Mormon Bibliography 1988
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The Teachings of Church Leaders Regarding the Crucifixion of Jesus Christ: 1852–2018
The Teachings of Church Leaders Regarding the Crucifixion of Jesus Christ: 1852–2018 John Hilton III, Emily K. Hyde, and McKenna Grace Trussel rom the beginnings of The Church of Jesus Christ of Latter-day FSaints (herein referred to as “the Church”), the Crucifixion of Jesus Christ has been at the heart of its theology. In numerous revelations received by Joseph Smith, the Savior is identified as having been “cru- cified for the sins of the world” (D&C 53:2; see also 21:9, 35:2, 46:13, 54:1, 76:41). President Brigham Young taught that salvation was only “through the name and ministry of Jesus Christ, and the atonement he made on Mount Calvary.”1 President John Taylor said that Christ “was crucified and put to death to atone for the sins of the world.”2 President Wilford Woodruff stated, “The Lord Jesus was crucified on Mount Cal- vary for the sins of the world.”3 And President Lorenzo Snow taught that Christ “sacrificed his life on Mount Calvary for the salvation of the human family.”4 In 1918, President Joseph F. Smith wrote “that redemp- tion had been wrought through the sacrifice of the Son of God upon the cross” (D&C 138:35), and in 1941, President Heber J. Grant testified that Christ “came to this earth with a divine mission to die upon the cross as the Redeemer of mankind, atoning for the sins of the world.”5 In brief, 1. Brigham Young, in Journal of Discourses, 26 vols. (Liverpool: F. D. Rich- ards, 1855–86), 9:365 (August 31, 1862). -
The Presidents of the Church the Presidents of the Church
The Presidents of the Church The Presidents of the Church Teacher’s Manual Published by The Church of Jesus Christ of Latter-day Saints Salt Lake City, Utah © 1989, 1993, 1996 by The Church of Jesus Christ of Latter-day Saints All rights reserved Printed in the United States of America English approval: 2/96 Contents Lesson Number and Title Page Helps for the Teacher v 1 Our Choice to Follow Christ 1 2 The Scriptures—A Sure Guide for the Latter Days 5 3 Revelation to Living Prophets Comes Again to Earth 10 4 You Are Called to Build Zion 14 5 Listening to a Prophet Today 17 6 The Prophet Joseph Smith—A Light in the Darkness 23 7 Strengthening a Testimony of Joseph Smith 28 8 Revelation 32 9 Succession in the Presidency 37 10 Brigham Young—A Disciple Indeed 42 11 Brigham Young: Building the Kingdom by Righteous Works 48 12 John Taylor—Man of Faith 53 13 John Taylor—Defender of the Faith 57 14 A Missionary All Your Life 63 15 Wilford Woodruff—Faithful and True 69 16 Wilford Woodruff: Righteousness and the Protection of the Lord 74 17 Lorenzo Snow Served God and His Fellowmen 77 18 Lorenzo Snow: Financing God’s Kingdom 84 19 Make Peer Pressure a Positive Experience 88 20 Joseph F. Smith—A Voice of Courage 93 21 Joseph F. Smith: Redemption of the Dead 98 22 Heber J. Grant—Man of Determination 105 23 Heber J. Grant: Success through Reliance on the Lord 110 24 Turning Weaknesses and Trials into Strengths 116 25 George Albert Smith: Responding to the Good 120 26 George Albert Smith: A Mission of Love 126 27 Peace in Troubled Times 132 iii 28 David O. -
CH Rental 6/11/14 10:21 AM Page 1
06-22 DCINY_CH Rental 6/11/14 10:21 AM Page 1 Sunday Afternoon, June 22, 2014, at 2:00 Isaac Stern Auditorium / Ronald O. Perelman Stage Distinguished Concerts International New York (DCINY) Iris Derke, Co-Founder and General Director Jonathan Griffith, Co-Founder and Artistic Director presents Under the Western Sky Hometown Praise: Music from Utah UTAH VOICES and THE LEGACY BRASS ENSEMBLE MICHAEL D. HUFF, Director CARRIE MORRIS, Accompanist WILLIAM WALKER “Saints Bound for Heaven” from arr. Mack Wilberg The Southern Harmony (1835) KURT BESTOR “Prayer of the Children” arr. Andrea S. Klouse LEROY ROBERTSON “The Lord’s Prayer” from Oratorio from the Book of Mormon Music by J. ELLIS “How Firm a Foundation” Lyrics by ROBERT KEEN arr. Mack Wilberg Music by CRAWFORD Selections from Promised Valley GATES, Lyrics by ARNOLD SUNDGAARD WILLIAM CLAYTON “Come, Come Ye Saints” arr. Mack Wilberg SAMUEL A. WARD “America, the Beautiful” arr. Michael D. Huff IRISH FOLK SONG “Be Thou My Vision” arr. Michael D. Huff ENGLISH FOLK SONG “Thou Gracious God, Whose Mercy Lends” arr. Mack Wilberg Intermission PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES. 06-22 DCINY_CH Rental 6/11/14 10:21 AM Page 2 MARIACHI ESPUELAS DE PLATA NORTH SIDE HIGH SCHOOL (TX) RAMON NIÑO III, Director IMELDA MARTINEZ, Director PEPE GUIZAR “Tema y Guadalajara” arr. Crescencio Hernández/ Carlos Martinez TRADITIONAL “Trompetas del Diablo” Polka arr. José Hernández VERACRUZ FOLK SONG “El Alegre” arr. José Hernández / Eduardo López DISTINGUISHED CONCERT SINGERS INTERNATIONAL CRISTIAN GRASES, DCINY Debut Conductor CARLOS CUEVAS, Piano WALDO CHAVEZ, Bass AARON SERFATY, Percussion DAWN DRAKE, Percussion ALBERTO GRAU “El Viento ” from Opereta Ecológica ALBERTO GRAU “La Cucaracha” LARRY FARROW “Jamaican Market Place” CRISTIAN GRASES Gloria (World Premiere) Gloria Te Alabamos Señor Dios Porque Solo Tú Am én CRISTIAN GRASES “Tottoyo” CRISTIAN GRASES “Calypso “ We Want to Hear From You! Upload your intermission photos and post-show feedback to Twitter, Instagram, and Facebook. -
Ttu Minbdm 000301.Pdf
TEXAS TECH UNIVERSITY Texas Tech is a state-supported, multipurpose university of over 23,000 students enrolled in six colleges-Agricultural Sciences, Arts and Sciences, Business Administration, Education, Engineering, and Home Economics- and two schools-the Graduate School and the School of Law. The_Texas Tech Health Sciences Center-a separate institution- and the Museum share the Lubbock campus with the University. As is necessary for an educational institution of its scope and purposes, Texas Tech operates in several locations. Beyond its 1,839-acre Lubbock campus- all in one tract-the University operates a 13,822-acre agricultural and biological laboratory through the Texas Tech University Center at Amarillo. Under development are other agricultural research and teaching facilities in Lubbock County and in Terry County. As a part of its medical role, the Health Sciences Center has in various stages of development three Regional academic Health Centers: in Amarillo, in El Paso, and in Odessa-Midland. The Texas Tech University Center at Junction, in the Texas hill country, is a 411-acre unit consisting of classroom and lodging facilities. Paul Whitfield Horn, the first president of Texas Tech, drew from the broad open plains of West Texas his vision for the institution. "Let us make the work of our college fit into the scope of our country," he said. "Let our thoughts be big thoughts and broad thoughts. Let our thinking be in world-wide-terms." Horn's challenge to Texas Tech, now embarked on its second fifty years, continues as a viable force. His insight is most evident as we-faculty and students, administrators and alumni, supporters and friends- strive to shape the University's programs and activities to meet the highest standards of excellence in teaching, research, and public service. -
The Wedding of Music and Scripture in Leroy Robertson's Oratorio from the Book of Mormon
Inspired Melody and Chosen Word: The Wedding of Music and Scripture in Leroy Robertson's Oratorio from the Book of Mormon Marian Robertson-Wilson The Oratorio from the Book of Mormon by Leroy Robertson is a dramatic presentation of certain events in the Book of Mormon which are portrayed by key personages and tied together by a compact narrative. As such, it resembles an unstaged opera. Robertson himself described it as “a fresh, new American approach to the greatest, age-old story ever told” and further stated that in this composition he hoped to crystallize the powerful events concerning the prediction, the birth, ministry, death and resurrection of Jesus Christ, as contained in the Book of Mormon, at a high level of art which would give it [the story] a degree of permanence as a work.1 Brief History of Its Composition The idea for an oratorio based on material from the Book of Mormon was rst planted in Robertson’s mind by Apostle Melvin J. Ballard circa 1919 when this high church dignitary chanced one day to sit by the young violin- toting musician during a ride to Salt Lake City on the old interurban train.2 Although the concept never left him, Robertson was unable to begin serious and consistent work on the Oratorio until the 1940s. It was virtually completed in 1947 and premiered in 1953 by University of Utah choruses, the required soloists, and the Utah Symphony, all under the direction of Maurice Abravanel.3 It was recorded by a local company at that time, and then again in 1961 by Abravanel and his loyal forces under the auspices of Vanguard Recording Society, Inc. -
Tesis Doctoral
UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE FILOLOGÍA TESIS DOCTORAL La Iglesia de Jesucristo de los Santos de los Últimos Días: implantación, desarrollo en España y estudio comparativo con otros países europeos MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Faustino López Requena Madrid, 2014 ©Faustino López Requena, 2014 “La Iglesia de Jesucristo de los Santos de los Últimos Días: Implantación, desarrollo en España y estudio comparativo con otros países europeos” Tesis doctoral de Faustino López Requena 1 Prólogo ........................................................................................................................................ 7 Capítulo 1: Una iglesia con un nombre largo y una historia relativamente corta .......................... 10 1.1 El nombre de la iglesia y de sus feligreses ........................................................................ 10 1.2 El profeta José Smith y la Restauración de un evangelio perdido ...................................... 12 1.3 El Libro de Mormón: su papel en la Restauración ............................................................. 13 1.4 La búsqueda del establecimiento de Sión, una “sociedad utópica” .................................... 15 1.5 Emigrar a los Estados Unidos: El Fondo Perpetuo para la Emigración .............................. 16 Capítulo 2: Estudios sobre el Mormonismo ................................................................................ 17 2.1 La pretensión del mormonismo de ser “la verdad” ........................................................... -
The Secularization of the Repertoire of the Mormon Tabernacle Choir, 1949-1992
THE SECULARIZATION OF THE REPERTOIRE OF THE MORMON TABERNACLE CHOIR, 1949-1992 Mark David Porcaro A dissertation submitted to the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music (Musicology) Chapel Hill 2006 Approved by Advisor: Thomas Warburton Reader: Severine Neff Reader: Philip Vandermeer Reader: Laurie Maffly-Kipp Reader: Jocelyn Neal © 2006 Mark David Porcaro ALL RIGHTS RESERVED ii ABSTRACT MARK PORCARO: The Secularization of the Repertoire of the Mormon Tabernacle Choir, 1949-1992 (Under the direction of Thomas Warburton) In 1997 in the New Yorker, Sidney Harris published a cartoon depicting the “Ethel Mormon Tabernacle Choir” singing “There’s NO business like SHOW business...” Besides the obvious play on the names of Ethel Merman and the Mormon Tabernacle Choir, the cartoon, in an odd way, is a true-to-life commentary on the image of the Salt Lake Mormon Tabernacle Choir (MTC) in the mid-1990s; at this time the Choir was seen as an entertainment ensemble, not just a church choir. This leads us to the central question of this dissertation, what changes took place in the latter part of the twentieth century to secularize the repertoire of the primary choir for the Church of Jesus Christ of Latter-day Saints (LDS)? In the 1860s, when the MTC began, its sole purpose was to perform for various church meetings, in particular for General Conference of the LDS church which was held in the Tabernacle at Temple Square in Salt Lake City. From the beginning of the twentieth century and escalating during the late 1950s to the early 1960s, the Choir’s role changed from an in-house choir for the LDS church to a choir that also fulfilled a cultural and entertainment function, not only for the LDS church but also for the American public at large. -
The Improvement Era May
^m^si^ few ' MBWfM rV*i f Vv 1 '. *v* ffi 1 : 941 -ii7 Kr MAY, VOLUME 44 NUMBER 5 RETURN POSTAGE GUARANTEED »*• *.. Y, UTAH f j# #: : :*: ::!:: : . ¥: : %*&&:::: LJO TO UTAH FARMERS In the rich, table-level Platte Valley of Nebraska's Dawson County, I talked with a man who's figured a lot of answers during over 40 years of farming in these parts. Partly retired now, living in Lexington, Elmer E. Youngs still actively supervises a 320 -acre farm. "Pumps are my answer to dry years," Elmer Youngs told me (photo shows one of two Youngs' pumps) . "When you give it plenty of water this is just as great a feed country as it was when my wife and I came out here back in '97. In the old days you never saw pumps in this section. We depended on rainfall and what water we could get from ditches off the Platte River. But there's little water in the ditches lately. It's been necessary to irrigate corn land to make a crop. I get ample water from my two pumps. It's only about 20 feet down to water and each of my pumps will throw about 1200 gallons a minute." For ten years Mr. Youngs was president of the Dawson County Farm Bureau and state president for two years. He now serves on the board of governors of the U. S. Livestock Breeders Association. —Your Safeway Farm Reporter TAKE IT FROM ELMER YOUNGS... "Farmers today have just as much opportunity as the "No matter how high the price of grain goes, feed old-timers ever did. -
1500 METERS/MILE Y = Mile Race 1921 (Chicago, June 18) 1
1500 METERS/MILE y = mile race 1921 (Chicago, June 18) 1. Ray Watson (Kansas State) ............................... Sr ...............4:23.4y (MR) 2. Gordon McGinnis (Illinois) ................................. Jr ................nt 3. Mearl Sweitzer (Minnesota) ............................... So ..............nt 4. Oscar Ferguson (Ohio State) ............................. Jr ................nt 5. Stanley Graham (Iowa State) ............................ Sr ...............nt 1922 (Chicago, June 17) 1. Larry Shields (Penn State) ................................. Sr ...............4:20.4y (MR) 2. Bruce Patterson (Illinois) ................................... Jr ................nt 3. Jimmy Connolly (Georgetown) .......................... Jr ................nt 4. Walter Wikoff (Ohio State) ................................. So ..............nt 5. Cliff Furnas (Purdue) ......................................... Sr ...............nt 1923 (Chicago, June 16) 1. Schuyler Enck (Penn State) ............................... Jr ................4:27.4y 2. Virgil Robbins (Wabash) .................................... Jr ................nt 3. Fred Brandes (Hamline) .................................... Sr ...............nt 4. Earl Schneider (Wisconsin) ............................... Jr ................nt 5. Egil Krogh (Chicago) ......................................... Sr ...............nt 6. Tel Telford (Northwestern) ................................. So ..............nt 1924 (no meet) All-Time NCAA Men’s Results—© E. Garry Hill/T&FN 2020 -236- 1925 (Chicago, -
A History of Brigham Young College, Logan, Utah
Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 5-1973 A History of Brigham Young College, Logan, Utah Arnold K. Garr Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the History Commons Recommended Citation Garr, Arnold K., "A History of Brigham Young College, Logan, Utah" (1973). All Graduate Theses and Dissertations. 4395. https://digitalcommons.usu.edu/etd/4395 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. A IDSTORY OF BRIGHAM YOUNG COLLEGE, LOGAN, UTAH by Arnold K. Garr A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in History UTAH STATE UNIVERSITY Logan, Utah 1973 ii PREFACE Brigham Young College was founded July 24, 1877 by its namesake Brigham Young, the president of the Mormon church. In its forty-nine year his 1 tory nearly forty thousand students attended B. Y. C. When the church gave word that it must be closed, many were shocked at the news. The final annual com- mencement exercises for the college were held May 23, 1926 in the Logan Taber- nacle at Logan, Utah. This marked the end of a school that holds a warm spot in the hearts of many people living in Cache Valley and the surrounding communities. The history of Brigham Young College can be divided into three general periods. -
The Vaudois Revisitd
The Vaudois Revisited By Archibald F. Bennett n morning last September Pres- their vindictive encircling enemies. ON THE LATE MASSACRE IN ident James L. Barker of the Burned at the stake, buried alive, stoned, PIEDMONT OFrench Mission and I set out sawn asunder, hanged, herded into vile from Paris. By assignment from and disease-laden dungeons, the Avenge, 0 Lord, thy slaughtered saints, President Alma Sonne of the European repeated objects of pitiless crusades, whose bones Mission we were to visit the Vaudois in their homes burned and possessions Lie scatter'd on the Alpine mountains their homeland amid Alpine valleys. plundered, hunted down by cold; Even them who kept thy truth As the car sped across France bloodhounds, pursued from glen to glen. so pure of old, toward northern Italy, President Barker over rocks and crags and icy mountains, When all our fathers worshiped stocks refreshed my mind on the history of this yet they defied their assailants, defended and stones, unique and valorous people.* their rugged defiles, putting whole Forget not. In thy book record their Aptly described by one author as armies to rout, and maintained their groans "Israel of the Alps," the Vaudois or ancient faith. Who are thy sheep, and in their Waldenses are probably the oldest Thirty-five or more persecutions ancient fold continuous Protestant community in the have been launched against them. Slain by the bloody Piedmontese, that world, and their church influential Francis I ordered their extermination in rolled Mother with infant down the among other reformed churches. By 1541. In 1655, their overlord, the Duke rocks. -
J.J. Keeler History
J.J. Keeler History Photo taken 1968 By Dr. Glenn Williams Brigham Young University School of Music Professor of Organ 1935-1996 (61 years) Interview with Virginia Keeler June 2, 2008 (95 years of age) June 2, 2008 with Mike Ohman Virginia Bowles Keeler 2 Education: Graduated from Brigham Young High School 1931 Certificate from Karl Straube, Leipzig, Germany 1933 Brigham Young University, B.M. abt 1935 Brigham Young University, M.M. abt 1950 Early Brigham Young University Music Faculty: Dr. Franklin Madsen, with his wide experience as a conductor in the United States and Europe and with his extensive educational background, has created within the Music Department of the Brigham Young University a noted degree of excellence in choral music. Dr. Madsen has also been teaching at the Chicago College of Music during the summer months, and has toured Europe as a musician on three different occasions. The combined choruses of the men and women’s glee clubs, as well as other students interested in vocal music, are known as the Concert Chorus. This group, directed by Dr. Franklin Madsen and Dr. Florence Jepperson Madsen, has been praised highly for their appreciation of choral singing and the refined quality they display in singing classical and church music. The chorus, accompanied by the University’s Symphony Orchestra, and the organ artistry of Professor J. J. Keeler, presented to an equally enthusiastic audience the famed Handel’s ―Messiah.‖ Dr. Florence Jepperson Madsen shares with her husband the commendation and praise for their accomplishments in vocal music, and is tireless in her efforts to further good music at the University.