| Oxford Literary Festival
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Littler, J. (2000). Creative Accounting: Consumer culture, the ‘creative economy’ and the cultural policies of New Labour’. In: Gilbert, J. and Bewes, T. (Eds.), Cultural Capitalism: Politics after New Labour. (pp. 203-222). London: Lawrence & Wishart. ISBN 9780853159179 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/6027/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Creative Accounting: Consumer Culture, the ‘Creative Economy’ and the Cultural Policies of New Labour Jo Littler In Tim Bewes and Jeremy Gilbert (eds) Cultural Capitalism: Politics after New Labour (L&W, 2000) In Stephen Bayley’s book Labour Camp: The Failure of Style Over Substance, the former creative director of the New Millennium Experience shares his views on New Labour’s cultural policies and practices. -
February 2018 at BFI Southbank Events
BFI SOUTHBANK EVENTS LISTINGS FOR FEBRUARY 2018 PREVIEWS Catch the latest film and TV alongside Q&As and special events Preview: The Shape of Water USA 2017. Dir Guillermo del Toro. With Sally Hawkins, Michael Shannon, Doug Jones, Octavia Spencer. Digital. 123min. Courtesy of Twentieth Century Fox Sally Hawkins shines as Elisa, a curious woman rendered mute in a childhood accident, who is now working as a janitor in a research center in early 1960s Baltimore. Her comfortable, albeit lonely, routine is thrown when a newly-discovered humanoid sea creature is brought into the facility. Del Toro’s fascination with the creature features of the 50s is beautifully translated here into a supernatural romance with dark fairy tale flourishes. Tickets £15, concs £12 (Members pay £2 less) WED 7 FEB 20:30 NFT1 Preview: Dark River UK 2017. Dir Clio Barnard. With Ruth Wilson, Mark Stanley, Sean Bean. Digital. 89min. Courtesy of Arrow Films After the death of her father, Alice (Wilson) returns to her family farm for the first time in 15 years, with the intention to take over the failing business. Her alcoholic older brother Joe (Stanley) has other ideas though, and Alice’s return conjures up the family’s dark and dysfunctional past. Writer-director Clio Barnard’s new film, which premiered at the BFI London Film Festival, incorporates gothic landscapes and stunning performances. Tickets £15, concs £12 (Members pay £2 less) MON 12 FEB 20:30 NFT1 Preview: You Were Never Really Here + extended intro by director Lynne Ramsay UK 2017. Dir Lynne Ramsay. With Joaquin Phoenix, Ekaterina Samsonov, Alessandro Nivola. -
Merrell Publishers
MERRELL AUTUMN 2019 Contents New Titles AUTUMN 2019 3–6 Published Titles ARCHITECTURE 8 ArT 9 DESIGN 11 FASHION 12 GARDENS 13 GRAPHIC DESIGN & ILLUSTRATION 14 ILLUSTRATED HISTORY 14 PHOTOGRAPHY 15 COLLECTOR’s EDITION 16 INDEX 17 CONTACTS 19 FRONT COVER Etnies Skatepark, Lake Forest, California; photograph copyright © Amir Zaki (see California Concrete: A Landscape of Skateparks, p. 3) PAGE 7 The King’s Staircase at Kensington Palace, created by William Kent between 1725 and 1727; photograph copyright © Historic Royal Palaces (see The Story of Kensington Palace, p. 15) Please note that all prices, publication dates and specifications listed in this catalogue are subject to alteration without notice. NEW TITLES £35.00 UK $50.00 US Hardback ISBN 978-1-8589-4678-8 128 pages 29 x 25 cm (9¾ x 11½ in) 90 illustrations September 2019 Rights available California Concrete A Landscape of Skateparks Amir Zaki Essays by Tony Hawk and Peter Zellner California is the birthplace of skateboard culture and, even though skateparks are found worldwide today, it is where these parks continue to flourish. Amir Zaki grew up skateboarding, so he has an understanding of these spaces and, as an artist who has spent years photographing the built and natural landscape of California, he has an appreciation of the large concrete structures as both sculptural forms and significant features of the contemporary landscape, belonging to a tradition of public art and Brutalist architecture. Each remarkable photograph in this book is a composite of shots taken with a digital camera mounted on a motorized tripod head; this allows Zaki to photograph areas that would otherwise be impossible to capture. -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
Modernist Architecture Shaped Streetscapes and Skylines from Berlin to Chandigarh to Brasília
Note: Unpublished paper, drawn from Chapter 3 of Thatcher’s Progress (2019). 1 WELFARE STATE MODERNISM AND THE POLITICS OF AESTHETIC CHANGE Guy Ortolano New York University Forged during the interwar decades, following the Second World War modernist architecture shaped streetscapes and skylines from Berlin to Chandigarh to Brasília. Postwar reconstruction, post-colonial development, and nationalist ambitions combined to unleash “a massive scale of experimental solutions that had been proposed in the 1920s and 1930s,” according to Jean-Louis Cohen’s global history of architecture, with the result that “principles that had been primarily in the theoretical sphere before the war quickly found their way into mass production.”1 These innovations included functional zoning, non-traditional materials, and industrialized building methods, but modernism became most associated with such characteristic forms as glass and steel towers, concrete civic spaces, and flat-roofed housing. Even that partial list indicates the diversity that the label “modernism” always struggled to corral, but the style’s coherence snapped into starker relief upon its repudiation. Because even more rapidly than it had triumphed, architecture’s modernist moment swiftly ended. Some scholars date its demise to the fatal explosion of London’s Ronan Point tower in 1968, while others point to the demolition of St. Louis’s Pruitt-Igoe housing complex in 1972.2 Its death throes persisted, through the Museum of Modern Art’s sympathetic revisiting of Beaux-Arts in 1975, and then that same venue’s iconoclastic Transformations in Modern Architecture exhibition of 1979.3 Generally, however, during the 1970s architects and critics were 1 Jean-Louis Cohen, The Future of Architecture. -
CLASSIC HIGHLIGHTS Contents
Autumn 2018 CLASSIC HIGHLIGHTS Contents For more information please go to our website to browse our shelves and find out more about what we do and who we represent. Centenary Celebrations 2018 p. 5-6 Troublesome Women pp. 7-11 Short Stories pp. 12-20 Classics of Our Time pp.21-24 Agents US Rights: Veronique Baxter, Georgia Glover, Anthony Goff, Andrew Gordon, Lizzy Kremer, Caroline Walsh Film & TV Rights: Nicky Lund, Georgina Ruffhead, Claire Israel, Penelope Killick Translation Rights: Emma Jamison: [email protected] Adult estates titles in all languages Allison Cole: [email protected] Children’s titles in all languages Contact t: +44 (0)20 7434 5900 f: +44 (0)20 7437 1072 www.davidhigham.co.uk CENTENARY CELEBRATIONS MURIEL SPARK 2018 marks the 100th anniversary of the birth of classic writer, Dame Muriel Spark Born in Edinburgh in 1918, Muriel Spark originally worked as a secretary and then a poet and literary journalist. She was completely unknown and impoverished until she started her career as a story writer and novelist. Then everything changed overnight. A poet and novelist, she also wrote children’s books, radio plays, a comedy Doctors of Philosophy, (first performed in London in 1962 and published 1963) and biographies of nineteenth-century literary figures, including Mary Shelley and Emily Brontë. For her long career of literary achievement, which began in 1951, when she won a short-story competition in the Observer, Muriel Spark garnered international praise and many awards, which include the David Cohen Prize for Literature, the Ingersoll T.S. Eliot Award, the James Tait Black Memorial Prize, the Boccaccio Prize for European Literature, the Gold Pen Award, the first Enlightenment Award and the Italia Prize for dramatic radio. -
The Stakes Ben Sanders
FEBRUARY 2018 The Stakes Ben Sanders An NYPD robbery detective uses his insider knowledge to rob criminals. The dazzling new stand-alone thriller from the bestselling author of American Blood and Marshall's Law. Description Rip-offs are a dangerous game, but NYPD robbery detective Miles Keller thinks he's found a good strategy: rip off rich New York criminals and then retire early, before word's out about his true identity. New town, new name, no worries. Retirement can't come soon enough, though. The NYPD is investigating him for the shooting of a hitman named Jack Deen, who was targeting Lucy Gates - a former police informant and Miles's ex-lover. Miles thinks shooting hitmen counts as altruism, but in any case a murder charge would make life difficult. He's ready to go to ground, but then Nina Stone reappears in his life. Nina is a fellow heist professional and the estranged wife of LA crime boss Charles Stone. Miles last saw her five years ago, when he was investigating her for bank robbery and looked the other way, for reasons he is still trying to figure out. Since then her life has grown more complicated: her husband wants her back, and he's dispatched his go-to gun thug to play repo man. Complicating matters is the fact that the gun thug in question is Bobby Deen, cousin of the dead Jack Deen - and Bobby wants vengeance. The stakes couldn't be higher, but Nina has an offer that could be lucrative. Maybe Miles can stick around a while longer and get the big payoff he's been waiting for? But luck has a way of running out and soon Miles is in way over his head. -
David Olusoga Author/Presenter
David Olusoga Author/Presenter David Olusoga is a British-Nigerian historian, broadcaster and film- maker. His most recent TV series include Empire (BBC 2), Black and British: A Forgotten History (BBC 2), The World’s War (BBC 2), 4 seasons of A House Through Time (BBC 2) and the BAFTA winning Britain’s Forgotten Slave Owners (BBC 2). David is also the author of Black & British: A Forgotten History which was awarded both the Longman-History Today Trustees Award and the PEN Hessell-Tiltman Prize. His other books include The World’s War, which won First World War Book of the Year in 2015, The Kaiser’s Holocaust: Germany’s Forgotten Genocide and the Colonial Roots of Nazism and Civilizations: Encounters and the Cult of Progress. David was also a contributor to the Oxford Companion to Black British History and writes for The Guardian and is a columnist for The Observer and BBC History Magazine. He is also one of the three presenters on the BBC's landmark Arts series Civilizations. In 2020 he held an exclusive interview with former President of the United States, Barack Obama. David's most recent book Black and British: A Short, Essential History won the Children's Illustrated & Non-Fiction book of the year at the 2021 British Book Awards. Agents Charles Walker Assistant [email protected] Olivia Martin +44 (0) 20 3214 0874 [email protected] +44 (0) 20 3214 0778 Credits Television Production Company Notes OUR NHS: A HIDDEN Uplands David Olusoga meets nurses, doctors and health HISTORY Television / BBC workers from overseas who have transformed the 2021 NHS in spite of hostility and discrimination. -
Roger-Scruton-Beauty
Beauty This page intentionally left blank Beauty ROGER SCRUTON 1 3 Great Clarendon Street, Oxford OX2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # Horsell’s Farm Enterprises Limited The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2009 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India Printed in Italy and acid-free paper by Lego S.p.A ISBN 978–0–19–955952–7 13579108642 CONTENTS Picture Acknowledgements vii Preface ix 1. -
The Alien in Greenwich. Iain Sinclair & the Millennium Dome
The Alien in Greenwich. Iain Sinclair & the Millennium Dome by Nicoletta Vallorani THE DOME THAT FELL ON EARTH For Iain Sinclair, London is a life project. It tends to take the same ideal shape of the city he tries to tell us about: a provisional landscape (Sinclair 2002: 44), multilevel and dynamically unstable, invaded by memories, projects, plans and virtual imaginations, walked through and re-moulded by the walker, finally fading away at its endlessly redrawn margins. One gets lost, and in doing so, he learns something more about the place he inhabits1: I’m in mid-stride, mid-monologue, when a deranged man (French) grabs me by the sleeve […] There’s something wrong with the landscape. Nothing fits. His compass has gone haywire. ‘Is this London?’ he demands, very politely. Up close, he’s excited rather than mad. Not a runaway. It’s just that he’s been working a route through undifferentiated suburbs for hours, without reward. None of the landmarks – Tower Bridge, the Tower of London, Harrod’s, the Virgin Megastore – that would confirm, or justify, his sense of the metropolis. But his question is a brute. ‘Is this London?’ Not in my book. London is whatever can be reached in a one-hour walk. The rest is fictional. […] ‘Four miles’ I reply. At a venture. ‘London.’ A reckless improvisation. ‘Straight on. Keep going. Find a bridge and cross it.’ I talk as if translating myself into a language primer (Sinclair & Atkins 1999: 38-43). Here, though conjured up by specific landmarks (Tower Bridge, the Tower of London, Harrod’s, the Virgin Megastore) and a few permanent inscriptions (the river and its bridges), the space of London stands out as a fiction made true by the steps of the walker. -
If We Would Have New Knowledge, We Must Get a Whole World of New Questions” Susanne K
“ If we would have new knowledge, we must get a whole world of new questions” Susanne K. Langer Within a one-mile radius of The Knowledge Quarter brings Kings Cross is a remarkable together over 85 cultural, CONTENTS cluster of organisations research, scientific, business spanning research, higher and academic institutions education, science, art, both large and small under 01 The Conference culture and media. one umbrella. Positioning The Conference 05 the area as unique in the Event Programme 06 Individually they offer knowledge economy. It has resources for specialists become a recognisable brand that resonates with all kinds of 02 KQ Sessions knowledge seekers, whether Session Listings 08 - 11 prospective visitors, UK and overseas students or other 03 Partner Sessions knowledge based institutions Introd uction and businesses. Session Listings 12 - 21 in numerous fields, from The Knowledge Quarter 04 Speakers architecture and the arts to fosters knowledge exchange To the Keynote speakers 22 biotechnology and veterinary and collaboration between science. Together they staff and users of cross- KQ session speakers 23 Knowledge represent a concentration disciplinary communities to of knowledge and expertise exchange ideas, expertise Partner session speakers 26 Quarter to rival any in the world. and evidence. Developing What links them all is a focus networks to encourage 05 Sponsors on the advancement and collaborative projects, training, Sponsor info 30 dissemination of knowledge commissioned research and for research, inspiration, access to funding, engaging a growth, creativity and wide variety of audiences and enjoyment. benefiting the local research community. 3 01 THE CONFERENCE THE CONFERENCE 01 he Knowledge Quarter is How can the knowledge economy marking its third anniversary respond when facts are conflated with Twith a one-day Conference of quick-fire internet memes, when slick talks and workshops on the future presentation is more highly valued of Knowledge in an age of untruth. -
Golden Man Booker Prize Shortlist Celebrating Five Decades of the Finest Fiction
Press release Under embargo until 6.30pm, Saturday 26 May 2018 Golden Man Booker Prize shortlist Celebrating five decades of the finest fiction www.themanbookerprize.com| #ManBooker50 The shortlist for the Golden Man Booker Prize was announced today (Saturday 26 May) during a reception at the Hay Festival. This special one-off award for Man Booker Prize’s 50th anniversary celebrations will crown the best work of fiction from the last five decades of the prize. All 51 previous winners were considered by a panel of five specially appointed judges, each of whom was asked to read the winning novels from one decade of the prize’s history. We can now reveal that that the ‘Golden Five’ – the books thought to have best stood the test of time – are: In a Free State by V. S. Naipaul; Moon Tiger by Penelope Lively; The English Patient by Michael Ondaatje; Wolf Hall by Hilary Mantel; and Lincoln in the Bardo by George Saunders. Judge Year Title Author Country Publisher of win Robert 1971 In a Free V. S. Naipaul UK Picador McCrum State Lemn Sissay 1987 Moon Penelope Lively UK Penguin Tiger Kamila 1992 The Michael Canada Bloomsbury Shamsie English Ondaatje Patient Simon Mayo 2009 Wolf Hall Hilary Mantel UK Fourth Estate Hollie 2017 Lincoln George USA Bloomsbury McNish in the Saunders Bardo Key dates 26 May to 25 June Readers are now invited to have their say on which book is their favourite from this shortlist. The month-long public vote on the Man Booker Prize website will close on 25 June.