Cynthia Brown University of California, Santa Barbara

Total Page:16

File Type:pdf, Size:1020Kb

Cynthia Brown University of California, Santa Barbara THE DEPARTMENT OF FRENCH & ITALIAN PRESENTS Cynthia Brown University of California, Santa Barbara Illuminating Family Female Networks in Tuesday, Nov. 12 Late Medieval and Early Modern France: 5:30 pm Books as Cultural Sites of Investigation Global & International Studies Building 1060 About the talk: This lecture will examine books chosen by women for other women and the manner in which the shifting dynamics of a selected number of codices, as seen Sponsors: through the paratext and its relationship with the text, The Mary-Margaret documents the workings of female networks in two royal families of the period. The talk will concentrate on the Barr Koon Fund of the female lineage generated by Charlotte de Savoie (1461-83), Department of French queen of Louis XI, including her daughter Anne de & Italian and the France (1461-1522), duchess of Bourbon, and granddaughter Suzanne de Bourbon (1491-1521). The talk Medieval Studies will also investigate female networking in the family of Institute Anne de Bretagne (1477-1514), twice queen of France as the spouse of Kings Charles VIII and Louis XII, including associations involving her daughters Claude de France, queen of France to Francis I (1499-1524), and Renée de France (1510-1575), who became duchess of Ferrara. About the speaker: Cynthia J. Brown, Distinguished Research Professor of French (Emerita) at the University of California, Santa Barbara, specializes in late medieval and early Renaissance French literature and culture and the history of the book. Her publications investigate the Rhétoriqueur poets, the transition from manuscript to print, and late medieval female patronage. Recent books on the cultural contributions of Queen Anne of Brittany include an edited volume (The Cultural and Political Legacy of Anne de Bretagne: Negotiating Convention in Books and Documents [D. S. Brewer, 2010]) and a monograph, The Queen's Library: Image-Making at the Court of Anne of Brittany, 1477-1514 (Univ. of Pennsylvania Press, 2011). With Anne-Marie Legaré, she co-edited Women, Art and Culture in Medieval and Renaissance Europe (Brepols, 2015), and more recently she edited a 2-volume issue of Le Moyen Français (81-82 [2018]) titled Manuscript to Print, Print to Digital: Editions in Performance and Performance in Editions in Late Medieval and Renaissance France (1400-1550). She is currently editing the works of Pierre Gringore. In 2013 Brown was named Chevalier des Palmes Académiques by the French Government. Illumination: Anne de France receives La Nef des dames vertueuses,from Symphorien Champier (1503) .
Recommended publications
  • The Life of Marie Antoinette, Queen of France
    1 CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. CHAPTER V. CHAPTER VI. CHAPTER VII. CHAPTER VIII. CHAPTER IX. CHAPTER X. CHAPTER XI. CHAPTER XII. CHAPTER XIII. CHAPTER XIV. CHAPTER XV. CHAPTER XVI. CHAPTER XVII. CHAPTER XVIII. CHAPTER XIX. CHAPTER XX. CHAPTER XXI. CHAPTER XXII. CHAPTER XXIII. CHAPTER XXIV. CHAPTER XXV. CHAPTER XXVI. CHAPTER XXVII. CHAPTER XXVIII. CHAPTER XXIX. CHAPTER XXX. 2 CHAPTER XXXI. CHAPTER XXXII. CHAPTER XXXIII. CHAPTER XXXIV. CHAPTER XXXV. CHAPTER XXXVI. CHAPTER XXXVII. CHAPTER XXXVIII. CHAPTER XXXIX. CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. CHAPTER V. CHAPTER VI. CHAPTER VII. CHAPTER VIII. CHAPTER IX. CHAPTER X. CHAPTER XI. CHAPTER XII. CHAPTER XIII. CHAPTER XIV. CHAPTER XV. CHAPTER XVI. CHAPTER XVII. CHAPTER XVIII. CHAPTER XIX. CHAPTER XX. CHAPTER XXI. CHAPTER XXII. CHAPTER XXIII. CHAPTER XXIV. CHAPTER XXV. CHAPTER XXVI. CHAPTER XXVII. CHAPTER XXVIII. CHAPTER XXIX. CHAPTER XXX. CHAPTER XXXI. CHAPTER XXXII. CHAPTER XXXIII. CHAPTER XXXIV. CHAPTER XXXV. CHAPTER XXXVI. CHAPTER XXXVII. CHAPTER XXXVIII. CHAPTER XXXIX. CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. The Life of Marie Antoinette, Queen of France 3 CHAPTER V<p> CHAPTER VI<p> CHAPTER VII<p> CHAPTER VIII<p> CHAPTER IX<p> CHAPTER X<p> CHAPTER XI<p> CHAPTER XII. CHAPTER XIII. CHAPTER XIV. CHAPTER XV. CHAPTER XVI. CHAPTER XVII. CHAPTER XVIII. CHAPTER XIX. CHAPTER XX. CHAPTER XXI. CHAPTER XXII. CHAPTER XXIII. CHAPTER XXIV. CHAPTER XXV. CHAPTER XXVI. CHAPTER XXVII. CHAPTER XXVIII. CHAPTER XXIX. CHAPTER XXX. CHAPTER XXXI. CHAPTER XXXII. CHAPTER XXXIII. CHAPTER XXXIV. CHAPTER XXXV. CHAPTER XXXVI. CHAPTER XXXVII. CHAPTER XXXVIII. CHAPTER XXXIX. The Life of Marie Antoinette, Queen of France The Project Gutenberg EBook of The Life of Marie Antoinette, Queen of France, by Charles Duke Yonge This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever.
    [Show full text]
  • Albret, Jean D' Entries Châlons-En-Champagne (1487)
    Index Abbeville 113, 182 Albret, Jean d’ Entries Entries Charles de Bourbon (1520) 183 Châlons-en-Champagne (1487) 181 Charles VIII (1493) 26–27, 35, 41, Albret, Jeanne d’ 50–51, 81, 97, 112 Entries Eleanor of Austria (1531) 60, 139, Limoges (1556) 202 148n64, 160–61 Alençon, Charles, duke of (d.1525) 186, Henry VI (1430) 136 188–89 Louis XI (1463) 53, 86n43, 97n90 Almanni, Luigi 109 Repurchased by Louis XI (1463) 53 Altars 43, 44 Abigail, wife of King David 96 Ambassadors 9–10, 76, 97, 146, 156 Albon de Saint André, Jean d’ 134 Amboise 135, 154 Entries Amboise, Edict of (1563) 67 Lyon (1550) 192, 197, 198–99, 201, 209, Amboise, Georges d’, cardinal and archbishop 214 of Rouen (d.1510) 64–65, 130, 194 Abraham 96 Entries Accounts, financial 15, 16 Noyon (1508) 204 Aeneas 107 Paris (1502) 194 Agamemnon 108 Saint-Quentin (1508) 204 Agen Amelot, Jacques-Charles 218 Entries Amiens 143, 182 Catherine de Medici (1578) 171 Bishop of Charles IX (1565) 125–26, 151–52 Entries Governors 183–84 Nicholas de Pellevé (1555) 28 Oath to Louis XI 185 Captain of 120 Preparing entry for Francis I (1542) 79 Claubaut family 91 Agricol, Saint 184 Confirmation of liberties at court 44, Aire-sur-la-Lys 225 63–64 Aix-en-Provence Entries Confirmation of liberties at court 63n156 Anne of Beaujeu (1493) 105, 175 Entries Antoine de Bourbon (1541) 143, 192, Charles IX (1564) 66n167 209 Bernard de Nogaret de La Valette (1587) Charles VI and Dauphin Louis (1414) 196n79 97n90, 139, 211n164 Françoise de Foix-Candale (1547) Léonor dʼOrléans, duke of Longueville 213–14 (1571)
    [Show full text]
  • The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions
    Center for Basque Studies Basque Classics Series, No. 6 The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions by Philippe Veyrin Translated by Andrew Brown Center for Basque Studies University of Nevada, Reno Reno, Nevada This book was published with generous financial support obtained by the Association of Friends of the Center for Basque Studies from the Provincial Government of Bizkaia. Basque Classics Series, No. 6 Series Editors: William A. Douglass, Gregorio Monreal, and Pello Salaburu Center for Basque Studies University of Nevada, Reno Reno, Nevada 89557 http://basque.unr.edu Copyright © 2011 by the Center for Basque Studies All rights reserved. Printed in the United States of America Cover and series design © 2011 by Jose Luis Agote Cover illustration: Xiberoko maskaradak (Maskaradak of Zuberoa), drawing by Paul-Adolph Kaufman, 1906 Library of Congress Cataloging-in-Publication Data Veyrin, Philippe, 1900-1962. [Basques de Labourd, de Soule et de Basse Navarre. English] The Basques of Lapurdi, Zuberoa, and Lower Navarre : their history and their traditions / by Philippe Veyrin ; with an introduction by Sandra Ott ; translated by Andrew Brown. p. cm. Translation of: Les Basques, de Labourd, de Soule et de Basse Navarre Includes bibliographical references and index. Summary: “Classic book on the Basques of Iparralde (French Basque Country) originally published in 1942, treating Basque history and culture in the region”--Provided by publisher. ISBN 978-1-877802-99-7 (hardcover) 1. Pays Basque (France)--Description and travel. 2. Pays Basque (France)-- History. I. Title. DC611.B313V513 2011 944’.716--dc22 2011001810 Contents List of Illustrations..................................................... vii Note on Basque Orthography.........................................
    [Show full text]
  • H-France Review Volume 16 (2016) Page 1
    H-France Review Volume 16 (2016) Page 1 H-France Review Vol. 16 (September 2016), No. 180 Thierry Crépin-Leblond and Monique Chatenet, eds., Anne de France: art et pouvoir en 1500: actes du colloque organisé par Moulins, Ville d’art et d’histoire, le 30 et 31 mars 2012. Paris: Picard, 2014. 221 pp. Illustrations, plans, genealogical tables, bibliography. 69.00€ (pb). ISBN 978-2-7084-0962-0. Review by Nicola Courtright, Amherst College. Anne de France: Art et pouvoir en 1500, acts of a colloquium that took place in Moulins in March 2012, edited by Thierry Crépin-Leblond and Monique Chatenet, contains relatively brief but invaluable chapters stocked with new information and original interpretations. It is divided in two: the first half is dedicated to studies about Anne of France, daughter of Louis XI and sister of his son Charles VIII, and the other half to her patronage and that of other notable, politically active noblewomen--regents and queens--influenced by Anne circa 1500. Throughout the entire volume, the authors seek to indicate ways in which these women’s acts and patronage of art and architecture exhibit some kind of political authority. They unearth documents, explore the visual valence of objects and architecture, and examine literary texts to argue that Anne of France, Margaret of Austria, and Anne of Brittany played a significant role in the history of Europe in the late fifteenth and early sixteenth centuries. A major strength of this collection is how authors are deeply engaged with drilling down into the documents to find new material to apply to the questions they pose or offer new interpretations of little-known material.
    [Show full text]
  • University of Southampton Research Repository
    University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non- commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Katarzyna Kosior (2017) "Becoming and Queen in Early Modern Europe: East and West", University of Southampton, Faculty of the Humanities, History Department, PhD Thesis, 257 pages. University of Southampton FACULTY OF HUMANITIES Becoming a Queen in Early Modern Europe East and West KATARZYNA KOSIOR Doctor of Philosophy in History 2017 ~ 2 ~ UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES History Doctor of Philosophy BECOMING A QUEEN IN EARLY MODERN EUROPE: EAST AND WEST Katarzyna Kosior My thesis approaches sixteenth-century European queenship through an analysis of the ceremonies and rituals accompanying the marriages of Polish and French queens consort: betrothal, wedding, coronation and childbirth. The thesis explores the importance of these events for queens as both a personal and public experience, and questions the existence of distinctly Western and Eastern styles of queenship. A comparative study of ‘Eastern’ and ‘Western’ ceremony in the sixteenth century has never been attempted before and sixteenth- century Polish queens usually do not appear in any collective works about queenship, even those which claim to have a pan-European focus.
    [Show full text]
  • Is Jean Bourdichon the Designer of the Hunt of the Unicorn Tapestries?
    HISTORY Is Jean Bourdichon the Designer of the Hunt of the Unicorn Tapestries? Jules Janick XII (third husband of Anne), and François I. The designer of the Hunt of the Unicorn tapestries located in the Cloisters, a branch of the Bourdichon, best known for the illustration Metropolitan Museum of Art, is unknown. The conjecture that they were made to commemorate of two personal prayer books, one for Anne the marriage of Anne of Brittany to Louis XII of France in 1499 was proposed by James J. Roriman known as Horae ad usum romanum and gener- in 1942. If true, a logical designer for the tapestries would have been Jean (Jehan) Bourdichon ally referred to as Grandes Heures d’Anne de (1457-1521), the illustrator and miniaturist associated with the French courts of Louis XI, Charles Bretagne, and the other for Louis XII known VIII, Louis XII, and François I, and best known as the illustrator of a personal prayer Grandes in English as the Hours of Louis XII. The object Heures for Anne made between 1503-1508. This conjecture was tested by comparing style ele- of this paper is to present and consider the ments including dress, fauna, and flora of the tapestries with illustrations in the Grandes Heures. assumption that Jean Bourdichon or his work- A cryptic inscription in a horn in Tapestry 2 was rearranged to contain the initials A and reverse E shop is the designer/artist of the cartoon associ- (prominent in the tapestry) and the names Jean, Jehan, and Bourdichon in anagramatic form. The ated with the Hunt of the Unicorn tapestries.
    [Show full text]
  • November 2012 Newsletter
    historians of netherlandish art NEWSLETTER AND REVIEW OF BOOKS Dedicated to the Study of Netherlandish, German and Franco-Flemish Art and Architecture, 1350-1750 Vol. 29, No. 2 November 2012 Jan and/or Hubert van Eyck, The Three Marys at the Tomb, c. 1425-1435. Oil on panel. Museum Boijmans Van Beuningen, Rotterdam. In the exhibition “De weg naar Van Eyck,” Museum Boijmans Van Beuningen, October 13, 2012 – February 10, 2013. HNA Newsletter, Vol. 23, No. 2, November 2006 1 historians of netherlandish art 23 S. Adelaide Avenue, Highland Park, NJ 08904 Telephone: (732) 937-8394 E-Mail: [email protected] www.hnanews.org Historians of Netherlandish Art Offi cers President - Stephanie Dickey (2009–2013) Bader Chair in Northern Baroque Art Queen’s University Kingston ON K7L 3N6 Canada Vice-President - Amy Golahny (2009–2013) Lycoming College Williamsport, PA 17701 Treasurer - Rebecca Brienen University of Miami Art & Art History Department PO Box 248106 Coral Gables FL 33124-2618 European Treasurer and Liaison - Fiona Healy Seminarstrasse 7 D-55127 Mainz Germany Contents Board Members President's Message .............................................................. 1 Paul Crenshaw (2012-2016) HNA News ............................................................................1 Wayne Franits (2009-2013) Personalia ............................................................................... 2 Martha Hollander (2012-2016) Exhibitions ............................................................................ 3 Henry Luttikhuizen (2009 and 2010-2014)
    [Show full text]
  • Page 23 H-France Review Vol. 5 (January 2005), No. 7 Guy
    H-France Review Volume 5 (2005) Page 23 H-France Review Vol. 5 (January 2005), No. 7 Guy Rowlands, The Dynastic State and the Army under Louis XIV: Royal Service and Private Interest, 1661- 1701. Cambridge: Cambridge University Press, 2002. xxiv + 404 pp. Maps, bibliography, and index. $75.00 U.S. (cl). ISBN 0-521-64124-1. Review by Jim Collins, Georgetown University. No fundamental element of the early modern French state has received greater recent attention than the royal army. James Wood, David Parrott, John Lynn, and, now, Guy Rowlands have produced splendid books that transform our understanding of this essential monarchical institution.[1] Earlier reviews of Rowlands have focused on the military issues, as the debate, especially between him and Lynn, becomes more heated. Far be it from me to send troops into that battle, fought on grounds I have only lightly reconnoitered. In the one area in which I might claim some small expertise, military finance, I would urge readers to turn to Rowlands, who has a solid grasp of the issues, rather than Lynn. Rather than add another brick to the wall of military reviews, I would like to address a broader aspect of Rowlands’ fine monograph: his contribution to the study of the state. In that sense, one might compare Rowlands to three other recent books, by Sara Chapman, Jeroen Duindam, and Julian Swann. Perhaps fittingly, the monographs of Swann and Duindam appear in the Cambridge series, New Perspectives in Modern European History, that has replaced the Cambridge Studies in Early Modern Europe, which had brought forth both Parrott and Rowlands.[2] Rowlands closes with a provocative statement of his thesis: “There was no coherent development or programme during Louis XIV’s reign except the preservation and strengthening of the ruling line of the dynasty, and the maintenance of the prestige of the house of Bourbon as a whole” (pp.
    [Show full text]
  • Getty Publications Fall 2008 Getty Getty Fallpublications 2008 New Publications Titles
    Getty Publications With Complete Backlist Fall 2008 Getty Getty Cover: Maria Sibylla Merian, lemon (Citrus medica) and harlequin beetle (Acrocinus longimanus) (Plate 28 in Maria Sibylla Merian's Insectorum Surinamensium). From Insects and Flowers, featured on page 6. Publications Publications New New Titles Titles New Titles Bernini and the Birth of Baroque Portrait Sculpture Edited by Andrea Bacchi, Catherine Hess, and Jennifer Montagu, with the assistance of Anne-Lise Desmas Gian Lorenzo Bernini was the greatest sculptor of the Baroque period, and yet — surprisingly — there has never been a major North American exhibition of his work. Bernini and the Birth of Baroque Portrait Sculpture — on view from August 5 through October 26, 2008, at the J. Paul Getty Museum and from November 28, 2008, Contents through March 8, 2009, at the National Gallery of Canada, Ottawa — showcases portrait sculptures from all phases of the artist’s long career, from the very early Antonio Coppola of 1612 to Clement X of about 1676. FRON TLIST 1 Bernini’s portrait busts were masterpieces of technical virtuosity; at the same time, they revealed a new interest in psychological depth. Bernini’s ability to capture the essential character of his subjects was Bernini and the Birth of Baroque Portrait Sculpture 1 unmatched and had a profound influence on other leading sculptors of his day, such as Alessandro Algardi, Captured Emotions 2 Giuliano Finelli, and Francesco Mochi. The Art of Mantua 3 Bernini and the Birth of Baroque Portrait Sculpture is a groundbreaking study that also features drawings and paintings by Bernini and his contemporaries.
    [Show full text]
  • The Age of Louis XIV"
    Marc Serge Rivière, "The Age of Louis XIV" Marc Serge Rivière THE AGE OF LOUIS XIV: VOLTAIRE'S COMING OF AGE AS A PHILOSOPHER-HISTORIAN In 1994, scholars from all over the world met at congresses in Paris, Oxford, Melbourne and other centres of learning to celebrate the tercentenary of Voltaire's birth. Although there is some doubt as to the exact date of his birth, we know that he was baptized in November 1694. It is accordingly fitting now to reflect on Voltaire's achievements as a historian, for he regarded himself first as a dramatist, next as a historian and last as an essayist and a Conteur, even if he is fondly remembered nowadays as the author of Candide. Voltaire's documentation for his historical works was impressive. In this.respect, The Age of Louis XIV (1751) has as sound a basis as could be expected in its day, and its author has been deemed to be the father of modern "scientific" history. 1 What emerges from a study of the sources utilised for The Age of Louis XIV is that, although Voltaire scorned erudite working habits, in so far as he excluded documents such as extracts of treatises and gave few references, he clearly took his duty as a historian with a degree of seriousness equalled amongst his French contemporaries only by Montesquieu. He was fully aware that his com- petence in historiography would be judged first and foremost on the reliability of his evidence and on the degree of accuracy which he would achieve. Although The Age of Louis XIV did not occupy him exclusively, he sought for about twenty years or so (1732-1751), to add to the data and material which he had begun to gather as early as the late 1720s.
    [Show full text]
  • Dynastic Marriage in England, Castile and Aragon, 11Th – 16Th Centuries
    Dynastic Marriage in England, Castile and Aragon, 11th – 16th Centuries Lisa Joseph A Thesis submitted in fulfilment of the requirement for the degree of Masters of Philosophy The University of Adelaide Department of History February 2015 1 Contents Abstract 3 Statement of Originality 4 Acknowledgements 5 Abbreviations 6 Introduction 7 I. Literature Review: Dynastic Marriage 8 II. Literature Review: Anglo-Spanish Relations 12 III. English and Iberian Politics and Diplomacy, 14 – 15th Centuries 17 IV. Sources, Methodology and Outline 21 Chapter I: Dynastic Marriage in Aragon, Castile and England: 11th – 16th Centuries I. Dynastic Marriage as a Tool of Diplomacy 24 II. Arranging Dynastic Marriages 45 III. The Failure of Dynastic Marriage 50 Chapter II: The Marriages of Catherine of Aragon I. The Marriages of the Tudor and Trastámara Siblings 58 II. The Marriages of Catherine of Aragon and Arthur and Henry Tudor 69 Conclusion 81 Appendices: I. England 84 II. Castile 90 III. Aragon 96 Bibliography 102 2 Abstract Dynastic marriages were an important tool of diplomacy utilised by monarchs throughout medieval and early modern Europe. Despite this, no consensus has been reached among historians as to the reason for their continued use, with the notable exception of ensuring the production of a legitimate heir. This thesis will argue that the creation and maintenance of alliances was the most important motivating factor for English, Castilian and Aragonese monarchs. Territorial concerns, such as the protection and acquisition of lands, as well as attempts to secure peace between warring kingdoms, were also influential elements considered when arranging dynastic marriages. Other less common motives which were specific to individual marriages depended upon the political, economic, social and dynastic priorities of the time in which they were contracted.
    [Show full text]
  • Kings of France - Part 1
    Case study 11 11 Kings of France - Part 1 Objective. This study describes the French royal dynasty since Hughes Capet in 941. Its underlying goal is to study some properties and algo- rithms of widespread tree data structures. This first document of a series of two analyzes the dynasty of Kings of France, stores it in a database and extracts some simple information from it. The next study will be devoted to the derivation of more complex information. Keywords. genealogy, tree, cyclic data structure, interval, ordering rela- tion, temporal query, de Morgan law. 11.1 Introduction Kings and queens generally have complicated lives, full of wars, plots, crimes, betrayal, family affairs, political alliances, unhappy marriages, mistresses, lovers, bastard and hidden children. Just to begin with. The genealogy of Kings of France is one of the most turbulent, and therefore interesting lineages. Fortunately, the Salic law1, edicted by King Clovis I in the 6th century, to which the Frankish government system was submitted, introduced important constraints in the royal inheritance principles that will substantially simplify the representation of French royal lineages in a database. One of the titles 1. http://en.wikipedia.org/wiki/Salic_law 2 Case study 11 • Kings of France - Part 1 (rules) of this law, the agnatic succession, organizes the succession of monarchs. In particular, it strictly excludes women and favours father-son or brother-brother succession, whenever possible.2 This means that, during nearly a millenary, the Kings of France are organized as a simple tree, a structure particularly straightforward to translate into data structures. It is clear that, in this organization, women would have made things much more complicated.
    [Show full text]