Why Do They Hate Us? : the Post 9/11 Experience of Arabs, Muslims and How Lack of Education Deepens Stereotypes and Hatred
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ISSUE 2 Holy Family Writes
Issue 2 Term 3 August 2020 “Crafty Writers” Your writing is only limited to your imagination! Follow the year levels to see the amazing efforts our This issue, we are showcasing students are making to craft student work that shows a their words so cleverly. variety of author crafting techniques, such as use of of italics, alliteration, similes, Index: onomatopoeia, interrobang, ellipsis and many more! Reception/Year 1 Year 2 Authors in the Year 3 making… Year 4 We hope that in publishing this Year 5/6 digital magazine our young writers feel a sense of great ownership and achievement. Reception/ Year 1 Book making fun in R/1MR Reception/ Year 1 Book making fun in R/1MR Reception/ Year 1 By Athian R/1MP Reception/ Year 1 By Aisha R/1JH Reception/ Year 1 By Ambrose R/1MP Reception/ Year 1 By Dylan R/1MP Reception/ Year 1 By Lina R/1MP Reception/ Year 1 By Ariana R/1JH Reception/ Year 1 By Vincent R/1JH Reception/ Year 1 By Yasha R/1JH Reception/ Year 1 By Isla R/1MP Reception/ Year 1 Reception/ Year 1 Reception/ Year 1 By Kevin R/1MP Reception/ Year 1 Reception/ Year 1 Reception/ Year 1 By Sehana R/1MP Reception/ Year 1 Reception/ Year 1 Reception/ Year 1 Reception/ Year 1 By Victoria R/1MP Reception/ Year 1 Reception/ Year 1 By Hartley R/1MP Reception/ Year 1 Reception/ Year 1 Reception/ Year 1 By Abel R/1MP Year 2 By Cooper 2FA Year 2 By Cooper 2FA Year 2 By Sara 2FA Year 2 By Sara 2FA Year 2 By Sara 2FA Year 2 Year 2 By Dung 2RG Year 2 Year 2 Year 2 Year 2 Year 2 Year 2 By Beau 2RG Year 3 Circus Story Year 3 By Thuy 3JW Year 3 Year 3 Year 3 Year 3 By Vi 3JW Year 3 Dr Seuss is 87 years old. -
The Little SAS® Book a Primer THIRD EDITION
The Little SAS® Book a primer THIRD EDITION Lora D. Delwiche and Susan J. Slaughter The correct bibliographic citation for this manual is as follows: Delwiche, Lora D. and Slaughter, Susan J., 2003. The Little SAS Book: A Primer, Third Edition. Cary, NC: SAS Institute Inc. The Little SAS Book: A Primer, Third Edition Copyright © 2003, SAS Institute Inc., Cary, NC, USA ISBN 1-59047-333-7 All rights reserved. Produced in the United States of America. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, or otherwise, without the prior written permission of the publisher, SAS Institute Inc. U.S. Government Restricted Rights Notice: Use, duplication, or disclosure of this software and related documentation by the U.S. government is subject to the Agreement with SAS Institute and the restrictions set forth in FAR 52.227-19, Commercial Computer Software-Restricted Rights (June 1987). SAS Institute Inc., SAS Campus Drive, Cary, North Carolina 27513. 1st printing, November 2003 SAS Publishing provides a complete selection of books and electronic products to help customers use SAS software to its fullest potential. For more information about our e-books, e-learning products, CDs, and hard- copy books, visit the SAS Publishing Web site at support.sas.com/pubs or call 1-800-727-3228. SAS® and all other SAS Institute Inc. product or service names are registered trademarks or trademarks of SAS Institute Inc. in the USA and other countries. ® indicates USA registration. Other brand and product names are trademarks of their respective companies. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
Page | 1 VON FREEMAN NEA JAZZ MASTER (2012) Interviewee: Von
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. VON FREEMAN NEA JAZZ MASTER (2012) Interviewee: Von Freeman (October 3, 1923 – August 11, 2012) Interviewer: Steve Coleman Date: May 23-24, 2000 Repository: Archives Center, National Museum of American History Description: Transcript, 110 pp. Coleman: Tuesday, May 23rd, 2000, 5:22 pm, Von Freeman oral history. My name: I’m Steve Coleman. I’ll keep this in the format that I have here. I’d like to start off with where you were born, when you were born. Freeman: Let’s see. It’s been a little problem with that age thing. Some say 1922. Some say 1923. Say 1923. Let’s make me a year younger. October the 3rd, 1923. Coleman: Why is there a problem with the age thing? Freeman: I don’t know. When I was unaware that they were writing, a lot of things said that I was born in ’22. I always thought I was born in ’23. So I asked my mother, and she said she couldn’t remember. Then at one time I had a birth certificate. It had ’22. So when I went to start traveling overseas, I put ’23 down. So it’s been wavering between ’22 and ’23. So I asked my brother Bruz. He says, “I was always two years older than you, two years your elder.” So that put me back to 1923. So I just let it stand there, for all the hysterians – historian that have written about me. -
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project PHILIP C. BROWN Interviewed by: Charles Stuart Kennedy Initial interview date: January 18, 2012 Copyright ADST 2016 TABLE OF CONTENTS Background Born in Massachusetts; raised primarily in Pennsylvania College of Wooster, Ohio; Fletcher School of Law and Diplomacy Operation Crossroads Africa Marriage Washington, DC; Voice of America; Africa news room 1965 Entered the Foreign Service, USIA 1965 State Department: Foreign Service Institute (FSI): 1965 French language training Dakar, Senegal: USIA: Junior Officer Trainee 1966-1967 President Leopold Senghor French presence Lebanese Festival of Negro Arts John McKesson Ambassador William R. Rivkin Environment Cultural Center operations Recreation Islam Douala, Cameroon: Branch Public Affairs Officer 1967-1968 Environment Cultural Center operations Religions French “cooperants” French influence Institute of International Education Biafra War 1 Voice of America Birth of daughter Yaoundé, Cameroon: Cultural Affairs Officer 1968-1970 Environment President Ahmadou Ahidjo Tribal influence French presence Relations Political climate Ambassador Robert Payton Embassy staff Living arrangements Jim Bishop Recreation Visitors Program Ambassador Lewis Hoffacker Secretary and Mrs. Rogers visit Algiers, Algeria: Cultural Affairs Officer 1970-1972 American Interests Section, Embassy of Switzerland 1967 Six Day War Economic relations Political relations US Export-Import Bank loans El Paso Natural Gas William Eagleton Scholarship/Visitors’ -
2News Summer 05 Catalog
X-Men, Alpha Flight, and all related characters TM & © Marvel Characters, Inc. All Rights Reserved. 0 8 THIS ISSUE: INTERNATIONAL THIS HEROES! ISSUE: INTERNATIONAL No.83 September 2015 $ 8 . 9 5 1 82658 27762 8 featuring an exclusive interview with cover artists Steve Fastner and Rich Larson Alpha Flight • New X-Men • Global Guardians • Captain Canuck • JLI & more! Volume 1, Number 83 September 2015 EDITOR-IN-CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTISTS Steve Fastner and Rich Larson COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Jack Abramowitz Martin Pasko Howard Bender Carl Potts Jonathan R. Brown Bob Rozakis FLASHBACK: International X-Men . 2 Rebecca Busselle Samuel Savage The global evolution of Marvel’s mighty mutants ByrneRobotics.com Alex Saviuk Dewey Cassell Jason Shayer FLASHBACK: Exploding from the Pages of X-Men: Alpha Flight . 13 Chris Claremont Craig Shutt John Byrne’s not-quite-a team from the Great White North Mike Collins David Smith J. M. DeMatteis Steve Stiles BACKSTAGE PASS: The Captain and the Controversy . 24 Leopoldo Duranona Dan Tandarich How a moral panic in the UK jeopardized the 1976 launch of Captain Britain Scott Edelman Roy Thomas WHAT THE--?!: Spider-Man: The UK Adventures . 29 Raimon Fonseca Fred Van Lente Ramona Fradon Len Wein Even you Spidey know-it-alls may never have read these stories! Keith Giffen Jay Williams BACKSTAGE PASS: Origins of Marvel UK: Not Just Your Father’s Reprints. 37 Steve Goble Keith Williams Repurposing Marvel Comics classics for a new audience Grand Comics Database Dedicated with ART GALLERY: López Espí Marvel Art Gallery . -
A Sentimental Pigeon Keeper
San Jose State University SJSU ScholarWorks Master's Theses Master's Theses and Graduate Research Fall 2015 A Sentimental Pigeon Keeper ADNAN ALAM San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/etd_theses Recommended Citation ALAM, ADNAN, "A Sentimental Pigeon Keeper" (2015). Master's Theses. 4618. DOI: https://doi.org/10.31979/etd.9eu3-wzs4 https://scholarworks.sjsu.edu/etd_theses/4618 This Thesis is brought to you for free and open access by the Master's Theses and Graduate Research at SJSU ScholarWorks. It has been accepted for inclusion in Master's Theses by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. A SENTIMENTAL PIGEON KEEPER A Thesis Presented to The Faculty of the Department of English and Comparative Literature San José State University In Partial Fulfillment of the Requirements for the Degree Master of Fine Arts by Adnan Alam December 2015 11 © 2015 Adnan Alam ALL RIGHTS RESERVED 11 The Designated Thesis Committee Approves the Thesis Titled A SENTIMENTAL PIGEON KEEPER by Adnan Alam APPROVED FOR THE DEPARTMENT OF ENGLISH AND COMPARATIVE LITERATURE SAN JOSÉ STATE UNIVERSITY December 2015 Professor Cathleen Miller Department of English and Comparative Literature Professor Persis Karim Department of English and Comparative Literature Professor Nick Taylor Department of English and Comparative Literature 11 ABSTRACT A SENTIMENTAL PIGEON KEEPER by Adnan Alam This is a memoir – a narrative work of creative nonfiction. This story takes place over a single day, during the summer of 1992, when the life of a thirteen-year old boy falls apart. -
Kaleidoscope: a Multicultural Booklist for Grades K-8
DOCUMENT RESUME ED 415 507 CS 216 145 AUTHOR Barrera, Rosalinda B., Ed.; Thompson, Verlinda D., Ed.; Dressman, Mark, Ed. TITLE Kaleidoscope: A Multicultural Booklist for Grades K-8. Second Edition, Covering Books Published from 1993-95. NCTE Bibliography Series. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-2541-7 ISSN ISSN-1051-4740 PUB DATE 1997-00-00 NOTE 257p.; For the previous edition, see ED 375 424. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 25417-3050: $12.95 members, $16.95 nonmembers). PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MF01/PC11 Plus Postage. DESCRIPTORS *Adolescent Literature; Annotated Bibliographies; Anthologies; *Childrens Literature; Cultural Differences; Elementary Education; Ethnic Groups; *Fiction; Folk Culture; Foreign Countries; Junior High Schools; Middle Schools; Multicultural Education; *Nonfiction; Picture Books; Poetry IDENTIFIERS *Multicultural Literature; Multicultural Materials; *Trade Books ABSTRACT This second edition bibliography, like its predecessor, offers educators and other interested readers a guide to some of the most compelling multicultural literature for elementary and middle school students. It includes annotations cf almost 600 nonfiction and fiction texts published from 1993 to 1995 that focus c.n people of color, particularly African Americans, Asian Americans, Latinos/Hispanic Americans, and Native Americans. Most annotations identify the particular country, nationality, -
Pilgrims Musa and Sheri/8/2010
Pilgrims Musa and Sheri in the New World by Yussef El Guindi Morgan Jenness Abrams Artists Agency 275 Seventh Avenue, Twenty Sixth Floor, New York, NY 10001 646-486-4600, FAX 646-486-0100 E-MAIL: [email protected] CAST Sheri Musa Abdallah Tayyib Gamila Street lighting partially illuminates a small studio apartment. It’s somewhat ragged in appearance, with a small single bed, and a mattress on the floor. Perhaps also a couple of chairs and a table. There is a brief muffled sound of footsteps from the apartment above. From off stage: MUSA (off-stage; accent) One more flight. SHERI (off-stage) Geez. For a three-story walk up, it feels like I’m climbing a high-rise. You must have the penthouse, huh. MUSA (off-stage) Good exercise. SHERI (off-stage) Not after eight hours on my feet. You’ve got it lucky. You sit on your tush all night. MUSA (off-stage) Here we are. Home. My little kingdom. (The sound of a key being inserted.) SHERI (off-stage) This is too sad. My panting like this. (The door opens. Musa and Sheri enter. There is a muffled sound of a door slamming from the apartment above. Musa briefly looks up.) MUSA You smoke? SHERI I gave it up. MUSA I have hookah. 2. SHERI What’s that? (He hits the light switch. But no light.) MUSA Damn. I get fuse. Wait a moment. (Musa walks to the fuse box. Sheri looks around.) SHERI (half to herself) Kingdom, huh? MUSA What? SHERI Nice place. MUSA I finish in one moment. -
Live Entertainer
GREG WALL Live Entertainer Professional solo guitarist and vocalist of 13 years, Greg Wall has performed in VIC, NSW, and all over QLD, playing a great number of weddings, corporate events and functions, special occasions, surf clubs, taverns, bars, hotels, cafes’, on boats, on islands...just about everywhere! His strength lies not only with the huge selection of songs he is capable of performing, but his truly amazing vocal range and quality, which is superior to most solo performers of his type. An ability to read his audience and create an appropriate playlist for each and every event or occasion is only yet another talent held by Greg, who guarantees superior quality and satisfaction for every performance. Weddings For weddings Greg will supply a full song-list for you to choose from, and ask if there is a specific song/s you would like performed for your Isle Entry/Exit, Ceremony (general), Bridal waltz etc. If there is, he will endeavor to learn it, that is, if it’s not already on his list. As part of his service to your wedding Greg also offers the use of his equipment for speeches or other music during breaks such as iPod etc. Offering nothing but professionalism and commitment for your special day, once again Greg’s guarantee of superior quality and satisfaction rings through! ROGUE ENTERTAINMENT PTY LTD PO Box 1652, Mudgeeraba QLD, 4213 Phone: 0449 833 121 ABN: 44 134 391 923 www.rogueentertainment.com.au Complete Songlist Inaudible Melodies – Jack Johnson Revelry – Kings of Leon Stand by me – John Lennon FREE – Donavon Frankenrieter -
SPIDER-MAN: a BUMPY RIDE on BROADWAY the Broadway Production of “Spider-Man: Turn Off the Dark” Suffered from Vast Expenses and Discord
FROM THE NEW YORK TIMES ARCHIVES SPIDER-MAN: A BUMPY RIDE ON BROADWAY The Broadway production of “Spider-Man: Turn Off the Dark” suffered from vast expenses and discord. (Sara Krulwich/The New York Times) TBook Collections Copyright © 2015 The New York Times Company. All rights reserved. Cover photograph by Sara Krulwich/The New York Times This ebook was created using Vook. All of the articles in this work originally appeared in The New York Times. eISBN: The New York Times Company New York, NY www.nytimes.com www.nytimes.com/tbooks Broadway’s ‘Spider-Man’ Spins A Start Date By PATRICK HEALY February 24, 2009 The widely anticipated new musical “Spider-Man, Turn Off the Dark,” with music and lyrics by Bono and the Edge and directed by Julie Taymor (“The Lion King”), took a big swing toward a Broadway debut on Tuesday: the producers announced that the show would begin previews on Jan. 16 at the Hilton Theater. The musical, produced by Hello Entertainment/David Garfinkle, Martin McCallum, Marvel Entertainment and Sony Pictures Entertainment, is to open on Feb. 18. Industry insiders have said its budget would be the largest in Broadway history, about $40 million; a spokesman for the show, Adrian Bryan-Brown, said on Tuesday that the producers would not comment on the dollar amount. ‘Spider-Man’ Musical Names 2 Of Its Stars June 27, 2009 Evan Rachel Wood will be Mary Jane Watson and Alan Cumming will star as Norman Osborn (a k a Green Goblin) in the upcoming Broadway musical “Spider-Man, Turn Off The Dark,” the producers announced on Friday. -
Behind the Songs with Lynn Ahrens and Stephen Flaherty
Behind the Songs with Lynn Ahrens and Stephen Flaherty [00:00:05] Welcome to The Seattle Public Library’s podcasts of author readings and library events. Library podcasts are brought to you by The Seattle Public Library and Foundation. To learn more about our programs and podcasts, visit our web site at w w w dot SPL dot org. To learn how you can help the library foundation support The Seattle Public Library go to foundation dot SPL dot org [00:00:38] Thank you so much. We are so excited over at the Fifth Avenue to be partnering with The Seattle Public Library and these community conversations and we're so thankful that you all decided to come here on this beautiful Monday sunny night in Seattle. I don't know what you're doing inside it's gorgeous out there. Well we're going to wow you with some songs tonight and a wonderful conversation at the Fifth. We're currently presenting "Marie - Dancing Still", a new musical based on the life of and the world of the young ballet student who inspired the masterpiece by Dagmar. The little dancer. And tonight we have two very special guests with us the writers of Lynn Ahrens who wrote the book and lyrics and Stephen Flaherty who composed the music. Ahrens similarity we're gonna embarrass you a little bit. You are considered the foremost theatrical songwriting team of their generation and that's true. They are. They of course wrote the Tony Award winning score for the musical masterpiece ragtime and began their Broadway career with the irresistible.