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02 Main Catalogue Front GLOBAL VISION 環球視野 Turkey 土耳其 Poland/France 波蘭／法國 2020 | Turkish/Kurdish 2019 | Polish | DCP | Colour | 116min DCP/Online | Colour | 85min Director Jan Komasa Director Ferit Karahan Producer Aneta Hickinbotham, Leszek Bodzak Producer Kanat Do ramacı Scriptwriter Mateusz Pacewicz Scriptwriter Ferit Karahan, Gülistan Acet Cinematographer Piotr Soboci ski Jr. Cinematographer Türksoy Gölebeyi Editor Przemysław Chru cielewski Editor Sercan Sezgin, Hayedeh Safiyari, Production Designer Marek Zawierucha Ferit Karahan Music Galperin Brothers Production Designer Tolunay Türköz Sound Kacper Habisiak, Marcin Kasinski, Sound Srdjan Kurpjel Tomasz Wieczorek Cast Samet Yıldız, Ekin Koç, Mahir Ipek, Cast Bartosz Bielenia, Aleksandra Konieczna, Nurullah Alaca, Cansu Fırıncı, Melih Selçuk Eliza Rycembel, Tomasz Zi tek Production Asteros Film Production Aurum Film World Sales Intramovies World Sales New Europe Film Sales Persons Aged 18 and Above Only 只准18歲或以上人士 Corpus Christi Bo e Cia o 流氓神父 Corpus Christi was actually inspired by true events. Was it just one [導演訪問] particular story? 《流氓神父》啟發自真人真事，是否取材自某一特定 There was one case, which actually generated some headlines in 故事？ Poland, of a boy who impersonated a priest for about three months. 一個名叫帕德烈的十九歲男孩假扮神父三個月，這宗個 His name was Patryk and he was probably 19 years old at the time… 案在波蘭成為頭條新聞。我們將他易名丹尼爾，個性相 We changed his name to Daniel, but the characters are similar and 似，逃到小鎮的經歷也接近。他主持婚禮、洗禮及葬 so is the way that led him to this small town. This boy performed 禮，對此產生興趣，真的想成為神父。我們以此故事為 weddings, baptisms and conducted funeral ceremonies. He was 藍本，編劇加入青年教導的劇情，以及小鎮曾經歷意外 fascinated by all this and really wanted to become a priest. So we 創傷的設定。爭議之處在於，他比上任神父取得更大成 based the film on his story, but Mateusz added the part about the 效，關鍵在於他來自教會外，不在乎教條，而民眾卻滿 juvenile detention centre and the accident that shook up the entire 意他的工作！類似事件每年都有，不單發生在波蘭；在 town… The whole controversy arose from the fact that he actually 西班牙，就有一個男人假扮神父超過十二年！他們原因 turned out to be much more efficient than his predecessor. That’s 各有不同，不過很多時是為了逃避司法機關，而且要在 the thing – it was someone outside of the Church, who didn’t care 純樸小鎮蒙混欺騙也比較容易。 much for the official dogma, and people were happy with his work! ...similar cases come to light every year, and not just in Poland – in 男主角丹尼爾看不到自己的成果。最大的改變發生時， Spain, one man impersonated a priest for over a dozen years! The 他已不再站於聖壇後。 reasons why they do it can be very different. Very often they just try 此片結局是個宿命。這個為社區貢獻良多的人，到頭來 to hide from the justice system and it’s much easier to trick a small 只有他得不到任何喜悅或滿足。丹尼爾曾有機會，但 community that doesn’t ask too many questions. 他選擇了慢性自殺之路。是悲劇，但美麗之處在於他 有所成就，讓居民有足夠力量去接納他人。這正是片 Interview with Jan Komasa by Marta Balaga 名「Corpus Christi」（基督聖體）的意思。不是徹底地 寬恕，只是默默地接納。或許有點諷刺，但我們可稱之 「和解的奇蹟」。 Jan KOMASA was born in Poland in 1981 and is a director, screenwriter, and producer. SELECTED FILMOGRAPHY 主要作品 He studied directing at the Łód Film School. His short film Nice to See You (04) won 3rd 2004 Nice to See You 很高興見到你 prize at the Cannes Film Festival (Cinefondation). His feature film debut, Suicide Room (11), 2007 The Flow (docu) 暗流（紀錄片） premiered at the Berlinale. 2011 Suicide Room 自殺聊天室 楊高馬薩 1981 年生於波蘭波茲南，身兼導演、編劇及監製，曾於羅茲電影學院修讀導演 2014 Warsaw 44 浴血華沙 課程。2004 年完成首部短片《很高興見到你》，獲康城影展電影奠基競賽三等獎。首部劇 2019 Corpus Christi 流氓神父 情長片《自殺聊天室》(11) 於柏林影展首映。 2020 The Hater 仇恨之網 117.
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