at 2.3.16 As at 2.3.16 TABLE OF CONTENTS Key Cast Page 3 Production Information Page 4 About Stan. and About Screentime Page 5 Series Synopsis Page 6 Episode Synopses Pages 7 to 12 Select Cast Biographies & Character Descriptors Pages 15 to 33 Key Crew Biographies Pages 36 to 44 Select Production Interviews Pages 46 to 62 2 KEY CAST JOHN JARRATT Mick Taylor LUCY FRY Eve Thorogood DUSTIN CLARE Detective Sergeant Sullivan Hill and in Alphabetical Order EDDIE BAROO Ginger Jurkewitz CAMERON CAULFIELD Ross Thorogood RICHARD CAWTHORNE Kane Jurkewitz JACK CHARLES Uncle Paddy LIANA CORNELL Ann-Marie RHONDDA FINDELTON Deborah ALICIA GARDINER Senior Constable Janine Howard RACHEL HOUSE Ruth FLETCHER HUMPHRYS Jesus (Ben Mitchell) MATT LEVETT Kevin DEBORAH MAILMAN Bernadette JAKE RYAN Johnny the Convict MAYA STANGE Ingrid Thorogood GARY SWEET Jason MIRANDA TAPSELL Constable Fatima Johnson ROBERT TAYLOR Roland Thorogood JESSICA TOVEY Kirsty Hill 3 PRODUCTION INFORMATION Title: WOLF CREEK Format: 6 X 1 Hour Drama Series Logline: Mick Taylor returns to wreak havoc in WOLF CREEK. -
Kulturprogramm 6|2015 Bis 15.7
Kulturprogramm 6|2015 bis 15.7. Architekturausstellung Architectus Omnibus? Ausstellung Ausgestellt werden die ausgewählten 10 Projekte der öffentlichen Ausschreibung Architectus Omnibus? Mo-Do 15-18 Uhr Außerdem wird das Archiv Fresh Latino 2 präsentiert. Fr 12-15 Uhr Instituto Cervantes, Rosenstr. 18-19, 10178 Berlin. Eintritt frei Mo, 1.6. 20:00 Uhr Cine en español Zonazine Dokumentarfi lmreihe - Un sitio donde quedarse Spanien, 2014, R: Marta Arribas & Ana Pérez, 85 Min., OmeU Babylon, Rosa-Luxemburg-Str. 30, Tel.: 030-242 59 69, www.babylonberlin.de Eintritt: Saal 1: 8 €, Saal 2/3: 7 € / für Kursteilnehmer des IC 4 € Do, 4.6. bis Seminar Manual de supervivencia para artistas Sa. 6.6. Das Seminar richtet sich an spanische Künstler und Kulturvermittler, die sich in Deutschland eine neue Existenzgrundlage eröffnen möchten. Instituto Cervantes, Rosenstr. 18-19, 10178 Berlin Auf Spanisch. Eintritt frei. Um Anmeldung wird unter [email protected] gebeten. Mo, 8.6. 20:00 Uhr Cine en español Videokunst & Performance Das „Do it Yourself“ Videoprojekt Spanien, 2009, 2010, 2012, 2014. R: Johanna Speidel, OmeU. Anschließend Live-Performance. Babylon, Rosa-Luxemburg-Str. 30, Tel.: 030-242 59 69, www.babylonberlin.de Eintritt: Saal 1: 8 €, Saal 2/3: 7 € / für Kursteilnehmer des IC 4 € Di, 9.6. 19:30 Uhr Buchpräsentation Von Rügen nach Gernika. Die Männer der Legion Condor Hervorragende Studie über die Legion Condor der Historikerin Stefanie Schüler-Springorum: Krieg und Fliegen. Die Legion Condor im Spanischen Bürgerkrieg wird von der Autorin vorgestellt. Bibliothek, Instituto Cervantes, Rosenstr. 18-19, 10178 Berlin Do, 11.6. 19:30 Uhr Gespräch Lateinamerikanische Reportagen im 21. -
Festival Centerpiece Films
50 Years! Since 1965, the Chicago International Film Festival has brought you thousands of groundbreaking, highly acclaimed and thought-provoking films from around the globe. In 2014, our mission remains the same: to bring Chicago the unique opportunity to see world- class cinema, from new discoveries to international prizewinners, and hear directly from the talented people who’ve brought them to us. This year is no different, with filmmakers from Scandinavia to Mexico and Hollywood to our backyard, joining us for what is Chicago’s most thrilling movie event of the year. And watch out for this year’s festival guests, including Oliver Stone, Isabelle Huppert, Michael Moore, Taylor Hackford, Denys Arcand, Liv Ullmann, Kathleen Turner, Margarethe von Trotta, Krzysztof Zanussi and many others you will be excited to discover. To all of our guests, past, present and future—we thank you for your continued support, excitement, and most importantly, your love for movies! Happy Anniversary to us! Michael Kutza, Founder & Artistic Director When OCTOBEr 9 – 23, 2014 Now in our 50th year, the Chicago International Film Festival is North America’s oldest What competitive international film festival. Where AMC RIVER EaST 21* (322 E. Illinois St.) *unless otherwise noted Easy access via public transportation! CTA Red Line: Grand Ave. station, walk five blocks east to the theater. CTA Buses: #29 (State St. to Navy Pier), #66 (Chicago Red Line to Navy Pier), #65 (Grand Red Line to Navy Pier). For CTA information, visit transitchicago.com or call 1-888-YOUR-CTA. Festival Parking: Discounted parking available at River East Center Self Park (lower level of AMC River East 21, 300 E. -
Centro Studi Pio La Torre
Settimanale di politica, cultura ed economia realizzato dal Centro di Studi e iniziative culturali “Pio La Torre” - Onlus. Anno 8 - Numero 30 - Palermo 28 luglio 2014 ISSN 2036-4865 Ladri di storia La solidarietà siciliana per i migranti Vito Lo Monaco a alcune settimane alcuni immigrati di origine africana europee i movimenti xenofobi e antirazzisti. Problema da non degli ultimi sbarchi sono ospitati nel mio paese natale della sottovalutare considerato che la crisi globalizzata sospinge fascia costiera palermitana, dove frequento la casa la - masse umane sempre più al limite della sopravvivenza. Dsciatami dai genitori, da un’associazione di assistenza locale. Per fortuna, in Italia il movimento xenofobo oggi è ai margini e Quel paese, (tranquillo centro di piccoli produttori agricoli, artigiani, ha una scarsa rappresentanza politica, anche se non sono da commercianti, edili, di piccola borghesia professionale e di pub - prendere sotto gamba le alleanze in Europa della Lega di Sal - blico impiego, tormentato da una storica presenza di mafia, su - vini con la Le Pen e di Grillo con il Farage. bordinata alle famiglie mafiose della provincia, ma sempre Siamo in un Paese nel quale l’emigrazione, visti i dati statistici contrastata da un movimento antimafia seppur minoritario), scopre degli ultimi anni, ha superato l’immigrazione. Esportiamo cer - improvvisamente la paura dei “neri”. velli che trovano affermazione professionale all’estero e impor - La stessa comunità che non ha mai manifestato elementi di raz - tiamo giovani laureati stranieri per lavori poco qualificati. L’Italia, zismo, moderata,quasi conformista, cattolica praticante, disponi - anche per questo motivo, è diventata poco appetibile. In tempo bile alla solidarietà e alla carità, quando comincia a vedere nelle di crisi il modello vincente è stato la delocalizzazione e condi - sue stradine alcuni giovani immigrati, tra l’altro laureati o con altro zioni meno favorevoli e paghe più misere per i lavoratori. -
Un Film De Amos Gitai
Agav Films présente Tsili Un film deAmos Gitai Adapté du roman d’Aharon Appelfeld AGAV FILMS présente “TSILI” un film deAmos GITAI avec Sarah ADLER, Meshi OLINSKI, Adam TSEKHMAN, Andrey KASHKAR, Yelena YARLOVA scénario Amos GITAI, Marie José SANSELME assistant réalisateur Adi HALFIN image Giora BEJACH décors Andrey CHERNEKOV son Tulli CHEN montage image Yuval ORR, Isabelle INGOLD musique Alexei KOCHETKOV, Amit KOTCHANSKY montage son Alex CLAUD producteurs exécutifs Gadi LEVY, Pavel DOUVIDZON producteurs Laurent TRUCHOT, Michael TAPUACH, Yuri KRESTINSKY, Denis FREYD, Amos GITAI producteurs associés Carlo HINTERMANN, Gerardo PANICHI, Luca VENITUCCI, Anton CHERENKOV, Anna SHALASHINA, Sam TSEKHMAN, Leon EDERY, Moshe EDERY coproduction AGAV Films, ARCHIPEL35, TRIKITA Entertainment, HAMON Hafakot, CITRULLO International Avec le support de ISRAEL FILM FUND, RUSSIAN CINEMA FUND distribution EPICENTRE FILMS (écriture blanc pour fond foncé) (écriture noire pour fond clair) (noir et blanc) (couleurs) AGAV FILMS présente Tsili Un film deAmos Gitai Adapté du roman d’Aharon Appelfeld Avec Sarah Adler, Meshi Olinski, Adam Tsekhman, Lea Koenig, Andrey Kashkar, Yelena Yaralova, Alexey Kochetkov 2014 - Israël / France / Italie / Russie - 88 min - Num - Couleur - 1.85 - Son 5.1 - Visa 135 578 Sortie nationale le 12 aout 2015 Matériel presse disponible sur www.epicentrefilms.com Distribution Presse EPICENTRE FILMS Florence Narozny Daniel Chabannes 6, place de la Madeleine 75008 Paris 55 rue de la Mare 75020 Paris Tél : 01 40 13 98 09 Tél. 01 43 49 03 03 [email protected] [email protected] SYNOPSIS Inspiré du roman d’Aharon Appelfeld, le film retrace l’histoire de Tsili, une jeune fille prise dans les affres de la Seconde Guerre Mondiale. -
The Reluctant Fundamentalist
Mongrel Media Presents The Reluctant Fundamentalist A film by Mira Nair (128 min., USA, 2012) Language: English and Urdu Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html SYNOPSIS 2011, Lahore. At a café a Pakistani man named Changez (Riz Ahmed) tells Bobby (Liev Schreiber), an American journalist, about his experiences in the United States. Roll back ten years, and we find a younger Changez fresh from Princeton, seeking his fortune on Wall Street. The American Dream seems well within his grasp, complete with a smart and gorgeous artist girlfriend, Erica (Kate Hudson). But when the Twin Towers are attacked, a cultural divide slowly begins to crack open between Changez and Erica. Changez’s dream soon begins to slip into nightmare: he is transformed from a well-educated, upwardly mobile businessman to a scapegoat and perceived enemy. Taking us through the culturally rich and beguiling worlds of New York, Lahore and Istanbul, The Reluctant Fundamentalist is a story about conflicting ideologies where perception and suspicion have the power to determine life or death. A MULTI-LAYERED VISION “Looks can be deceiving.” Changez Khan “An Indian director making a film about a Pakistani man. That’s not an easy thing to do,” says novelist and co-screenwriter Mohsin Hamid of The Reluctant Fundamentalist, the new film from award-winning filmmaker Mira Nair, based on Hamid’s acclaimed novel of the same name. -
4 > 16 OCTOBRE 2017
28e ÉDITION FESTIVAL DU FILM ARABE DE FAMECK VAL DE FENSCH 4 > 16 OCTOBRE 2017 Organisé par : SOMMAIRE 03 –> Éditoriaux 38 –> TABLES RONDES 06 –> Les films du 28e Festival du Film Arabe 08 –> Le Président du Grand Jury Slimane Dazi 39 –> EXPOSITIONS 09 –> Invité d’honneur : Fellag 40 –> MÉDIATHÈQUE 10 –> Invité d’honneur : Mohamed Lakhdar-Hamina 11 –> Rencontres avec le cinéma : Place à l’Algérie 40 –> SUR PLACE 12 –> Les jurys 14 –> Les invités 40 –> CINÉ POUR LES SCOLAIRES LONGS MÉTRAGES EN COMPÉTITION 41 –> CINÉ POUR LES PETITS ET LES FAMILLES 15 –> Algérie du possible 42 –> DÉCENTRALISATIONS CINÉMA 15 –> À mon âge, je me cache encore pour fumer 16 –> Corps étranger 43 –> L’ÉQUIPE DU FESTIVAL / LES PARTENAIRES 16 –> En attendant les hirondelles 17 –> Fleur d’Alep 44 –> CONTACTS 17 –> Halal love (and Sex) 18 –> Je danserai si je veux 18 –> La belle et la meute 19 –> Le Caire confidentiel 19 –> Le chanteur de Gaza 20 –> L’étoile d’Alger 20 –> Le fils étranger 21 –> Les fleurs du bitume 21 –> Les hirondelles de l’amour 22 –> Le Patio 22 –> Le Puits 23 –> Oum Khaltoum, la voix du Caire 23 –> Paris la blanche 24 –> Pluie de sueur 24 –> Solitaire 25 –> Tchekhov à Beyrouth 25 –> Tes cheveux démêlés cachent une guerre de sept ans 26 –> Timgad 26 –> Une famille syrienne 27 –> Withered Green 27 –> Zaïneb n’aime pas la neige COURTS MÉTRAGES EN COMPÉTITION 28 –> À l’ombre des mots 28 –> Celui qui brûle 28 –> 5 dirhams par tête 29–> Collision 29 –> Ensemble c’est possible 29 –> Entre les chambres 30 –> Hyménée 30 –> La reine des fourmis 30 –> Le chant des vagues 31 –> L’horizon ne s’arrête pas à La Courneuve 31 –> Mohamed, le prénom 31 –> On est bien comme ça 32 –> Terrain Vague 32 –> Tikitat a Soulima (Le ticket de cinéma) LONGS MÉTRAGES HORS COMPÉTITION 33 –> À l’ouest du Jourdain 33 –> Chronique de mon village 34 –> Crépuscule des ombres 34–> Go Home 35 –> Le ruisseau, le pré vert et le doux visage 36 –> Le vent dans les roseaux 36 –> Monsieur Lazhar 37 –> Tales of Africa 37 –> Tempête de Sable ÉDITORIAL Le Festival est depuis vingt-huit ans un éclaireur. -
Eine Lange Nacht Über Den Israelischen Filmemacher Amos Gitai
„Ich folge den Ablagerungen der Geschichte in mir“ Eine Lange Nacht über den israelischen Filmemacher Amos Gitai Autoren: Heike Brunkhorst und Roman Herzog Regie: Claudia Mützelfeldt Redaktion: Dr. Monika Künzel SprecherInnen: Renate Fuhrmann Volker Risch Josef Tratnik Nicole Engeln Uli Auer Sendetermine: Deutschlandfunk Kultur Deutschlandfunk __________________________________________________________________________ Urheberrechtlicher Hinweis: Dieses Manuskript ist urheberrechtlich geschützt und darf vom Empfänger ausschließlich zu rein privaten Zwecken genutzt werden. Jede Vervielfältigung, Verbreitung oder sonstige Nutzung, die über den in den §§ 45 bis 63 Urheberrechtsgesetz geregelten Umfang hinausgeht, ist unzulässig. © Deutschlandradio - unkorrigiertes Exemplar - insofern zutreffend. 1. Stunde Atmozuspiel (Filmanfang Berlin-Jerusalem) Klaviermusik, Explosionen, Schüsse, Sirenen, Radiostimmen auf Hebräisch, Helikopterrotor. Zuspiel (Amos Gitai) A: «I consider that I am a witness, you know. Since my position during the Kippur war, I find myself as a witness…» E: «…And I think, that it deserves a strong cinema, not complaisant, not caressing, but engaging with this history.» Sprecher Josef Tratnik Ich denke, seit dem Jom-Kippur-Krieg bin ich ein Zeuge, der aufgrund merkwürdiger Umstände überlebt hat, als mein Helikopter abgeschossen wurde. Ich bin extrem interessiert, fasziniert und verstört von diesem Land. Und ich denke, es braucht ein starkes Kino, kein schmeichelndes oder wohlgefälliges, sondern ein Kino, das sich mit der Geschichte -
Download Zusatzinformationen
Gitai,LAW OF Amos THE PURSUER 03121 pos: 68 © Amos Gitai The Law of the Pursuer Amos Gitai 2017, Essay-Ausstellung. Kuratorisches Team Elena Agudio, Amos Gitais Essay-Ausstellung The Law of the Pursuer nimmt die Antonia Alampi, Abhishek Nilamber. In Auftrag gegeben von Themen und Fragestellungen seines Films Rabin, the Last Day (2015) SAVVY Contemporary. wieder auf, der sich mit der Ermordung des israelischen Premier- ministers Yitzhak Rabin am 4. November 1995 beschäftigt. Kontakt: http://www.savvy-contemporary.com Aus bisher unveröffentlichtem Recherche- und Filmmaterial aus Gitais Archiv, das in den letzten zwanzig Jahren zusammenge- tragen wurde, entstand eine von SAVVY Contemporary in Auftrag gegebene Videoinstallation mit performativen Anteilen, die das Zentrum der Ausstellung bildet. Die neue Arbeit untersucht das unbeständige Konzept Demokratie und widmet sich Extremismus und der derzeitigen Krise der Politik. Ähnlich wie der Film gleicht die Installation einem Wirbelsturm an Diskursen, die sich um die schreckliche, einschneidende Gewalttat in Tel Aviv drehen. Gleichzeitig werden die Konsequenzen einer po- larisierten und vergifteten politischen Atmosphäre in den Blick genommen. Gitai analysiert, wie aufrührerische, fundamentalis- tische Sprache Gewalt hervorrufen kann und zeichnet das psycho- analytische Porträt einer traumatisierten Gesellschaft, die der, in der wir heute leben, nicht unähnlich ist. berlinale forum expanded 2017 182 Amos Gitai, geboren 1950 in Haifa, Israel, lebt und arbeitet in Pa- ris und Haifa und ist als Filmemacher hauptsächlich durch seine Dokumentar- und Spielfilme, die sich mit dem Mittleren Osten und dem jüdisch-arabischen Konflikt beschäftigen, bekannt geworden. Er studierte Architektur am Technikon in Haifa und promovierte an der University of Southern California in Berkeley. -
Darkside True Stories from the Other Side…
THE DARKSIDE TRUE STORIES FROM THE OTHER SIDE…. BY WARWICK THORNTON — PRODUCED BY KATH SHELPER AUSTRALIA / 2013 / 94MIN — PRODUCTION SCARLETT PICTURES – KATH SHELPER SALES & FESTIVALS ARTSCOPE – A LABEL OF MEMENTO FILMS INTERNATIONAL — 9 CITÉ PARADIS 75010 PARIS — TEL: + 33 1 5334 9020 — FAX: +33 1 4247 11 24 HTTP://INTERNATIONAL.MEMENTO-FILMS.COM /ARTSCOPE — [email protected] — [email protected] FINANCE PARTNERS SCREEN AUSTRALIA, ADELAIDE FILM FESTIVAL, AUSTRALIAN BROADCASTING CORPORATION Director Warwick Thornton assembles a collection of poignant, sad, funny and absurd true ghost tales from across Australia and brings them to life with some of Australia’s most iconic actors as the storytellers. Honest, matter-of-fact firsthand accounts illuminate a black perspective on the other side. HOW IT ALL STARTED – FILM TEAM’S WORD KEY CAST & CREW n April of 2012, we did a callout around Australia via tradi- Cast in order of appearance tional media and social media for people to come forward with their Indigenous ghost stories. ‘Delise’ Performed by LYNETTE NARKLE We only had one rule — that the stories must be firsthand. ‘Lesigo’ Performed by MERWEZ WHALEBOAT The experience must have happened to the storyteller who ‘Sharon’ Storyteller – SHARON COLE comes forward with their story. Painted by BEN QUILTY Warwick did scores of print and radio interviews. Before we knew it Sung by MIAH MADDEN I ‘Kim’ Performed by SACHA HORLER we were inundated with ghostly stories from almost every corner ‘Ken’ Performed by JACK CHARLES of the country. From black and white people eager to share their ‘Pamela’ Performed by stories. Some people had numerous stories and we were faced with DEBORAH MAILMAN an embarrassment of riches. -
The Law of the Pursuer
Gitai,LAW OF Amos THE PURSUER 03121 pos: 68 © Amos Gitai The Law of the Pursuer Amos Gitai 2017. essay exhibition. Curatorial Team Elena Agudio, Antonia The Law of the Pursuer is an essay exhibition by Amos Gitai Alampi, Abhishek Nilamber. Commissioned by SAVVY Contemporary. revolving around some of the issues and themes raised in his film, Rabin, the Last Day (2015), about the assassination of the Israeli Contact: http://www.savvy-contemporary.com Prime Minister Yitzhak Rabin on 4 November 1995. Featuring unreleased research material and film footage from Gitai’s archive and collected over the course of the last twenty years, the exhibition’s central piece is a new video installation with a performative element commissioned by SAVVY Contemporary questioning the shifting concept of democracy and addressing the problem of extremisms and the current crisis of politics. Resonating with the structure of the film, his installation is a whirlwind of discourse surrounding the terrible and confounding act of violence that took place in Tel Aviv, while also becoming a metaphor of the consequences of a polarized and poisonous atmosphere of political extremism. The Law of the Pursuer shows how inflammatory and fundamentalist language can instill violence and sow the seeds of brutality, it is an examination and a psychoanalytical portrait of a traumatized political context and society speaking to the one we are living in today. berlinale forum expanded 2017 177 Amos Gitai, born in 1950 in Haifa, Israel, is a filmmaker based in Paris and Haifa, mainly known for making documentaries and feature films dealing with the Middle East and the Jewish-Arab conflict. -
Amos Gitai: Politics, Esthetics, Cinema
PRESS RELEASE Meeting Architecture: Architecture and the Creative Process A programme of lectures, study-exhibitions and performances 4 March 2014: Part 4 Amos Gitai: Politics, Esthetics, Cinema 18.00: Film screening of ‘Lullaby to my Father’ introduced by Irene Bignardi 19.30: Lecture by Amos Gitai In collaboration with the French Academy in Rome – Villa Medici In this fourth event in our programme ‘Meeting Architecture: Architecture and the Creative Process’ the British School at Rome together with the French Academy in Rome – Villa Medici have invited the Israeli film director Amos Gitai, both to lecture on his work and to present his film ‘Lullaby to my Father’ (2012). Amos Gitai was not only trained as an architect but is also the son of a well-known architect, Munio Weinraub. In 2012, Gitai established Israel’s first museum of architecture in memory of his father. In his lecture at the British School at Rome, ‘Politics, Esthetics, Cinema’, Gitai will discuss the relationship between architecture and film in his work, and present extracts from ‘Architecture in Israel’ (2012), a series of 16 films Via Gramsci 61 T + 39 06 3264939 Patron: HM The Queen 00197 Roma F + 39 06 3221201 President: HRH Princess Alexandra, www.bsr.ac.uk Registered Charity 314176 the Hon. Lady Ogilvy, KG, GCVO 1 / 2 written and directed by him. In each episode, Gitai converses with architects, sociologists, archeologists, cultural researchers and writers discussing different aspects of architecture, urbanism, conservation and planning. Before the lecture, he will present his film ‘Lullaby to my Father’, premiered at the 69th Venice International Film Festival.