Henry Purcell (1659 – 1695)

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Henry Purcell (1659 – 1695) Henry Purcell (1659 – 1695) Klavierwerke I & II Sämtliche Werke für Pianoforte / Cembalo Originalfassungen Inhalt Band 1 Airs & Tunes Seite Air in C a 7 AU 7 a a a e e Aire in C 8 Z.No.deest (P4/2) Ayre in C 8 Z.No.deest (P2/1) [Air] in C 9 AU 3 & [Air] in C 9 AU 5 Air in d 10 Z.T675 & & e & e e Aire in d a a 10 Z.T696/1 $ & & & & e e Aire in d 12 Z.T696/2 $ & e Air in d 13 Z.T676 $ & Air in F 14 Z.T630/1 $ e e Air in F 15 Z.T630/1 variant $ e Air en Bourrée 16 AU 11 $ $ Air en Bourrée 17 AU 11 variant $ $ Q Ayre in g 18 Z.T693/2 $ $ A new Irish Tune a 19 Z.646 & a e A new Scotch 19 Tune Z.655 & a a a e Mr.H.Purcells new Sibell 20 Z.678 Band 1 Seite Sebell 22 Z.678 variant Sefauchi's Farewell 24 Z.656 $ & e Song Tune 24 Z.T694 e A Song Tune 25 Z.T695 The Queen's 25 Dolour & Z.670 & e e Trumpet Tune a 26 Z.T697 e e Trumpet Tune 26 Z.T698 e e e Dance movements & Marches Almond in D 28 Z.D219/1 & & Canary in B 29 Z.T677 $ $ e e e e e e e Slow Canary in A a a 30 Z.T677 variant & & & e e e e e Hornpipe in e a 31 Z.T685 & e e Hornpipe in e 32 Z.T685 autograph & a e e Hornpipe in g 33 AU 8 $ % & & % $ Hornpipe in B a 34 Z.T683 $ $ Hornpipe in A 35 AU 9 & & & & Hornpipe in A 36 J.Eccles (?) & & & Band 1 Seite Jig in g 37 Z.T686 $ a a a a $ Gigue in g 37 Z.T686 variant $ a a a a $ Jigg in g & & 38 Z.D223 $$ % % [Minuet] in C 39 AU 2 Minuet in D 39 AU 10 & & Minuet in d 40 AU 12 $ & Minuet in d 41 Z.T688 $ & New Minuet in d 42 Z.T689 $ & & & Minuet in G 42 Z.651 & a e [Minuet] in a 43 Z.649 & & e e A Minuet in a 44 Z.650 & & & Riggadoon in C 44 Z.653 Riggadoon in d 45 Z.D227 $ & & Round O & & 46 Z.T684 $ & [Saraband with Divisions] in a 48 & & Z.654 e [Saraband] in D Z.D219/2 49 & & e March in C 50 Z.648 March in C a 51 Z.T687 e e [March] in C 52 Z.647 Band 1 Preludes & Grounds Seite Prelude in C 54 AU 1 ` ` 5 5 5 3 3 5 4 2 Prelude for 5 2 3 1 1 1 54 the fingering Z.No.deest (P4/1) Prelude en Maniere de Chacone $ 55 Z.T681 variant $ $ $ Ground in c 58 Z.T681 $$ $ % % Ground in c 61 Z.D221 $ b b b $ $ b % Ground in d 65 Z.D222 $ e Ground in e & 67 Z.T682 variant & e & A new Ground in e & 69 Z.T682 & & e A Ground in a 71 Gamut Z.645 & % e Chaconne in g 73 Z.T680 $ $ % H.Purcells Verzierungen 77 Kommentare 78 Inhalt Band 2 Seite Suite in G - Z.660 Prelude 6 & a a a e e Almand a 6 & & Corant & a a a 7 e Sarabande 8 & e e Suite in G - Z.660 / II & III variant Allemande a 8 & & Corant 9 & a a e Suite in G - Z.660 variant e 10 Prelude & a a a e e Almand 10 & & e Z.644 Corant & 12 e Z.641 Air 13 & Suite in g - Z.661 14 Prelude $ $ $ % & & Almaine a b 16 $$ b & % a a a Corant a 18 $$ e & Saraband 19 $$ e Suite in g - Z.661 / I variant e Prelude 20 & % $ $ & % $ $ Suite in G - Z.662 Band 2 Seite Prelude 21 & Almand b 23 & e e Courante b 24 & e Suite in G - Z.662 / II & III variant Allmand b 25 & Corant b 26 & e Suite in a - Z.663 Prelude 28 b Almand b 28 e e Corante b a 30 & & Saraband 31 e Suite in a - Z.663 variant 1 Prelude 32 b & Almand 33 b a e e & Corant a a 34 b b a & & & Jigg & 35 a & e e Suite in a - Z.663 variant 2 Band 2 Seite Prelude 37 & Almand a 38 a % Corant a a a 39 & & Saraband 40 e Suite in a - Z.663 / II & III variant 3 Almand 41 a e e Corant a b 43 & & Suite of Lessons in C - Z.665 a a Prelude a a 44 e e e e Almond a 44 e Corant a $ 46 e a Saraband a a 46 e e Jigg 47 Suite in C - Z.666 Prelude 48 Almand a 51 Corant b $ 52 e a Saraband a a 53 e e Suite in C - Z.666 variant Band 2 Seite 2315 5234 4 Prelude a a b b 54 Almand a 55 56 Corant b a $ .
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    H Purcell: ‘Music for a While’ (For component 3: Appraising) Background information and performance circumstances Henry Purcell (1659–95) was an English Baroque composer and is widely regarded as being one of the most influential English composers throughout the history of music. A pupil of John Blow, Purcell succeeded his teacher as organist at Westminster Abbey from 1679, becoming organist at the Chapel Royal in 1682 and holding both posts simultaneously. He started composing at a young age and in his short life, dying at the early age of 36, he wrote a vast amount of music both sacred and secular. His compositional output includes anthems, hymns, services, incidental music, operas and instrumental music such as trio sonatas. He is probably best known for writing the opera Dido and Aeneas (1689). Other well-known compositions include the semi-operas King Arthur (1691), The Fairy Queen (1692) (an adaptation of Shakespeare’s A Midsummer Night’s Dream) and The Tempest (1695). ‘Music for a While’ is the second of four movements written as incidental music for John Dryden’s play based on the story of Sophocles’ Oedipus. Dryden was also the author of the libretto for King Arthur and The Indian Queen and he and Purcell made a strong musical/dramatic pairing. In 1692 Purcell set parts of this play to music and ‘Music for a While’ is one of his most renowned pieces. The Oedipus legend comes from Greek mythology and is a tragic story about the title character killing his father to marry his mother before committing suicide in a gruesome manner.
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