Feature Film Projects Developed Within FEATURE LAUNCH 2018 Program
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Polish Cinema for Beginners
Polish Cinema for Beginners "Polish Cinema for Beginners" is a unique project - the first of its kind - both in Wroclaw and all of Poland, whose first edition took place in 2012 and was very popular with audiences. It is aimed directly at foreigners in order to present them with the masterpieces of Polish cinema. This will be shown, with English subtitles, on the big screen in Kino Nowe Horyzonty (New Horizons Cinema). In order to present the historical and artistic context of the films, each screening is introduced by a lecture in English, led by renowned experts - film scholars , journalists and scientists. Thanks to this, the project has not only entertainment, but also educational value, thus serving as a valuable course in Polish culture. Each screening is followed by an open discussion in which different cultural viewpoints are shared. After the discussion, viewers are cordially invited to a Polish Party in Wroclaw’s Gradient Club (at Solny Square). Our goal Through regular meetings and screenings of Polish films, we want to support the integration process of foreigners living in Wroclaw. We also want to show the history of Polish cinema and, more broadly, Polish culture, by placing the films in a wider socio- historical context. English-speaking Polish viewers will have the opportunity to see their native Polish films from a slightly different perspective, which - as shown by the reactions of foreigners during post-screening discussions – is sometimes surprising. What is more, we want to co-create the identity of Wroclaw as a city that stands out on the Polish map by offering equal- opportunity access to the cultural heritage of our country, by being an open city, and – especially in the context of its being chosen as European Capital of Culture 2016 – by offering an interesting and unique range of cultural and educational activities. -
Painful Past, Fragile Future the Delicate Balance in the Western Balkans Jergović, Goldsworthy, Vučković, Reka, Sadiku Kolozova, Szczerek and Others
No 2(VII)/2013 Price 19 PLN (w tym 5% VAT) 10 EUR 12 USD 7 GBP ISSN: 2083-7372 quarterly April-June www.neweasterneurope.eu Painful Past, Fragile Future The delicate balance in the Western Balkans Jergović, Goldsworthy, Vučković, Reka, Sadiku Kolozova, Szczerek and others. Strange Bedfellows: A Question Ukraine’s oligarchs and the EU of Solidarity Paweï Kowal Zygmunt Bauman Books & Reviews: Tadeusz Mazowiecki, Mykola Riabchuk, Robert D. Kaplan and Jan Švankmajer Seversk: A New Direction A Siberian for Transnistria? Oasis Kamil Caïus Marcin Kalita Piotr Oleksy Azerbaijan ISSN 2083-7372 A Cause to Live For www.neweasterneurope.eu / 13 2(VII) Emin Milli Arzu Geybullayeva Nominated for the 2012 European Press Prize Dear Reader, In 1995, upon the declaration of the Dayton Peace Accords, which put an end to one of the bloodiest conflicts in the former Yugoslavia, the Bosnian War, US President, Bill Clinton, announced that leaders of the region had chosen “to give their children and their grandchildren the chance to lead a normal life”. Today, after nearly 20 years, the wars are over, in most areas peace has set in, and stability has been achieved. And yet, in our interview with Blerim Reka, he echoes Clinton’s words saying: “It is the duty of our generation to tell our grandchildren the successful story of the Balkans, different from the bloody Balkans one which we were told about.” This and many more observations made by the authors of this issue of New Eastern Europe piece together a complex picture of a region marred by a painful past and facing a hopeful, yet fragile future. -
Obce Ciało Press Kit En
FOREIGN BODY Directed by Krzysztof Zanussi CAST Angelo Riccardo Leonelli Kris Agnieszka Grochowska Kasia Agata Buzek Mira Weronika Rosati Father Sławomir Orzechowski Tamara Chulpan Khamatova Adam Bartek Żmuda Róża Ewa Krasnodębsk a Alessio Mattia Mor Angelo ’ mother Victoria Zinny Journalist Jacek Poniedziałek Hypnotist Janusz Chabior Mother Superior Stanisława Celińska Priest Maciej Robakiewicz Focolarino Tadeusz Bradecki Police officer Bartosz Obuchowicz CREW Director Krzysztof Zanussi Screenplay Krzysztof Zanussi Director of photography Piotr Niemyjski Costium e designer Katarzyna Lewińska Production designer Joanna Macha Producer Krzysztof Zanussi Executive producer Janusz Wąchała PRODUCTION DETAILS Genre drama Country Pol and / Italy / R ussia Production company TOR Film Production Co -produc tion companies Revolver Film In cooperation with TVCo National Program „Within The Family” WFDiF TVP With suport of TZMO S.A., Bella, Rostec Co -financed by Polish Film Institute Ministry of Culture and National Heritage TOR Film Production, e-mail: [email protected], phone: +48(22)8455303, www.tor.com.pl The Director about the film: “The film, which is intended to be a psychological drama, gives an account of a clash of corporate cynicism with youthful idealism. The perversity of the story comes from the fact that the one persecuted is a young man, an Italian, who is a genuine Christian. On the other side stands a row of liberated women who outperform the men in their cynicism and brutality of conduct. The result of the clash is inconclusive – idealism falters, although it has its Lord, while cynicism cracks, even though it’s far from being converted. The genealogy of the liberated woman catches a glimpse back to the past. -
Network Review #37 Cannes 2021
Network Review #37 Cannes 2021 Statistical Yearbook 2020 Cinema Reopening in Europe Europa Cinemas Network Review President: Nico Simon. General Director: Claude-Eric Poiroux Head of International Relations—Network Review. Editor: Fatima Djoumer [email protected]. Press: Charles McDonald [email protected]. Deputy Editors: Nicolas Edmery, Sonia Ragone. Contributors to this Issue: Pavel Sladky, Melanie Goodfellow, Birgit Heidsiek, Ste- fano Radice, Gunnar Rehlin, Anna Tatarska, Elisabet Cabeza, Kaleem Aftab, Jesus Silva Vilas. English Proofreader: Tara Judah. Translation: Cinescript. Graphic Design: Change is good, Paris. Print: Intelligence Publishing. Cover: Bergman Island by Mia Hansen-Løve © DR CG Cinéma-Les Films du Losange. Founded in 1992, Europa Cinemas is the first international film theatre network for the circulation of European films. Europa Cinemas 54 rue Beaubourg 75003 Paris, France T + 33 1 42 71 53 70 [email protected] The French version of the Network Review is available online at https://www.europa-cinemas.org/publications 2 Contents 4 Editorial by Claude-Eric Poiroux 6 Interview with Lucia Recalde 8 2020: Films, Facts & Figures 10 Top 50 30 European movies by admissions Czech Republic in the Europa Cinemas Network Czech exhibitors try to keep positive attitude while cinemas reopen 12 Country Focus 2020 32 France 30 French Resistance Cinema Reopening in Europe 34 46 Germany The 27 Times Cinema initiative Cinema is going to have a triumphant return and the LUX Audience Award 36 Italy Reopening -
Corpus Christi
CORPUS CHRISTI A FILM BY JAN KOMASA POLAND, FRANCE 2019 Corpus Christi is the story of a 20-year-old Daniel who experiences a spiritual transformation while living in a Youth Detention Center. He wants to become a priest but this is impossible because of his criminal record. When he is sent to work at a carpenter’s workshop in a small town, on arrival he dresses up as a priest and accidentally takes over the local parish. The arrival of the young, charismatic preacher is an opportunity for the local community to begin the healing process after a tragedy that happened there. SYNOPSIS Corpus Christi was actually inspired by true events. Was it It’s interesting that a person deprived of a traditional se- just one particular story? minary formation would actually touch people on a much deeper level. Daniel’s sermons in the film are very direct and There was one case, which actually generated some head- honest – how did you develop them? lines in Poland, of a boy who impersonated a priest for about three months. His name was Patryk and he was probably 19 In order to avoid making another broad comedy à la [Whoopi years old at the time. Mateusz Pacewicz, who wrote the script, Goldberg’s vehicle] Sister Act, we needed to make sure the wrote an article about it and that’s how this entire film came viewer would believe that these people believed as well. It into being. We changed his name to Daniel, but the characters was quite a challenge, both when it comes to the script and are similar and so is the way that led him to this small town. -
Agata Buzek | Biography
AGATA BUZEK | BIOGRAPHY Agata Buzek was born in Gliwice, Poland and trained at the Theatre Academy in Warsaw. Since her film debut in LA BALLATA DEI LAVAVETRI (Peter del Monte, Italy, 1998), she has worked in many international co- productions including LIBRE CIRCULATION (Jean-Marc Moutout, 2002), VALERIE (Birgit Möller, 2007) as well as in films with renowned directors including: THE HIDDEN TREASURE (Skarby Ukryte, Krysztof Zanussi, 2000); THE REVENGE (Zemsta, Andrzej Wajda, 2002) for which Agata was nominated as Best Supporting Actress at the Polish Film Awards; NIGHTWATCHING (Peter Greenaway, 2007) and WITHIN THE WHILRWIND (Marleen Gorris, 2008). For her performance in Borys Lankosz’s REVERSE (Poland’s national submission for the 2010 Academy Award for Best Foreign Language Film), Agata received a Best Actress award at the 34th Polish Film Festival in Gdynia and she was named as Berlinale Shooting Star 2010 for Poland. In 2012 Agata was co-starring alongside Jason Statham in HUMMINGBIRD. IMDb Pro and IMDb www.spiel-kind.com | 28.09.2021 Agata Buzek | CV FEATURE | TELEVISION 2021 | Das Netz - Prometheus (AT) | TV series | Director: Andreas Prochaska, Daniel Prochaska | MR Film, Sommerhaus Serien, Red Bull Media House, Beta Film | ARD Degeto, Servus TV 2020 | Paradis Sale | feature film | Director: Bertrand Mandico | Ecce Films 2019 | Tak ma byc | feature film | Director: Lukasz Grzegorzek | Koskino Natalia Grzegorzek 2019 | The Pit | feature film | Director: Dace Puce | Marana Production, Inland Film Company 2019 | Dune Dreams | feature -
The Innocents
presents THE INNOCENTS A film by Anne Fontaine 115 min | France/Poland | 2016 | PG-13 | 1.85 In French and Polish with English subtitles Official Website: http://www.musicboxfilms.com/innocents Press Materials: http://www.musicboxfilms.com/innocents-press New York/National Press Contacts: Sophie Gluck & Associates Sophie Gluck: [email protected] | 212-595-2432 Aimee Morris: [email protected] | 212-595-2432 Los Angeles Press Contacts: Marina Bailey Film Publicity Marina Bailey: [email protected] | 323-962-7511 Sara Tehrani: [email protected] | 323-962-7511 Music Box Films Contacts Marketing & Publicity Yasmine Garcia | [email protected] | 312-508-5362 Theatrical Booking Brian Andreotti | [email protected] | 312-508-5361 Exhibition Materials Lindsey Jacobs | [email protected] | 312-508-5365 FESTIVALS AND AWARDS Official Selection – Sundance Film Festival Official Selection – COLCOA Film Festival Official Selection – San Francisco Int’l Film Festival Official Selection – Minneapolis St. Paul Int’l Film Festival Official Selection – Newport Beach Film Festival SYNOPSIS Warsaw, December 1945: the second World War is finally over and French Red Cross doctor Mathilde (Lou de Laage) is treating the last of the French survivors of the German camps. When a panicked Benedictine nun appears at the clinic begging Mathilde to follow her back to the convent, what she finds there is shocking: a holy sister about to give birth and several more in advanced stages of pregnancy. A non-believer, Mathilde enters the sisters’ fiercely private world, dictated by the rituals of their order and the strict Rev. Mother (Agata Kulesza, Ida). Fearing the shame of exposure, the hostility of the occupying Soviet troops and local Polish communists and while facing an unprecedented crisis of faith, the nuns increasingly turn to Mathilde as their beliefs and traditions clash with harsh realities. -
02 Main Catalogue Front
GLOBAL VISION 環球視野 Turkey 土耳其 Poland/France 波蘭/法國 2020 | Turkish/Kurdish 2019 | Polish | DCP | Colour | 116min DCP/Online | Colour | 85min Director Jan Komasa Director Ferit Karahan Producer Aneta Hickinbotham, Leszek Bodzak Producer Kanat Do ramacı Scriptwriter Mateusz Pacewicz Scriptwriter Ferit Karahan, Gülistan Acet Cinematographer Piotr Soboci ski Jr. Cinematographer Türksoy Gölebeyi Editor Przemysław Chru cielewski Editor Sercan Sezgin, Hayedeh Safiyari, Production Designer Marek Zawierucha Ferit Karahan Music Galperin Brothers Production Designer Tolunay Türköz Sound Kacper Habisiak, Marcin Kasinski, Sound Srdjan Kurpjel Tomasz Wieczorek Cast Samet Yıldız, Ekin Koç, Mahir Ipek, Cast Bartosz Bielenia, Aleksandra Konieczna, Nurullah Alaca, Cansu Fırıncı, Melih Selçuk Eliza Rycembel, Tomasz Zi tek Production Asteros Film Production Aurum Film World Sales Intramovies World Sales New Europe Film Sales Persons Aged 18 and Above Only 只准18歲或以上人士 Corpus Christi Bo e Cia o 流氓神父 Corpus Christi was actually inspired by true events. Was it just one [導演訪問] particular story? 《流氓神父》啟發自真人真事,是否取材自某一特定 There was one case, which actually generated some headlines in 故事? Poland, of a boy who impersonated a priest for about three months. 一個名叫帕德烈的十九歲男孩假扮神父三個月,這宗個 His name was Patryk and he was probably 19 years old at the time… 案在波蘭成為頭條新聞。我們將他易名丹尼爾,個性相 We changed his name to Daniel, but the characters are similar and 似,逃到小鎮的經歷也接近。他主持婚禮、洗禮及葬 so is the way that led him to this small town. This boy performed 禮,對此產生興趣,真的想成為神父。我們以此故事為 weddings, baptisms and conducted funeral ceremonies. He was 藍本,編劇加入青年教導的劇情,以及小鎮曾經歷意外 fascinated by all this and really wanted to become a priest. So we 創傷的設定。爭議之處在於,他比上任神父取得更大成 based the film on his story, but Mateusz added the part about the 效,關鍵在於他來自教會外,不在乎教條,而民眾卻滿 juvenile detention centre and the accident that shook up the entire 意他的工作!類似事件每年都有,不單發生在波蘭;在 town… The whole controversy arose from the fact that he actually 西班牙,就有一個男人假扮神父超過十二年!他們原因 turned out to be much more efficient than his predecessor. -
Polish Days 27–29 July 2020
Polish Days 27–29 July 2020 Financed from the resources of Ministry of Culture Co-funded by and National Heritage the Polish Film Institute nowehoryzonty.pl Polish Days co-organized with the Polish Film Institute is the most important industry event of the New Horizons International Film Festival in Wroclaw festival organizers: Konieczna (Wrocław Film Commission), Anna Spisz, Michał Kosmala, Ada Festival Director – Roman Gutek Bogdziewicz (Mazovia Warsaw Film Commission), Monika Głowacka, Wenancjusz Artistic Director – Marcin Pieńkowski Szuster (Łódź Film Commission), Marta Kraus (Podkarpackie Film Commission), Head of Industry – Weronika Czołnowska Jędrzej Sabliński, Hanna Sawicka (DI Factory), Marjorie Bendeck (Connecting Cottbus), Bernd Buder (FilmFestival Cottbus), Jolanta Tokarczyk (Film & TV Guest Office Marcin– Mroziński, Marta Zientkowska Kamera), Filip Kovčin, Urszula Lipińska (FilmPro), Anna Shevchenko, Katarzyna Polish Days Coordinator – Joanna Malicka Grynienko (Film New Europe), Juliusz Pawłowski, Błażej Grzechnik, Stanisław Technical Coordinators – Marcin Marczyk, Alicja Kowalska Abramik, Michał Weksler, Aleksandra Pawełczyk, Joanna Staros (SNH) Industry Assistant – Julia Włodarczyk Proof Reader – Emilia Poisson thank you! Design: etNova – Magda Jakubowska contact details: Polish Days Co-Organizers (Polish Film Institute New Horizons Association and The Ministry of Culture and National Heritage): 1 Zamenhofa Str. General Director of Polish Film Institute – Radosław Śmigulski 00-153 Warsaw Head of International Relations Department -
Kinoteka2020 Guide-Compressed.Pdf
Welcome to Kinoteka 18! 1 kinoteka.org.u k Welcome to Kinoteka 18! Welcome to Kinoteka 18! 1 CONTENTS WELCOME TO KINOTEKA 18! Welcome to KINOTEKA 18! ................................................................ 1 As we enter a new decade, Polish film documentaries with a trio of recent films, continues to go from strength to strength. spanning topics such as loneliness, Japanese While Agnieszka Holland, that tireless voice students’ struggles with learning the Polish SCREENINGS & EVENTS from the old guard of Polish film-making, language, and romantic intimacy among the Opening Night Gala ....................................................................... 4 continues to channel her vision with Mr. tragedy of the Warsaw Ghetto. New Polish Cinema ........................................................................ 6 Jones, a number of newer talents have broken We continue to bring you the best in through – most notably, screenwriter Mateusz exclusive cinematic experiences with a Documentaries ............................................................................ 12 Pacewicz and actor Bartosz Bielenia in Corpus series of interactive events and showcases Focus: Richard Boleslawski ............................................................... 16 Christi, Poland’s short-listed entry for this encompassing the breadth of cinema history. Family Event .............................................................................. 18 year’s Academy Awards. At the 18th Kinoteka The Cinema Museum focuses on the early Tadeusz Kantor -
Corpus Christi
PRESENTE / PRESENTEERT CORPUS CHRISTI een film van / un film de Jan Komasa met / avec Bartosz Bielenia, Eliza Rycembel, Aleksandra Konieczna Mostra di Venezia 2019 - Europa Cinemas Label Award Oscar Nominee: Best International Feature Film 29 Awards !!! Polen – Frankrijk / Pologne – France – 2019 – DCP – Kleur/Couleur – 2.39 :1 – 5.1 OV met FR/NL OT / VO avec ST BIL - 118’ Distribution / Distributie : IMAGINE SORTIE NATIONALE RELEASE To be determined T : +32 2 331 64 31 / M Tinne Bral : +32 499 25 25 43 photos / foto's : http://press.imaginefilm.be SYNOPSIS NL Geïnspireerd door echte gebeurtenissen. Terwijl hij zijn straf voor een tweedegraads moord uitzit in een gesloten jeugdinstelling, ervaart Daniel een religieuze roeping maar door zijn criminele verleden zal hij nooit priester kunnen worden. Na zijn vrijlating wordt hij in een plattelandsdorp onterecht als priester ontvangen en deze kans grijpt hij met beide handen aan om zich daadwerkelijk als hun nieuwe parochiepriester op te werpen. FR Daniel, 20 ans, se découvre une vocation spirituelle dans un centre de détention pour la jeunesse mais le crime qu'il a commis l'empêche d'accéder aux études de séminariste. Envoyé dans une petite ville pour travailler dans un atelier de menuiserie, il se fait passer pour un prêtre et prend la tête de la paroisse. L'arrivée du jeune et charismatique prédicateur bouscule alors cette petite communauté conservatrice. EN Corpus Christi is the story of a 20-year-old Daniel who experiences a spiritual transformation while living in a Youth Detention Center. He wants to become a priest but this is impossible because of his criminal record. -
Cannes Edition 2021
www.filmsk.sk Cannes Edition 2021 THE HISTORY AND PRESENT OF THE SLOVAK FILM INSTITUTE editorial The Slovak Film Institute (SFI) is the sole state- funded memory and archive institution operating in the area of audiovision in Slovakia. The National Film Archive and the National Cinematographic Centre are the SFI’s basic organisational units. The SFI is a member of the SLOVAK FILM INSTITUTE International Federation of Film Archives (FIAF), European Film Promotion (since 2006); it operates as a service work- place for the European Audiovisual Observatory (EAO) and the Council of Europe cinema support fund – Eurimages. AND SLOVAK FILM COMMISSION Creative Europe Desk Slovensko is also part of the Slovak Film Institute. The Film Institute in Bratislava was established JOIN FORCES TO PROMOTE In the previous Berlinale Edition 2021, the first spe- on 1st April 1963. The film archive, which was established cial festival edition of Film.sk, we committed to the Cannes in 1958, also became part of the Institute. In 1970, the SFI and Karlovy Vary editions. However, their production process was presented with a copy of the first Slovak feature film Jánošík (dir. Jaroslav Siakeľ, 1921) which was later re- was constantly complicated by new anti-pandemic measures SLOVAKIA AT INTERNATIONAL stored and provided with a soundtrack. and date changes of festivals. As a result, we decided to put By the end of 1976, the Film Club of the Central together a combined summer festival version of Film.sk – Office of Slovak Film was opened in Bratislava. Cinema FILM MARKETS. the Cannes & Karlovy Vary Edition 2021, published on two Lumière, opened in 2011 and operated by the SFI, is locat- occasions.