DOCSLIB.ORG

Baileys from Normandy and Brittany Emigrated to Dorset and Wilts Counties

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Baileys from Normandy and Brittany Emigrated to Dorset and Wilts Counties Descendants of John Bayley of Salisbury Working file of Mary Lou Cook, updated 10 Nov 2018 Home Page: http://collectornuts.com This is a work in progress and there are probably errors of fact or deduction, despite my attempt to be as accurate as possible. Please do your own research and do not copy my biographies into your own files. The writing and research in this file represents many hours of work, but I’m sharing it to help other genealogists just as many people have helped me. If you find mistakes, please let me know and provide a source for your correction. I do not knowingly include living persons in my working file. E- mail: collectornuts at gmail.com Generation No. 1 2 1 1 1. JOHN BAYLEY (BAYLEY ) was born Abt. 1572 in Chippenham, Wiltshire, England , and died November 02, 1651 in Newbury or Salisbury, Essex, MA2. Notes for JOHN BAYLEY: "Mention has been made of the French origin of the family. Of this there seems no doubt and that many members of the family went to England to escape the persecutions endured by the early Huguenots before the massacre on St. Bartholomew's Day, 1572. As early as 1520, religious intolerance drove many from France, and the Baileys from Normandy and Brittany emigrated to Dorset and Wilts Counties. Among those who took out denization papers, as early as 1544, were James Bayly of Sherbourne, born in Normandy, aged forty, who married an English woman and had five children—a James Bayley of Dorset who had an English wife and eight children—a John Baylie born in Normandy and another John Baylie of Dorchester who had a French wife and twelve children. all these are accepted by the Huguenot Society of America, The names are largely of French derivation. John or Jean, Jeanne or Joan, Richard, Robert, Alice—are common Norman names. The greater Huguenot emigration from France and the Low Countries was later, before the promulgation of the Edict of Nantes,1598, or after its revocation, 1685; but our family did not rely on the insecure favor of princes for safety, but sought refuge at the beginning of the trouble, and brought with them not only an adherence to the faith, but industrious habits and an acquaintance with various handicraft. Thus France lost many of her most valuable citizens and gave to England industries comparatively unknown before. Working in leather was a trade in which the French emigrants excelled and, among those of the family who took out denization papers, are named several who were shoe makers. Weaving, both tapestry and silk, was in high esteem in Normandy and we find that many Baileys were wool spinners and broadweavers" (Account of the Ninth Gathering of the Bailey-Bayley Family Association, Lawrence, MA: American-Sun Publishing Co, 1903). "He came to America in 1635 with his son John. He located first at Newberry, MA and was a weaver by trade. In 1637, he located in the wilderness [later Colchester] with William Scholar. In 1651, he was ordered to return to England or send for his wife. He died the next year without being reunited with his wife. His will was proved 13 Apr 1652" (source: Cutter, W.R. 1915, p. 384). Jordan (1913) asserted that John spent only two years in Newbury, MA and then moved to what is now Salisbury, where he is said to have been the first settler. He died there November, 1651(p. 133). One of the first of the name to emigrate to New England was John Bayley or Bailey, who settled at Newbury, Massachusetts, in 1635 and later made his home at Salisbury, in the same colony. He was a weaver from Chippenham, in Wiltshire, England. He left issue by his wife (possibly Elizabeth Knight) of Robert, John, Johanna, and two other daughters, but only John and Johanna accompanied him to this country" ("The Name and Family of Bailey," Roots Research Bureau, Ltd, Manuscript 86, New York, NY, 1984). "Of John Bayley of Salisbury it seems to be satisfactorily established that he was a weaver by trade and resided at Chippenham, England; that he married Elizabeth Knight, daughter of William and Jane (Langburne) Knight of Embourne, Berkshire County, England ; that they had six children ; that he, with his oldest son, John, took passage for America on a ship called the 'Gabriel,' that during the voyage on the 15th day of August, 1635, the ship encountered a terrific storm, and was wrecked off the coast of Maine near what is now the town of Bristol. Escaping from the shipwreck, John and his son settled in Newbury, Massachusetts. In the settlement of Colchester (afterwards called Salisbury), he received the first grant of lots in the division of the land, and it is supposed that here he remained until his death, which is said to have occurred November 2, 1651. By his will, which was proved April 13, 1652, he gave his home in Salisbury to his son John during his life, and then to his grandson ; he also provided that "son John is to pay his mother six pounds, provided she came over, son Robert fifteen pounds and daughters ten pounds apiece, if they came over, and five pounds apiece if they do not. Notwithstanding the premium he thus placed upon their emigration, it is not certain that any of them ever came to America, although there is some evidence that his daughter Johanna came to New England, either with him or soon after his arrival" (Address of Edwin A. Bayley in "Account of the Fifth Annual Gathering of the Bailey-Bayley Family Association," 1897). "Salisbury was settled by Simon Bradstreet and eleven other men in 1638. In August of 1638, Simon Bradstreet and these other men, Samuel Dudley, Daniel Dennison, Christopher Batt, Samuel Winsley, John Sanders, Giles Firman, Richard Kent, Henry Bilye, Reverend John Woodbridge, Edmund Batter and Dr. John Clark, rowed across the Merrimack River from the settlement at Newbury, and explored the area that is now Salisbury, looking for a place to establish a new settlement. The Working file of Mary Lou Cook, updated 10 Nov 2018 men found a broad open space on high ground, at what is now Salisbury Square, which had been previously cleared by the Pennacook" (source: http://historyofmassachusetts.org/salisbury-massachusetts-history/) Hollis Bailey wrote: "It is not known that Thomas of Weymouth, John of Salisbury and James of Rowley were related to each other" (1899, p. 11). Regarding the spelling of the surname, "The spelling of the name Bailey has never been very uniform. We still find in France the name spelled Bailly, in Scotland, Baillie, and in England and America, Baily, Bailey and Bayley. For the most part the spelling Bailey has been used in this book. In some cases where it was thought that Bayley was the spelling used by the persons in question, that mode has been adopted" (1899, p. 11). [ML Note: To distinguish between the lines, I am going to use Bayley to refer to descendants of John of Salisbury; Bailey spelling will be used for descendants of James and Thomas Bailey. 17 Aug 2018] Cutter, W.R., Ed. New England Families: Genealogical and Memorial, A Record of the Achievements of Her People in the Making of Commonwealths and the Founding of a Nation, Vol. I. New York: Lewis Historical Publishing Co. 1915. Bailey, Hollis R., Bailey, Gertrude, and Ellsworth, Abbie F., Compilers. Bailey Genealogy: James, John and Thomas, and their Descendants, In Three Parts. Somerville, MA: Title Citizen Co. 1899. WILL OF JOHN BAYLY, SEN. NORFOLK CO. RECORDS 28 OF THE 8tH MO. 1651. This the last will of John Bayley sen. being on his sick bed, he being yet in his right mind and senses. First. I give unto my son John Bayley (aged 38) my house and land lying and being in the town of Salisbury, during his life, and after my son's death his second son Joseph Bayley (aged 3 y. 6 mo. 24 days) is to enjoy it, and if Joseph doth not live to enjoy it, then his younger brother is to enjoy it - (James aged i y. I mo. 16 days), and when Joseph Bailey or his younger brother cometh to enjoy this land, he is to pay to his eldest brother John Bayly (aged 8 years. 5 mo. 10 d.) the sum of forty pounds as his grandfather's gift. And I do likewise make my son John Bayly sole executor of all that ever I have, only my executor is to pay to my wife his mother the sum of six pounds a year during her life provided she cometh over hither to New England. Likewise my executor is to pay to my son Robert fourteen pounds provided also he come over hither to New England. Likewise my executor is to pay to my daughters his sisters the sum often pounds apiece provided they come over here to New England. But in case they do not come over hither but do send by any messenger for their portions they are to receive five shillings apiece for their portions whether sons or daughters, and all these sums are to be paid according as it can be raised out of my land and stock, and likewise it is to be paid to every one of them according as the overseers and executors shall see cause. And farther, my executor is to pay for the passages of those who do come over hither, of them whether it be of wife or children, or any of them.
Load more

Recommended publications
  • City, University of London Institutional Repository
    City Research Online City, University of London Institutional Repository Citation: Littler, J. (2000). Creative Accounting: Consumer culture, the ‘creative economy’ and the cultural policies of New Labour’. In: Gilbert, J. and Bewes, T. (Eds.), Cultural Capitalism: Politics after New Labour. (pp. 203-222). London: Lawrence & Wishart. ISBN 9780853159179 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/6027/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Creative Accounting: Consumer Culture, the ‘Creative Economy’ and the Cultural Policies of New Labour Jo Littler In Tim Bewes and Jeremy Gilbert (eds) Cultural Capitalism: Politics after New Labour (L&W, 2000) In Stephen Bayley’s book Labour Camp: The Failure of Style Over Substance, the former creative director of the New Millennium Experience shares his views on New Labour’s cultural policies and practices.
    [Show full text]
  • Merrell Publishers
    MERRELL AUTUMN 2019 Contents New Titles AUTUMN 2019 3–6 Published Titles ARCHITECTURE 8 ArT 9 DESIGN 11 FASHION 12 GARDENS 13 GRAPHIC DESIGN & ILLUSTRATION 14 ILLUSTRATED HISTORY 14 PHOTOGRAPHY 15 COLLECTOR’s EDITION 16 INDEX 17 CONTACTS 19 FRONT COVER Etnies Skatepark, Lake Forest, California; photograph copyright © Amir Zaki (see California Concrete: A Landscape of Skateparks, p. 3) PAGE 7 The King’s Staircase at Kensington Palace, created by William Kent between 1725 and 1727; photograph copyright © Historic Royal Palaces (see The Story of Kensington Palace, p. 15) Please note that all prices, publication dates and specifications listed in this catalogue are subject to alteration without notice. NEW TITLES £35.00 UK $50.00 US Hardback ISBN 978-1-8589-4678-8 128 pages 29 x 25 cm (9¾ x 11½ in) 90 illustrations September 2019 Rights available California Concrete A Landscape of Skateparks Amir Zaki Essays by Tony Hawk and Peter Zellner California is the birthplace of skateboard culture and, even though skateparks are found worldwide today, it is where these parks continue to flourish. Amir Zaki grew up skateboarding, so he has an understanding of these spaces and, as an artist who has spent years photographing the built and natural landscape of California, he has an appreciation of the large concrete structures as both sculptural forms and significant features of the contemporary landscape, belonging to a tradition of public art and Brutalist architecture. Each remarkable photograph in this book is a composite of shots taken with a digital camera mounted on a motorized tripod head; this allows Zaki to photograph areas that would otherwise be impossible to capture.
    [Show full text]
  • Modernist Architecture Shaped Streetscapes and Skylines from Berlin to Chandigarh to Brasília
    Note: Unpublished paper, drawn from Chapter 3 of Thatcher’s Progress (2019). 1 WELFARE STATE MODERNISM AND THE POLITICS OF AESTHETIC CHANGE Guy Ortolano New York University Forged during the interwar decades, following the Second World War modernist architecture shaped streetscapes and skylines from Berlin to Chandigarh to Brasília. Postwar reconstruction, post-colonial development, and nationalist ambitions combined to unleash “a massive scale of experimental solutions that had been proposed in the 1920s and 1930s,” according to Jean-Louis Cohen’s global history of architecture, with the result that “principles that had been primarily in the theoretical sphere before the war quickly found their way into mass production.”1 These innovations included functional zoning, non-traditional materials, and industrialized building methods, but modernism became most associated with such characteristic forms as glass and steel towers, concrete civic spaces, and flat-roofed housing. Even that partial list indicates the diversity that the label “modernism” always struggled to corral, but the style’s coherence snapped into starker relief upon its repudiation. Because even more rapidly than it had triumphed, architecture’s modernist moment swiftly ended. Some scholars date its demise to the fatal explosion of London’s Ronan Point tower in 1968, while others point to the demolition of St. Louis’s Pruitt-Igoe housing complex in 1972.2 Its death throes persisted, through the Museum of Modern Art’s sympathetic revisiting of Beaux-Arts in 1975, and then that same venue’s iconoclastic Transformations in Modern Architecture exhibition of 1979.3 Generally, however, during the 1970s architects and critics were 1 Jean-Louis Cohen, The Future of Architecture.
    [Show full text]
  • Roger-Scruton-Beauty
    Beauty This page intentionally left blank Beauty ROGER SCRUTON 1 3 Great Clarendon Street, Oxford OX2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # Horsell’s Farm Enterprises Limited The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2009 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India Printed in Italy and acid-free paper by Lego S.p.A ISBN 978–0–19–955952–7 13579108642 CONTENTS Picture Acknowledgements vii Preface ix 1.
    [Show full text]
  • The Alien in Greenwich. Iain Sinclair & the Millennium Dome
    The Alien in Greenwich. Iain Sinclair & the Millennium Dome by Nicoletta Vallorani THE DOME THAT FELL ON EARTH For Iain Sinclair, London is a life project. It tends to take the same ideal shape of the city he tries to tell us about: a provisional landscape (Sinclair 2002: 44), multilevel and dynamically unstable, invaded by memories, projects, plans and virtual imaginations, walked through and re-moulded by the walker, finally fading away at its endlessly redrawn margins. One gets lost, and in doing so, he learns something more about the place he inhabits1: I’m in mid-stride, mid-monologue, when a deranged man (French) grabs me by the sleeve […] There’s something wrong with the landscape. Nothing fits. His compass has gone haywire. ‘Is this London?’ he demands, very politely. Up close, he’s excited rather than mad. Not a runaway. It’s just that he’s been working a route through undifferentiated suburbs for hours, without reward. None of the landmarks – Tower Bridge, the Tower of London, Harrod’s, the Virgin Megastore – that would confirm, or justify, his sense of the metropolis. But his question is a brute. ‘Is this London?’ Not in my book. London is whatever can be reached in a one-hour walk. The rest is fictional. […] ‘Four miles’ I reply. At a venture. ‘London.’ A reckless improvisation. ‘Straight on. Keep going. Find a bridge and cross it.’ I talk as if translating myself into a language primer (Sinclair & Atkins 1999: 38-43). Here, though conjured up by specific landmarks (Tower Bridge, the Tower of London, Harrod’s, the Virgin Megastore) and a few permanent inscriptions (the river and its bridges), the space of London stands out as a fiction made true by the steps of the walker.
    [Show full text]
  • Christian Kitsch: a Preliminary Examination of Christian Materialism Through Theological Aesthetics and Cultural Politics
    Western University Scholarship@Western Electronic Thesis and Dissertation Repository 6-13-2016 12:00 AM Christian Kitsch: A Preliminary Examination of Christian Materialism through Theological Aesthetics and Cultural Politics Michael A. Bodkin The University of Western Ontario Supervisor Dr. Gary Badcock The University of Western Ontario Graduate Program in Theology A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Michael A. Bodkin 2016 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Bodkin, Michael A., "Christian Kitsch: A Preliminary Examination of Christian Materialism through Theological Aesthetics and Cultural Politics" (2016). Electronic Thesis and Dissertation Repository. 3772. https://ir.lib.uwo.ca/etd/3772 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract As a massive phenomenon animating the world of cultural politics, kitsch sensibility emerges in Western Christian materialism as a means to easily mediate genuine, if sentimental, expressions of religious devotion. Scorned by others as the manipulation of “bad taste,” reverence through kitsch in contemporary religious art would be better taken to reflect a crisis in modern religious thought. This thesis employs the theological aesthetics of Hans Urs von Balthasar to argue that modern Christian kitsch is the active mistaking of poor theological quality as a source of beauty, which is primarily felt as the sensibility of losing dynamis.
    [Show full text]
  • (In)Security: the Aesthetics of Planning Urban Defences Against Terrorism
    Special Issue on Urban Insecurities The Visibility of (In)security: The Aesthetics of Planning Urban Defences Against Terrorism JON COAFFEE, PAUL O’HARE & MARIAN HAWKESWORTH* Centre for Urban and Regional Studies, University of Birmingham & Centre for Urban Policy Studies, University of Manchester, UK Urban defences against terrorism have traditionally been based on territorial interventions that sought to seal off and surveil cer- tain public and private spaces considered targets. Lately, though, a much wider range of crowded and public spaces have been viewed as potential targets and thus have been identified as requiring addi- tional security. This has immense implications for the experience of the ‘everyday’ urban landscape. Drawing on contemporary notions that incorporate the study of aesthetics and emotions within critical security and terrorism studies, this article discusses the visual impact of counter-terrorism security measures. It analyses the ‘transmission’ of symbolic messages, as well as the variety of ways in which security might be ‘received’ by various stakeholders. The analysis takes place against the backdrop of concern that obtrusive security measures have the capacity to radically alter public experiences of space and in some cases lead to (intended and unintended) exclusionary practices or a range of negative emotional responses. The article concludes by outlining a ‘spectrum of visible security’ ranging between traditional obtrusive fortified approaches and approaches that embed security features seamlessly or even ‘invisibly’ into the urban fabric. Keywords counter-terrorism • security • visibility • urban planning • ‘War on Terror’ Introduction ECENTLY, THE UK GOVERNMENT IDENTIFIED the range of risks confronting the nation in its first ever National Security Strategy.
    [Show full text]
  • University of Leicester in the Media, December 2011
    University of Leicester in the Media, December 2011 1 December 2011 Results 1. CLASSY KHALSA ARE IN CRUISE CONTROL Coventry Telegraph, December 1, 2011 Thursday, 1365 words ... v Leicester Westleigh, Leicester University v Newark, Nuneaton ... 2. Classy Khalsa are in cruise control; HOCKEY Coventry Evening Telegraph (England), December 1, 2011 Thursday, SPORT; Pg. 50, 1364 words, Alan Poole ... v Leicester Westleigh, Leicester University v Newark, Nuneaton ... 3. Nushad scores for Lanka with Axiata Daily News (Sri Lanka), December 1, 2011 Thursday, 420 words ... holds an MBA from the University of Leicester and is a decorated marketer having been ... 4. Discovering corporate crime: a case study in Malaysia. European Journal of Management, December 2011, Pg. 88, 3403 words ... Master of Science at University of Leicester, UK in 2003. ... 5. Discovering corporate crime: a case study in Malaysia. European Journal of Management, December 2011, Pg. 88, 3403 words ... Master of Science at University of Leicester, UK in 2003. ... 6. gig guide Leicester Mercury, December 1, 2011 Thursday, THE WEEK;FEATURES; Pg. 6, 460 words ... Night at the Musicals: Leicester University Theatre, 7.30pm, Percy Gee Building, University of Leicester. £5/£ ... 7. out and about; events diary Leicester Mercury, December 1, 2011 Thursday, THE WEEK;FEATURES; Pg. 14, 1346 words ... Ken Edwards Building, University of Leicester. Free (confirm attendance). The ... 8. Funders see how money collected is being used Leicester Mercury, December 1, 2011 Thursday, NEWS; Pg. 10, 200 words ... Research will visit the University of Leicester's Maurice Shock Medical ... 9. Out of this world discovery; SCIENCE: 'CHRISTMAS DAY' BURST SHEDS NEW LIGHT ON SPACE RAYS ; A University of Leicester astro physicist helped discover a cosmic explosion which has led scientists to think differently about what happens when stars die.
    [Show full text]
  • Living Architecture
    START CONTENTS INTRODUCTION MASTERPLAN DESIGNS POWER VIEW GEHRY F+P FUTURE MILESTONES FASHION ZONE PARKLIFE VALUES PUBLIC LIVING BATTERSEA POWERH OU S E BATTERSEA POWER STATION MAGAZINE BATTERSEAPOWERSTATION.CO.UK ISSUE º. 3 — SUMMER 2014 Living Architecture ‘A GIGANTIC EXEMPLAR OF CREATIVE RE-USE’ STEPHEN BAYLEY ON BATTERSEA • VIEW FROM THE TOP NEW LIFE FOR THE POWER STATION CHIMNEYS • IN THE ZONE A NEW EMBASSY FOR A NEW QUARTER • GEHRY PARTNERS AND FOSTER + PARTNERS MEET THE DESIGN TEAMS START CONTENTS INTRODUCTION MASTERPLAN DESIGNS POWER VIEW GEHRY F+P FUTURE MILESTONES FASHION ZONE PARKLIFE VALUES PUBLIC LIVING BATTERSEA ISSUE º. 3 SUMMER 2014 04_ INTRODUCTION 32_ THE MILESTONES By Design Critic and Author, Stephen Bayley Facts, figures and construction timeline 08_ MASTERPLAN SNAPSHOT 34_ A BACKDROP TO BEAUTY An overview of the Battersea Power Station masterplan High-fashion and heritage brands at The Power Station 10_ DESIGNS FOR LIVING 42_ IN THE ZONE Who are the Phase 1-3 architects? Nine Elms, the Diplomatic Quarter and connectivity 12_ POWER PLAYERS 46_ PARKLIFE A look at the architects’ key projects Summer in the Pop Up Park 16_ VIEW FROM THE TOP 50_ THE VALUE OF VALUES The reconstruction of the famous chimneys The pledges that are defining Battersea Power Station’s future 20_ Q&A WITH FRANK GEHRY 56_ PUBLIC PROPERTY A discussion of his designs at Battersea Power Station A destination awaits… 24_ IN CONVERSATION WITH 58_ LIVING ARCHITECTURE Foster + Partners’ Grant Brooker and Andy Bow Beautiful objects designed by the
    [Show full text]
  • Media Pack 2018 / 19
    MEDIA PACK 2018 / 19 THE BEST OF BOTH WORLDS Country & Town House is the only monthly luxury magazine to target af uent ‘double lifers’, who enjoy the very best of country and city living. Celebrating the best of British lifestyle and luxury, it covers the fi nest houses, interiors, arts and events, food and travel, fashion and style, as well as relevant features and interviews. THE BEST OF DECEMBER 2016 £3.90 THE BEST OF FEBRUARY 2018 £3.90 THE BEST OF BOTH WORLDS JULY 2016 £3.60 BOTH WORLDS BOTH WORLDS The PICASSO’S FINE Luxury MUSE TIMES MADE BY Meeting THE Simon de Burton’s CHELSY Sylvette watches special Ms Davy’s new INTERVIEW PURSUIT OF jewellery line BRIT NORTHERN EMPTINESS SENSATIONS LIGHTS Stephen Bayley on James Norton SPELL Seeking Svalbard the death of ‘stuff’ SOLDIER ON and Vanessa How Harry Kirby BOUND Parker turned The magic of tragedy into jewellery BACK ON triumph THE BENCH Why Ed Vaizey’s happy where he is PLUS MADE WOOF FOR MUD Why smallholdings WOOF! are seducing Our best ever HEIDI city dwellers gift guide KLUM LIV TYLER The model mother on style, The all-American Anglophile talks Britain, beauty and Belstaff Takes on David Bowie beauty and juggling life DEC-Cover-V1.indd 2 02/12/2016 15:40 Cover-V4.indd 2 04/01/2018 12:14 COUNTRYANDTOWNHOUSE.CO.UK ONLINE IN PRINT PODCAST AUDIENCE UK Circulation 60,000 / Readership 150,000 WORLDWIDE Circulation 80,000 / Readership 200,000 SOCIAL / ONLINE Over 500,000 connections MOBILE AND TABLET COUNTRYANDTOWNHOUSE.CO.UK LUXURY & LIFESTYLE Advertisers include Annoushka, Alexander McQueen, Asprey, Aston Martin, Audemars Piguet, Bentley, Boodles, Breitling, Burberry, Cartier, Chanel, Christie’s, Colefax & Fowler, Dubarry, Ettinger, Graf, Harrods, Harry Winston, Hunter, Jaeger-LeCoultre, Linley, Mont Blanc, Nina Campbell, Patek Philippe, Piaget, Rolex, Savoir Beds, Smythson, Soane, Sotheby’s, Tifany, Vivienne Westwood, William & Son and Zenith.
    [Show full text]
  • Bcm Rights List
    B R O T H E R S T O N E Creative Management Rights List London 2018 Brotherstone Creative Management Mortimer House, Mortimer Street London W1T 3JH +44 (0) 7908 542 866 +44 (0) 207 502 5037 bcm-agency.com [email protected] Crime / Thriler Tracey Emerson SHE CHOSE ME For fans of The Girl Before, Into the Water and The Couple Next Door. ‘This psychological thriller 'Not having a child can change your life as much as having one.' delivers on all levels’ Lesley Glaister Grace has returned to London after twenty years abroad to manage her dying mother’s affairs. When she receives a blank Mother’s Day ‘Kept me guessing until the card in the post, she is confused and unsettled. Who could have sent end…’ Cath Weeks it to her and why? She isn’t a mother. ‘Will hook you from the very Another Mother’s Day card arrives. Then come the silent phone calls. Haunted by disturbing flashbacks, Grace starts to unravel. Someone is first line’ Louise Dean out to get her. Someone who knows what she has done. Someone who 'Deserves to fly off the will make her face the past she has run from for so long. shelves’ Mel McGrath Emerson creates an intricate web in this intense psychological thriller whose high energy and fast-pace will have you racing towards the ‘I loved the brilliantly chilling climactic conclusion. Perfect for fans of The Girl Before. anti-heroine’ Sarah J. Naughton World English: Legend Press / Lauren Parsons Publication: October 2018; 316 pages ‘A compelling page-turner with a satisfying ending and a late twist that I didn’t see Before writing fiction, Tracey worked in theatre and community arts.
    [Show full text]
  • Stephen Bayley Author, Design Critic & Columnist Media Masters – May 17, 2018 Listen to the Podcast Online, Visit
    Stephen Bayley Author, design critic & columnist Media Masters – May 17, 2018 Listen to the podcast online, visit www.mediamasters.fm Welcome to Media Masters, a series of one to one interviews with people at the top of the media game. Today, I’m joined by Stephen Bayley, design critic, author and journalist. The original design guru, Stephen is the founding director of London’s Design Museum and a trustee of the Royal Fine Arts Commission Trust. He’s written for leading publications including Vanity Fair, the Times and the Observer, and is now a contributing editor at GQ. A best selling author, Stephen’s books have transformed popular perceptions of design. His most recent book, Signs of Life: Why Brands Matter, explores the history of the design industry and what makes a successful brand. Stephen, thank you for joining me. It’s a great pleasure already so far. So, Stephen, many people have described you as Britain’s first and foremost design guru. What exactly does a design guru do? Well, a design guru… I think I probably was the person for whom the term ‘design guru’ was coined about 30-something years ago, and I took it on with what I like to think of as self-deprecating irony. Unfortunately, self-deprecating irony doesn’t always work well in print. You have to call yourself something, and I got fed up with saying, “Well, actually, I’m an academic art historian and I take a keen interest in industrial design in Europe and the United States between 1880 and 1970,” which is I suppose what might have been my academic interests.
    [Show full text]