ISSUE 2 Holy Family Writes
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The Little SAS® Book a Primer THIRD EDITION
The Little SAS® Book a primer THIRD EDITION Lora D. Delwiche and Susan J. Slaughter The correct bibliographic citation for this manual is as follows: Delwiche, Lora D. and Slaughter, Susan J., 2003. The Little SAS Book: A Primer, Third Edition. Cary, NC: SAS Institute Inc. The Little SAS Book: A Primer, Third Edition Copyright © 2003, SAS Institute Inc., Cary, NC, USA ISBN 1-59047-333-7 All rights reserved. Produced in the United States of America. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, or otherwise, without the prior written permission of the publisher, SAS Institute Inc. U.S. Government Restricted Rights Notice: Use, duplication, or disclosure of this software and related documentation by the U.S. government is subject to the Agreement with SAS Institute and the restrictions set forth in FAR 52.227-19, Commercial Computer Software-Restricted Rights (June 1987). SAS Institute Inc., SAS Campus Drive, Cary, North Carolina 27513. 1st printing, November 2003 SAS Publishing provides a complete selection of books and electronic products to help customers use SAS software to its fullest potential. For more information about our e-books, e-learning products, CDs, and hard- copy books, visit the SAS Publishing Web site at support.sas.com/pubs or call 1-800-727-3228. SAS® and all other SAS Institute Inc. product or service names are registered trademarks or trademarks of SAS Institute Inc. in the USA and other countries. ® indicates USA registration. Other brand and product names are trademarks of their respective companies. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
2News Summer 05 Catalog
X-Men, Alpha Flight, and all related characters TM & © Marvel Characters, Inc. All Rights Reserved. 0 8 THIS ISSUE: INTERNATIONAL THIS HEROES! ISSUE: INTERNATIONAL No.83 September 2015 $ 8 . 9 5 1 82658 27762 8 featuring an exclusive interview with cover artists Steve Fastner and Rich Larson Alpha Flight • New X-Men • Global Guardians • Captain Canuck • JLI & more! Volume 1, Number 83 September 2015 EDITOR-IN-CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTISTS Steve Fastner and Rich Larson COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Jack Abramowitz Martin Pasko Howard Bender Carl Potts Jonathan R. Brown Bob Rozakis FLASHBACK: International X-Men . 2 Rebecca Busselle Samuel Savage The global evolution of Marvel’s mighty mutants ByrneRobotics.com Alex Saviuk Dewey Cassell Jason Shayer FLASHBACK: Exploding from the Pages of X-Men: Alpha Flight . 13 Chris Claremont Craig Shutt John Byrne’s not-quite-a team from the Great White North Mike Collins David Smith J. M. DeMatteis Steve Stiles BACKSTAGE PASS: The Captain and the Controversy . 24 Leopoldo Duranona Dan Tandarich How a moral panic in the UK jeopardized the 1976 launch of Captain Britain Scott Edelman Roy Thomas WHAT THE--?!: Spider-Man: The UK Adventures . 29 Raimon Fonseca Fred Van Lente Ramona Fradon Len Wein Even you Spidey know-it-alls may never have read these stories! Keith Giffen Jay Williams BACKSTAGE PASS: Origins of Marvel UK: Not Just Your Father’s Reprints. 37 Steve Goble Keith Williams Repurposing Marvel Comics classics for a new audience Grand Comics Database Dedicated with ART GALLERY: López Espí Marvel Art Gallery . -
SPIDER-MAN: a BUMPY RIDE on BROADWAY the Broadway Production of “Spider-Man: Turn Off the Dark” Suffered from Vast Expenses and Discord
FROM THE NEW YORK TIMES ARCHIVES SPIDER-MAN: A BUMPY RIDE ON BROADWAY The Broadway production of “Spider-Man: Turn Off the Dark” suffered from vast expenses and discord. (Sara Krulwich/The New York Times) TBook Collections Copyright © 2015 The New York Times Company. All rights reserved. Cover photograph by Sara Krulwich/The New York Times This ebook was created using Vook. All of the articles in this work originally appeared in The New York Times. eISBN: The New York Times Company New York, NY www.nytimes.com www.nytimes.com/tbooks Broadway’s ‘Spider-Man’ Spins A Start Date By PATRICK HEALY February 24, 2009 The widely anticipated new musical “Spider-Man, Turn Off the Dark,” with music and lyrics by Bono and the Edge and directed by Julie Taymor (“The Lion King”), took a big swing toward a Broadway debut on Tuesday: the producers announced that the show would begin previews on Jan. 16 at the Hilton Theater. The musical, produced by Hello Entertainment/David Garfinkle, Martin McCallum, Marvel Entertainment and Sony Pictures Entertainment, is to open on Feb. 18. Industry insiders have said its budget would be the largest in Broadway history, about $40 million; a spokesman for the show, Adrian Bryan-Brown, said on Tuesday that the producers would not comment on the dollar amount. ‘Spider-Man’ Musical Names 2 Of Its Stars June 27, 2009 Evan Rachel Wood will be Mary Jane Watson and Alan Cumming will star as Norman Osborn (a k a Green Goblin) in the upcoming Broadway musical “Spider-Man, Turn Off The Dark,” the producers announced on Friday. -
Behind the Songs with Lynn Ahrens and Stephen Flaherty
Behind the Songs with Lynn Ahrens and Stephen Flaherty [00:00:05] Welcome to The Seattle Public Library’s podcasts of author readings and library events. Library podcasts are brought to you by The Seattle Public Library and Foundation. To learn more about our programs and podcasts, visit our web site at w w w dot SPL dot org. To learn how you can help the library foundation support The Seattle Public Library go to foundation dot SPL dot org [00:00:38] Thank you so much. We are so excited over at the Fifth Avenue to be partnering with The Seattle Public Library and these community conversations and we're so thankful that you all decided to come here on this beautiful Monday sunny night in Seattle. I don't know what you're doing inside it's gorgeous out there. Well we're going to wow you with some songs tonight and a wonderful conversation at the Fifth. We're currently presenting "Marie - Dancing Still", a new musical based on the life of and the world of the young ballet student who inspired the masterpiece by Dagmar. The little dancer. And tonight we have two very special guests with us the writers of Lynn Ahrens who wrote the book and lyrics and Stephen Flaherty who composed the music. Ahrens similarity we're gonna embarrass you a little bit. You are considered the foremost theatrical songwriting team of their generation and that's true. They are. They of course wrote the Tony Award winning score for the musical masterpiece ragtime and began their Broadway career with the irresistible. -
The Strokes (San Diego 2019)
THE STROKES Backup Vox Song Drums Bass Guitar 1 Guitar 2 Guitar 3 Keys 1 Keys 2 Lead Vox (Full) Other (Full) Other (Full) Other (Minor) 1 IS THIS IT VIDA GARCIA JAKE LYONS LORENZO PARADEZ SAMIRA SCHNEIDER notes on song part 1 THE MODERN AGE JACE WHITEHEAD MAX CLEMENT JAGGER LICARI GABBY DURST notes on song part 2 SOMA SOFIA SACCA MERIDETH AUSLAND TYLER GRAUPP notes on song part lead 1 lead 2 rhythm 2 BARELY LEGAL MATTEO NEWELL JAKE LYONS KAIA FARRES VICENZO NAPOLITANO notes on song part 3 SOMEDAY JACE WHITEHEAD JAGGER LICARI MERIDETH AUSLAND HAVEN ENDRISS notes on song part 3 ALONE, TOGETHER INDIA MORIARTI MAX CLEMENT KAYLEE WINNINGHAM notes on song part 4 LAST NITE MATTEO NEWELL ISAAC ZUNIGA KAIA FARRES GABBY DURST notes on song part 4 HARD TO EXPLAIN SOFIA SACCA JACOB BEACH CAEDMON JOSEPH SAMIRA SCHNEIDER notes on song part elec piano 5 WHEN IT STARTED INDIA MORIARTI ISAAC ZUNIGA HAVEN ENDRISS notes on song part lead 1 5 TRYING YOUR LUCK VIDA GARCIA JACOB BEACH JAGGER LICARI KAYLEE WINNINGHAM notes on song part 6 TAKE IT OR LEAVE IT KAIA FARRES TYLER GRAUPP SAMIRA SCHNEIDER notes on song part 6 NEW YORK CITY COPS MATTEO NEWELL ISAAC ZUNIGA VICENZO NAPOLITANO notes on song part Tambo 7 REPTILIA INDIA MORIARTI JACOB BEACH LORENZO PARADEZ GABBY DURST notes on song part 7 12:51 VIDA GARCIA MERIDETH AUSLAND TYLER GRAUPP CAEDMON JOSEPH VICENZO NAPOLITANO notes on song part synth claps 8 YOU ONLY LIVE ONCE JACE WHITEHEAD MAX CLEMENT LORENZO PARADEZ HAVEN ENDRISS notes on song part Tambo 8 THE END HAS NO END SOFIA SACCA JAKE LYONS CAEDMON JOSEPH KAYLEE WINNINGHAM notes on song part synth 9 Song 17 notes on song part 9 Song 18 notes on song part 10 Song 19 notes on song part 10 Song 20 notes on song part 11 Song 21 notes on song part 11 Song 22 notes on song part 12 Song 23 notes on song part 12 Song 24 notes on song part THE STROKES Backup Vox Song Drums Bass Guitar 1 Guitar 2 Guitar 3 Keys 1 Keys 2 Lead Vox (Full) Other (Full) Other (Full) Other (Minor) 13 Song 25 notes on song part 13 Song 26 notes on song part. -
Deep Learning for Dynamic Music Generation
Faculty of Sciences and Tecnology Department of Informatics Engineering Deep Learning for Dynamic Music Generation José Maria da Costa Simões Dissertation in the context of the Master in Informatics Engineering, Specialization in Intelligent Systems advised by Prof. Fernando Penousal Machado and Prof. Ana Cláudia Rodrigues. Faculty of Sciences and Technology / Department of Informatics Engineering June 2019 Abstract In the last decade, Deep Learning (DL) algorithms have been increasing their popularity in several fields such as computer vi- sion, speech recognition, natural language processing and many others. DL models, however, are not limited to scientific do- mains as they have recently been applied to content generation in diverse art forms - both in the generation of novel content and as co-creative tools. Artificial music generation is one of the fields where DL architectures have been applied. They have been mostly used to create new compositions exhibiting promis- ing results when compared to human compositions. Despite this, the majority of these artificial pieces lack some expression when compared to music compositions performed by humans. In this document, we propose a system capable of artificially generating expressive music compositions. Our main goal is to improve the quality of the musical compositions generated by the artificial system by exploring perceptually relevant musi- cal elements such as note velocity and duration. To assess this hypothesis we perform user tests. Our results suggest that ex- pressive elements such as duration and velocity are key aspects in a music composition, making the ones that include these preferable to non-expressive ones. Keywords Machine Learning (ML), Artificial Neural Network (ANN), Deep Learning (DL), Recurrent Neural Networks (RNN), Long Short- Term Memory (LSTM), Note Sequences, Music Composition, Melody, Velocity, Duration. -
![(Text Transcript Follows) [00:00:09] OPENING MONOLOGUE](https://docslib.b-cdn.net/cover/1518/text-transcript-follows-00-00-09-opening-monologue-3251518.webp)
(Text Transcript Follows) [00:00:09] OPENING MONOLOGUE
Borne the Battle Episode # 221 Air Force Veteran Mark Harper, President and CMO of We Are the Mighty https://www.blogs.va.gov/VAntage/81447/borne-battle-221-air-force-veteran-mark-harper- president-mighty/ (Text Transcript Follows) [00:00:00] Music [00:00:09] OPENING MONOLOGUE: Tanner Iskra (TI): Oh, let's get it. Monday, November 23rd, 2020. Borne the Battle - brought to you by the Department of Veterans Affairs. The podcast that focuses on inspiring veteran stories and puts a highly on important resources, offices, and benefits for our veterans. I am your host Marine Corps, veteran Tanner Iskra. Hope everyone had a great week outside of podcast land. Myself, I'm trying out some new gear, got some new gear from the office. Don't have it quite soundproofed here in the home studio. So, it might sound a little echoey. It's funny how it's a better, better microphone, but it's a worse quality based on the room. So, we're going to manage and we're going to keep pressing on No new reviews this week to respond to - no new ratings. If you like what we put together every week, please consider smashing that subscribe button and leaving a rating and, or a review on Apple Podcasts. It helps push this podcast up in the algorithms. Which gives more veterans the chance to catch the information provided not only in the interviews, but in the benefits breakdown episodes and in the news releases. Talking news releases, we have six this week, some are pretty brief, so it was not going to be, as long as you'd think. -
©Copyright 2012 Elda Miriam Aldasoro Maya
©Copyright 2012 Elda Miriam Aldasoro Maya Documenting and Contextualizing Pjiekakjoo (Tlahuica) Knowledges though a Collaborative Research Project Elda Miriam Aldasoro Maya A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2012 Reading Committee: Eugene Hunn, Chair Stevan Harrell Aaron J. Pollack Program Authorized to Offer Degree: Anthropology University of Washington Abstract Documenting and Contextualizing Pjiekakjoo Knowledge through a Collaborative Research Project Elda Miriam Aldasoro Maya Chair of the Supervisory Committee Emeritus Professor Eugene Hunn University of Washington The Pjiekakjoo (Tlahuica) people and their culture have managed to adapt to the globalized world. They have developed a deep knowledge-practice-belief system (Traditional Environmental Knowledge (TEK) or Contemporary Indigenous Knowledges (CIK)) that is part of the biocultural diversity of the region in which they live. This dissertation describes the economic, social and political context of the Pjiekakjoo, to contextualize the Pjiekakjoo CIK, including information on their land tenure struggles, their fight against illegal logging and the policies governing the Zempoala Lagoons National Park that is part of their territory. The collaborative research on which this dissertation draws, based on a dialogue of knowledges and heavily influenced by the ideas of Paolo Freire, fully recognized Indigenous people as subjects. Through participant observation, interviews and workshops we documented the names, uses, myth, beliefs and stories that the Pjiekakjoo people give to an extensive variety of organisms: mushrooms, invertebrates, vertebrates and the most important useful plants. Basic knowledge about the milpa and corn was also documented. Through the analysis of the information gathered it is clear that the relation of the Pjiekakjoo with other living beings is far from solely utilitarian in nature. -
The Glass Castle: a Memoir
The Glass Castle A Memoir Jeannette Walls SCRIBNER New York London Toronto Sydney Acknowledgments I©d like to thank my brother, Brian, for standing by me when we were growing up and while I wrote this. I©m also grateful to my mother for believing in art and truth and for supporting the idea of the book; to my brilliant and talented older sister, Lori, for coming around to it; and to my younger sister, Maureen, whom I will always love. And to my father, Rex S. Walls, for dreaming all those big dreams. Very special thanks also to my agent, Jennifer Rudolph Walsh, for her compassion, wit, tenacity, and enthusiastic support; to my editor, Nan Graham, for her keen sense of how much is enough and for caring so deeply; and to Alexis Gargagliano for her thoughtful and sensitive readings. My gratitude for their early and constant support goes to Jay and Betsy Taylor, Laurie Peck, Cynthia and David Young, Amy and Jim Scully, Ashley Pearson, Dan Mathews, Susan Watson, and Jessica Taylor and Alex Guerrios. I can never adequately thank my husband, John Taylor, who persuaded me it was time to tell my story and then pulled it out of me. Dark is a way and light is a place, Heaven that never was Nor will be ever is always true ÐDylan Thomas, "Poem on His Birthday" I A WOMAN ON THE STREET I WAS SITTING IN a taxi, wondering if I had overdressed for the evening, when I looked out the window and saw Mom rooting through a Dumpster. -
Why Do They Hate Us? : the Post 9/11 Experience of Arabs, Muslims and How Lack of Education Deepens Stereotypes and Hatred
WHY DO THEY HATE US? : THE POST 9/11 EXPERIENCE OF ARABS, MUSLIMS AND HOW THE LACK OF EDUCATION DEEPENS STEREOTYPES AND HATRED A Senior Scholars Thesis by JILLIAN MCCALL HEGEDUS Submitted to Honors and Undergraduate Research of Texas A&M University in partial fulfillment of the requirements for the degree of UNDERGRADUATE RESEARCH SCHOLAR May 2012 Major: International Studies WHY DO THEY HATE US? : THE POST 9/11 EXPERIENCE OF ARABS, MUSLIMS, AND HOW THE LACK OF EDUCATION A Senior Scholars Thesis by JILLIAN MCCALL HEGEDUS Submitted to Honors and Undergraduate Research of Texas A&M University in partial fulfillment of the requirements for the degree of UNDERGRADUATE RESEARCH SCHOLAR Approved by: Research Advisor: Michael Greenwald Associate Director, Honors and Undergraduate Research: Duncan MacKenzie May 2012 Major: International Studies iii ABSTRACT Why Do They Hate Us? : The Post 9/11 Experience of Arabs, Muslims and How Lack of Education Deepens Stereotypes and Hatred. (May 2012) Jillian McCall Hegedus Department of International Studies Texas A&M University Research Advisor: Dr. Michael Greenwald Department of Performance Studies The purpose of this thesis is to examine the experiences of Arabs, Muslims in this post 9/11 society. The research conducted delves into the experiences of these groups: the stereotypes branded on them by society, the harassment and hate crimes experienced by many in retribution for the attacks on America. A lack of education about the Middle East, Islam and Arabs has embedded the stereotypes of Muslims and Arabs and there is a need for a more balanced curriculum, especially in the state of Texas. -
That's Television Entertainment: the History, Development, and Impact
That’s Television Entertainment: The History, Development, and Impact of the First Five Seasons of “Entertainment Tonight,” 1981-86 A dissertation presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Sara C. Magee August 2008 © 2008 Sara C. Magee All Rights Reserved ii This dissertation titled That’s Television Entertainment: The History, Development, and Impact of the First Five Seasons of “Entertainment Tonight,” 1981-86 by SARA C. MAGEE has been approved for the E. W. Scripps School of Journalism and the Scripps College of Communication by Patrick S. Washburn Professor of Journalism Gregory J. Shepherd Dean, Scripps College of Communication iii Abstract MAGEE, SARA C., Ph.D., August 2008, Mass Communication That’s Television Entertainment: The History, Development, and Impact of the First Five Seasons of “Entertainment Tonight,” 1981-86 (306 pp.) Director of Dissertation: Patrick S. Washburn The line between news and entertainment on television grows more blurry every day. Heated debates over what is news and what is entertainment pepper local, national, and cable newsrooms. Cable channels devoted entirely to entertainment and a plethora of syndicated, half-hour entertainment news magazines air nightly. It was not always so. When “Entertainment Tonight” premiered in 1981, the first daily half-hour syndicated news program, no one thought it would survive. No one believed there was enough celebrity and Hollywood news to fill a daily half-hour, much less interest an audience. Still, “ET” set out to become the glitzy, glamorous newscast of record for the entertainment industry and twenty-seven years later is still going strong.